Category: cooking (Page 7 of 7)

By the skin of a chicken

If you like fried chicken, or a good roast chicken, and if you share my tastes, I bet you love eating the skin. Its crispness is a sublime mouth sensation, and depending on what type of oil you use when frying, or what you add to the butter or olive oil you use to baste the bird while it is roasting, the flavors of the skin can range widely. (Duck fat? Olive oil/butter mixture? Garlic, shallots, basil, sage, chili powder? The sky is the limit.)

One of the things I learned to do at Restaurant Amador is use the skin alone to make chicken-skin wafers, or chips. (You can ask your butcher to order chicken skins for you, or learn how to skin your own chicken, as it’s really not that difficult. And the skins freeze well, so there is no excuse for not having any on hand.)

What you’ll need: A Silpat or two, a large metal baking sheet, two baking dishes of similar size, some heavy stones, and parchment paper.

Baking stones

Baking stones

To begin, take a chicken skin and spread it on a cutting board, skin-side down. Then, using a flat, flexible plastic scraper – you can buy these at a cooking-supply store, or make your own – scrape as much of the fat away from the skin as you can. (Have a container near you to scrape the fat into.) You’ll find it impossible to scrape away all of the fat, but get as much as possible without stressing over it. (The less fat, the lighter the taste.) Then, one piece at a time, spread the de-fatted skins, skin side down, on a Silpat, stretching them as much as possible. Repeat this until you have the Silpat covered, making sure to not overlap the skins too much; you want the layer to be as thin as is possible.

Chicken skins, spread on a Silpat

Chicken skins, spread on a Silpat

Repeat the scraping procedure with another set of skins – and don’t worry, this is a fast procedure … once you get going you can de-fat one piece in less than a minute – and, one at a time, spread a skin over the pieces already on the Silpat. Only this time, make sure to put the pieces skin side up. Making sure that the layers are uniform, cover the first layer completely.

The next step is easy: take your other Silpat and place it on top of the chicken skins, then put the assemblage on a baking sheet. Put the baking sheet on the bottom of one of the containers, (the space created by the inverted container helps crisp the skins). Place a piece of parchment paper on top of the Silpat, and on top of the paper put your other baking dish. (The dish needs to be large enough to cover the entire surface of the Silpat sheets.) Into this dish go the stones, which serve to exert pressure on the skins.

A double batch of chicken skins

A double batch of chicken skins

(Do not fret if you don’t have metal pans like the ones in the photo above; improvise with what you have. But do invest, if you have not already, in Silpats; you’ll find yourself using them often.)

With the oven set at 330 Fahrenheit (165 Celsius), put the entire stack on a rack and cook for two hours. Your kitchen will develop a lovely scent.

Next, take the tray containing the stones out of the oven and put it in a safe place, as the stones will retain their heat for a long time. Remove the remaining trays from the oven and put the Silpat sheets on a counter. Slowly peel back the top Silpat and behold your creation: you will discover a crisp, flat layer of chicken skin, with uneven edges. (If you have a food dehydrator, now is the time to dry out your skin. If you don’t, put the skin on a piece of parchment paper and bake it in your oven at a very low temperature, say, 70 degrees Fahrenheit. This step helps give the skin a lighter taste and feel. Leave it in the oven for 30 minutes or so.)

A tasty wafer

A tasty wafer

Finally, it’s time to cut the skin into individual pieces; feel free to use your imagination here, depending on how you plan to use the pieces.

Rectangles of crispy goodness

Rectangles of crispy goodness

At Amador, the skin is cut into rectangles and served as an early course, adorned with purées, creams and herbs. They are delicious. Just take the skins from the oven and place them on a cutting board. Using a sharp knife – of course, you should have nothing but sharp knives – cut the pieces into your desired shape. As a final step, sprinkle with Maldon salt, or your preferred sea salt. You could serve them in many ways, and I know they would be good as a garnish on a bowl of shrimp and grits, perhaps sprinkled with dried shrimp.

Arrival at Amador: long days, great food, and a Spanish triumph

I’m here, in Mannheim, working at Restaurant Amador. I arrived shortly before Spain played Italy in the Euro 2012 final. I was hoping Germany was going to be in that final, and I planned my flight so that it would fall on a day of no Euro matches. That Sunday, the 2nd of July, the restaurant held an “open house” event, and about 300 people attended. We roasted a pig, and the guests enjoyed some fine pork, among many other things.

The star of the show

The star of the show

My first day in the kitchen was Saturday, July 1. I worked hard – everyone in this kitchen works hard – and long. Harder and longer than I have in a while. I’m not complaining, just remarking that 15-hour days are long days.

Everything in its place

Everything in its place

Days that long contain plenty of time to peel parsnips for stock, to chop garlic and shallots, to shell and clean beautiful crabs, removing all of the yellow and reddish tissue and leaving behind nothing but briny white meat. Plenty of time to clean and scrub floors and counters and walls and ovens. Enough time to get to know the cooks in the kitchen, from whom I am learning a lot.

On the evening of the open house, after all the guests had gone, we set up a projector and watched Spain decimate Italy, watched the Spaniards show the rest of the world how to play football. We sat in the restaurant, eating beautiful steak, drinking some good wine, tired from the day’s work but happy. (Except for the Italian supporters; they were upset.)

Spanish flags aplenty in the Amador dining room

Spanish flags aplenty in the Amador dining room

As I watched the match and sipped a dry Spanish white, I thought to myself: I am in a three-star restaurant, watching the final match of the European Championships. I just finished a long day working in a great kitchen, a kitchen full of great equipment and ingredients. Some of my colleagues had just dried off from swimming in the pool on the restaurant’s grounds after their long days and were sitting near me, eating and watching the match.

A restaurant with a view

A restaurant with a view

I was tired, and I was just a little jet-lagged. But I was where I wanted to be.

It has only just begun, and I am loving it.

Straining Details, or, the Craft of Thomas Keller

Shiitake mushrooms, coddled in cream, can be transformed into a soup worthy of a place at your table.

Shiitake mushrooms, coddled in cream, can be transformed into a soup worthy of a place at your table.

One thing I like about cooking is the power of being able to transform disparate ingredients into an organic whole, something that has all of the nuance and integrity of each of its constituent parts but ends up as something greater than any of them alone, something that satisfies you as a cook and pleases the people for whom you created it.

With that power of transformation comes the responsibility of respecting what you’re cooking with and the techniques necessary to create the organic whole. If you don’t have that, forget it. Details matter; you can assemble ingredients of the highest quality, but if you don’t treat them right, you will be less than happy with the outcome.

I’ve lately been going back to “The French Laundry Cookbook,” which a friend gave me a few years ago. It is one of my favorite cookbooks, but I have never read it from beginning to end – I am doing so now, and cooking from it. This week, after rereading the section in Michael Ruhlman‘s great book “The Soul of a Chef” on Thomas Keller, titled “Journey Toward Perfection,” a passage about soups stuck in my mind:

Mr. Keller loves soup, and he might begin a meal with a dazzling quartet of contrasting flavors that arrive in espresso cups. Fresh slightly bitter sorrel soup, the essence of green, is quickly followed by tomato consommé that is crystal clear but tastes bright red. Two thick soups look similar, but one is an ineffably rich lobster bisque, the other a clean smooth puree of cranberry bean.

In “The French Laundry Cookbook” is a recipe for Cream of Walnut Soup. I did not have walnuts, but I had some shiitakes, so I made a soup using Chef Keller’s recipe as a guide, with mushrooms instead of walnuts. And I made a few changes, not to make improvements, but because my ingredients called for them.

And that takes me back to detail and technique. One thing that all great cooks and chefs have in common is paying attention to both. No shortcuts, no half measures. The ingredients, and you and whoever is going to eat your food, deserve nothing less. You will need at least one strainer or chinois for this recipe, and if you have more than one you will be the better for it. If you have only one, make sure you clean it thoroughly each time before using it.

What a mélange: A shallot, some shiitakes, a bit of butter and two cups of cream

What a mélange: A shallot, some shiitakes, a bit of butter and two cups of cream

Take about 20 or so shiitakes and brush them clean, then chop coarsely and set them aside. Next, mince a shallot and sweat it in some butter in a medium sauce pan until soft. Add two cups of heavy cream to the pan and about 1/4 cup of milk. Next, split a vanilla bean and scrape the seeds into the mixture. Finally, add the mushrooms and bring all to a simmer, then turn down to just below simmer – you’ll let the flavors meld for about 45 minutes or so.

In his Cream of Walnut Soup, Chef Keller uses pear purée, and I thought it would go well with the mushrooms, so while the cream mixture is gaining strength peel and core one pear and cut it into eight wedges. In a medium saucepan, bring to boil one-half bottle of dry white wine and skim any foam that rises to the top. To this add 1.5 cups of water and 1/2 cup of sugar. Return to the boil and stir. When the sugar is dissolved add the juice of one half of a lemon and to this mixture add the pear pieces; cover with parchment lid (or loosely cover with lid if you don’t have parchment paper) and bring to a simmer. Cook for about 15 minutes, until pear wedges are soft to the tip of a knife. Remove the poached pears from the heat and return your attention to the cream and mushroom mixture.

No shortcuts: Straining liquids is key to this soup.

It’s coming together now, and if it has been about 45 minutes since the cream-mushroom mixture has been on the flavors will be wonderful; it’s amazing how the shiitakes impart their earthiness to the cream, and underneath it all is the essence of shallot. Pour this mixture through a strainer into a clean pan and discard the mushrooms. You’ll end up with about 1.5 cups of liquid. Taste it now for seasoning; I added a pinch of salt at this point.

Going back to the pears, transfer the wedges to a blender; pour about 1/3 cup of the poaching liquid through a clean strainer into the blender, then purée. If your mushroom cream has cooled reheat it, gently; then, with your blender motor running, pour the hot cream into the blender.

A first taste: a soup this rich is the perfect way to begin a meal.

A first taste: A soup this rich is the perfect way to begin a meal.

Finally, using a clean strainer, strain the soup into a clean saucepan and reheat gently. As Chef Keller does at the French Laundry, I like to serve the soup in warm demitasse cups as the first thing diners taste at the table, other than Champagne or wine. It is rich, the poached pear brings the slightest touch of sweetness, and the umami factor will have your guests thinking, “I can’t wait until the next course.” (It’s best to serve this soup immediately, but you can cool and store in the refrigerator for one day. Reheat gently.)

To end, I’ll touch one more time on detail and technique; you will notice that I strain the pear purée and the cream mixtures more than once. What you are after is a smooth, almost whispering touch on the tongue, so any specks or particles will ruin the effect. You must strain the liquids, through a clean strainer or chinois, showing your respect for the mushrooms, your guests, and your craft.

Thinking of France and Chickens

I lived in Paris for about seven months in 2005, and I miss that city, and France, especially when I am shopping for food. For most of my time there during that year I lived in the 10th, near the fine old Marché Saint-Quentin. It was built in 1866, and is a lovely covered market with lots of glass and iron. And it is full of great produce and fish and cheese and meat and poultry of all sorts.

A good place to shop: Le marché Saint-Quentin, in Paris' 10th.

A good place to shop: Le marché Saint-Quentin, in Paris’ 10th.

I shopped there three or four times a week, and most weeks bought a chicken, usually from the same woman, because hers seemed the freshest. Indeed, some of them had been killed the night before I cooked them. I bought them with the feet and heads still on, and appreciated their organic wholeness.

Most of the time I roasted them, which I am confident is the best way to cook a chicken, though fried chicken is a close second. Every now and then, though, I liked to poach a bird in cream, lots of cream. Two quarts, to be exact. Two quarts of fresh light cream, cream that tasted better than any milkshake I have ever had, and I imagined it coming from the most perfect dairy cow in France.

I’ve forgotten where I first saw a recipe for this dish, but it is an age-old technique, and many of you have undoubtedly poached chicken breasts before. One recipe I used recently as a foundation comes from Daniel Young’s “The Bistros, Brasseries, and Wine Bars of Paris.” I brined the bird when I made it this week, eight hours in a water/salt/sugar/black peppercorn solution.

Chicken brining in a plastic bag.

Chicken brining in a plastic bag.

Here’s how you do it:

Rinse the chicken inside and out with cool water and pat dry. Let stand at room temperature for 20 minutes, then season liberally inside and out with salt and pepper. While the chicken is waiting, heat two cups of chicken stock (you can use bouillon cubes) and heat the oven to 325 Fahrenheit. 

Carrots, onions, and celery, and a chicken

Carrots, onions, and celery, and a chicken

Peel two carrots and cut them in half; do the same to two onions and two turnips. To these, add the white part of one leek. I also like to use two stalks of celery, cut in half. (You can peel the celery if you want.) Put the chicken in a Dutch oven and then pour in the stock and the cream and add the vegetables to the mix. Heat on the stovetop over moderately high heat until just below boil. Put the lid on the mixture and put it in the oven for about two hours.

It's a bird surrounded by cream and vegetables – what's not to like?

It’s a bird surrounded by cream and vegetables – what’s not to like?

Remove the chicken and vegetables from the Dutch oven and keep warm; pour two to three cups of the cream mixture through a fine sieve into a saucepan and cook over medium heat, whisking the sauce until it thickens, for five minutes or so. 

Arrange the chicken and vegetable on a platter and pour as much of the sauce over them as you wish. I like to get a leg and breast on my plate, and the carrots and onions take on a flavor that will make you want to double the quantity of them next time you make this. (A final note: it is best to use a large chicken here, say, five pounds, but a bird of that size is difficult to find in many places, so if you use a smaller bird, just reduce the amount of cream.)

It really is very simple, and what results is chicken reminiscent of what you get when you make Chicken and Dumplings – moist and rich. And the sauce will have you thinking of milkshakes. I drank a Côtes de Duras blanc with the dish this week.

Pork on ice

Most people I know love bacon, and most people I know have a strong affection for ice cream. Two years ago I was invited to a Thanksgiving dinner in Dubai – about 40 people were going to be attending. I was asked to bring something for dessert, because the turkeys and hams and gumbo were already taken care of. The hosts were from Texas, and I was happy to accept the invitation, because I had already been fortunate enough to taste D.B.’s slow-cooked pork and beef brisket.

I then got to thinking about what I would make; the year before, A.S. and I had put on a Thanksgiving dinner for about 15 friends and colleagues, and it was a great success. It would be good for a change to not have to brine and cook a turkey and make Scooter’s Southwestern Dressing and struggle to find room in the refrigerator for a 20-pound bird.

However, I knew I would miss working with poultry and pork and giblets and set out to come up with something both savory and sweet for my dessert. After a bit of thought I recalled a pine nut semifreddo recipe I had run across in The Silver Spoon; it is a great dish with which to end a meal – not too sweet, but sweet enough to satisfy, especially if served with a small chocolate cake. So, thinking of pork, and one of my favorite pork products, bacon, I decided to make Pine Nut and Bacon Semifreddo.

Goodness: Bacon and brown sugar

Goodness: Bacon and brown sugar

I do not want to mislead you into thinking that this dish sprung from my head with no precursor; by now, there is nothing original to do with bacon, and we have enjoyed it in brownies and cocktails and cheese and panna cotta, to name but a few. I also recall, with pleasure, a fine dish I had at a restaurant in Brooklyn that included avocado and bacon ice cream.

That said, my Bacon Semifreddo was a hit that Thanksgiving, so much so that the amount I made fell short of demand, the empty bowl in the middle of the dessert table looking bereft, yet satisfied, as the containers of strawberry and vanilla ice creams around it sat full and forlorn. More than several people asked me if there was more bacon “ice cream” and told me it was the best thing they had tasted that Thanksgiving evening. (I recall fondly, however, a giant pot of gumbo that included homemade andouille that had been brought over from Louisiana … it was as good as the semifreddo, and I am glad it was there.)

Have you ever pulverized bacon? You should.

Have you ever pulverized bacon? You should.

So, here’s how I make the semifreddo; I use the recipe found in The Silver Spoon (and if you don’t have this book, get it) as a foundation, and add the candied bacon:

Preheat oven to 400F; on a baking sheet lined with aluminum foil or a Silpat, arrange five slices of bacon. Sprinkle 2-3 tablespoons of brown sugar evenly on the slices and cook for 15 minutes or so (until brown), turning the slices midway through the cooking time. Cool bacon on a wire rack. When cool, cut slices and put in food processor with blade inserted; pulse until the bacon is nearly pulverized. Set aside in a bowl.

Next, spread 1 1/4 cups of pine nuts on a baking sheet and roast at 350F for 8 minutes or so, until the nuts are golden; do not overcook. While the pine nuts are roasting, put 1 cup of sugar and 4 tablespoons of water in a heavy pan over medium-high heat. The mixture will bubble and then become a clear syrup. Stir, and wait until the syrup begins to turn a golden brown. Carefully add the roasted pine nuts to the syrup and stir carefully. Coat the nuts evenly, then spread on an oiled cookie sheet. Let cool, then break up the praline and put half in your food processor, reserving the other half. Pulse until very fine. Then, pulse the rest of the praline until crushed, but do not turn it to powder.

Dessert is served.

Dessert is served.

Now, you proceed to the semifreddo in earnest. You need 1 vanilla bean, 4 eggs, separated, 4 tablespoons of sugar, 1 1/4 cups of heavy cream, and a pinch of salt. Slice the vanilla bean lengthwise and scrape the seeds into a bowl. Add the egg yolks and sugar and whisk until pale. In another bowl (use glass or other nonreactive bowls for this recipe) whisk the cream until you form peaks. (Always use a clean whisk; grease or fats interfere with the process; if you have only one, wash and dry it for each step.) In a third bowl, whisk the egg whites and pinch of salt until thick – I always do the whites last so as to have stiffer peaks.

Now, fold the cream into the yolk mixture, then fold the whites into that. Finally – and if all of this seems laborious, it isn’t – fold in your delicious bacon and the crushed praline. Pour the mixture into an airtight container and freeze until firm. You can make this the day before.

I like to serve the semifreddo with a flourless chocolate cake, but have been known to take the container from the freezer and, using my favorite silver spoon, enjoy as is.

Offal is good

Sweetbreads. When I hear that word I salivate. I love them, and whenever I see them on a menu I order. Two recent meals in which they played a part I remember especially well: at Babbo, and at Le Pigeon, in Portland. (More on those meals, and restaurants, later.)

OFFAL: The Fifth Quarter, by Anissa Helou. Fully revised hardback edition, 192 pages, published by Absolute Press

OFFAL: The Fifth Quarter, by Anissa Helou. Fully revised hardback edition, 192 pages, published by Absolute Press

While I don’t need an excuse to think of sweetbreads, what brought them to my mind today was a book that I recently added to my collection: “Offal: The Fifth Quarter,” by Anissa Helou. (“The Fifth Quarter” refers to the parts of an animal – the head, feet, tail and innards –that do not belong to the four quarters of the carcass.)

Here is one reason I like this book; it is a quote found in its opening section – “An A-Z of Offal”– that introduces the entry on kidneys:

Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liver slices fried with crustcrumbs, fried hencods’ roes. Most of all he like grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.”
Ulysses, James Joyce

You see, Anissa Helou not only knows her food, but she also appreciates literature. And food and literature are two of the passions of my life, so any work that combines them interests me.

But back to sweetbreads, and her wonderful book. I was glad to see “An A-Z of Offal,” because I am always encouraging people to venture beyond and try hearts and kidneys and brains … and, yes, yes, yes, sweetbreads.  In “An A-Z” Ms. Helou tells us, among other things, that “calf’s sweetbreads are finer than those from sheep,” an opinion with which, after much testing and tasting, I agree. You will also learn that a love of pig’s feet just might have been the undoing of Louis XIV.

If you buy this book, you will have at the ready a handy and informative lexicon of all things offal, and if you read it and cook from it, you and your guests will be the better for it. Above all, it allows one to understand that eating chittlerings or ears is not a macho, daring act, but one of taste, tradition and respect, and that is a valuable and important message indeed.

Calf's Sweetbreads with Capers (photo by Mike Cooper)

Calf's Sweetbreads with Capers (photo by Mike Cooper)

Full of clear and concise recipes – including Chicken Liver Tartlets, Mexican Pig’s Trotter Salad, and, a favorite of mine, A Head Dinner for Two: (Poached Brain and Eyes with Fleur de Sel, followed by Lamb’s Tongue with Vinaigrette Sauce, ending with Lamb’s Cheek with Blanquette Sauce) – Ms. Helou has stocked “Offal” with wonderful stories from her life and recounts the days and nights she spent in Paris, Barcelona, Marrakesh and other locales getting to know the items and recipes that make up the book. (Mike Cooper’s photography is an effective addition; take a look at his photo of frying pig’s trotters on page 101 and you’ll see what I mean.)

Personal and informative – “I am not one for eating feet stew for breakfast. Raw liver perhaps, but not feet stew.” – this volume belongs in the collection of anyone who embraces head-to-tail cookery. And I urge anyone who now turns up their nose at sheep’s brain and bone marrow to get “Offal: The Fifth Quarter” and explore a new route on their gastronomic journey.

The next course: An update

Dessert course: A waiter prepares 'Hidromiel y Fractal Fluido' at Arzak.

Last week I told you I was going to spend at least three months in Europe this summer doing stages at two restaurants. I named Restaurant Amador in Mannheim, Germany, as my first stop, but at the time was unable to officially name the second one. I wrote that it was in San Sebastián, a wonderful city in the north of Spain that is producing some of the finest food to be had anywhere.

I can now let you know the name of my second stop, and I am excited, and thrilled, and just a little bit in awe, because the two chefs at Arzak, Juan Mari Arzak and his daughter Elena, are, to put it simply, geniuses.

Juan Mari Arzak, one of the fathers of New Basque Cuisine, is also one of the most influential and respected chefs in the world, and began cooking at Arzak, where his mother still worked, in 1966. Since then, culinary history has been unfolding there on a nightly basis. Elena Arzak joined the staff at Arzak after attending school in Switzerland and working at, among other restaurants, elBulli and Restaurant Pierre Gagnaire. The pair’s passion for learning, and teaching, has inspired many, and their respect for food and the land from which it comes is immense.

I am a lucky man.

The next course: culinary education

It’s time to cook, time to take a big step in the journey that began in my childhood, when I first watched my grandmother cook in her Savannah kitchen. Standing next to Ida, in front of the oven, I began to understand the grace and power of cooking, the magic that happens when one transforms a table into a place of wonder through food.

As many of you know, those lessons are an integral part of my life. At my table, old friends and new guests alike always ask: “Why aren’t you cooking in a restaurant? I would gladly pay for this food.”

Well … that is why I’m reaching out to you. I have gone as far as I can on my own, so this summer I am going to Europe, where I will do stages at two restaurants, each holding three Michelin stars. (In case you don’t know, stages are unpaid internships during which you do anything a chef tells you to do.) I will learn from some visionary cooks and chefs, first at Restaurant Amador, in Mannheim, Germany, and then at a restaurant in San Sebastián, Spain, the name of which I will soon be able to announce.

This is where you can help me: I am looking for supporters – or, to be more exact, investors – to help finance my journey. My goal is to raise $5,000 through 50 individuals investing $100 each. The money will be used to pay for my lodging while doing the stages and for travel expenses to Europe.

My profound gratitude will be the short-term, instant return on your investment. But also, as soon as it is feasible, your support will become shares that you can use to purchase my food when I open my own restaurant. (But there is a lot to do before that can happen, including earning a position in a kitchen where I can continue my journey. I worked in a kitchen in Brooklyn for about four months in 2006, and I learned a lot, including the important lesson that working with food, and feeding others, is a great, and reverential, responsibility. I also learned that I really love to cook.)

If you can – and any amount will be appreciated – please click on the PayPal donate/invest button below.

I look forward to welcoming you to my table.

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