Wine, Food, and Other Vital Things

Category: wine (Page 7 of 10)

Great Wines for a Great Feast: Rootstock and Delicious Alchemy Pair With Perfection

[dropcap]I[/dropcap]t was meant to be, is what I now think. Angela and I were at Vinology, a wine bar in Houston, sampling a few vintages on a Sunday afternoon. I had a lot on my mind, because my colleagues and I at the Recipe for Success Foundation were putting together the myriad parts of three events, the largest of which, Delicious Alchemy: The Banquet, involved 100 guests, 10 chefs creating a 10-course meal, and wine pairings for each course. It is the foundation’s largest fundraiser of the year, and I wanted to do my part to make it a perfect event.

One component of that perfection: wine. I sought to select great wines to pair with each course, bottles that would fit the fun and elegant affair and complement the food, which included snapper and shrimp ceviche, branzino, duck leg, and lobster bisque. A diverse menu, one that posed certain difficulties when it came to pairings. In an episode of serendipity, the decision to stop by Vinology that day led to perfection, because Nathan Smith was there.

Nathan is with Rootstock Wines, whose portfolio I love, and Angela and I had the same idea at the same time: Rootstock, and Nathan, would be perfect partners for the foundation and Delicious Alchemy. I had met Nathan several years earlier, when he was with Marco Wiles’ group of restaurants, and I respected his palate and approach. We told him about the event, that it was Recipe for Success’ most important fundraiser of the year, and that I wanted to give our guests unique wines, wines that spoke confidently of their provenance. Nathan immediately went to work, contacting the owner of Rootstock, Ian McCaffery, who also liked the idea.

Angela and I met Nathan for dinner a week or so later, at Amalfi Ristorante Italiano & Bar, whose chef and owner, Giancarlo Ferrara, would be cooking at the event. We talked more about the dinner, its scope and timeline, and the chefs involved. I was in the final stages of compiling a complete menu, which, a week or so later, I shared with Nathan, and the rest is history. Nathan and Ian began reaching out to their producers, who came through with aplomb, and the fine people at Kermit Lynch also offered their services. After a lot of work and thought and gracious acts (special gratitude goes to Silvia Altare and Riccardo Sorbino), the wines, and food, were set, and they were, to my mind, perfect. See for yourself:

The menu for Delicious Alchemy: The Banquet is a thing of beauty.

 

Nathan Smith: I like his style. (Nick de la Torre/Houston Chronicle )

[dropcap]T[/dropcap]he day arrived — May 7 — and all was in order. Nathan came to the event venue — a beautiful home in the Memorial area in Houston — in the afternoon, to open bottles and taste and confer with the service staff about the wines. We tasted and talked about the selections, and Nathan poured for the chefs. Guests arrived, dinner began, and it all went oh so well. As I wrote, Delicious Alchemy: The Banquet, is our largest fundraiser, and this year’s edition, thanks to the support and largesse of the guests, donors, and partners, raised nearly $240,000.

I cannot say enough about these selections, and I urge you to find and taste them for yourself. If you are in Houston, Houston Wine Merchant and Vinology are two great sources for these wines.

Here are some tasting notes:

Arcari+Danesi Franciacorta Brut Dossagio Zero 2013
Giovanni Arcari and Nico Danesi are the new guard of Franciacorta, making it their mission to show the true soul of the wines of their beloved region. Instead of trying to imitate Champagne (which has been the norm in Franciacorta), Arcari and Danesi make their small-production Franciacorta with a method they call “solo uva” or ” grapes only”. This method results in an elegant and fresh style of “metodo classico” sparkling wine, a product that doesn’t have the oxidative qualities that you get when using sugar for secondary fermentation.  This wine is brand new to the Texas market, but has been in high demand in the top wine markets of the world since its inaugural vintage. We couldn’t be more excited to have them as part of the Rootstock portfolio.

Region: Lombardia – Montorfano, Franciacorta
Grapes: Chardonnay 90%,  Pinot Bianco 10%
Production: 11,000 bottles
Aged on lees: minimum 30 months
Soil: moranic, silt, clay
Importer: Rootstock

Campogrande Cinqueterre Bianco 2012
The story of wine in the Cinqueterre goes back to the times of the Roman Empire, when the  terraced vineyards were built. The wines produced then were celebrated by kings, popes, and  poets. Renowned Barolo producers Elio Altare and Antonio Bonanni have rediscovered the potential in the vineyards of this Unesco Heritage site that was once overgrown by forests. Two hundred meters above the Mediterranean, the ancient coastal varieties in this wine are grown on steep, terraced vineyards, and are painstakingly worked by hand – to produce but a few thousand bottles a year.

Region: Liguria – Cinqueterre
Grapes: Bosco and Albarola
Production: 5,600 bottles
Soil: sand, schist, limestone
Skin contact: 4 days
Importer: T. Edwards (donated by Silvia Altare)

Punta Crena ‘Vigneto Ca da Rena’ Pigato 2016
The tiny village of Varigotti sits on the Mediterranean, just a few rows of houses and restaurants on a pristine beach, with its back against steep hills. Climb up into the hills and you will discover neatly terraced vineyards on the slopes and in hidden clearings farther up on the peaks. The Ruffino family has been tending these vineyards for more than 500 years, hardly changing a thing as they pass their knowledge and wisdom from one generation to the next. These grapes come from just 1200 meters from the water and enjoy sea breezes that help keep them healthy and happy. Pigato is a genetic variation of Vermentino that developed around the 18th century and was probably named for its pighe—“freckles” in the local dialect, referring to its spotty skin. Pro tip: save a splash for your branzino!

Area:  Liguria – Riviera Ligure di Ponente, Colline Savonesi
Grape: Pigato
Production: 10,000 bottles
Aged on lees: 3 months
Soil: rocky red clay
Importer: Kermit Lynch

Manni Nössing Südtirol Eisacktaler Grüner Veltliner 2015
Descended from a family of farmers, Manni Nössing has no formal training in viticulture or enology but seeks to learn from each vintage in order to produce wines that are capable of giving pleasure while also reflecting the terroir from which they originate. In 2000, he made the decision to start bottling his own wine instead of selling to a nearby co-op. Since then, he has increased his holdings to 5 hectares, all hillside vineyards at altitudes of 650 to 800 meters. Today, Manni is seen around the world as one of Südtirol’s top producers. Half of Manni’s Veltliner is fermented in acacia barrels, an alternative to oak, which adds roundness to this otherwise pristine, clean-cut white.

Region: Alto Adige (Südtirol) – Valle Isarco
Grape: Grüner Veltliner
Production: 12,000 bottles
Elevage: acacia, stainless steel
Soil: sand, granite
Importer: Kermit Lynch

Cascina Delle Rose Langhe Nebbiolo 2016
Cascina delle Rose’s three-hectare estate includes some of the best vineyards in the Rio Sordo Valley. This family operation (winery and agroturismo) has been producing world-class Barbaresco since 1948, They practice organic viticulture and traditional winemaking, using large, neutral barrels for their Barbaresco. This incredible Langhe nebbiolo is made from the same wine as their cru Barbarescos, the only difference being the oak and bottle aging. Classic pairing with butternut squash agnolotti and black truffles.

Region: Piemonte – Barbaresco
Grape:  Nebbiolo
Production: 8-10,000 bottles (depending on vintage)
Elevage: Stainless Steel
Soil: calcareous, clay
Importer: La Famiglia Corona (donated by Riccardo Sorbino of Cascina delle Rose)

Sandro Fay Valtellina Superiore Valgella ‘Costa Bassa’ 2014
A fun juxtaposition to the Langhe nebbiolo, this nebbiolo from Valtellina (regionally called “chiavennasca”) has a very long history in northern Italy. In fact, Valtellina was the first region where nebbiolo was fermented dry. Sandro Fay is based in the small town of San Giacomo di Teglio and is widely regarded as one of the leading producers in the region. They sustainably farm 14 hectares, work organically, and harvest by hand. The nebbioli of Sandro Fay come from terraced vineyards and are most notably differentiated by the effects of altitude and exposure for each of the parcels. The fruit in the Costa Bassa comes from about 500 meters above sea level, and the wine shows lighter tannin and a fuller expression of fruit with balanced acidity.

Region: Lombardia – Valgella, Valtellina
Grape Nebbiolo (Chiavennasca)
Production: 16,000 bottles
Elevage: 12 months in neutral oak
Soil: sandy silt over limestone
Importer: Rootstock

Passopisciaro Passorosso 2015
Andrea Franchetti arrived on Mt. Etna in 2000 as one of the first of the modern wave of producers on the volcano. There, he found 70- to 100-year-old, bush-trained vines across the northern side of the volcano across a variety of optimal sites between 550 and 1,000 meters (1,800 to 3,300 feet) above sea level. The grapes are taken from various contrade (crus) of Malpasso, Guardiola, Santo Spirito, Favazza and Arcuria; generally, the higher crus are on a more gravelly soil, the lower ones in a deeper powder made with more oxidized, older lavas. Often compared to Burgundy and Nebbiolo these wines are really something all their own – offering red fruits, minerals, herbs, and the apparent aroma of the volcano in the glass.

Region: Sicilia – Mt. Etna
Grape: Nerello Mascalese
Production: 40,000 bottles
Elevage: large-format neutral oak
Soil: primarily gravelly soil and old lava flow
Importer: Rootstock

Tenuta di Trinoro Le Cupole 2015
Located in a remote corner of southeastern Tuscany, Tenuta di Trinoro specializes in rich, age-worthy red wines made of Cabernet Franc, Merlot, Cabernet Sauvignon, and Petit Verdot. The 200-hectare estate sits in viticultural isolation in the Orcia Valley near Sarteano, where Tuscany meets Umbria and Lazio. Fermented in stainless steel and aged in one- to three-year-old barriques and cement, Le Cupole is velvety and approachable. Tenuta di Trinoro is the first project of Andrea Franchetti, and has an interesting connection to Houston. Andrea is the nephew of artist Cy Twombly, whose collection has its own building at the Menil. Andrea purchased this estate in Val D’Orcia after selling one piece of his uncle’s art!

Region: Tuscany – Val D’Orcia
Grapes: Cab Franc, Merlot, Cabernet Sauvignon, Petit Verdot
Production: 57,000 bottles
Elevage: 8 months in neutral French barrique (1 to 3 years old)
Soil: Clay, Limestone, gravel
Importer: Rootstock

Meroi Verduzzo Friulano 2013
Coming from the westernmost part of Colli Orientali in Friuli, Meroi is a winery of great importance in the region. Damiano Meroi and his father make some of the area’s best red and white wines, as well as amazing dessert wines made from indigenous varieties. This wine is made from Verduzzo Friulano and is a traditional pairing with local desserts. Fun fact: Verduzzo is considered to be the most anti-oxidant of all grape varieties.

Region: Friuli – Colli Orientali
Grape: Verduzzo
Production: 2,500 bottles
Elevage: 30 months in used barrique
Soil: Eocenic marl (Ponca)
Importer: Rootstock

(Slideshow photos courtesy Michelle Watson)
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Up next: The food at Delicious Alchemy: The Banquet

Chianti and California on My Mind (Plus, Edna Lewis’ Chocolate Cake and Cheese Straws)

A noble grape it is. (Courtesy Social Vignerons)

A noble grape it is. (Courtesy Social Vignerons)

[dropcap]C[/dropcap]hianti Rufina has been on my mind lately, and while I can’t travel to Italy at the moment, I can drink some wine from the small subregion, which accounts for around 4 percent of Chianti DOCG production. I have been sampling wines from Fattoria Selvapiana, a solid producer whose properties include the famed Bucerchiale vineyard. In short, I loved what I tasted. Sense of place is strong with these wines, and the acidity is outstanding.

The 2013 Vigneto Bucerchiale is 100 percent Sangiovese, and is young, not fully formed, could easily benefit from at least another five years in the bottle (and eight would not be a bad thing at all). The vines from which it was produced vary in age (the oldest were planted in 1968, the youngest in 1992). This wine is bottled only in the best vintages (they skipped 1980, 1987, 1991, 1992, 1997, 2002, 2005, 2008, to name a few recent omissions). Look for this (but know that there is not a lot out there) for around $30, and drink by 2026.

In addition to the Bucerchiale, the 2014 Chianti Rufina was at the table, and for $17 you cannot go wrong with this wine. It’s 95 percent Sangiovese (Chianti Rufina must be at least 75 percent Sangiovese) and 5 percent Canaiolo Colorino and Malvasia Nera. If you are seeking the perfect pairing for your favorite pasta dish, this is it.

Read more here about these wines from Selvapiana, and about a Prosecco and Sauvignon Blanc that I recently tasted — and that cake and those cheese straws — by clicking here.

An (Italian) Gentleman of Wine: Osvaldo Pascolini

[dropcap]H[/dropcap]ave you had a good glass of Prosecco lately? A really good one? There’s a lot of, well, let’s just say, “mediocre” examples out there, so don’t drink that. Osvaldo Pascolini, whom I met a month or so ago, likes Prosecco, and drinks it often. I asked him a few questions about wine recently, and you might be interested in what he has to say. He’s the subject of the latest Wine Talk, which you can read here.

Pascolini is a geologist, works in the energy industry, and hails from Italy. He now resides in Houston, teaches courses on wine, and never swirls a sparkling wine. Open a bottle and get to know him.

Osvaldo Pascolini knows a bit about geology and wine.

Drink well, with people you like.

Want more wine Read on? 

From Boston to Austin, With Wine in Mind
A Chardonnay For Your Mother (and You)
Don’t Dismiss the Peat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
Here’s Your Texas Rum Goddess
A ZaZa Wine Guy Loves Great Service
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

A Wine For Your Mother, And You — Plus, Some Fine Rum Distilled in Texas, and The Brockhaus Returns

[dropcap]T[/dropcap]here are times, when working on stories, that one comes across individuals who make an immediate impact. That impression and experience can, of course, be good and enriching, or it can be upsetting and frustrating. Both types of encounters provoke thought, in different ways, and while discourse with and exposure to jerks and zero-sum people can provide one with a level of amusement, I much prefer dealing with and learning from unselfish, self-secure subjects, people for whom life is a rollicking adventure, men and women confident enough to know that there is always something new to learn and that being kind and giving does not lead down the road to mediocrity. The world is a better place because of these types, and would, I am confident, be much more rewarding if the zero-sum cohort disappeared with haste.

I recently had the pleasure of meeting with and/or talking to individuals — both in the beverage industry  — who make the lives of those around them better. They are passionate about their craft, they display infectious enthusiasm about what they are doing, and they are clearly and genuinely interested in what others do. They are worth knowing.

This woman makes some fine rum. (Courtesy Railean Distillers)

 

I’m referring to Kelly Railean and Joe Donelan (click on their names for additional words about them and what they do). I met Railean in December at her distillery in San Leon, Texas, took a tour of her workshop, and sampled her wares. I recommend you do the same. I have spoken with Donelan on the phone several times, each conversation thoughtful and attentive. The Brockhaus is partnering with Donelan Family Wines on an upcoming dinner benefitting an animal-welfare and shelter charity, a direct result of that pointed disavowal of the zero-sum mentality. In December, I had the pleasure of tasting Donelan’s 2014 Nancie Chardonnay, named after Joe’s mother, and it’s drinking well now. He’s built a business in California that honors his passions and his family, and, as has Railean, he’s added joy to the lives of many along the way.

Good people, making good things, doing good. I hope you have a multitude of such people in your life, and I hope you steer clear of that sad zero-sum trap.

Want more stories about wine and spirits and the people who make them? Read on:

A Chardonnay For Your Mother (and You)
Don’t Dismiss the Peat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
Here’s Your Texas Rum Goddess
A ZaZa Wine Guy Loves Great Service
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

 

Welcome to the World, Petaluma Gap AVA!

[dropcap]I[/dropcap]t happened earlier this month, and in celebration of the event I opened a bottle of Pfendler Chardonnay, an appropriate and worthy choice. I’m talking about the official recognition of the Petaluma Gap American Viticultural Area (AVA), and the people who’ve spearheaded the move deserve a round of applause. (For those of you who don’t know what an AVA is, click here.)

The Petaluma Gap AVA comprises 4,000 acres of vineyards and 200,000 acres of land; 75 percent of those vines produce Pinot Noir, while Syrah and Chardonnay make up most of the remaining plantings (other grape varieties come in at less than 1 percent of the total in the AVA). The area is known for the wind and fog that visit it daily, and generally slower ripening times, which can result in the development of some fine flavors and the preservation of natural acidity, something good for everyone.

Eighty or so winegrowers, along with nine wineries, call the AVA home, and one of them is Pfendler Vineyards, the producer of the bottle I opened to celebrate the AVA’s birth. Kimberly Pfendler, the founder of the winery, sent me some thoughts about the recognition of the area:

I’ve long called the Petaluma Gap the most exciting emerging wine region in California, and the AVA recognition is a big step towards building awareness for our wines. My late-husband Peter Pfendler was one of the original pioneers of the Petaluma Gap, and began planning grapes here as early as 1992 and was the first to plant what is now known as the Gap’s Crown. Unfortunately, our signature fog and wind, which make the Petaluma Gap so interesting, were not a good fit for the Cabernet vines he planted. When I started Pfendler Vineyards 10 years ago I made it our goal to capture the Petaluma Gap’s distinct cool climate in elegant-style Chardonnay and Pinot Noir wines. We farm three estate vineyards on the western slopes of Sonoma Mountain. The combination of sun and fog results in wines with beautiful freshness and layers of nuanced flavors. 

Pfendler Vineyards, the source of some very good Chardonnay and Pinot Noir. (Courtesy Pfendler Vineyards)

[dropcap]P[/dropcap]fendler is right about the flavors and freshness; the celebratory Chardonnay I tasted, the 2015 vintage ($38, 14.3 percent alcohol, 400 cases, Clone 4 and Hyde-Wente) is a fetching golden yellow in hue, and offers a bouquet of bright apple and gentle spice. Peach, lemon, and a slight toasty quality round out the taste. The aforementioned acidity is satisfyingly present, leading to a balanced finish. Drink this with a good cheese, say, a Camembert or an aged Cheddar, or pair with crab cakes, as I did.

Up next, tasting the 2015 Pinot Noir from Pfendler.

Want more wine? Check out these pieces:

The Perfect White Wine For Your Holiday Festivities
A California Cab Made By an Englishman
Peat is Neat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Riesling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

What I’m Drinking (and Reading) Now: The Balvenie Peat Week and DoubleWood 12, Plus Wines For Holiday Parties

[dropcap]A[/dropcap]n ideal way to spend an hour or so on a December evening: Re-reading Howards End, sipping The Balvenie DoubleWood 12, and attempting to quell thoughts about recent news events. Helena Bonham Carter (who is the face and embodiment of Helen Schlegel for me now) and theosophy are certainly more pleasant to contemplate than are Charlie Rose, John Hockenberry, James Levine, Roy Moore, et al, and the tax legislation before the United States Congress, and the beautiful taste of the DoubleWood helps me sublimate the angst I feel about North Korea, Foggy Bottom, the Oval Office, and the sclerotic political response to the deteriorating infrastructure and educational standards in the U.S. Doing away with tax deductions for graduate students, for money they will actually never see, but giving Betsy DeVos special treatment? Heaven help us.

Yes, E.M. Forster’s masterpiece is giving me much solace, as is The Balvenie.

“It will be generally admitted that Beethoven’s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man,” speaks a character in the novel. Is The Balvenie DoubleWood 12 the most sublime spirit that has ever passed my lips? I don’t know that I can state that, though a reliable source has told me that it’s the favorite dram of the inestimable David Stewart, the Malt Master at William Grant & Sons. I’m honored to share his preference.

This man is Scottish, and he loves a good whisky.

Speaking of reliable sources, I had the pleasure of meeting Mitch Bechard, a brand ambassador for Glenfiddich, at a special tasting this past Saturday at Costco, and I have to say that William Grant has good taste when it comes to its personnel. Bechard’s relaxed manner and jocularity, not to mention his knowledge and obvious passion for spirits, meshes well with the personalities that are Jonathan Wingo and David Laird, two ambassadors for The Balvenie (Gleniddich and The Balvenie are owned by William Grant), and the three gentleman are engaging, lively, and thoughtful representatives, and they’re fun to drink with to boot.

Brechard, who lives in North Carolina, opened the following bottles — prices listed were special to the tasting; check your favorite merchant for yours — at the event, and if you want to buy something special for the holidays, go for the Ghosted Reserve. You’ll remember each sip for a long time.

Here’s how William Grant’s team describes what I and the other participants tasted:

Ladyburn Single Malt 42 Year Old – Among Scotch collectors, few Lowland distilleries are held in the same regard as the long shuttered Ladyburn. It was open only between the years of 1966 and 1975, and few bottlings of what was produced there as standalone single malts exist. Tastings notes: very soft with notes of apricots and honey. A spicy and toasty palate – quite mouth-watering. Good length with a grassy and slight almond finish. ($1,400)

Ghosted Reserve 26 Year Old – a blended Scotch from the Ladyburn and Inverleven distilleries. Interleven was “Ghosted” in 1991 and Ladyburn being closed back in 1975. It is truly one of a kind Scotch, limited to bottles on hand, never to be reproduced. Tasting notes: rich and creamy with notes of citrus and almond. ($350)

Girvan Patent Still Single Grain 25 Year Old – the original Girvan Patent Still was built by William Grant’s great-grandson, Charles Gordon, in 1963. After distillation, this whisky was aged for an incredible 25 years. Tasting notes: complex velvety smooth with an incredibly sweet flavour. With time, the flavour evolves into deeper, richer notes including chocolate orange and bake apple pie. ($270)

Glenfiddich Single Malt 21 Year Old – Using casks that once contained our own premium Caribbean rum, this expression spends its final months finishing in these Rum casks selected by our Malt Master. Tasting notes: peppery with a touch of smoke, oak, lime, ginger, and spices. ($130)

The Balvenie Port Wood 21 Year Old – The flagship single malt from The Balvenie’s little group of Port Wood whiskies. This bottle was finished in thirty year old port pipes and is a veritable masterclass in poise and balance. Tasting notes: dried red fruits, floral heather, nuts andd wood spices. ($160)

The Balvenie Single Barrel 25 Year Old – Introduced to The Balvenie single malt Scotch whisky range in 2014. Released in batches, each bottle is one of no more than 300 drawn from a single cask. The casks that Malt Master David Stewart selected for this release are chosen for having the richly spiced, sweetly honeyed character. Tasting notes: great combination of subtle spice and honeyed sweetness. ($400)

[dropcap]R[/dropcap]eturning to my solace, The Peat Week is another Brockhaus selection from The Balvenie. Back in November, I had lunch with Wingo and Laird, and we sampled the peaty drink from The Balvenie … read about The Peat Week here, and if you like subtle smoke, pick up a bottle for yourself or for the whisky lover on your gift list.

“Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.” That’s a rather famous sentence of Forster’s, from the novel nearest to my hand now, and when I read it again I thought of the way many of us will connect this month, at parties celebrating birth and renewal and friendship. Do connect. And if you are looking for a white wine for your parties, I’m recommending a great one: the 2016 Cantina Riff Pinot Grigio. It’ll cost you $10 or so, and it’s versatile and delicious. Read about it here, and get your party dress ready.

Want more wine and spirits? Check out these stories:

A California Cab Made By an Englishman
Peat is Neat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Riesling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Wine Talk: Graceful Memories and Inspiration, Born in Bottles

[dropcap]O[/dropcap]ne of the things I love about this crazy planet we call home is that our ancestors learned how to cultivate grapes and create wine. For thousands of years, vines growing in some of the most beautiful (and not so beautiful, in some cases) places in the world have mystified, confounded, pleased, nourished, and sustained multitudes of people: farmers, winemakers, drinkers royal and low, and all sorts of others in between have been changed by the grape. Those small orbs are miracles, worshipped by characters hailing from all walks of life.

I’ve been partaking of those miracles for a long time, since I was a high school student in the Rheinland Pfalz, home to, among other things, my favorite grape and wine, Riesling, and my Fußball team, 1. FC Kaiserslautern. I was introduced to both of them at around the same time, and though the team has been going through a period of crisis for too long now, a mere shadow of its Glory Days version, Riesling and her companions shine on.

God’s country, and home to some outstanding Rieslings. (Photo courtesy Germany.travel.com)

When I open a bottle of wine, I almost always think of the individuals who produced what’s in it. My mind wanders to the land on which the vines are growing and I mentally draw a picture of the harvest, imagine the tractors and baskets and weather and calloused hands. Without people, the wine would be nothing. Never forget that.

[dropcap]P[/dropcap]eople. Beginning with the man — hand deformed on a battlefield in Germany — who sold me my first wine book (I recall still how he would hold the ink stamp he used to mark books purchased at his store), to Terry Theise and the woman who poured me a revelatory Crianza in a small tasting room in Rioja, people are the unifying factor in my journey with wine. There was the high school teacher with the cellar in the Pfalz who let me taste with him, and the restaurant owner in Florence who slipped a bottle into my backpack (he was, I guess, paying me back for the kindness I showed his elderly mother during my meal on that evening). Wine has been the common denominator in some of my most satisfying experiences and graceful memories, and I look forward to that continuing. That first book? “The Companion to Wine,” by Frank J. Prial.

Wine Talk, a series I started several years ago, is still going strong, and, similar to the world of wine, it has few limits. In it, I’ve introduced readers to scores of people and vintages, and I’ve made some friends. Their insights and recommendations and passions are laid down for the record, and I’m happy to put some of them (plus a few pieces on bottles I’ve enjoyed) in one place for your approval.

Below you’ll find Chris Nishiwaki, Donald Patz, Gerry Dawes, Vanessa Treviño Boyd, and David Keck, to name but a few. You’ll also, I hope, find the inspiration to go out and buy a few bottles based on what you read. Please create some graceful memories of your own. (And stay tuned for more Wine Talk.)

Wine Talk: From Paris to Houston and many other places, the goodness flows
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

A Frittata For Emma: Cooking This Will Make You Happy (Plus, Wine, Music, and Foie Gras)

Buddy and Emma (far right) Sullivan, with Maruja and Pepita in the 1950s.

[dropcap]B[/dropcap]rooklyn Heights, 2004. That’s the year I met Emma Sullivan and her cousins Maruja and Pepita. Emma owned The Long Island Restaurant, one door down from our apartment on Atlantic Avenue. I was in the restaurant often. It was (and still is) a beautiful time-capsule of a place, booths and wooden bar, photographs of Buddy — Emma’s late husband — and other family members behind the bar, a manual cash register that made me smile when Emma opened it. The sound was comforting. It was a warm and gentle room.

Emma closed up shop in 2007; she and Buddy had taken it over in 1956. Hers was a 51-year run of countless conversations and days and nights making guests feel at home. I miss walking into her restaurant, and probably always will. (The space was reopened in 2013, after Emma leased it to a pair of worthy guys. Next time you are in Brooklyn, pay them a visit.)

I wrote this week about Emma and her cousins and The Long Island Restaurant for PaperCity magazine, and included a frittata recipe based on that special woman and her cousins. You might like to make the dish one morning, or night. Think of Emma — or someone whose life is special to you — when you do.

[dropcap]L[/dropcap]ike good music and wine, plus some tasty crab cakes? If so, and you find yourself in Missouri City, Texas, check out B’s Wine Bar. Angela and I were there last night, and the band was hot, the crowd stylish and fun, and the staff welcoming and obviously excited about their work.

Drink some wine here in Missouri City, Texas. (Courtesy D-Mars.com)

Angela and I were seated in the wine room, just the two of us at a quaint table, the kind one finds in parks in Paris. We talked and drank and laughed and found a place new to us to which we’ll return. (Thanks for the recommendation, Kennady.)

How’s this for a transition: I love foie gras. I’ve eaten it in Spain, in Dubai, in Paris, in New York, in Italy, in New Delhi, and, most recently, last week in Houston. It’s from Hudson Valley Foie Gras, and it’s prepared in a wonderful way. Take a look at this:

That’s Foie Gras alla Fiamma, newly added to the tasting menu at Tony’s, and it’s good. Order it and savor the preparation process. There’s Moscato and a vanilla bean and a grape, and it’s served with toasted farro. Sensual, delicious, decadent.

We Drank Canned Wine, Tried Doughnut Sliders, Opened a Chardonnay … and What Fine Pastas

[dropcap]Y[/dropcap]ou go from table to table, hoping for memorable tastes and flavors, food prepared well, made with thought and care. There’s something edifying about the act of finding it, sharing it with others, appreciating it. You’ve learned to deal with the moments when the taste and flavors do not deliver, when shrimp is overcooked and enchiladas taste like sawdust and not much more, when this food writer or that restaurant reviewer lauds the cuisine of the latest farm-to-table restaurant or poke mecca and you wait a month to try it and find it lackluster at best. Taste is subjective, after all, isn’t it? One man’s bland bowl of borscht is another’s Proustian interlude, no? Those disappointing meals serve to whet your appetite for the next pleasurable repast, as vexing as they might be.

Recently, the good moments have come with satisfying regularity, the pastas done well, the branzino pleasing, the (yes) spicy tofu all that tofu can and should be. You looked on and listened as your friend (and Brockhaus sous chef) Chris savored the rigatoni bianco Bolognese you knew he would love, his sighs audible. Yes, it’s been a good week or two at the table in Houston, days that included a brunch at Tony Mandola’s Gulf Coast Kitchen that featured doughnut sliders that were just what I needed at the time, though I was unaware of the need before I tasted them. (Click here for a look.) The sweet and savory plate is a grand antidote to a night of celebration.

To that Bolognese, which has been my favorite pasta in Houston for a few months now. It’s at Tony’s, and if you have not tried it, you are missing something you shouldn’t.

I have a feeling that Marcella Hazan would have loved this. It’s rigatoni with a Bolognese bianco sauce.

I was hooked the first time I tried this dish; it’s complex, speaks of hours in the pot, the simmering and melding of the meat and vegetables and breaking down of the parts into a whole that transports. Each ingredient retains its place of pride — look at the carrots, their shape exact and right — but the technique that goes into making this course creates a tour de force of rich and subtle flavors, something full of rustic gusto and refined grace. Appreciate the saltiness of the cheese and the acidity of the olive oil. If all goes well, you’ll have this more than once.

[dropcap]W[/dropcap]ine was also fine during these days and nights, and we even enjoyed some in cans. An unoaked Chardonnay and a red blend (Zinfandel, Syrah, and Merlot) from Ron Rubin Winery did us good, and we paired a Chardonnay from Mitsuko’s Vineyard with chèvre and bread.  (Ray Isle recently tasted some canned wines as well, and his review of them is a good read.)

If you can find a bottle of this, open it and drink.

During a dinner at the home of Russ and Judy Labrasca, Angela and I were treated to a 1997 Chimney Rock Cabernet Sauvignon, and a ’96 from Saddleback, the latter a lovely bottle, mellowed into a dream, the former drinking well though expressing charms of a more typical manner. Russ and Judy are a couple — Angela met them when she worked in Dallas, and introduced them to me not long after I arrived in Houston — I consider myself honored to know, friends without parallel. We drank those wines with hamburgers and Judy’s customary spread, and it was good.

With friends like these, one needs nothing more.

Houston Restaurant Weeks is upon us, the annual event that has done so much good for so many people in need of a square meal since it was founded, back in 2003. I sampled a few HRW menus this week, and came across another worthy pasta and a branzino of note, both on the menu at Amalfi Ristorante Italiano & Bar. The pasta, a tortelli, is filled with Asiago, potatoes, and pancetta, and served with beef short ribs. Tender, al dente pasta, top-notch cheese and pancetta, and, OK, the short rib is wonderful. The sea bass, my favorite item on Amalfi’s HRW menu, is accompanied by potato gnocchi, roasted artichoke, and a lemon cream sauce. Sea, lemon, olive oil, gnocchi … try these, and donate $7 to the Houston Food Bank in the process.

Let’s see what comes next …

‘If They Want To Drink Merlot, We’re Drinking Merlot!’

[dropcap]I[/dropcap] know what I like, of course, and one of the things I like is the wonderfully gigantic variety of wines that exist in this world. From Albariño to Dornfelder, Riesling to Rkatsiteli, and Xynomavro to Godello, exploring the wine universe is a pleasure and an adventure. I’ve said before that one should never bring hard and fast preconceptions or prejudices to a tasting, dinner, or wine merchant. Try. Sample. Taste. Don’t like white wine? That is, frankly, nonsense. Sure, we all have our favorites, the stuff we go back to again and again and put in our inventories and Eurocaves or closets. But if you don’t color outside the lines, you’re depriving yourself of a lot of life.

Which brings me to Merlot, and a wine I tasted recently. It’s the 2013 Merlot from Swanson Vineyards, and I loved it. So did a woman with whom I shared it, a woman who had told me on more than one occasion that she did not care for Merlot.

You can read my take (and hers) on the Swanson Vineyards Merlot by clicking here.

And if you want more wine, check out these pieces:

French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

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