Wine, Food, and Other Vital Things

Tag: Burgundy

A Passion For Pinot: Kosta Browne’s Julien Howsepian

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I encounter as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. Whether my subject is a sommelier, a collector, a winemaker, a chef, a buyer, or an avid drinker of wine, you’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Pinot Noir is loved by many drinkers of wine, for good reason. It can, when handled properly, produce wines that are aromatic in a profound manner, silky and supple, and sublime on the palate and in the brain and soul. As the great Henri Jayer said, “Pinot must be full and fleshy, fat and concentrated, but discreet, supple, and soft at the same time, and it must have definition.”

In America, which produces some great examples of Pinot Noir, Kosta Browne made its name with the grape. Dan Kosta and Michael Browne founded the brand in 1997, and the duo’s 2009 Sonoma Coast Pinot Noir won Wine Spectator‘s Wine of the Year award in 2011. Kosta Browne was bought by Texas Pacific Group in 2009, and then in 2014 by J.W. Childs Associates in 2014. The two founders parted ways with the winery after the latter deal. In 2018, Duckhorn Wine Co. purchased Kosta Browne and owns it still.

Julien Howsepian, the subject of this edition of Wine Talk, worked as a harvest intern at Kosta Browne for the 2012 vintage, and impressed Michael Browne and winemaker Nico Cueva (more on him below). They offered him a permanent position for the next harvest, and he has been the head winemaker at Kosta Browne since 2019. He has a French father and a Dutch mother, has a degree in viticulture and enology from the UC Davis, and was raised in Northern California’s Bay Area. Needless to say, he loves Pinot Noir. But he also has a soft spot for Chardonnay.

I write about Kosta Browne’s Burgundy Series recently, and hearing what Howsepian had to say about his ventures there was the catalyst for wanting to feature him in Wine Talk. Let’s see what’s on his mind.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Julien Howsepian: 2010 Kosta Browne Garys’ Vineyard Pinot Noir. We featured this wine recently at our 20-year partnership working with the Franscioni and Pisoni families in Santa Lucia Highlands, and this wine was screaming. It had 40 percent whole cluster and was so complex and fresh for being almost 15 years old. Something simple like stewed trout in tomato sauce would be killer with a wine like this. 

Next, the 2021 Kosta Browne Gap’s Crown Vineyard Pinot Noir is a classic Kosta Browne wine. 2021 was an incredible vintage, a perfect growing season that produced wines with excellent aging potential but that are also fresh and elegant young. Being a year with slightly elevated acidities, I would love to pair it with a pork tenderloin with a cherry reduction sauce. 

2019 Domaine Chanson Clos de Feves 1er Cru Pinot Noir is an excellent wine from a resurgent iconic producer in Burgundy. Still affordable, 2019 was an excellent year in Burgundy, producing approachable wines that are really hitting their stride. This would be great with a terrine and baguette. Bon appetit! 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

JH: I would love to add Gaja Barbaresco San Lorenzo to my personal collection. I visited many years ago and have loved the wines ever since, but rarely get the chance to enjoy them. Sometimes wine takes you on an adventure back in time, and that was a formidable trip to Italy and the rest of Europe, both personally and professionally. 

JB: What is your favorite grape, and why? If you don’t have a single favorite, tell me about one that you are especially passionate about.

JH: This one is an easy one for me: Pinot. Pinot Noir offers a lifetime of exploration through all the great growing regions of the world. The endless expressions of terroir, the ageability, the diverse food pairings … it’s the heartbreak grape for a reason. It’s just a lot of fun to try everyone’s different takes on how to make Pinot. And of course, there’s always Blanc de Noirs, so you know, there’s that to enjoy, too!

Pinot Noir, a grape that has broken many hearts and brought joy to millions. (Illustration by Felloni Claire)

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

JH: As mentioned, I think 2021 was an incredible vintage for California Pinot, so I would recommend the 2021 Kosta Browne Cerise Vineyard Pinot Noir. Cerise Vineyard is located in Anderson Valley, which is a small appellation in Mendocino County. Cerise Vineyard is a unique hillside vineyard in a unique appellation, producing wines that are lower in alcohol, higher in tannin and not as fruity as most other California Pinots. And I think it’s perfect to age because the aromas will evolve beautifully as the tannins integrate over time. The 2021 is tasting phenomenal today, but I think its best days are still ahead. (Editor’s Note: Duckhorn Wine Co.’s purchase of Kosta Browne included Cerise Vineyard.)

Kosta Browne winemaker recommends that you cellar this bottle and uncork it in 2035. (Courtesy Kosta Browne)

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)? 

JH: One of the most classic and best restaurants for ambience and food in Sonoma County is Underwood Bar and Bistro in Graton. Graton is a tiny, rural, unincorporated town whose downtown stretches all of one block, but Underwood is like stepping into a restaurant bar in the middle of a happenin’ city. Usually quite busy but rarely overcrowded, it’s frequented by many winemakers, grape growers, and others alike. 

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it? 

JH: Wine is a magical, mysterious product that is ingrained in our DNA. It’s also sometimes hard to understand and can be a little intimidating or pretentious. But wine is meant to be enjoyed, to be shared with food, family and friends. It enriches our lives in many ways, and is not meant to be taken too seriously. There’s a niche for that, but what matters most is that you love it, it is as simple as that and nothing more. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?  

JH: I remember the first time I tasted a Vincent Dauvissat Chablis Premier Cru. I certainly didn’t understand or appreciate it, because at the time I didn’t think it tasted like much. But my good friend and boss at the time, Nico Cueva, who would become my wine mentor, explained to me how to appreciate a subtle and elegant wine, and that wine doesn’t have to punch you in the face to be good. A wine can be ultra-refined, delicate, all about finesse and subtlety. And the way that wine evolved in the glass was remarkable, so after that I was hooked on Chardonnay.

Julien Howsepian inspects fruit at Kosta Browne’s facility.

JB: What has been the strangest moment/incident involving wine that you have experienced in your career? 

JH: I’m having a really difficult time thinking about the strangest moment, but one story comes to mind. I had a work dream one night during harvest that we were sorting fruit and there was a ton of garlic mixed in, but we couldn’t keep up with removing all the garlic. I ran up to find the winemaker who was in his office, which was dimly lit, and after telling him what was happening, he simply said, “Let the gold through.” I told the team my dream the next day, and everyone thought it was odd and funny. A week or two later, we were sorting a Pinot block from Anderson Valley, and there was a lot of Chardonnay mixed in. This block had some errant Chardonnay interplanted, and when I texted the winemaker about what to do, he responded, “Let the gold through.” It was a pretty funny moment, and very strange to have somehow foreseen that a bit.  

JB: What is your dream wine-tasting and touring locale?

JH: Argentina. I visited when I was in my 20s, but it was not a wine-related trip. The mountain backdrop to the wine country looks spectacular, and I love mountains. I’ve also never given the proper time to explore the wines of Argentina, so I’m sure I’d love them if I could find the time to take up another region. 

This bug is bad: Phylloxera and wine have an infamous relationship. (The Phylloxera, a True Gourmet, Finds Out the Best Vineyards and Attaches Itself to the Best Wines. Edward Linley Sambourne, Punch, September 6, 1890.)

JB: Your favorite wine reference in a work of literature?

JH: Favorite wine book: Phylloxera: How Wine Was Saved For the World, by Christy Campbell.

Kosta Browne’s 2022 Burgundy Series: From France With Love

Burgundy is often on my mind. The diverse landscapes and geography, the wines, the cuisines … it is a fabled region with a grand history (the Franks and the Dukes of Burgundy are alone worthy of lifelong study) and captivating present. All that, plus escargots, those heavenly escargots.

A Bugundian staple. (Photo by James Brock)

I spent some time in that magical region – since Jan. 1, 2016, known officially as Bourgogne-Franche-Comté – of France last year, and too many days there would have been too few. I was therefore excited when I received Kosta Browne’s Burgundy Series 2022 vintage lineup, because the wines took me back to the sights, sounds, and smells of Meursault, where my traveling companions and I set up headquarters for a few days in a stone house overlooking a vineyard in the small village (2022 population: 1,376).

A Meursault room with a view. (Photo by James Brock)
Headed to the patisserie in Meursault. (Photo by James Brock)

Meursault is known for its excellent white wines, and when planning a trip to Burgundy don’t overlook the idea of making the village your temporary home. The proximity of the Chassagne-Montrachet and Puligny-Montrachet appellations, to name but two nearby, and the city of Beaune are nothing but bonuses. In addition, Meursault has an excellent patisserie on its town square that makes a fine pain au chocolat, as well as a French-Asian restaurant, La Goutte d’Or, where Yuki and Thomas Broyer’s menu of honest, authentic food includes fricassee of frog legs, duck breast, pike quenelles, sushi, and terrines of pigeon, foie gras, and lobster. La Goutte d’Or’s wine list, full of great values, adds to the story.

To the Burgundy Series wines. Kosta Browne winemaker Julien Howsepian — his family’s roots lie in Burgundy and he speaks French — had long wanted to make wine from grapes grown in the region, and beginning in 2012 began having discussions about the vision.

“Back then, it was just the seed of an idea — a dream waiting to be realized,” he said. “Creating the Burgundy Series has been a remarkable journey, and one of the most inspiring experiences of my career. In many ways, our early years in Burgundy felt like a return to our roots in the Russian River Valley and Sonoma Coast, when we were the new kid on the block finding our footing, building relationships with growers and earning their trust and respect.”

Chablis Premier Cru ($115 SRP/$70 member price) is an ideal place to begin my study of Kosta Browne’s Burgundy Series. Kimmeridgian soils is the buzzphrase, and Chardonnay the buzzword, so let’s take a brief look at both.

Julien Howsepian, Kosta Browne’s head winemaker. (Courtesy Kosta Browne)

If you don’t already know, Chablis is — must be by regulation — 100 percent Chardonnay. Then there’s the hierarchy: Petit Chablis, Chablis, Chablis Premier Cru, and Chablis Grand Cru. The latter three originate from vineyards planted on the aforementioned Kimmeridgian soils, while Petit Chablis — the name was first used in 1908 to mark wines not made from Chardonnay grapes and/or not grown in Kimmeridgian soils — is primarily grown on younger, Portlandian soils.

This is putting it simply, but the mineral-rich Kimmeridgian clay and limestone (full of fossilized oyster shells) give the first three appellations astounding minerality and aging potential, while the Portlandian earth produces wines marked by immediate approachability and freshness (plus great value). As a loose rule of thumb — I write “loose” because changes made by winemakers in Chablis have resulted in wines that are offer an abundance of pleasure whether one drinks them young or old, as opposed to times past, when many of the wines were harsh when young or lacked a finesse and depth that was sorely missed — drink Petit Chablis young, perhaps two years after release, Chablis five years after release, and Chablis Premier Cru and Grand Cru five to 10 years (or more) after release. Time will reward you, but if you are impatient do not let me stop you from pulling a cork whenever you desire. To close this topic, it’s a pleasing thing to try a Premier Cru five years after release and the same wine/same vintage five years later. Notice and appreciate the evolution and development of the living liquid.

The first thing that struck me upon tasting the 2022 Kosta Browne Chablis was its singular precision. Lovers of Chablis will be familiar with the flinty minerality these wines possess, and this one is no exception. Retrieve a stone from a river whose waters are clean and flowing and hold it under your nose — that aroma is beautifully represented here, along with white stone fruit and a delicate lemon note. The concise minerality continues in the mouth and marries well with the wine’s distinct acidity. You’ll love opening this bottle and drinking it with a plate of seared sea scallops (prepared simply with garlic and a touch of lemon).

A Chablis of elegance and precision. (Courtesy Kosta Browne)

This wine has an alcohol level of 13.5 percent, and élevage involved the use of 100 percent stainless steel for 13 months. As noted, I would not scold you if you opted to open this Chablis now, but uncorking it in 2028 would not be a bad plan, either.

And we now turn to Pinot Noir, that other grand grape of Burgundy, for the remaining four selections in Kosta Browne’s Burgundy Series vintage 2022 (2020 was the first vintage in this series). These names — Beaune, Pommard, Volnay, and Nuits-Saint-Georges — will likely be familiar to many, and Howsepian and his team have produced fine examples that fit well under these appellations.

I’ll dispose of some rudimentary notes here about the four Pinot Noirs. All come in at 13.5 percent alcohol, and each carries a suggested retail price of $150, or $90 for Kosta Browne club members. As for oak programs, which Howsepian controls, here’s the breakdown: Beaune (37 percent new oak, 63 percent neutral oak for 13 months); Pommard (29 percent new oak, 71 percent neutral oak for 13 months); Volnay (19 percent new, 81 neutral for 13 months); Nuits-Saint-Georges (29 percent new, 71 percent neutral for 13 months).

Howsepian works with a winery in Côte de Beaune (under a confidentiality agreement) to produce this series; the wines are vinified and aged in barrel in Burgundy, then transported under refrigeration for bottling in Sebastopol, California, where Kosta Browne, which is owned by Duckhorn Wine Co., is located.

“Over time, as our connections in Burgundy have strengthened, our ability to work with the best vineyards has grown, including access to Premier Cru properties in Beaune and Chablis,” Howsepian says. “The exceptional quality of those vineyards is embodied in our 2022 Burgundy Series wines. So is the extraordinary quality of the 2022 Burgundy vintage, which has already earned glowing praise for its energy, freshness, and generosity. It is a fascinating union that I find thrilling.”

Here is a look at the four 2022 Pinot Noirs in Kosta Browne’s Burgundy lineup, beginning with the Beaune Premier Cru, and though I want you to keep reading, if you are pressed for time here is my appraisal in brief: Club members should definitely purchase these bottles, and, depending on their wine-buying budget, non-club members would do no wrong adding these selections to their cellars. My tastings were, across the board, much, much more than satisfactory.

The Hôtel-Dieu de Beaune is a cultural treasure. (Photo by Colby Walton)

The Beaune Premier Cru bottling speaks of cherries, dark cherries, the predominant note aroma-wise and on the palate. If you like black and dark blue fruits, this one will interest you. Wonderful tension and vitality are evident in this medium-body wine, along with confident acidity and tannins. Secondary aromas of forest floor and mushroom, which will become more pronounced as the wine ages in the bottle, are part of the dynamic here, and the hint of white pepper is delightful. I’d pair this bottle with a mushroom and chicken fricassee, making sure to include some morels. Interesting fact about Beaune Premier Crus: There are 42 individual climats (vineyard sites) classified as premier cru in the appellation, and only about 10 percent of total production meets the premier cru qualification standards.

Drink this wine with duck. (Courtesy Kosta Browne)

To the Kosta Browne Pommard, and first things first: You will be pleased if you serve this bottle with duck breast or duck confit. The wine’s rusticity, restrained might, and dark cherry notes will marry perfectly with the waterfowl, but won’t overpower the dish. You also get a pleasing floral undertone, as well as red berry notes. The tannins and power characteristic of wines from the appellation are evident, but they do not punch wildly. Pommard, which lies between Beaune and Volnay, had a population of 444 as of 2022. As noted above, time spent in this area is time not wasted; cycling around the villages is a pleasant way to spend a day, and the scenery is moving and enlivening.

Cycling in Pommard. (Photo by Colby Walton)

Here, in transition, I offer some words from Jon Bonné, which appear in his indispensable book The New French Wine: “If Pommard tends to be about muscle, Volnay stands on finesse. Frequently the comparison is to Chambolle, and the similarities are there, certainly in the nuanced structure of the wines and in the relatively light topsoil with harder Bathonian limestone below.” Volnay boasts, according to Vins de Bourgogne, 29 premiers crus, a not insubstantial quantity; these include Santenots, Clos de la Chapelle, and Clos de la Rougeotte.

Volnay, as done by Kosta Browne. (Courtesy Kosta Browne)

Yes, Pommard wines are described as masculine, and those from Volnay (the appellation dates to 1937) are often termed “feminine.” They can certainly, in most cases, be appreciated as “delicate,’ and while I’ll leave it up to readers to debate the utility of using “masculine” and “feminine” to describe wines, the Kosta Browne Volnay is complex and carries an arsenal of poised, confident aromas, including the ever-present cherry, as well as gooseberry and raspberry. In the glass the wine is a lovely shade of garnet, and tannins are restrained. When you take this bottle to the table, try pairing it with coq au vin, as made by Julia Child.

A road that leads to some fine vineyards. (Courtesy Wikimedia Commons)

Nuits-Saint-Georges is the final selection in this series, and a key thing to know about the appellation is that it is comprised of two parts, which are divided by the town and the valley of the Meuzin, a smallish river (38 kilometers long) that is a tributary of the Saône. (In an interesting aside, the Meuzin made international news in 1978 when a disgruntled winery worker dumped $600,000 worth of wine into the river, a wasteful act that killed thousands of fish.) Soil composition is also divided in the appellation, but limestone, marl, and clay dominate. The elevated portions of the northern section consist of alluvia marked by small stones, while the low-lying areas of the northern region are mostly silt deposited by the Meuzin. The southern part of the appellation features alluvia from the Vallerots Valley and limestone deposits atop the slopes.

This terroir diversity produces wines with diverse characteristics: in the south, near Premeaux-Prissey, you’ll find lighter wines with subdued tannins, while in the north, near Vosne-Romanée, the wines are more complex and show remarkable finesse. Drink these wines young to enjoy their vivacity, and age with care to appreciate the AOC’s overall reputation for producing robust wines that mature with grace into something complex and elegant in the bottle.

To the 2022 Nuits-Saint-Georges from Kosta Browne, and we begin with my food pairing, as presented by Yotam Ottolenghi: slow-roasted lamb with grapes. The recipe uses an abundance of shallots and garlic, and its sauce will enhance the wine’s elegance. I tasted the 2022 immediately after pulling the bottle’s cork, and its freshness and earthiness mingled in the nose and on the palate. Rose petals, subdued red licorice and violets were also playing in the bouquet. In the mouth you get a wine of medium body and balanced, dancing elegance.

Howsepian, as noted above, has roots in Burgundy; one of his grandmothers grew up in a village near Nuits-Saint-Georges, and his father had an uncle who worked in wineries in the region. What he and his team have produced in this series of wines is worthy of that legacy. While I understand the decision to keep some details — namely, vineyard sites — confidential, knowing exactly the provenance of the fruit that went into the bottles would allow a more comprehensive appraisal and comparison of the wines. However, 2022 has been universally deemed an excellent vintage, with high temperatures that slowed polyphenolic ripeness and a major storm in June that helped the vines get through a dry July, and these bottles represent the vintage well.

Canlis’ First Female Wine Director Moves With Intent

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I encounter as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. Whether my subject is a sommelier, a collector, a winemaker, a chef, a buyer, or an avid drinker of wine, you’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Dining at Canlis had been on my agenda for a good number of years. I was in Seattle for a week or so back in 2010, part of an itinerary I had devised that included reuniting with friends residing on the West Coast (Portland and Seattle) and a visit with family in Florida.

I was living in Dubai at the time, working at a newspaper, and the trip was much needed. I wanted to get a table at Canlis during my trip, but part of my reason for being in Seattle was a reunion with some friends from my German high school, a gathering that featured a number of events and meals that took up most of my time. Canlis had to wait.

The welcoming and elegant entrance to Canlis. (Photo Courtesy Canlis)

Last year, I made it, finally. We flew up to Seattle, en route to Bremerton, where we would be staying with friends, former colleagues of mine with whom I worked at a newspaper in Westchester County, N.Y. Before taking a ferry over to Kitsap County we spent the evening at Canlis, a reservation for four secured with the help of Aisha Ibrahim, who was hired in 2021 as the restaurant’s first female chef – it’s had seven chefs, including Ibrahim, since it served its first dish 75 years ago. (Ibrahim, who helmed Canlis’ kitchen for nearly four years, has left the restaurant, along with her sous chef and life partner, Samantha Beaird; the pair plan to open their own place in either Los Angeles or New York. In other recent Canlis news, Brian Canlis is also parting ways with his family’s restaurant; he has accepted a role in Nashville with Will Guidara. His brother, Mark Canlis, remains at the establishment.)

A view into the main dining room at Canlis. (Photo by Kevin Scott/Canlis)

The meal was outstanding, as were the service and the ambiance. If you know anything about Canlis, you’ll be aware that it is an architectural star, and from the moment one glimpses the distinctive exterior of the restaurant the building itself becomes a vital component of one’s experience.

A quartet of dishes begins a meal at Canlis. (Photo by James Brock)

But the food and design at Canlis are not the foci of this piece. The star of this Wine Talk is Linda Milagros Violago, who happens to be the first female director of the restaurant’s vaunted wine program.

Fish done well at Canlis. (Photo by James Brock)

Violago was born in Winnipeg, and refers to herself as “a first-generation Filipina/Canadian and citizen of the world.” She’s worked – for more than 35 years – in restaurants in 13 countries, including at Michelin-starred luminaries in Europe (such as Mugaritz in Spain and In De Wulf in Belgium) and fine- and casual-dining places in North America, Charlie Trotter’s among them. She even, during the Covid pandemic, scooped and served ice cream at a shop in her Canadian hometown. She’s well traveled, and adaptable, to say the least.

Linda Milagros Violago sits at the piano in Canlis. (Photo by Amber Fouts)

Violago has also worked four harvests, and she’s brewed sake in Japan. When she’s not on the floor or in the cellar at Canlis, she’s traveling, practicing yoga – she teaches yoga and breathing to her colleagues – and spreading the word about the importance of intentional movement, which she credits with helping her “get through life and service” at her places of work.

Violago is thoughtful, careful with her words, and genuinely loves what she does. Let’s see what she has to say in Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Linda Milagros Violago: In no particular order:

The 2022 Domaine du Gringet Etraz. I have always loved Dominique Belluard’s wines, and this new project that has arisen after his death is sure to just grow and evolve in a beautiful way. This wine, though young, is just so special and unique. It’s also so drinkable now, but will definitely age well. I like this with one of our courses that has aged and smoked salmon served with silken tofu and crispy cabbage.

Domaine du Gringet: Continuing the legacy of Dominique Belluard.

Next, the 1996 Domaine de Montille Pommard Les Rugiens 1er Cru. I am not being cheeky. After a long conversation with a guest who wanted to splash out on wine and trying something with age, I served this bottle, and it did not disappoint. It was still so youthful and powerful, but elegant, too. I love old Nebbiolo, but I also really love old Burgundy, and wines from this generation (or earlier) just evolve in a really fun and satisfying way throughout the meal.

A Burgundian jewel.

Finally, anything from Bérêche & Fils. People who know me know that I love to support the small growers in Champagne. The brut reserve from Bérêche & Fils is just so easy to drink and yet so pleasing and complex. We just recently poured it by the glass at Canlis and the initial response was always, “Yes, that’s perfect,” and then a few sips later, “Wow, this is really great!” Great for apéro, great with our truffle fries, great with our whole menu.

JB: How did Covid-19 change your life, personally and professionally?

LMV: I want to invest more time and energy in things that promote growth – both for myself and others. I want to do something every day that brings me joy – reading, moving, listening to the birds … something that fills my cup and restores me. Professionally, I’ve changed how I talk about wine – to peers, to students, to guests. More than ever we need to make our discussions like real conversations, and not just us at the table talking to guests. We want them to feel good about what they chose and feel free to ask questions and describe in their own words what they want.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

LMV: That’s tough! A guest recently asked me if I were sitting down and had no budget, what would I drink? There are many options, and I do not regret serving him the 1996 Château Rayas.

JB: What is your favorite grape, and why? If you don’t have a single favorite, tell me about one that you are especially passionate about.

LMV: I have a few favourites, but old Nebbiolo makes me giddy and old Burgundy (red or white) brings me joy.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

Cayuse Widowmaker – yes, a wine that isn’t any of the grape varieties that I mentioned!

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)? 

LMV: Le Caviste.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it? 

LMV: Don’t be afraid to try something different, don’t be afraid to zero in on what you like and don’t like, and learning how to express that is as important as learning how to express it when you’re shopping for anything else. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?  

LMV: The wine that got me into wine as a very simple Alsatian Gewürztraminer from the early ’90s. It was then that I was able to first grasp at the different layers of wine.

Linda Milagros Violago is making history at Canlis. (Jeremy P. Beasley/Canlis)

JB: What has been the strangest moment/incident involving wine that you have experienced in your career? 

LMV: This was a strange interaction with guests. There was an older couple dining with two young women. One of them was the couple’s daughter and I am not sure about the relationship with the other young woman (she stayed quiet). The older couple were quite the characters. The man wanted to talk options, the woman – who was celebrating her birthday – stated, “I want red wine!” It was all very convivial and fun. They had a round of cocktails to start and I was looking forward to the conversation with them. The man turned to his daughter and asked if she was joining in the wine, and she refused, saying she “didn’t want to lose any brain cells.”

I’m in my 50s, I would guess that her parents were about my age, so we looked at each other and laughed and somehow got into a conversation of what we do to keep sharp: brain games, etc. And I talked about neuroplasticity. The daughter just refused, again, repeating that she didn’t want to lose any brain cells. But, she did want some sparkling wine. I mentioned our options of wines by the glass, but somehow that wasn’t what she wanted (she wanted bubbles, but didn’t want to order a glass, didn’t want to lose brain cells, and, honestly, it wasn’t clear what she did want.) Eventually, we found a bottle of wine for the parents to drink. The daughter did keep complaining about not having sparkling wine but wouldn’t order a glass. This happened just last year.

JB: Your favorite wine reference in a work of literature?

LMV: Rumi: “Gratitude is the wine for the soul. Go on. Get drunk.”

Less esoteric: Shakespeare, from “As You Like It”: “I pray you, do not fall in love with me, for I am falser than vows made in wine.”

Daniel Maclise (1806–1870), The Wrestling Scene in ‘As You Like It’ (1854), oil on canvas, 129 x 177.1 cm, location not known. (Wikimedia Commons)

Burgundian Days and Nights

When one sleeps surrounded by Chardonnay and Pinot Noir vines the essence of the fruit seems to slip into the subconscious. A final glance at the vineyard outside my room before retiring for the evening, moonlight allowing a view of the young light-green leaves, the cold air and ground working to strengthen the vines. Last night’s temperature fell to around 46. I closed the window and slept, warm under down.

Early morning mist fades away as the sun rises and warms the surroundings. The vines, the leaves, the tendrils – the tops of the trunks low to the ground, perhaps 1 foot or so in height where the green begins – appear fresh, confident even, their color uniform across the parcel. Buds are present, small, tight, promising. (Smudge pots and other weaponry against the dangers of frost abound – it’s late April in Burgundy, and though next week is forecast to bring warmer temperatures, farmers are worried.)

These vines are promise. And our tastings of various vintages this week bring to life the effort and fears and work and dreams that have been deposited into the surrounding vineyards. A 2020 Aligoté lively and fresh, a 2019 Pinot Noir flirtatious and tempting. A premier grand cru that made one’s eyes close with pleasure. That’s the promise.

Bibiana González Rave on California Syrah, Château Haut-Brion, and Purity

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Bibiana González Rave is a complex individual.

She learned how to make wine while attending university in France (the Lycée de L’Oisellerie in Angoulême and the University of Bordeaux); developed her skills in Cognac (Lycée Agricole de L’Oisellerie), Burgundy (Domaine Devevey), Bordeaux (Château La Dominique, Château Haut-Brion, and Château La Mission Haut-Brion), and Côte-Rôtie (Domaine Michelle & Stéphane Ogier and Domaine Clusel-Roch), and Alsace (Domaine Scheidecker); in a particularly hectic three-year period worked six harvests; has a degree in chemistry, earned in her hometown of Medellín, Colombia; and is married to a fellow winemaker, Jeff Pisoni, with whom she makes wine under the Shared Notes label.

Did I mention that Rave, who resides in Santa Rosa, owns Cattleya Wines and Alma de Cattleya? She does, and the wines she is making at both operations are worthy of attention — the former brand encompasses her high-end offerings, while the latter comprises her entry-level range, including one of the best Sauvignon Blancs ($22) I’ve tasted in a long while. (I forgot to tell you that she was the San Francisco Chronicle Winemaker of the Year in 2015.) As I said, Rave, the mother of two sons, is complex, busy, and a great winemaker.

This Sauvignon Blanc is now on my always-have-on-hand list.

Rave’s journey took her to California in 2004, when she moved to Sonoma and began immersing herself in the Golden State wine world. She took positions at Qupé, Peay Vineyards, Au Bon Climat, Lynmar Estate (where she was winemaker from 2009 through early 2012), and Pahlmeyer, among others. She founded Cattleya — name after the national flower of her homeland — in 2012, and launched Alma de Cattleya in 2015.

Several weeks ago, I participated in an informative and fun virtual tasting with Rave, which marked the occasion on which I met her. The session also included her husband, Jeff, and Mark Pisoni, Jeff’s brother, who is vineyard manager at Pisoni Estate. We tasted the 2019 Alma de Cattleya Rosé of Pinot Noir, the 2019 Sonoma County Alma de Cattleya Sauvignon Blanc, the 2018 Lucia Vineyards Sonoma County Chardonnay, and the 2018 Santa Lucia Highlands Lucia Pinot Noir (the latter two made by Jeff Pisoni), all off which are drinking well.

While I much prefer in-person meetings and conversations, this long-distance talk demonstrated more than clearly that Rave is a passionate perfectionist when it comes to making wine. When I mentioned to her that I noticed a slight haziness in the sample bottle of Sauvignon Blanc I had received, she responded with what approached alarm, apologizing profusely. A few days later, she sent an email explicating the haziness, which had to do with temperatures during shipping. I like drinking wines made by such people.

I look forward to meeting Rave and her husband in person, but until then, sampling her wines, including a 2017 Syrah that I cannot wait to open, must suffice. (Reviews to come soon.)

Here is Rave’s Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

BR: First, the 2019 Alma de Cattleya Sauvignon Blanc. I love making Sauvignon Blanc wines, and the weather right now is just perfect for it. This summer we’ve been cooking a lot of fish with roasted vegetables, and the Alma has been a staple for the season.

Next, the 2019 Lucy Rosé. I am a big fan of my husband’s rosé of Pinot Noir — unbiased, I promise! It’s made entirely with estate fruit, farmed sustainably, and just overdelivers on quality for the price. This rosé is so flexible with food pairings, or simply an apéritif  all by itself.  

Finally, the 2018 Château de Saint Cosme – Côtes du Rhône. It is the entry-level wine produced by this property, but a great wine that should be perfect for outdoor dining, BBQs, light salads, pizza-to-go, etc. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

BR: I am a huge fan of Chatêau Haut-Brion, and their Bordeaux Blanc is far out of my budget. If cost was not a consideration, I would have every single vintage of that wine. I gained a very special appreciation for their wines when I worked there during the 2003 vintage. I attended the University of Bordeaux and had the opportunity to do my thesis research with them. I was able to spend six months working with an extraordinary team focused on excellence — and some of the best fruit I have ever tasted from a vine.

I know the wines are ultra-expensive, so it is hard to talk about a brand that very few people taste . However, working there day to day, you learn why those wines have mystique surrounding them. Their focus on crafting wine is remarkable. I wish I could have a vertical of all their wines going back to 1945, red and white.

Rave, a native of Colombia who knew from an early age that she wanted to make wine, moved to France and learned to do so.

JB: What is your favorite grape, and why?

BR: I would say it is very hard for me to have a favorite grape, especially because I love working with all the different varietals for my three different brands, but if I have to choose one that I am very passionate about, I would say Syrah. 

I find myself saddened by the bad reputation (or lack of appreciation for) of Syrah from California, while someone may feel fine buying a $500 bottle of Guigal or Domaine Stéphane Ogier from Côte-Rôtie (both totally worth that price, especially the Ogier wines). (Full disclosure: Ogier is one of my dearest friends from my time in France.) I think Syrah’s quality in the United State has increased tremendously, mostly from small family estates that continue to put a lot of care into and focus on the making of those wines, such as Alban Vineyards, Dehlinger, Pisoni Vineyards, Peay, and Donelan, among others.  

I certainly put a lot of attention to my Syrahs. I used my most expensive barrels on my Cattleya from the Soberanes Vineyard and treat the wine the same way I would treat, for example, a Cabernet Sauvignon from Napa Valley. I tend to do very slow fermentations for a long period of time in tank, then age in barrel between 15 and 24 months. 

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

BR: The 2018 Cattleya The Initiation Syrah from the Soberanes Vineyard in Santa Lucia Highlands. I just tasted that wine today before pulling out of barrel for bottling. I decided for this specific vintage to leave the wine in barrel for 22 months. I loved what that extra aging did for the wine. It is a 100 percent French new oak barrel-aging, and the wine is just delicious. It will be about 85 cases total production only, but I do believe the wine is going to reach a beautiful point in 10 years from now. I was so excited about the taste of the wine that I called my grower to tell him how beautiful it was tasting, and of course, to thank him for his hard work. (He happens to be my brother-in-law, Mark Pisoni.) 

JB: Where is your go-to place when you want to have a glass or bottle?

BR: If we have time to escape for a date, I love to go to San Francisco. The city is a place where my husband, Jeff, and I love to go for special meals. There are just so many remarkable wine lists that have everything you want. We love finding white Burgundy gems on wine lists, from small producers that always excel at their craft and Rhône Valley wines with some age on them. Boulevard Restaurant is one of these spots I have always loved, for food and wine. Their list is phenomenal. 

Locally, we enjoy going to a great restaurant called Bird & The Bottle. They have a lot of great dishes and my kids are big fans of their sliders. They also carry the Alma de Cattleya Sauvignon Blanc by the glass, so that often becomes our selection for lunch or dinner.

Rave, whose wines I want more people to know about and taste, holds Syrah in high esteem.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

BR: Purity. I believe that even when consumers tell me that they don’t know about wine, or that they are not wine connoisseurs, our bodies always can sense purity in food and wine. So, when you find wines that are intense on the aromatics and with a refined texture, with volume and velvety tannins, then you have found something special. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

BR: 1994 Domaine Romanée Conti, La Tâche

I tasted that wine in 2004, just before departing France to come to California for my first harvest in the United States. The wine already had 20 years of age, and it was just brilliant. I was speechless, having one of those moments you rarely get with wine, when the world disappears around you and all you hear, think, and see is the image of the wine going through the process of being smelled, tasted and consumed. It was the first time I drank Pinot Noir that made me want to produce wines from that varietal, and here we go. California became that place for me. 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

BR: The way I got accepted into my first school in France was both pivotal for my career, and very strange in the way it happened. All my initial mailed enrollment applications from Colombia were rejected (11 of them, since I wrote to all 11 schools in France that focus on the BTS of Viticulture and Enology), so I decided to just visit the schools in person. When I arrived at the first school, near Cognac, I met with the school’s principal. He spoke only French, and I spoke only Spanish —yet, somehow, we carried on a conversation for more than an hour!

When he said “Tractor” I was very excited, because Tractor sounds the same in French and Spanish. At the end of our conversation I left convinced that The Lycée of L’Oisellerie would become my new school for the first few years of my education in France. A month later I got a call and the confirmation that I was enrolled in the program I never knew for sure how it worked, but I assumed it was my passion and persistence that convinced him, that and the belief that it was just meant to be.

It’s all about Sancerre …

JB: What is your favorite wine reference in a work of literature or a film?

BR: Sancerre in the book “Fifty Shades of Gray.” I heard from so many people that Sancerre has become their favorite wine after they read the book or watched the movie. Cool to see that Sauvignon Blanc could become popular after being referenced that way. 

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