Category: cooking (Page 3 of 7)

Ribs Take Time, and a Snowy Evening Has Plenty of That

 

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When I think of cooking beef short ribs my mind wanders back to New York, and cold nights spent indoors behind windows frosted with ice and snow. We would open a few bottles of wine – one for our glasses and one for the ribs – and chop some onions and carrots and celery while the ribs (usually eight of them) came to room temperature on a platter. After sprinkling them with generous amounts of salt and pepper I would brown the ribs in canola oil, a process I enjoy. I attempt to bring the same shade of color to each piece, to every side side of every rib. The scent that rises from the pan stimulates the senses, and the oil and fat left behind is the perfect medium for the vegetables. We removed the ribs from the pan, into which went the vegetables for five minutes or so, until the onions began to brown. If there was a can of tomato paste in the pantry I stirred a tablespoon or so of it into the vegetables, then added some flour (not much, perhaps two or three tablespoons).

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Next came the wine, the entire bottle – I normally had a case of Protocolo Tinto (Dominio de Eguren) on hand, which when poured into the vegetables caused the kitchen to change. It became a warmer, more comforting place. The ribs then joined the mix, and we made sure that all of the juices that had accumulated on the platter also made it into the pan. The heat was raised to a boil, then we simmered everything until the wine was reduced by half, at which time two bay leaves and some sprigs of  oregano, rosemary, and thyme took part, plus a head of garlic that had been cut in half. Hot beef stock, which surrounded the ribs, was the final touch.The oven, at 350°F, was where all of the magic took place. Into it went the covered pan – I used, and still use, a large French Dutch Oven – and we picked up our glasses and drank and let the heat and time do their work.

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Back in the kitchen the meat is falling off the bones, the sauce is rich and flavors infused. Do I strain the stock? Yes. The polenta is being stirred, and I take pieces of the meat from the bones. The favas are in a skillet, with garlic and butter and a bit of olive oil. The snow is falling on Henry Street and the night stretches before us still.

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Kitchen Zen (Provence, 1970)

Olive oil, salt, radishes, and heat

Olive oil, salt, radishes, and heat

A blank canvas, a sheet of paper devoid of characters or symbols, an empty plate. All draw us to them, call out for completion, for satisfaction. I am forever filling plates and bowls, in my mind and at the countertop, and it is not uncommon that something I read or view forces me into the kitchen. I recently finished a book that inspired some cooking. It is titled  “Provence, 1970,” and it was written by M.F.K. Fisher’s grandnephew, Luke Barr. It’s a work of nonfiction that takes readers to France and puts them at the table with Julia and Paul Child, Richard Olney, Judith Jones, James Beard, and, certainly not least, Fisher, a writer for whom I have immense admiration and respect. I still want to find her home in Vevey and have a vermouth and gin on its terrace.

fiddleheads

The book tells the story of a year that saw the end of one grand era in American cuisine and cooking and the beginning of another. It is a fine read, and its pages bring to life conversations between Olney and Fisher, evenings spent at La Pitchoune, James Beard’s enormous personality. (It makes one feel that life is diminished now that those souls are no longer cooking and writing among us, but I say read it despite that.)

I’ve been cooking osso buco, and duck, and radishes, and chicken and watercress, and “Provence, 1970” has added to my kitchen repository, and some of its scenes have been translated onto my plates.  For many a year now a handful of special  people (including some in Barr’s book) have been in that hallowed room with me when I plan and plate and clean, and from now on a part of me will regret not being in that small part of Provence with those individuals during that pivotal year.

Time makes things perfect.

Time makes things perfect.

Malaise, Infection, Comfort

On the heat for a long time.

On the heat for a long time.

I was sick, lacked energy. I was going through a week of illness that had hit the restaurant. My appetite was nonexistent; coffee had lost its appeal. I was tired. But I wanted to cook. (When I am sick I spend time thinking about what I’ll make when I recuperate. This time, I went to Italy, thanks in part to a recipe for pasta alla Genovese in a Mark Bittman piece.) On the day my energy returned I returned to the kitchen and created some comfort.

Beginnings ...

Beginnings …

There are good things.

There are good things.

Boiled onions

Roots

Comfort in a bowl

Comfort in a bowl

A Perfect Day For a Tamalada, and Friends and Wine and Food

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There are days that not only seem perfect, but are perfect. Yesterday was one of them. Sun was out, air was cool(er), light angled just so, slicing through the air with a briskness that spoke quietly of ease. On those type of days all I require is to be near good people and good food and wine. Simple, and honest. Nourishment for soul and body.

You don’t know how good homemade tamales are? Never made any? Angela and I did yesterday. She did. I watched and observed. We joined in a tamalada at Sylvia’s. Sylvia Casares, AKA Enchilada Queen, shared her method with us, told us stories of her days spent working in a lab for the Mars corporation, how a stranger on a plane gave her the final push she needed to follow her dreams and how she opened her first restaurant and how it feels to now operate three and what she felt like when the bullet entered her abdomen and she knew she would not die in that way. Not that way.

A woman of taste and substance.

Sylvia Casares, a woman of taste and substance.

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A pork butt and a guisado were cooking, their aromas filling the room. Masa was being mixed, husks were steaming. You know those scents? They have the ability to make one happy. The masa was delivered to our table and Angela and Jack and Sally set to making tamales. It was a tamalada, and Sylvia told us about her father and the recipes her grandmother passed down.

Angela makes a mean tamale.

Angela makes a mean tamale.

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Masa is putty in their hands.

Masa is putty in their hands.

The day continued and Angela and I sat in the sun and drank some rosé and talked and watched people live their lives and go back and forth toward their happiness and desires.

Judy smiles at Brockhaus.

Judy smiles at Brockhaus.

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Jack mesmerizes the Brockhaus table.

We had been invited to a dinner that evening by Russ and Judy, two people with whom Angela and I share a passion for food, wine, and travel. I was not aware that it was a 10-course meal with wine pairings, for 10, but I certainly did not mind when I discovered it was so. We had scallops and duck and foie gras mousse and some Catena and Hunt Cellars (a 2000 Cabernet Sauvignon that Russ had given Angela for her birthday). We spoke of empanadas and Brockhaus and heard a tale about a tasting of some 1945s. We toasted Russ and Judy and left the table happy and sated.

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Duck sofrito …

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A scallop is never a bad thing.

One final venue made the evening complete. Russ and Judy had never been to Camerata, so we took them there and shared a bottle of my favorite wine (favorite now and for about the past year). You can see a photo of the bottle at the beginning of the tale of a perfect day.

Brockhaus Kicks Off With The First Supper

James plates salmon tartare

Plating salmon tartare

It had been in the making for a while, this dinner event, which was designed to launch Brockhaus, a culinary think tank with its current headquarters in Houston, Texas, and its roots the world over. The menu was developed and discussed a number of times, and once a venue was selected – and it was a perfect place for Brockhaus‘ premiere, a beautiful home owned by gracious people, Jared and Caroline Starry LeBlanc – all systems were go.

The team was in fine form; Chris Stanton an ideal sous, Isaac Johnson the consummate sommelier, and Angela Shah an impeccable hostess and all-around troubleshooter. We began prepping that morning (Saturday, September 27) around 11, starting with an asparagus purée, a chip for the salmon tartare, and corn and jalapeño fritters, and the hours passed agreeably. Chris and I have cooked together many times, as have Angela and I. Isaac, a friend whom I met since moving to Houston, shares my taste in wine, and his front-of-the-house talents are prodigious. He and I worked together seamlessly, and we all kept one another on form. Working with all of them felt just right.

The first guests arrived around 7 p.m., right on time, and we served them a Greek Brut Rosé to accompany the fritters, the beginning of some great pairings.

The First Supper menu

The First Supper menu

We had designed the evening to include a mingling period, and once all of the guests were there the brut flowed, as did the conversation, everyone assembled in front of the open kitchen. Isaac and I had the schedule under control, and we ushered the guests to the table on time, ready for the meal proper to begin.

As the menu above shows, it began with wild salmon tartare, and closed with pecan semifreddo and walnut cake. In between came scallops and spot prawns and clams, plus duck and rib eye. And more.

It is my observation that many people rush through their meals, not fully enjoying each taste, each bite. Not these guests. We spaced the courses well, and as midnight approached the conversation emanating from the dining room was as lively as it had been at 8 p.m. It pleased me mightily to hear the comments about the food Chris and I cooked, the various tastes of each plate. It pleased me greatly that these individuals sat around a table for nearly five hours and enjoyed the food and wine we served them. Here, one guest’s words:

Dear James and Angela: Thank you for an absolutely fantastic evening. The food was off the charts. We were amazed at the multiple layers of taste in each dish. I know you put a tremendous amount of work into the prep and cooking of the meal … it was apparent in the taste.

We also enjoyed the company of your guests. It was a most engaging evening of conversation. The only thing missing was having the two of you sitting with us during dinner.

Warmest regards,

Russ

Another wrote: Such an exciting night to share with so many great dinner companions. I can’t stop thinking about the incredible menu.

It was an honor to cook for all of them, and we look forward to seeing them again.

Brockhaus is planning its next dinner, and is looking for another great venue. Let us know if you would like to become involved.

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Amazing! The Best! Oh My God! (A Reality Check for Houston Diners)

Every day I am treated to another tweet or Facebook post proclaiming that the latest restaurant to open here in Houston is the “best in the city” or “to die for”. (I know no one who has been to each and every restaurant in Houston, so I am confident that anyone proclaiming “best” as applied to a restaurant is at best engaging in hyperbole, and at worst being naive.)

In the past month or so alone I have read at least 40 brief or not-so-brief accolades about Pax Americana and Museum Park Cafe, and while I understand that it is natural to wish nothing but success to restaurant teams opening new places, I often wonder if such glowing reviews about service and dishes/menu items do not serve detrimental purposes. If so many people are telling you that you are “awesome” and “amazing” and “perfect” you would be forgiven by most for believing that all is indeed perfect. But in my experience that is rarely the case, especially if your restaurant opened for full service the very week those accolades came streaming in. Too often I have wanted to believe that so many people cannot be wrong, only to take a seat at the “restaurant cooking the best food in Houston right now” and be, at best, disappointed with the food or service or, lamentably, both. (And I firmly state that both are necessary for a restaurant to be lauded as “awesome”.)

Take, for example, my experience this week. Ms. V – with whom I dine often, and whose palate I trust – invited me to Museum Park Cafe for dinner. The week before, she had dined there and liked the food. I accepted her kind offer and we drove to the Museum District about 7 o’clock, planning to enjoy some wine at the bar and check out the service.

I like the interior space. It is likely that the restaurant was designed to resemble a cafe or restaurant in a museum; in any event, it does. And the look works. Pale walls, art on one large wall, some wine bottles in modern racks toward the rear of the dining room, simple tables, no linens on them. Ms V and I ordered a Banshee Pinot Noir, and it was good. But the pouring of the wine is where the “awesomeness” began to suffer. The young man behind the bar, who told us he was the bartender, eager to take us off the hands of the waiter who escorted us to the bar and was doing a fine job, opened the bottle and hastily poured at least 6 ounces into Ms. V’s glass, evidently not wanting to let us approve of the wine. My dining companion firmly but politely told him “I want to taste it first.” He looked surprised, but allowed his guest to do just that. She liked the wine, as did I, and we continued discussing the Houston restaurant scene and mushroom hunting and the beauty of Alsace.

Biscuits at the bar turned out to be a pleasant experience.

Biscuits at the bar turned out to be a pleasant experience.

We were both a bit hungry, so Ms. V ordered (as written on the menu) Cheddar & Scallion Biscuits salumi caramel, a side dish that turned out to be, excepting the dessert, the best taste of the evening. The biscuits were warm, and light yet rich, the pork imparting a good touch of saltiness and the drizzled caramel providing a good mouthfeel and deep tone.

After we had our fill of the biscuits we decided to move to a table and order. We told the bartender that we would like to continue our meal in the dining room proper and he responded by saying “You’ll have to cash out first.” We responded by asking if it was possible for us to transfer the wine bill to our table, and politely requested that he ask the manager. He walked away and returned within 30 seconds, the check for the bottle in a tray, which he placed in front of us, all the while mute as a sleeping panda bear. Had he asked his manager? We never found out. Ms. V paid the bill and we proceeded to get down off of the high stools and make our way to a table. As our feet reached the floor bartender asked, nonchalantly, “Do you want me to take your bottle and glasses to your table?” I looked at Ms. V, on whose face was a fairly tight grimace. I knew what she was thinking, because I was thinking the same thing: What kind of service training did this bartender undergo? Who failed to teach him the basics? This was far from “awesome”. I picked up the two glasses and Ms. V handled the bottle and we took our seats.

Bone marrow, salad of parsley, dill, and onions (among other things) and some fairly useless shallot confit.

Bone marrow, salad of parsley, dill, and onions (among other things) and some fairly useless shallot confit.

Do not misunderstand me, for I mean no disrespect to the bartender. I am willing to understand and accept that he is more than likely a perfectly fine person. Yes, his attitude and behavior made our meal less than it could have been, but that did not make him a failure in our eyes. (I will also readily admit that Ms. V and I notice things in restaurants that many others seem not to. That does not make others unobservant, nor does it make us snobs. If one works in a good restaurant and does not notice things such as these one is not doing one’s job properly.)

We continued with our wine, and ordered more food. Let me state here that I am well aware that Museum Park Cafe is newly opened, and that kinks are surely being ironed out in the kitchen. I want this restaurant to succeed, because I can tell already that its approach and aesthetic are a welcome addition to the Houston restaurant world. My thoughts on our dishes are tempered by that newness. I will return, and I think the food will have improved by then.

Ms. V chose Steak Tartare french dressing, preserved egg, herb salad, gribiche for her first course, and I opted for the Roasted Bone Marrow shallot confit, oxtail marmalade, brioche. Then she decided to proceed with Swordfish, while I went for the Atlantic Scallops pork belly, corn pudding, charred onions, chanterelle.

Someone I know lauded the bone marrow at Museum Park Cafe, so I ordered it. Marrow is, as well, one of my favorite things; I have enjoyed great renditions of it at St. John in London and Le Pigeon in Portland. I was disappointed in this dish. The marrow was lacking that gelatinous look and reality that makes the food so good. The bread crumb topping was thin and bland, and not needed. Salt was also lacking, so I asked for some and sprinkled it liberally over the bones. It helped, but could not totally redeem things. On the other hand, the salad on the plate: onions, parsley, cilantro, dill. It was a great thing, the best element there. (I will not say much about the shallot confit. To my palate, it was best left off of the plate. No acid, mushy, almost as if it was meant to be food for babes.)

Fresh Atlantic scallops, lacking sear but promising.

Fresh Atlantic scallops, seared unevenly, but promising. And the dill did not work.

The tartare was very good. Whoever prepared it did so with great technique. Uniform pieces of meat, sauce mixed well, and the salad that accompanied the tartare was balanced and crisp. To the swordfish: I took a bite and immediately thought “sausage”. In fact, the dish reminded me of choucroute, which is not a bad thing at all. But if one wanted echt, proper swordfish, this dish was not for them. What seemed to be leeks in a sauce accompanied the steak. Something approaching a crust was seared on the steak, a crust that stated loudly: sausage.

My scallops were fine. The dish was plated in an attractive manner, the scallops were handled with care, and the corn pudding – if that is what it was – was tasty. I did not taste corn, and did not see corn. I wrote that the scallops were handled well, and by that I mean they were seasoned properly and not overcooked. However, they were cooked inconsistently; a portion of one had a good sear, while the remainder of the scallops were lacking the taste and feel that good searing imparts. And I would recommend no dill be put on the plate. Finally, the chanterelles, those glorious mushrooms, were soggy. I don’t know if they had been seared first, if they had been waterlogged when they were cleaned, but I thought it a shame to prepare chanterelles in that manner.

Honey. Semifreddo. No need for anything else. A perfect dessert.

Honey. Semifreddo. No need for anything else. A perfect dessert.

Dessert was all that remained. And it was good, and attractive. In fact, I say that it approached perfection. Textures, the right level of sweetness. All there. Semifreddo, a meringue, some pumpkin. It was something that no one would quibble with, and if it is on the menu when I return to Museum Park Cafe it will be ordered.

Now, about that bartender. I have it on record from a well-placed source that Museum Park Cafe is serious about service. I am confident that the young man’s approach to his job will be 180 degrees different on my next visit. Museum Park Cafe, I am certain, wants to take its service to a top level, and it should, and then, with a few tweaks, it could be “awesome.” Unfortunately, this was my first time at the restaurant, and as we all know, first impressions mean a lot. I was seated with my back to the kitchen, which gave me a view of the bar, behind which throughout our meal the bartender stood leaning against the counter, cupping something – peanuts? – in his closed hand and regularly lifting his head back to deposit the snack into his mouth. It was not a pretty picture, and he kept it up for a good 30 minutes. (One, never lean against things in sight of guests. There is always work to be done in a restaurant. And two, I think it best to refrain from snacking in such an obvious manner, as if one is a cow chewing its cud. Yes, I told you already, I have had high standards drilled into me where service and behavior is concerned.) The two waiters we dealt with were performing their duties as they should have. It seems the young bartender is the outlier here.

Museum Park Cafe should be on your list of places to visit. Sit at the bar and have some wine. Order the tartare and brioche toast. Admire the design of the place. And let me know what you thought of the service.

Update: I dined one more time at Museum Park Cafe before it closed (the restaurant became a thing of the past in April 2015). I ordered the bone marrow again, and this time a marrow spoon was required, as the bones were very narrow. Alas, the restaurant had none. I turned my fork sideways and pulled out a bit of the marrow, tasted it, and pushed the plate away. Same bland bread crumbs, dry marrow, hardly any flavor.

Dining and Cooking in New Delhi With Friends, and Foie Gras and Mushrooms

A  mixture of fresh and dried mushrooms in a New Deli kitchen.

A mixture of fresh and dried mushrooms in a New Delhi kitchen.

Sean and I descended on the market armed with a mental menu and an abundance of rupee. We walked past the hardware vendors and the mobile phone stalls and entered the vegetable and meat areas, looking for mushrooms and onions, and we found some, and corn, and we had duck breast and some beef tenderloin. We were assembling ingredients for a dinner that evening and we had everything we needed.

Sean and Surya – our hosts – a friend of theirs whose name escapes me (David?), and Angela and I would be at the table. Sean and I transported our goods back to their apartment and started prepping in the kitchen, assisted by Angela and Surya. I took care of the mushroom bisque, using both fresh and dried mushrooms. I base my method on a Thomas Keller method (which you can read about here), and it is among my favorite things to make. On top of the bisque I placed a few pomegranate seeds, which Sean patiently procured.

Sean has his way with a pomegranate.

Sean has his way with a pomegranate.

A small glass of richness.

A small glass of richness.

A table graced with good lighting.

A table graced with good lighting.

A man and his knife.

Sean had some foie in a tin that a friend had left him, and he took care of that. (I had envisioned an amuse of seared foie gras with strawberries and a balsamic and Madeira reduction, and that is what we made.)

An appropriately rich beginning.

An appropriately rich beginning.

Sean and Surya’s kitchen is large, and has much light, which streams in from tall windows on the space’s rear wall. I liked cooking in that kitchen. We seared duck breast, and made a spicy corn and tomato “salsa” for the tenderloin. Sean grilled the beef to perfection.

Corn, tomato, and chili.

Corn, tomato, and chili.

Beef and arugula are always good company.

Beef and arugula are always good company.

Dessert was molten chocolate, ice cream, and strawberries. Surya enjoyed hers with relish.

Chocolate, strawberry, and ice cream closed the meal.

Chocolate, strawberry, and ice cream closed the meal.

A hostess can eat her dessert in any manner that suits her.

A hostess can eat her dessert in any manner that suits her.

Those days spent in Delhi in April of 2013 were good ones. The four of us shared other tables, most notably one at Indian Accent (about which more later). But no meal was more enjoyable than the one on that evening, when all was perfect and lively and warm.

Surya and Angela on the way to another table in New Delhi.

Surya and Angela on the way to another table in New Delhi.

Talking (Wisconsin) Squirrel and Rabbit

And these two (or creatures similar to them) ended up in a giant cast-iron skillet).

And these two (or creatures similar to them) ended up in a giant cast-iron skillet in Wisconsin.

On Labor Day I spent some time with my friend Mike Pitzen and his family – Krista and Holt – here in Houston. We smoked some briskets and grilled some corn and a skirt steak I had marinated overnight. I made a Bloody Mary or two and we sat outside by the wood and charcoal and talked about food and cooking and family. I had seen a squirrel in the backyard, and suggested that we could use Holt’s toy bow and arrow to shoot it, after which we could grill it. (Holt is a 7-year-old vegetarian, having decided to pursue that route after viewing Charlotte’s Web.) The precocious young man promptly relieved me of the weapon and took it inside.

My plan, however, had aroused a memory from Mike’s culinary past, of a dish his mother cooked whenever a number of rabbits and squirrel had been shot at their Wisconsin home. Mike would skin and gut them, and his mother would portion the animals and brine them overnight in a solution of buttermilk and salt and pepper. The next day she’d cook them in oil or lard in one of her many cast-iron skillets (many of which Mike has today), adding yellow onion slices and apple pieces near the end of the process. A lid would then be placed on the skillet and the steam and heat would turn the meat and the fruit and vegetables into a savory dinner.

They are cute, and they taste good.

They are cute, and they taste good.

They have been known to attack ...

They have been known to attack …

Holt had by then returned to our company, fresh from hiding his bow and arrow, so we finished our cooking recollection and turned to politics. That conversation was much less appetizing, and it nourished us not at all.

On a Labor Day grill in Houston.

On a Labor Day grill in Houston.

 

In Which I Begin Cooking With Nathan Myhrvold

Seared with a torch, cooked at 170F ... (Brockhaus photo)

Seared with a torch, cooked at 170F. (Brockhaus Photo)

In 2012 I won a copy of a something I had placed on my wish list the minute it was published: “Modernist Cuisine: The Art and Science of Cooking”. It is a five-volume wonder that’s found in the collections of restaurants around the world; I first got my hands on it in Germany, when I was working at Amador. My copy was back in the U.S., at my parents’ house, where it had been shipped.

One of the first things I did when I returned to the U.S., in 2013, was open the box containing the books and dip into the volumes. (The volumes are stored in an acrylic case, and if there is someone you really love who loves to cook you should get this for them. It costs about $500.) I did not, however, have enough time to start cooking from it, so I put the books back into their case and the entire thing back into the box and vowed to, as soon as possible, begin using it in my kitchen.

Much to read, much to cook, much to eat. (Photo courtesy Modernist Cuisine)

Much to read, much to cook, much to eat. (Photo courtesy Modernist Cuisine)

That time has come. Yesterday I put a rib eye in the freezer, initial prep for Low-Temp Oven Steak. Today I took the steak from the freezer and seared it with a torch, making sure to pay attention to the fat on the sides of the meat. My gas oven’s lowest temperature setting is 170F – the method Nathan Myhrvold and his team perfected uses 160F – but that’s not an issue. Use 160F if you can; if not, just use the lowest setting on your range. I inserted the probe of my digital thermometer into the thickest part of the rib eye and set the unit to notify me when the internal temperature of the steak reached 134F.

Perfect temperature (overlook the imperfect plate and the large flake of Maldon I overlooked). (Brockhaus photo)

Perfect temperature (overlook the imperfect plate and the large flake of Maldon I overlooked). (Brockhaus Photo)

The steak was ready in less time that I anticipated, so I didn’t have time to make the spinach dish I had planned, but who cares? I removed the rib eye from the oven and put it on a cutting board, sliced it immediately, drizzled melted butter over it, then sprinkled some salt on top. It tasted very good – the searing with the torch created that flavor we all love on a steak, and the slow and low cooking resulted in extreme tenderness.

I am making a list of different cuts of beef to prepare using this method, and this is the “Modernist Cuisine” recipe that is up next at Brockhaus: 72-Hour Braised Short Ribs.

To Julia Child: I Toast a Grande Dame on Her 102nd Birthday

A giant in the kitchen, in more ways than one.

A giant in the kitchen, in more ways than one. (Photo courtesy estate of Julia Child)

I am celebrating her birthday in her absence. She would have turned 102 today, and she would have done it in style, sitting at a table surrounded by friends and loved ones. Paul would have been there, of course, the love of her life. Their courtship and long relationship should be the envy of us all. James Beard would be at her side, as well.

I won’t speculate about the menu, but I would not be unhappy for Julia Child if a waiter brought her sole meunière at some point during the meal. I feel a lot of passion for that dish, because it is what awakened Child’s senses and opened her mind to the wonders of good food, and the preparation of it. It was November, 1948, and she and Paul had just arrived in France. They were on their way to Paris, but needed to eat during the drive. It was Julia’s (allow me to refer to her as “Julia”) first meal in France, and she writes of it in “My Life in France” in this manner:

Rouen is famous for its duck dishes, but after consulting the waiter Paul had decided to order the sole meunière. It arrived whole: a large, flat Dover sole that was perfectly browned in a sputtering butter sauce with a sprinkling of chopped parsley on top. The waiter carefully placed the platter in front of us, stepped back, and said: “Bon appétit!”

I closed my eyes and inhaled the rising perfume. Then I lifted a forkful to my mouth, took a bite, and chewed slowly. The flesh of the sole was delicate, with a light but distinct taste of the ocean that blended marvelously with the browned butter. I chewed slowly and swallowed. It was a morsel of perfection. … At La Couronne I experienced fish, and a dining experience, of a higher order than any I’d ever had before.

As a child, I watched Julia on television. I am sure that back then I did not know what to think of her. My mother was born in Savannah, as was I, and I was very familiar with crab and shrimp and clams and pheasant and fried chicken and Cornish hen and even some less familiar sorts of seafood, but this tall woman with the funny voice … well, she had a way with those things that was different. She made me want to learn as much about them as I could. Little did I know that she would become a profound part of my life. I’m grateful she did, and I am certain many of you feel the same.

Julia Child became, and is, an international star.

Julia Child became, and is, an international star.

Every chance I get to “mingle” with Julia I take. In Napa, I visited Copia – the cultural and educational center dedicated to the discovery, understanding, and celebration of wine, food, and the arts in American culture – to see some of the pots and pans and other tools that she used in her Cambridge, Mass., kitchen. Copia, which she helped found, is now closed, but those pots and pans are in the Smithsonian, so when I was in D.C. in 2013 I visited them there.

A kitchen for the ages.

A kitchen for the ages. (Photo courtesy estate of Julia Child)

I’ve spoken with people who met her, and with a few people who cooked with her. In Houston, I ran across a letter she wrote to Robert Del Grande, which now hangs in his restaurant, RDG+Bar Annie. I talk about her with people all of the time, and when I met Mike Lata in 2007 at Blackberry Farm we talked about how she is the reason he cooks. I have many of her books, and never tire of watching her shows: her solo ventures, segments with other chefs, and the beautiful series she made with her great friend, Jacques Pépin. I never met her, but it is not because I did not try. Once, when I was in Cambridge, I went to her house and knocked on the door. No one answered … I assume she was away. I don’t know what I would have done if she had answered.

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Most profoundly, I cook with her. Not a day goes by that I don’t see her, in my mind’s eye, standing at a stove or counter, chopping an onion or pounding a piece of veal or hoisting a pot. She, in ways that I have yet to fully realize, taught me how to cook, taught me how to see the wisdom and grace that food possesses. And that is much more of a gift than that little boy watching her on television all those years ago could have ever expected.

Thank you, Julia, and Happy Birthday. I love and miss you.

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