Month: December 2020

Sullivan Estate’s Jeff Cole on Pliny the Elder, Merlot, and a Quest for Hose Stretchers

love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Driving down St. Helena Highway, we approached the property with high expectations. The afternoon I spent at Sullivan Rutherford Estate was perfect.

It was a warm, sunny day in March of last year, and the vineyards and flowerbeds invited one’s gaze. We pulled into the driveway and parked, then strolled to the residence, where our tasting was to take place. I now have a favorite house in the Napa Valley, and the wines were excellent.

Jeff Cole, Sullivan’s winemaker, and the estate’s general manager, Joshua Lowell, led the tasting — mainly Merlot and Cabernet Sauvignon — and gave us a tour of the rest of the property, 26 acres in total.

Sullivan was founded in 1972 by James O’Neil Sullivan, who, following the advice of his friend André Tchelistcheff, planted Cabernet Sauvignon. Sullivan, a graphic designer, worked with architect John Marsh Davis on the design of the estate’s residence and production facility (the home’s kitchen I covet). The living areas of the residence are situated one floor above ground level, giving one an expansive view of the property.

A bird’s eye view of the Sullivan Estate, courtesy Jak Wonderly.

It was a family affair, and though the estate was purchased from the Sullivans in 2018 by a group under the leadership of Mexican businessman Juan Pablo Torres Padilla, Ross Sullivan, James’ youngest son, is an advisor to Padilla. (James passed away in 2004.)

I’ve visited many wineries, and Sullivan is one of my favorites; if you find yourself in the area, make an appointment to spend some time on Galleron Road.

Cole has been the winemaker at the estate since 2013. He studied at California Polytechnic University, and began his career at Schramsberg Vineyards and J. Davies Estate Vineyard. He knows a thing or two about sparkling wine, and he’s making some great Cabernet Sauvignon and Merlot at Sullivan.

“It’s no secret that great wine begins with a great site, and I don’t know of anywhere else in the world that offers the potential presented at this estate,” he says. “My goal is to continue to make wines with structure and density, allowing the richness of the terroir to shine through. With the on-going investments in the vineyard and production, we will deliver wines that are indulgent upon release and that have immense ability to evolve beautifully with aging.”

Here’s Cole in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Jeff Cole: Since the start of the COVID-19 pandemic, my house has become a school, with my wife now doubling as a teacher. We are cooking a lot more and I have not traveled outside of the city of Napa in seven months. Fortunately, work must go on. The silver lining is having even more time to spend in the vineyard and cellar.

The Sullivan estate: 26 acres of vineyards and gardens.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

JC: The Schramsberg 2011 Reserve sparkling wine is a really fantastic bottle. It is a wine that is primarily made from Pinot Noir grapes and is aged over 8 years before release. You don’t need to pair it with anything because of its richness and vibrancy, but it would go well with any light meat such as duck or pork. You can find it on the winery’s website for $130. 

When I traveled  to Portugal a couple of years ago, I was introduced to Vinho Verde wines, and they blew me away! Vinho Verde wines can be blends of many different white grape varieties such as Albariño, Azal Branco, and Avesso, to name a few. These wines are refreshing, low in alcohol, possess high acidity, and are super affordable, typically selling for less than $15 a bottle. They are awesome on their own, but also pair well with any seafood or dish higher in fat. You can find them at BevMo or any import wine shop.

Lastly, I am enjoying our 2017 J.O. Sullivan Founder’s Reserve Cabernet Sauvignon. This wine is the best to ever come off of our estate, due to the culmination of perfect growing conditions, farming, and winemaking execution. It is a powerhouse that will only get better with age. It is structured, layered, rich and dense, yet there is fresh acidity that carries through the wine. It represents the estate from an identity standpoint and also represents our winemaking style. It is limited in production, and can be purchased through our website and tasting room for $250.

The Sullivan Estate residence features a kitchen I covet.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

JC: If cost were not an issue, I would choose the 2008 Pol Roger Winston Churchill Champagne. Pol Roger is one of my favorite Champagne producers, and the Winston Churchill always delivers. The 2008 has all the richness and pleasure that is expected from a tête de cuvée, but there is still a freshness and vibrancy about it that gives it life and balance.

JB: What is your favorite grape, and why?

JC: There are a few grape varieties that I love working with, like Cabernet Sauvignon and Petit Verdot, but I right now I have an affinity for Merlot. New World is definitely underappreciated, but if grown in the right condition and handled properly in the cellar, it is a variety that can rival the best Cabernet Sauvignons in weight, density, structure, and, ultimately pleasure. We are currently replanting some of our Cabernet vines over to Merlot, since it grows phenomenally well at Sullivan.

The 2014 James O’Neil Merlot sells for $280 a bottle.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? Can be one of your wines, but does not need to be.

JC: This is a no-brainer! The one bottle PaperCity readers should buy to cellar for the next 10 years is Sullivan’s 2015 James O’Neil Merlot. This wine was built to age. 

Jeff Cole is a Napa Valley native and attended Cal Poly San Luis Obispo.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

JC: There is a little hole in the wall in the town of Yountville where I grew up called Pancha’s, and I might not be going there necessarily for a glass of wine, but it is definitely good for a pint of beer and a game of pool.

JB:If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

JC: If it smells and tastes funny, then it probably isn’t a sound bottle of wine. I know people want to attribute weirdness to terroir or winemaking style, but in reality, wines should provide pleasure and each person’s palate should be the ultimate judge of quality. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

JC: There was no romantic time in my life when I was eating foie gras and drinking a glass of Rosé under the Eifel Tower that triggered a eureka moment. I think there was a perfect storm with the fact that I grew up in the Napa Valley and subconsciously the wine industry was imprinted on me.

When I got to college, at Cal Poly in San Luis Obispo, there was a budding wine program that was ultimately calling my name. At that point in my life, it was something I had never thought about, but I saw it as a great opportunity to blend art and science. More than any single bottle of wine, Cal Poly’s philosophy of learning while doing is what inspired me and opened up the gates of creativity for me in the cellar.

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

JC: My first vintage in the Napa Valley was in 2007, at Schramsberg Vineyards, and there was a ritual/rite of passage for greenhorns. I was sent on a mission to several wineries to find the “hose stretcher,” and unbeknownst to me, all the wineries I went to were in on this prank.

Sure enough, every time I arrived at one of the wineries in on the prank they had just given it to the next. It was at the fifth winery when I knew something was up and called off the mission. Needless to say, there is no such thing as a “hose stretcher,” and when I arrived back at Schramsberg I was greeted with laughter and a pat on the back.

That experience taught me some humility, and that message is something I try to implement on a daily basis. It reminds me that every day working in the Napa Valley should bring enjoyment and that we can’t take ourselves too seriously.

Pliny the Elder was a wise man.

JB: Your favorite wine reference in a work of literature?

JC: My favorite wine reference in a work of literature is from my good buddy Pliny the Elder, with his quote “In Vino Veritas” — meaning, in wine, there is truth.

Want more wine? Read on:

Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Jon McPherson Talks Charmat, His Mentor Father, and Tokay

love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

A few weeks ago, a shipment of sample wines came my way from Texas, from Carter Creek Winery, which is located in Johnson City. I had previously tasted a Tempranillo from the producer, but that was several years ago, so I was looking forward to opening the bottles.

They did not disappoint, and I’ll have reviews of them in this space, but the man who made them is today’s subject. His name is Jon McPherson, and he has roots in Texas, and in the Lone Star State’s wine industry. In fact, one might call him a member of Texas’ Founding Family of Wine.

McPherson’s father, Clinton “Doc” McPherson, was a pioneer in the modern Texas wine industry; he began experimenting with grapes in Lubbock in the late sixties, and in 1968 planted Sangiovese in the Sagmor Vineyard (now owned by Kim McPherson, of McPherson Cellars, Jon’s brother). Doc and his business partner, Bob Reed, founded Llano Estacado Winery in 1976. McPherson senior passed away in 2014, at the age of 95.

Jon McPherson says that he has always known wine — he worked at his father’s winery digging postholes for stakes and planting vines, among other forms of manual labor. He attended and graduated from Texas Tech University (bachelor of science in food and technology) and holds a second degree in chemistry.

McPherson worked at the family winery for a while, then moved to California in 1985, taking a job at Culbertson Winery, where he earned much-deserved acclaim in the early 1990s for his sparkling wines. In 2003, he joined the Carter family group of wineries — Carter Estate Winery and South Coast Winery in Temecula, and Carter Creek Winery in Texas’ Hill Country.

McPherson has 43 harvests under his belt, and says that he hopes to make it to “at least” 50, a laudable and realistic goal, especially when you consider his mentor was “Doc” McPherson.

James Brock: How has COVID-19 changed your work and life?

Jon McPherson: We are viewed as essential workers, so beyond wearing a mask every day at work, we are making a little less wine, but still doing the same cellar work. Wholesale sales are up, but the tasting room is a little slower.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

JM: Our Carter Creek 2017 Maverick, a red Rhône blend, is drinking very well, especially if you pair it with grilled meat, like beef or lamb. The 2017 Viognier-Roussanne is showing wonderful fruit notes of peach and honeysuckle, very rich and very sexy. Any fish dish would be lucky to have this wine served alongside of it. Our new release of the brut sparkling is exceptional, and if bubbles are your scene, this wine gets very high marks. It is a Charmat product that drinks like a Méthode Champenoise.

Carter Creek Family Winery’s Brut Sparkling and Group Therapy red blend

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

JM: I would probably add a Château Haut-Brion or a Château d’Yquem. I think these wines are so elegant and such wonderful examples of Bordeaux and Sauternes.

JB: What is your favorite grape, and why?

JM: I love Pinot Blanc for its versatility in making not only great table wine, but for sparkling wine as well. Of course, that goes for Chardonnay and Pinot Noir as well.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? Can be one of your wines, but does not need to be.

JM: Cellaring for 10 years can be a bit of a crap shoot, but vintage Ports can cover that time span and then some. Late-disgorged sparkling (Champagne is always nice), or perhaps another first growth?  I recently had the 2013 Ayala Blanc de Blancs and it was amazing.    

Tempranillo and Texas: an evolving and growing relationship.

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)?

JM: Jeune et Jolie in Carlsbad, California (post-pandemic, of course).

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

JM: Appellation and price are not always the answer.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

JM: I was in Hungary and drinking a pre-WW1 Tokay. The wine was amazing and the history that it held was equally amazing.  It came from the cellars of a producer that had been a supplier to the Czar.

The Carter Creek tasting room is located in Johnson City, Texas.

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

JM: When an intern left a valve off of a tank and she started filling it without us being aware she was operating a pump without supervision. A big no-no.

JB: Your favorite wine reference in a work of literature?

JM: Hugh Johnson’s Vintage: The Story of Wine. Not only a great book, but it became a great PBS series as well.

Want more wine? Read on:

Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Two Red Wines From Chile, By Way of The Rothschilds

A recent tasting featured two wines from Chile that I’m making sure will be in my holiday rotation. I tasted them on their own, and drank them with a standing rib roast, with which they were ideal pairings.

The wines are made by Viña Baron Philippe de Rothschild in Buin-Maipo, about 30 miles south of Santiago. (Baron Philippe de Rothschild SA is, of course, behind the brand, and it was created in 1999 by the baron’s daughter, Philippine de Rothschild.)

Emmanuel Riffaud, an agricultural engineer and oenologist who joined the Rothschild concern in 1999, has been the managing director of the Chilean enterprise since 2015.

Viña Baron Philippe de Rothschild planted its French roots in Chile in the late 1990s.

Escudo Rojo is the name of the wine — Red Shield in English — and I tasted the 2018 Gran Reserva (SRP $21.99) and the 2018 Reserva Cabernet Sauvignon (SRP $17.99).

We’ll begin with the Reserva Cabernet Sauvignon — this Escudo Rojo line also includes Carmenere, Syrah, Pinot Noir, Chardonnay, and Sauvignon Blanc — which is the wine I sampled first in the tasting.

Pair this with meat.

It’s 100 percent Cabernet Sauvignon — Chilean law requires at least 75 percent — and you would not likely mistake it for anything else. It’s deep red in the glass, veering into purple when viewed at certain angles in a certain type of light. (The sun was streaming brightly through a large window when I noted the wine’s color.) Tannins are smooth and succulent — you’ll enjoy this wine now, and feel free to hold it until 2024 or thereabouts.

Blackcurrant and dark cherry make themselves known on the palate here, in a pleasing way, as does plum. Subtle spice and soil are also in the mix. If you like to serve approachable wines on a daily basis, bottles that drink far above their selling prices, this one will find a place in your repertoire. Aging is carried out in one-year-old barrels for 6 to 8 months.

The Escudo Rojo Gran Reserva is a wine that punches well above its cost/weight.

The 2018 Gran Reserva is the Escudo Rojo flagship wine, and it’s an impressive blend of Cabernet Sauvignon (40 percent), Carmenere (38 percent), Syrah (20 percent), and Cabernet Franc (2 percent). Half of the 2018 vintage was matured in one-year-old oak for 12 months.

As with the Reserva Cabernet Sauvignon, color in the glass (in this case, a Schott Zwiesel “Pure” stem) is deep, dark red, captivating to the eye. As one might expect, black fruit dominates here — plum, cherry, a touch of brambly blackberry —accompanied by fleeting graphite and lightly roasted coffee bean. Refined tannins proclaim themselves early on.

As I wrote, you’ll be happy pouring theses wines at a meal featuring a standing rib roast, and duck breast is another protein I’d serve with them. Add Bill Blass’s meatloaf or a rib eye steak to this category as well.

This rib roast for two married well with the Escudo Rojo selections.

If you typically avoid Chilean wines in this price range, thinking their heat and sweetness will repel, give these two bottles a chance. If you don’t like them, call me.

Want more wine? Read on:

An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

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