Adam Robson Chew (apt name), the head chef at Cape Lodge, is in Malibu this week, where he is teaming with Joshua Balague, executive chef at Malibu Beach Inn, in “West Coast to West Coast,” a seafood-centric dinner series that aims to highlight the culinary influences of the two locales.
Adam Robson Chew
Western Australia’s Cape Lodge, which opened in 1992, is a 22-room property in the Margaret River region – great wines are produced there – while Malibu Beach Inn’s 47 rooms hold a prime spot on the Pacific Ocean. Both lodgings are situated in beautiful environs, surroundings sure to complement meals served at the establishments’ tables.
Cape Lodge
A room at Malibu Beach Inn.
Robson Chew, who is from the United Kingdom, had worked at a number of restaurants, including Oscillate Wildly and Nomad, prior to joining the kitchen brigade at Cape Lodge. Balague, meanwhile, who credits his grandmother with sparking his passion for cooking, began working in restaurant kitchens at 16 and graduated from Cordon Bleu Pasadena in 2008. He had stints at Napa Valley’s Oenotri and in kitchens in the Bay Area and the Pacific Northwest previous to his appointment at Carbon Beach Club, Malibu Beach Inn’s restaurant.
Joshua Balague
The chefs are collaborating beginning today through June 16, and I had the opportunity to sample their wares at a preview dinner this week. My take: If you enjoy dining well above the beach on a sublime strip of the Pacific Ocean, get a reservation for the series (OpenTable is the place to book a seat).
Here’s the menu:
Amuse Bouche: Sea urchin uni on toast Baby lettuce and bottarga (Ashbrook Estate Verdelho)
First Course: Spot prawn carpaccio with heirloom tomato and spiced watermelon (2021 Cape Mentelle Sauvignon Blanc/Sémillon)
Second Course: Razor clam, green shallot, and linguine (2021 Cape Mentelle Sauvignon Blanc/Sémillon)
Third Course: Monkfish with mussel béarnaise and purslane (2021 Vasse Felix “Premier” Chardonnay)
Fourth Course: Necartarine with salted macadamia cake and blood plum granita (Ashbrook Estate Verdelho)
Fifth Course: Selection of local cheeses (2018 Cape Mentelle Cabernet Sauvignon)
The chefs told me that it took them about an hour to come up with the menu, and the uni was an inspired choice, as it began the meal in a great manner. To my palate, the monkfish dish was the highlight of the meal, and I hope only that the chefs plate a tad more monkfish than that served at the preview dinner. I’ve no doubt that the staging event allowed them to iron out the wrinkles they discovered, and the debut meal was engaging and full of flavorful touches – the fried prawn head was satisfyingly earthy.
The wines were apt and suitable, and though I was partial to the Vasse Felix Chardonnay, all paired well with the courses.
The evening will cost you $90 per person, and $50 gets you the wine pairings listed above.
Angela and I began the evening in the late afternoon with cocktails outdoors. We sat overlooking the 18th hole of a golf course, enjoying our drinks — she a gin and tonic, an Old Fashioned for me — and contemplating the menu at Robard’s Steakhouse, where our table awaited us. It was Happy Hour, so a few canines lounged around us, brought to the restaurant to enjoy the doggie menu (treats made specifically for four-legged creatures) while their owners drank and dined on happy hour specials. The sun began to set, and our reservation time neared.
We began with some wine, and David Morris, the restaurant’s executive chef, greeted us. It was all pleasure from there, because one can find something for most palates on the menu here. The wine list is populated with a lot of the usual suspects, and that could be improved, but the quibbles here are minor.
It gives me solace that they each lived a long life, these woman whose cooking and writing and spirit gave happiness and nourishment to so many. Pasta, fried chicken livers, a recipe for shrimp and asparagus with sorrel, and eggs Sardou: these things are evocative entry points to, respectively, Romana Raffetto, Mildred Council, Barbara Kafka, and Ella Brennan, four women whose legacies won’t soon fade. Losing them all within the space of a few weeks is a tough blow, but let’s try to celebrate the exuberance and love of food they displayed.
One of my favorite things to do in New York is to walk the streets of the West Village and make the rounds of my shops, including Murray’s, Faicco’s, and Ottomanelli & Sons. For pasta, when I did not want to make my own, or lacked the time to do so, I would stop at Raffetto’s on West Houston Street, pasta whose quality never disappointed. Romana Raffetto, who passed away on May 25, was behind the counter on most days, talking to customers and extolling the virtues of her family’s products, which evolved over time to include all the shapes and types that are now ubiquitous in even the most pedestrian of grocery stores (think pumpkin ravioli and squid-ink tagliatelle). The store, officially known as M. Raffetto & Bros., opened in 1906, and there’s no telling how many meals have been composed with Raffeto’s pastas and sauces since then. I enjoyed talking with Raffetto, and her pride in the store, and what her family had created, was obvious. (If you want to try a few things intriguingly delicious, order the following from Raffetto’s: pink sauce made with cognac, gorgonzola and walnut jumbo ravioli, and black squid Tagliarini all Chitarra. Those are my favorites.)
Romana Raffeto stands at the counter of her family’s store in 1978. (Photo courtesy Gino Raffeto)
Stores like Raffetto’s are national treasures, and in many cities are extinct, if they ever existed at all. As I write this, the aromas of that wondrous space in the West Village are all around me, and I know what one of my first stops will be the next time I am in New York. In the meantime, mail order will have to suffice.
Here’s a look at the place and the people behind it:
Mama Dip. What can you say about Mama Dip, otherwise known as Mildred Council? What about her Community Dinners? Or the courage and bravery she exhibited in choosing to end her marriage after 29 years, in 1976, having endured emotional and physical abuse? “The biggest turning point in my life was when I left my husband,” she told an interviewer in 1994. A cookbook that has so far sold 250,000 copies (“Mama Dip’s Kitchen”)? Fried chicken livers adored by Craig Claiborne (and thousands of other individuals)? How about the fact that she opened her first restaurant in 1976 and had but $40 to make breakfast, and at the end of that first day went home with $135? Her food was honest and filling and delicious and spoke of the lessons she learned cooking for her poor family, which she began to do at the age of 9, when her mother passed away. She was tall — 6 foot 2 — and she was loving and gracious, and Chapel Hill will never be the same.
“I’m not a chef. And I don’t like people to call me a chef because a chef is more like—I call them the artists,” Council told the Southern Foodways Alliance’s Amy C. Evans in a 2007 interview. “They have so much artist in them, artistic, ever what you call it. Artist, I guess, because they can just make things so pretty, you know. And I try to make things good.” Did she ever.
Mildred Council left countless fans and admirers, who will forever miss her cooking. (Image courtesy Mama Dip’s)
Barbara Kafka’s books sold millions of copies, and her advocacy of using a microwave to prepare food — she even used the appliance to deep-fry, alarming many and disgusting others — earned the disdain of many chefs, but the indefatigable author didn’t let the criticism bother her. She pushed on with her testing and writing and consulting, and in 2007 was awarded a Lifetime Achievement Award from the James Beard Foundation.
“I do try to write in English, I don’t write ‘kitchen’ and I don’t write French,” Kafka told an interviewer in 2005. “What’s wrong with saying matchsticks instead of julienne?” Clearly, her straightforward — many would say brash — approach spoke to legions of home cooks, who devoured her writing and learned their skills from her books and articles. She supported Citymeals on Wheels early on, spent thousands of hours testing recipes, and maintained a passion for the transformative power of food and cooking. If you like cookbooks with a definitive voice and point of view, Kafka’s are for you. And you know what? Though I do not use the microwave to deep-fry my chicken livers or cook artichokes, I do start my roast chickens at 500 Fahrenheit.
New Orleans is one of my favorite destinations for food and eating. I can still recall the first time my family visited the city; I could not have been more than 10, but the flavor and sights and smells are still vivid in my senses. Strong black coffee, beignets covered in powdered sugar, shrimp and gumbo and everywhere, it seemed, the sounds of jazz.
Ella Brennan and the Crescent City were made for one another, both colorful and romantic and stubborn. “Hurricane” Ella was definitely a force of nature, and her love of restaurants and the people who made them work is worthy of much admiration. Here is all she said at the podium at the 1993 James Beard Awards (Commander’s Palace picked up the Outstanding Service award that year): “I accept this award for every damn captain and waiter in the country.” Classy lady was she.
If you want to read a lively autobiography, get a copy of “Miss Ella of Commander’s Palace: I Don’t Want a Restaurant Where a Jazz Band Can’t Come Marching Through“. Then set aside a part of your evening and watch “Ella Brennan: Commanding the Table.”
The experience will be all the more pleasurable with Miss Ella’s Old Fashioned in hand, a fine drink with which to toast the memories of these four amazing and strong women.
Miss Ella’s Old Fashioned
Ingredients
2 ounces Bourbon
2-3 dashes Peychaud’s bitters
one half-cube sugar
lemon peel for garnish
Fill a rocks glass with ice and a touch of water. In a second rocks glass, muddle the sugar cube with Peychaud’s bitters , then add Bourbon. Swirl the ice in the first glass to chill it, then discard the ice and water. Pour the drink into the now-chilled glass. Run the lemon peel around the rim of the glass, then toss the peel into to the drink for garnish.
I have phases during which I vividly recall my dreams, and I’m in one now. I wake up, and the images and action and scenes and dialog seem burned into my synapses. I retell the “stories” to myself and write them down in a notebook, and I also, from time to time, think I figure out why I dreamed what I did. Just as often, I cannot fathom the reason for the dreams, and simply enjoy the mise-en-scène. I am doing that as I write this, and Charlie Trotter is on my mind.
You see, last night I dreamed a Chicago dream, and Charlie Trotter and I hung out and ate and drank together, and we walked up and down sidewalks and streets and ended up at his townhome, late in the evening. We sat in his kitchen — as I imagined it … I never set foot in Trotter’s kitchen, or his home for that matter — and the hours passed and the conversation flowed. We cooked breakfast as the sun rose.
What did we talk about? I can remember France, and a trip down a canal on a barge, a pet Trotter had as a child, his father’s car, and the wallpaper of a hotel room in Paris. Earlier in the dream — it was winter, a Chicago winter — the steam coming from our mouths and nostrils as we stood under a streetlight and talked seemed especially visceral, though I have not the faintest idea why. Also, the condensation on his eyeglasses sticks in my mind.
The overall feeling of the dream is comfort, despite Trotter’s infamous personality. We apparently were friends, as we discussed trips we had been on together, wines we had shared. It was, as opposed to many dreams I have, unencumbered by the slightest sense of anxiety or angst or conflict. It left me feeling warm and part of a network of grace and kindness.
In 2009, I met Charlie Trotter in Abu Dhabi at a dinner he prepared.
Why, or how, did the morning become odder, odder than the dream itself? Because, in what seems a Jungian shadow-happening, the first email message I clicked on this morning while giving a few minutes to the ongoing process of clearing out my inbox included two photos of Charlie Trotter and me, taken in 2009 in Abu Dhabi. I decided to delete emails with the .ae suffix, and the message containing those images — which I had forgotten about — was the first one on the resultant search list. I opened it, unaware of the attached photos, and sat and pondered.
I’m not sure why it happened, and I don’t have a lot of time right now to figure it out. Nor do I know why I dreamed about Trotter and hanging out with him in Chicago. Perhaps reading about the closing of Grace was the impetus? Who knows … Dreams are mysterious, their meanings can be evasive and perplexing. I’ll figure this one out, eventually. Until then, I’ll relish those feelings of grace and warmth, and the sensual experiences of cooking, drinking, and eating with the departed chef.
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