Wine, Food, and Other Vital Things

Category: cooking (Page 4 of 8)

Talking (Wisconsin) Squirrel and Rabbit

And these two (or creatures similar to them) ended up in a giant cast-iron skillet).

And these two (or creatures similar to them) ended up in a giant cast-iron skillet in Wisconsin.

On Labor Day I spent some time with my friend Mike Pitzen and his family – Krista and Holt – here in Houston. We smoked some briskets and grilled some corn and a skirt steak I had marinated overnight. I made a Bloody Mary or two and we sat outside by the wood and charcoal and talked about food and cooking and family. I had seen a squirrel in the backyard, and suggested that we could use Holt’s toy bow and arrow to shoot it, after which we could grill it. (Holt is a 7-year-old vegetarian, having decided to pursue that route after viewing Charlotte’s Web.) The precocious young man promptly relieved me of the weapon and took it inside.

My plan, however, had aroused a memory from Mike’s culinary past, of a dish his mother cooked whenever a number of rabbits and squirrel had been shot at their Wisconsin home. Mike would skin and gut them, and his mother would portion the animals and brine them overnight in a solution of buttermilk and salt and pepper. The next day she’d cook them in oil or lard in one of her many cast-iron skillets (many of which Mike has today), adding yellow onion slices and apple pieces near the end of the process. A lid would then be placed on the skillet and the steam and heat would turn the meat and the fruit and vegetables into a savory dinner.

They are cute, and they taste good.

They are cute, and they taste good.

They have been known to attack ...

They have been known to attack …

Holt had by then returned to our company, fresh from hiding his bow and arrow, so we finished our cooking recollection and turned to politics. That conversation was much less appetizing, and it nourished us not at all.

On a Labor Day grill in Houston.

On a Labor Day grill in Houston.

 

In Which I Begin Cooking With Nathan Myhrvold

Seared with a torch, cooked at 170F ... (Brockhaus photo)

Seared with a torch, cooked at 170F. (Brockhaus Photo)

In 2012 I won a copy of a something I had placed on my wish list the minute it was published: “Modernist Cuisine: The Art and Science of Cooking”. It is a five-volume wonder that’s found in the collections of restaurants around the world; I first got my hands on it in Germany, when I was working at Amador. My copy was back in the U.S., at my parents’ house, where it had been shipped.

One of the first things I did when I returned to the U.S., in 2013, was open the box containing the books and dip into the volumes. (The volumes are stored in an acrylic case, and if there is someone you really love who loves to cook you should get this for them. It costs about $500.) I did not, however, have enough time to start cooking from it, so I put the books back into their case and the entire thing back into the box and vowed to, as soon as possible, begin using it in my kitchen.

Much to read, much to cook, much to eat. (Photo courtesy Modernist Cuisine)

Much to read, much to cook, much to eat. (Photo courtesy Modernist Cuisine)

That time has come. Yesterday I put a rib eye in the freezer, initial prep for Low-Temp Oven Steak. Today I took the steak from the freezer and seared it with a torch, making sure to pay attention to the fat on the sides of the meat. My gas oven’s lowest temperature setting is 170F – the method Nathan Myhrvold and his team perfected uses 160F – but that’s not an issue. Use 160F if you can; if not, just use the lowest setting on your range. I inserted the probe of my digital thermometer into the thickest part of the rib eye and set the unit to notify me when the internal temperature of the steak reached 134F.

Perfect temperature (overlook the imperfect plate and the large flake of Maldon I overlooked). (Brockhaus photo)

Perfect temperature (overlook the imperfect plate and the large flake of Maldon I overlooked). (Brockhaus Photo)

The steak was ready in less time that I anticipated, so I didn’t have time to make the spinach dish I had planned, but who cares? I removed the rib eye from the oven and put it on a cutting board, sliced it immediately, drizzled melted butter over it, then sprinkled some salt on top. It tasted very good – the searing with the torch created that flavor we all love on a steak, and the slow and low cooking resulted in extreme tenderness.

I am making a list of different cuts of beef to prepare using this method, and this is the “Modernist Cuisine” recipe that is up next at Brockhaus: 72-Hour Braised Short Ribs.

To Julia Child: I Toast a Grande Dame on Her 102nd Birthday

A giant in the kitchen, in more ways than one.

A giant in the kitchen, in more ways than one. (Photo courtesy estate of Julia Child)

I am celebrating her birthday in her absence. She would have turned 102 today, and she would have done it in style, sitting at a table surrounded by friends and loved ones. Paul would have been there, of course, the love of her life. Their courtship and long relationship should be the envy of us all. James Beard would be at her side, as well.

I won’t speculate about the menu, but I would not be unhappy for Julia Child if a waiter brought her sole meunière at some point during the meal. I feel a lot of passion for that dish, because it is what awakened Child’s senses and opened her mind to the wonders of good food, and the preparation of it. It was November, 1948, and she and Paul had just arrived in France. They were on their way to Paris, but needed to eat during the drive. It was Julia’s (allow me to refer to her as “Julia”) first meal in France, and she writes of it in “My Life in France” in this manner:

Rouen is famous for its duck dishes, but after consulting the waiter Paul had decided to order the sole meunière. It arrived whole: a large, flat Dover sole that was perfectly browned in a sputtering butter sauce with a sprinkling of chopped parsley on top. The waiter carefully placed the platter in front of us, stepped back, and said: “Bon appétit!”

I closed my eyes and inhaled the rising perfume. Then I lifted a forkful to my mouth, took a bite, and chewed slowly. The flesh of the sole was delicate, with a light but distinct taste of the ocean that blended marvelously with the browned butter. I chewed slowly and swallowed. It was a morsel of perfection. … At La Couronne I experienced fish, and a dining experience, of a higher order than any I’d ever had before.

As a child, I watched Julia on television. I am sure that back then I did not know what to think of her. My mother was born in Savannah, as was I, and I was very familiar with crab and shrimp and clams and pheasant and fried chicken and Cornish hen and even some less familiar sorts of seafood, but this tall woman with the funny voice … well, she had a way with those things that was different. She made me want to learn as much about them as I could. Little did I know that she would become a profound part of my life. I’m grateful she did, and I am certain many of you feel the same.

Julia Child became, and is, an international star.

Julia Child became, and is, an international star.

Every chance I get to “mingle” with Julia I take. In Napa, I visited Copia – the cultural and educational center dedicated to the discovery, understanding, and celebration of wine, food, and the arts in American culture – to see some of the pots and pans and other tools that she used in her Cambridge, Mass., kitchen. Copia, which she helped found, is now closed, but those pots and pans are in the Smithsonian, so when I was in D.C. in 2013 I visited them there.

A kitchen for the ages.

A kitchen for the ages. (Photo courtesy estate of Julia Child)

I’ve spoken with people who met her, and with a few people who cooked with her. In Houston, I ran across a letter she wrote to Robert Del Grande, which now hangs in his restaurant, RDG+Bar Annie. I talk about her with people all of the time, and when I met Mike Lata in 2007 at Blackberry Farm we talked about how she is the reason he cooks. I have many of her books, and never tire of watching her shows: her solo ventures, segments with other chefs, and the beautiful series she made with her great friend, Jacques Pépin. I never met her, but it is not because I did not try. Once, when I was in Cambridge, I went to her house and knocked on the door. No one answered … I assume she was away. I don’t know what I would have done if she had answered.

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Most profoundly, I cook with her. Not a day goes by that I don’t see her, in my mind’s eye, standing at a stove or counter, chopping an onion or pounding a piece of veal or hoisting a pot. She, in ways that I have yet to fully realize, taught me how to cook, taught me how to see the wisdom and grace that food possesses. And that is much more of a gift than that little boy watching her on television all those years ago could have ever expected.

Thank you, Julia, and Happy Birthday. I love and miss you.

It Was a Fine Day for Dosas

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It was a Sunday, a hot and humid Sunday in Houston, and Angela and I had two meals planned that day. One was brunch with friends, and one was a Dosa Dinner, made by Angela’s mother, Pratima Shah, who is one of the best cooks I have met, especially when it comes to Indian vegetarian cuisine. I’ve had many meals at her home, and they have all been delicious and fresh. Dosa Dinner was no different.

She began the process the day before by soaking lentils and rice in water and letting both sit until they became swollen. Then the rice and lentils were ground and mixed, put in a loosely covered container, and allowed to ferment in a warm place for at least eight hours. (Ideal dosa batter fermentation temperature is around 90 degrees Fahrenheit.)

Ms. Shah had assistance from her sister-in-law, Asha, and the rest of us enjoyed the show.

 

 

Photo(s) of the Day: Cooking With Absent Friends

From France, with love.

From France, with love.

When I cook, I am often doing so with friends in mind.

When I cook, I cook with friends, even if they are thousands of miles away.

One of the joys of my life is cooking in the kitchens of friends, be it in New Delhi, North Carolina, or Marly le Roi. One day in late autumn Angela and I were staying in the home of my friends Xavier and Charlotte, in a village near Versailles. They were in Spain and we had the place – a sprawling beauty of a house with a wonderful garden – to ourselves. We had visited the market in Versailles that day and picked up some lamb and vegetables and cheeses, and chose to enjoy the peace of the Cassignol home with bottles of wine and a long and luxurious cooking session.

I met Xavier and Charlotte many years ago when they lived next door to me, and we have been close friends ever since. I miss them, and their three children, all the time. But on that evening, they were cooking with us, because I was in Charlotte’s kitchen, using her pots and pans and beautiful earthenware.

Eugénie and I discuss politics.

Eugénie and I discuss politics.

Manon and Eugénie, two girls in France.

Manon and Eugénie, two girls in France.

Xavier, the gardener of the family, walks to the house.

Xavier, the gardener of the family, walks to the house.

Eugénie knows what she likes.

Eugénie knows what she likes.

Hector bears a bountiful tray.

Hector bears a bountiful tray.

A fine French family they are.

A fine French family they are.

The lamb was seared, the vegetables roasted, and the bottles of wine were ideal. We toasted the Cassignols and planned our trip to Alsace. Xavier and Charlotte, we’ll see you soon.

Photo of the Day: Lamb Tongue at Restaurant Amador

I miss working in the kitchen at Amador, and wish I had been able to stay there longer.

I miss working in the kitchen at Amador, and wish I had been able to stay there longer.

“A little more than two years.” That is how I reply when anyone asks me how long it has been since I have had my hands on some lamb tongue. To many people it will sound odd, but when one works daily with items on a menu you become one with them, and discover their nuances and feelings. These things have identities and personalities, and the more you handle them, smell them, feel them, the more they open up to you, the more they give you. And the more you miss some of them when they are taken off the menu or you no longer work with them.

One of my tasks at Amador was prepping lamb’s tongue. Christian, another cook with whom I worked closely at this Michelin Three Star-restaurant located in Mannheim, Germany, showed me how to slice it thinly and use a round to cut it into the shape required for the dish. Not every piece was usable, because we sought a particular, even coloration. Gray does not look good on a plate, and Chef Juan Amador wanted (and wants) nothing but perfection.

A Good Season for Corn and Chèvre

King Corn: On the farm yesterday, on my table today.

King Corn: On the farm yesterday, on my table today.

Spring is, after Autumn, my favorite cooking and eating season. An abundance of vegetables that I love to use daily, including King Corn, are out there, waiting for your hand.

The other day I was in a market and ran across some corn that was advertised as having arrived that day, so I asked the clerk and she told me that, yes, the corn had been delivered from a farm in Texas that morning. I selected a few ears and immediately had a dish in mind. (And my mind wandered to a meal I had in 2013 at Hot and Hot Fish Club.)

There were some good peas in a basket, so I put a few handfuls of those in my bag and moved on.

Back home, I toasted a bit of pimentón in a pan and let it smoke for a few seconds. (Toasting dried spices is a great way to taste their best flavor.) Add some salt to the pan as well. I husked the ears of corn and cut the kernels into a bowl, then shelled the peas and chopped a shallot and some garlic. Butter and olive oil into the pan with the pimentón, stir it a bit, then add the garlic and shallot and soften on low heat. Meanwhile, blanch the peas (lots of salt in the blanching water) and put them in an ice bath. Put the corn and the peas in the pan and cook on low, stirring as often as you want.

You’ll know when the corn and peas are ready, especially if you cook this a lot this spring, which I recommend you do. Warm some bowls, plate, then, as a final touch, top with some chèvre. Season with salt and pepper to your taste.

My Parisian Packaged Duck

A weekly purchase at my market in Paris.

A weekly purchase at my market in Paris.

What I want now.

What I want now.

I often crave something with a suddenness that surprises me. Today it is duck, and the craving was strong, and very specific. It was not a need for just any duck. It was a desire for the packaged duck I bought weekly in the market near my apartment in the 5th. And the scent of that duck came to me today as I was driving, and I wanted nothing more than to walk to that small, narrow store and select a package from the cooler. Here is how I cooked with it one wintry day in Paris.

Food works on us in mysterious and beautiful ways. And that is more than a fine thing.

Two Friends, Two Grills, and Some Great Cooking

Days of yore ...

Days of yore …

I have a friend named Mike Pitzen. I have known him for a long time, going on 30 years. He is a good man, and he is funny, with a sense of humor formed by a rural Wisconsin childhood, an education at the University of Wisconsin, and a levelheaded and pragmatic approach to life. We worked together as counselors at Space Camp, took part in a high-speed chase with Officer Wiley Bibb on an interstate highway in Alabama, and, yesterday, we grilled some very fine meat in Houston.

Mike and I in New York on New Year's Eve, partying with Michelle Shocked.

Mike visited me one year in New York, and we hung out with Michelle Shocked on New Year’s Eve.

Mike has lived here for about 13 years now, and when I decided to move to Houston, this past year, one of the things I looked forward to was reuniting with him. I had not seen Mike in a long while, for perhaps eight years or more, and since I’ve been in Texas we have had several long lunches and conversations over beers, and Angela and I have enjoyed getting to know his family, Krista and Holt. I am glad he is here.

I received a call from Mike several days ago during which he told me, “Come over around 4 and we’ll fire up the grills and burn some meat.” Angela and I headed over to their house and upon arriving saw two Weber Kettle grills ready for some proteins. Mike had rubbed a brisket, and it and some ribs were on the smoke. Angela and I brought some jumbo shrimp, and I got busy marinading them, in preparation of wrapping them in bacon and giving them a nice sear. We added a giant sausage link to the mix, and two chickens, one of which we cooked in the beer-can method. Mike rubbed his bird with a mixture of oil and spices, and I put some garlic slivers under the skin of mine and stuffed its cavity with fresh rosemary and a lemon. We talked, drank some beer, kept up with the match between The Netherlands and Costa Rica, and ate some very good meat.

Brisket from Pitzen.

Brisket from Pitzen.

Birds on a grill.

Birds on a grill.

On the table.

On the table.

UPDATE: Make Your Own Pasta (Thank You, Lidia and Marcella)

(Editor’s note: A few readers have chastised me for neglecting to include a recipe in this post. That oversight has now been rectified. Please let me know how you make pasta, and if you have never made fresh pasta at home, I hope this post inspires you to do so.)

“I still think that one of the pleasantest of all emotions is to know that I, with my brain and my hands, have nourished my beloved few, that I have concocted a stew or a story, a rarity or a plain dish, to sustain them truly against the hunger of the world.”

– M.F.K. Fisher, The Gastronomical Me

It is simple, and the payoff is extremely satisfying.

It is simple, and the payoff is extremely satisfying.

Pasta from a box is fine. I use it, mostly penne and farfalle. But there is nothing better than fresh pasta, and I am always happy when I can show people how easy it is to make their own. I taught my 8-year-old nephew how to make pasta, and I’ve guided Angela through the process – she is now expert at it.

I have a stand mixer and pasta attachments, and love it, but that has not prevented me from making hundreds of batches of linguine and ravioli and other varieties of pasta by hand. And there is a bonus: It is a meditative process. The action of mixing and kneading and rolling and cutting calms one’s mind.

There are plenty of recipes and methods for making pasta. I use two eggs (sometimes three), some olive oil, and, of course, flour and water. Over the years I have discovered my own technique and method. (You will, too.) Here is mine, and I give all thanks to Lidia Bastianich, whose pasta I encountered firsthand at Felidia years ago. I followed her methods and have revised them as time has passed. (Marcella Hazan is another inspiration, for pasta and many other things. Get to know her.)

First, relax. Do not get uptight about the process. It is a simple thing, depending on the shape of pasta you wish to make. Put on some good music, open a bottle of wine. Choose a smooth and large working surface; if you have a work island, use it. (I use a large wooden butcher’s block.) Make sure the surface is clean and dry. Sift two cups all purpose flour onto the surface and form it into a mound. Make an indentation in the middle of the mound. In a small bowl, mix two eggs, 1/4 tablespoons extra virgin olive oil, and 3 tablespoons of water. (I often add a pinch of salt. You can as well.) Gently pour the liquid mixture into the flour’s crater, and, using a fork, combine the liquid and the solid. Then, with lightly floured hands, mix and knead the dough until it is soft and smooth. (You will get the hang of it after a few attempts. Again, it is not difficult. In all, it should take you about 8 minutes or so to make the dough.) If the dough is too moist, add a little flour. If too dry, add a touch of olive oil. As you make more and more pasta, your hands and eyes will guide you. You will know when it is correct.

Form the dough into a ball and wrap tightly in plastic wrap. If you are going to use it that evening, let it sit at room temperature for 30 minutes before rolling it out. (Wrapped tightly and well, you can freeze the dough; I have frozen it for as long as a month, but I rarely do this.)

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Ian's pasta

He did this: Ian’s pasta.

When you are ready to roll, clean your work surface, get a rolling pin, and divide your ball into three pieces; lightly flour the surface – a dusting – and roll until the dough is as thin as you can make it. (In the photo below is a modified fettuccine, and we should have produced thinner noodles – they always expand in the water. But again, do not fret … on this evening we made basil pesto, and the meal was delicious, thick noodles and all.)

To make this simple ribbon pasta, use a sharp knife and cut the dough in straight lines, lightly arranging the ribbons into three bird’s nest clumps. Bring some salted water to a vigorous boil and, one bird’s nest at a time, cook the noodles until they float to the top of the water. (One important thing: Many home cooks err by not using a sufficient amount of water. Get your largest pot, and do not skimp on the water; the noodles need room in which to move and evenly cook.)

Have a sauté pan ready (with your desired sauce in it: oil and onions, tomatoes, pesto … your imagination is the limit). Lift the pasta from the water and add it to the pan, coating the ribbons thoroughly. (I also like to cook the pasta a bit longer in the pan, a minute or so; it makes everything taste better.)

That’s it. After you do this a few times, you’ll be ready for ravioli and orecchiette.

Flour and eggs and water and oil, plus you.

Flour and eggs and water and oil, plus you.

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