Mise en Place

Tag: Wine Talk (Page 1 of 2)

Dusty Nabor and Karin Langer
Dusty Nabor and Karin Langer

A Son of SoCal Finds His Niche in Winemaking

December 26, 2021 / / 0 Comments

I like to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Dusty Nabor’s journey into winemaking began with a carboy in his Ventura County, California, kitchen. A business associate with a passion for cult Napa wines had introduced Nabor to that rarified sector of the wine world, and he began frequenting events as a consumer. But this son of SoCal wanted to do more than drink wine. He wanted to make it as well.

“I got interested in wine right around when I became legal, back in the late 1990s, but I didn’t really learn much about it until around 2005 or so,” Nabor says, referring to that business associate’s influence on him. “I was always really drawn to the production personnel of the winery rather than the hospitality staff or ownership, and I wanted to know what they did. I wanted to make wine commercially.”

In 2014, Nabor made his way to a custom crush facility near his home, and laid the plans for his first vintage, two barrels of Cabernet Sauvignon harvested in 2015. “After a couple of years at the custom crush I decided to venture out on my own and opened my winery, in Camarillo, in time for the 2020 vintage,” he says. Dusty Nabor Wines was born.

Nabor’s stated focus is on Syrah, Grenache, Viognier, Pinot Noir, Chardonnay and Cabernet Sauvignon, and he and his partner Karin Langer source fruit from vineyards in Santa Barbara County, from the AVAs of Sta. Rita Hills, Ballard Canyon and Los Olivos District. (His production last year was around 1,500 cases, and he is anticipating 2,000 cases this year. The wines are sold mainly through the Dusty Nabor Wines mailing list — click here to add your name.)

Nabor is a self-taught winemaker, though he is quick to credit a few mentors, including Matt Dees, Nile Zacherle and Paul Frankel. And he taught himself (an ongoing process, as always) while working at his family’s business, 101 Pipe & Casing. The company was founded by Nabor’s father, Fidel, and the winemaker is the firm’s executive vice president. He’s worked there for 28 years.

In addition to Dusty Nabor Wines, he and Langer are behind Bolt to Wines and NSO Wines.

Another thing to know about Nabor is that he has raced cars, competed as a triathlete (he and Langer still do), played competitive poker and golf, and. . . well, the point is that he loves adventure and accomplishment.

Let’s see what Nabor has to say in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Dusty Nabor: COVID for us (Karin and me) has been extremely easy. It definitely was a tale of two pandemics. Those who were affected greatly and those who simply were not. For me personally, I didn’t know anyone whom I am close with that was affected adversely by the virus. We were also able to get vaccinated very early on due to our affiliation with the food and service industry.

Our lives have been set up in sort of an introverted way from the beginning. We do a lot of endurance sport training (triathlon, cycling, running and swimming) and those sports by their nature are very individual and solitary. We don’t need to be around large groups of people and usually are not.

Professionally, it was very similar. My day job was considered an essential business from the start of the pandemic, and the winery was as well. So income never stopped for us and the winery kept on going as usual. Also, the winery was started as if I knew the pandemic was coming.

We have no tasting room and the winery is not open to the public. All of our sales channels were done online or remotely. While others had to pivot to meet the demands of the pandemic, we just continued doing what we were already doing. Don’t get me wrong, all of this was by sheer luck. I had no idea this would be the case setting up the winery years ago.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

DN: Yeesh, this is a tough one for me. I’m terrible at food pairings. Three wines doing well right now. . .

A Chardonnay for your consideration.

Well, our 2019 Chardonnay from Spear Vineyards is really starting to hit its stride. It’s a Wente clone of Chardonnay and just needed a little bit of bottle time to settle in. It suffered a little bit of bottle shock after we bottled it last year, and it’s regained it’s form nicely. I’d pair it with pretty much anything, but I’d really like to enjoy it with a pear salad with some candied walnuts.

Second wine would be our 2018 Bolt To Wines Syrah from Ballard Canyon. This is a serious dead ringer for a Côte-Rôtie Syrah. It has all the hallmarks that we strive for in Syrah. . . bloody meat, iodine, some forest mustiness, a little cigar box and beautiful blue and black fruit. I’d drink this wine with anything savory.

Third would be the 2017 Jaimee Motley 2017 Cabernet Sauvignon from Peter Martin Ray Vineyard. What a wine. Just a gorgeous example of what Cabernet Sauvignon can be without any heavy-handed oak or mass extraction. Just flowers and tea and fresh berries. . . just lovely. I had this wine and paired it with a light pasta with red sauce and some “Beyond” meat sausage.

This Cabernet Sauvignon pairs well with red sauce and pasta, according to Dusty Nabor.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why? 

DN: I’d like to experience DRC. I don’t have the financial ability or enough friends who do to have been able to try it. I would like to because Pinot Noir is a joy of mine to make and I don’t feel like I’ve really experienced it without having some of the inaccessible grand crus of burgundy.

JB: What is your favorite grape variety, and why?

DN: Syrah. Always Syrah. I absolutely love Syrah because of all the magical expressions it has. I will die trying to create the perfect Syrah. . . I am a long, long way away.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? Can be one of your wines, but need not be. 

DN: Our 2019 Pinot Noir from Spear Vineyards in the Sta. Rita Hills, which was done 100 percent whole cluster. I’m dying to fast-forward into the future and try this wine 10 years down the road. It has all the structure of a brilliant wine to cellar. It has so much nerve and tension in such a great way. Once it starts to relax and unwind, I think it will be a very good wine.

Dusty Nabor and Karin Langer are partners in life, endurance athletics, and wine.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

DN: Our local spot Boar Dough Tasting Room is our Cheers. Always great wines and fun people.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

DN: If it’s an honest wine, made by a small producer, just keep in mind how much love, care and heartache went into that wine. Wine is a living thing and it goes through phases like any living thing. And they ain’t all great phases.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

DN: A 2007 Hundred Acre Kayli Morgan Vineyard, which I opened at Karin’s birthday six or seven years ago. My tastes have changed since, but I had no idea wine could taste like that.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

DN: Experiencing bottle shock of our first vintage, a 2015 Cabernet Sauvignon. A week after it was bottled it was absolutely terrible. I thought I totally messed everything up and it made me really doubt myself. A year later, the wine was very good. So now, we wait 18 months in bottle before releasing our flagship Cabernet.

JB: Your favorite wine reference in a work of literature?

DN: I’m a sucker for Sideways. I’m a SoCal kid, and that entire movie took place in my backyard and in the region I now work. I still think it’s a fantastic movie.

Want more wine? Read on:

Wines for the holidays, and Beyond
Pietro Buttitta Talks Wine and Nietzsche
Nick Goldschmidt and His Family Affair
A Loire Favorite, and Other Tasting Notes
Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Nick Goldschmidt, who hails from New Zealand, has made wines in myriad regions around the globe. He and his family have called Healdsburg home since 1990. (Courtesy Goldschmidt Vineyards)
Nick Goldschmidt, who hails from New Zealand, has made wines in myriad regions around the globe. He and his family have called Healdsburg home since 1990. (Courtesy Goldschmidt Vineyards)

Nick Goldschmidt Doesn’t Throw Good Wine Against The Wall

October 2, 2021 / / 0 Comments

I like to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Nick Goldschmidt has a way with wine, and with words. The native New Zealander is gregarious and he’s passionate about his craft. The man is a walking, breathing repository of viticultural knowledge, lore and history.

He’s plied his trade for decades now, in many regions, and the wineries for which he’s worked and consulted  are too numerous to mention in this space, but here are a few names: Atlas Peak, Buena Vista, Simi Winery, Clos du Bois, Gary Farrell, and William Hill. Not to mention his own Goldschmidt Vineyards, which was established in 1998.

Goldschmidt’s career officially began in 1982, when he took a research position at New Zealand’s Lincoln University. He graduated from that institution with a degree in horticulture, and did postgraduate work in viticulture and oenology at the Wagga Wagga campus of Charles Stuart University, also in his homeland, and then at Adelaide University, in South Australia, where he was enrolled in the Hickinbotham Roseworthy Wine Science program.

I’ve long known of Goldschmidt, and have enjoyed his wines over the years. When I was contacted recently about Merlot Month and saw that he was one of the participating winemakers this year, I knew I wanted to feature him in Wine Talk. (October is Merlot Month, and PaperCity’s The Pour series will have more about that, so stay tuned, and in the meanwhile, drink more Merlot.)

A family of wine. (Courtesy Goldschmidt Vineyards)
A family of wine. (Courtesy Goldschmidt Vineyards)

Goldschmidt and his wife and business partner, Yolyn, have called Healdsburg, California home since 1990, and his passion is now a family affair. In fact, one of the wines I tasted in preparation for Merlot Month was the 2019 Chelsea Goldschmidt Guidestone Rise Merlot (Alexander Valley AVSA). There are five Goldschmidt children, and Chelsea is one of them (the names Hilary and Katherine also grace Goldschmidt labels).

Let’s see what the winemaker has to say.

James Brock: How has COVID-19 changed your work and life?

Nick Goldschmidt: I have a theory that the average white guy lives to 85 and I am 59, so I have 25 years left to live. Twenty five by 365 days is 9,125 bottles of wine to drink. If I drink one bad bottle of wine, that is like throwing a good one against the wall.

I had a dream COVID, as four of our five children moved home. What other time in my life would I have adult children living with me? It was truly an amazing experience.

As a result of the additional people in the house, my wine cellar has been severely depleted and I’ll be closer to 10,000 bottles by the time I pass. The second thing I learned was that my children were asking, “OK, if we are drinking five bottles of wine tonight, which ones are they? We need to start drinking them in reverse order.” This also made sense, so we drank the best wines first. Great idea to finish the evening with a white. Fresh and with good acidity like we now do at wine judgings.

From a professional aspect, I was actually in Chile when COVID hit so I saw the implications of trying to harvest and make wine with all these severe restrictions in place. This meant I knew how hard it would be when I was scheduled to do this in California six months later. I’ve also seen today countries on a slower route to recovery and some that are much faster in terms of vaccinations. This means each country has its own set of rules, not only in terms of getting in, but how it is to work.

For instance, without foreign workers it has been very hard to pick grapes in New Zealand, which I think has been the hardest hit. Getting around Chile takes many special passes each day, which requires getting online before I head off each morning. Then Argentina has been impossible to get into. Canada has also been difficult, but is opening up now. So yes, consulting has been a challenge.

We have also seen difficulty with shipping and trucking. Of course, containers from New Zealand are taking months just to book. But also getting rebar for a planting job I am doing on the Staircase Vineyard has been ridiculous. We ordered in November and finally got it in June.

The Staircase Vineyard: A study of soil.

As a result I think in some strange way that COVID has been good for me in terms of both my personal and professional life. I am much closer to all clients I’ve been in touch with during this time.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

NG: I have started drinking what I preach. By that I mean I often talk about wines holding up over time primarily focusing on color and no “crusty deposit on the shoulder of the bottle”. As wines age, they move from purple to red to brown to orange, and I’ve always explained how I get my wines to only go purple and eventually to red. I learned many years ago how to slow the ageing beyond that.

This wine has a special place in the heart of Nick Goldschmidt.
This wine has a special place in the heart of Nick Goldschmidt.

So I started drinking older wines. For example, Goldschmidt Yoeman, which is the first wine that we made, in 1999. I have been drinking the 2001, marking 20 years for this particular wine. Remarkably, it has remained in a purple color with great liveliness, and it still has a fine freshness. No crust. Tannins are of course integrated and possess far more silky complexity than when released.

The second one I’ve been drinking a lot of is Singing Tree Chardonnay. We have been making this wine for a while now. It is from a field selection (no clone) and has a more lively mouthfeel on release and so really helps with its ageing. I have been drinking the 2014 and 2016, which really stayed alive. Both good vintages, of course. I think we have achieved what we set out to do, which is to make a wine with tension and liveliness without the high alcohol.

The reason for tasting is as I look back I wondered if I should add more weight to this wine like we did at Simi. I am carefully analyzing people around me and what their perception of the wine is. Do I make a change, or do I stay the course? So far, stay the course, but I do like analyzing over time. Thinking to how we farmed then and now and how our palates also change.

I don’t often drink wines from wineries for whom I consult, but as of late, based on amazing reviews, I’ve been trying Chadwick Cabernet in the Maipo Valley Chile. This wine has had two 100-point scores and I’ve really focused on those and the vintages around them. To me, it is not about the wine itself but a memory of the vintage. With the memory of the vintage comes my memory of the people who lead the winery and make the wine. I spend three months per year in Chile and have done so for almost 30 years now, so I know the area and the vineyard well. Chadwick 2017 is so far my favorite.

The Chadwick Cabernet Sauvignon was the first Chilean wine to receive 100 points from a wine writer (James Suckling, for the 2014 vintage). Image courtesy jackyblisson.com
The Chadwick Cabernet Sauvignon was the first Chilean wine to receive 100 points from a wine writer (James Suckling, for the 2014 vintage). Image courtesy jackyblisson.com

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why. 

NG: If cost was no consideration and it was something I could do each day, I would probably choose Vega Sicilia Unico, because it was one of the first great wines that, when I drink it, I drink with the memory of whom I was with, where and when. Even better would be that I would drink it in Spain in the DO of Ribera del Duero (Denominación de Origen).

I worked in the area when I was consulting with Tarsus. This was when I was the chief winemaker at Allied Domecq and so have many great memories of the region and the winemakers as well.

Vega Sicilia Unico: This wine evokes fond memories for Nick Goldschmidt
Vega Sicilia: When Nick Goldschmidt drinks this wine, the memories come flooding back.

JB: What is your favorite grape variety, and why?

NG: Cabernet, of course. It is so specific to its surroundings. I’m originally from New Zealand, and it is very hard to make there, so having lived in Napa and Sonoma for the past 30 years, I have learned a lot about it. I also see it in Maipo, Mendoza and Okanagan, all places I work. It comes in so many shapes and sizes. The future for me, though, is making these wines under 14 percent alcohol. We are doing it already in some appellations, but will it have respect if it is done in Napa?

It has the power and the weight, but it is a spicy variety, and too often at high alcohol they finish sweet. I really do not like the term “Napa Style,” which is used around the world. We need to get away from that.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

NG: I always find these questions very difficult to answer. I always wondered why we sell wine by the individual bottle and in 12 packs. Is it because we are supposed to drink one bottle per year, or 12 bottles per year? I’m never quite sure. Let’s say it’s 12 bottles per year. Drink one a month and then you choose the best month of your memory when the wine tasted best.

I think the wine that will taste best is always the one that was drunk in one of the happiest moments. Therefore, choosing a wine for an anniversary or another great celebration in your life has to come with some extra effort. I would choose Goldschmidt Game Ranch Oakville. It is a fairly rare wine of limited release, and a bottle can add to the special occasion and hopefully the happy memories that will go with it.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

NG: My children will tell you my happy place is down on the Dry Creek river with a bottle of Boulder Bank Marlborough Sauvignon Blanc. I built a table down there many, many years ago and each Sunday night the family gathers at it. We cook over an open fire away from the Internet but with many bottles of wine and lots of great food. We are very fortunate to live in the Dry Creek Valley, and in particular on the Dry Creek River itself.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

NG: I always wish people would keep in mind that wine is a living, breathing, evolving product, and it is of the earth. It is not like making beer or spirits where the goal is to make an amazing product but make it the same every day.

Wine is completely different because the vintage itself tells a story about the weather, the people, the soil and the culture, which is one part. You need to travel to the wine regions, getting to know the places. Doing so gives one great reference for when you are back home and assessing and enjoying the wines.

The second part is where you choose to drink the wine. When I go to a restaurant I always choose something that I cannot pronounce on the menu and the wine generally that I’ve never heard of before. Going out for dinner drinking wine with food is a memory and an experience. Don’t drink badge brands. This is the time to try something different, take a risk.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

NG: For me it was a combination of processes. When I worked in the vineyards at Lincoln College in New Zealand I pruned the vines without actually knowing what wine was about. Then during the summer we picked the grapes and made the wine and then I drank the wine. For me, growing crops is fascinating, but to have it turn into something even cooler is amazing. This particular crop turns into a food product that is unique and different and truly represents where it comes from. There’s absolutely nothing like wine.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

NG: I don’t really have any strange moments, but I do have situations in which I suddenly had an “aha” moment.

One of the first ones was when I was making wine in Portugal for LVMH. The company owned Roses, a Port house, at the time. When you’re in Portugal with winemakers you pretty much have three ports — for lunch, breakfast and dinner — so after being there for three days I asked a winemaker if I could have a glass of white wine. He said, we don’t make white wine in Portugal.

Drinking Vinho Verde for the first time was an epiphany for Nick Goldschmidt.

But the young lady in the restaurant said, don’t worry I’ll bring you a glass. She filled the glass up to the rim. It was 120 Fahrenheit outside and we were eating barnacles, of which you need three for a mouthful. The condensation was flowing off the glass of wine and it looked so tasty. I took a deep gulp. But when I drank it my whole mouth puckered. It had so much CO2 and acidity in it, and my immediate reaction was, what the heck was that?

The enamel on my teeth was gone, the roof of my mouth was gone, and I had this whole unctuous acidic taste. I asked what it was and the winemaker said it was a Vinho Verde. Well, I didn’t know what Vinho Verde was. I didn’t even know it was a region. I also thought it was CO2, but actually it was minerality. But I always remember that experience. This wine either making me hungry or thirsty and I couldn’t quite work it out. That is sensation I’ve always remembered.

Try this at home.

JB: Your favorite wine reference in a work of literature?

NG: I have many, but they are all about winemaking, specifically production. This is one of my favorites: “Drinking a bad bottle of wine is like throwing a good one against the wall”.

Want more wine? Read on:

A Loire Favorite, and Other Tasting Notes
Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Caitlin Cutler, co-owner of Ronan, is very fond of Malvasia. (Photo by Liam Brown)

Ronan’s Caitlin Cutler on Malvasia, Skin-Contact Sauvignon Blanc, and Country Music

June 4, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

From the moment I perused the wine list I knew I wanted to feature its creator in Wine Talk. It (and they) had me at the Claus Preisinger Zweigelt and the Martha Stouman Nero d’Avola, not to mention the Alfredo Maestro “Amanda.” This small, concise list was put together by someone who cares about what her guests drink with their food.

This was in May, and it was my first visit to Ronan, a restaurant in Los Angeles that is now high on my “Brockhaus Approved” list. The meal was something to write home about — read the review here — and I’ve been back once more since then, and plan to be a frequent guest.

Asking around, I was told that Caitlin Cutler was the woman behind Ronan’s wine program. She also co-owns the restaurant with Daniel Cutler, her husband and Ronan’s chef. They have a good thing going on Melrose Avenue.

Caitlin runs the front of the house, and her presence is one of calm and confidence. She’s a welcoming person. Her past work experience includes stints in the corporate finance and real estate development worlds, and then she entered the restaurant industry, serving as general manager at two Los Angeles Italian restaurants: Sotto (now closed, it’s where the couple met and fell in love) and Alimento, Zach Pollack’s Italian restaurant in Silver Lake.

The pair opened Ronan in September 2018. During the first year of Ronan’s existence Caitlin was pregnant — they now have two children — and the couple faced the challenges familiar to all mom-and-pop restaurant owners. Reviews were favorable; Bill Addison, of the Los Angeles Times, loved the French Dip-inspired calzone, and Eric Wareheim’s endorsement of the pies brought scores of people in asking for the “Instagram pizza.”

The inevitable dip in traffic came, as the “see and be seen” crowd came and went, but the restaurant’s team labored on and word about the food at Ronan spread. Then came COVID-19. (Jenn Harris has written a wonderful piece on Caitlin and Daniel’s life the day after Los Angeles ordered all restaurants to cease service; you can read it here — LA Times subscription required.)

It’s been, needless to say, a rough, harrowing time, the days and nights since March 31, 2020, for restaurants and the rest of the world. The National Restaurant Association, in a study published in September 2020, reported that nearly one in six restaurants (representing nearly 100,000 establishments in the United States) “is either closed permanently or long-term,” resulting in the unemployment of nearly 3 million individuals. It added that the industry “is on track to lose $240 billion in sales by the end of the year.”

Some meatballs: Ronan’s pork polpettini are things of beauty. (Photo by The Brockhaus)

Ronan survived, about which I am glad, and if you’ve never been to the restaurant, I urge you to book a table. Order the focaccia and the burrata. If you go on Wednesday, all wines made by women are offered at 30 percent off. Try the meatballs, and if the calzone is on the menu, go for it.

Meanwhile, here’s Caitlin Cutler in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Caitlin Cutler: I am able to spend a lot more time at home with my kids. My husband and I co-own Ronan, and prior to COVID, we both worked five to six nights a week. When safer-at-home orders came out, we had to alternate who would come into work, because one of us had to stay home with the kids (no childcare!). It really gave me the personal and professional balance that I was craving, but couldn’t quite allow myself to have, and now I work at the restaurant three nights a week. 

Caitlin Cutler and her husband, Daniel Cutler, are the couple behind Ronan, a great restaurant in Los Angeles. (Photo by Liam Brown)

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

CC: “Bon Jus” Sauvignon Blanc is our skin contact BTG right now, and it just slaps for summertime. I had never had a skin-contact Sauvignon Blanc before this wine, and I’m not particularly partial to the grape in general, but leave it on the skins for 15 days and we’re in business. The wine is unfiltered, no additives, and you can almost taste the coastal Santa Barbara laidback vibes in the glass. Pairing: Sea bass Zarandeado at Ronan.

The “chilled red” is really having a moment, and I am fully behind it. We have three chilled options on the list at Ronan right now, but the one that has my heart is “Soul Love” from Tessier Winery out of Healdsburg. It’s a blend of Riesling (50 percent), Trousseau (20 percent) and Mourvedre (30 percent), and it just sparkles behind its psychedelic label. Don’t let the playful nature of the label fool you, this is a fantastic, nuanced bottle. Tessier is run by a husband-and-wife team, and is 30 percent off on “Women in Wine Wednesdays” at Ronan. Pair with the classic Margherita pizza, do or don’t add anchovies (do).

From Austria, courtesy Claus Preisinger. (Image courtesy Midfield Wine Bar)

I just have to close out this list with the “Puszta Libre!,” a biodynamic Zweigelt from Austrian wine producer Claus Preisinger. This wine never sells unless I suggest it to a table, and it is such a missed opportunity for so many guests who want a bold red, but don’t know how to get out of their comfort zone. I promise you all there are sophisticated reds outside of France, Spain and Italy! Pairing: The pork meatballs at Ronan with a side of some thick focaccia piping hot and dripping in good Sicilian olive oil over the toasted rosemary garnish. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

CC: I like collecting wines from significant years. My husband and I were both born in 1985, and for our wedding we got two magnums of Emidio Pepe 1985 Montepulciano d’Abruzzo. I would probably get two more from my daughters birth years (2015 and 2019) now, while I can still afford them.  

JB: What is your favorite grape variety, and why?

CC: Hands down, Malvasia. This was the first grape that taught me how much depth there was to discovering wine. I have had bottles that are light and floral, I have had bottles that are earthy and, dare I say, masculine. I have had it still and I have had it sparkling. I have loved it every which way and I can’t wait to try many more iterations. 

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

CC: I wish I had a good suggestion for this, but I tend to focus on lower cost, newer production on my list. I would say find something sentimental to you and cellar that. Maybe a bottle you had on your first date, or a producer you love from a significant year. Nostalgia can add a lot to your experience years down the road. 

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

CC: I adore Esters Wine Bar in Santa Monica. The service, the vibe — it’s all so welcoming and yet special at the same time, and you can find really fabulous wines by the glass that you don’t see everywhere else around town.  

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

CC: It’s not about what the restaurant wants you to drink or what will impress the table next to you.  It’s about you. This is your experience, and we are just here to facilitate it. Talk to your server or the person who does the wine list, ask questions and they will lead you to the hidden gems that fit your needs, but make sure you listen to your gut and drink what you want to drink that night. Sometimes it’s what they suggest, but sometimes it’s a dirty martini or your go-to bottle of Chianti, and that’s A-OK too. 

This bottle makes a wonderful gift.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

CC: In 2014, it was my boss’s birthday and I went to Silver Lake Wine to buy him a bottle of wine. He was a chef with many years of wine knowledge under his belt, and I was a novice restaurant worker just beginning to scratch the service of my wine studies. I went into Silver Lake Wine and bought him a bottle of Rojac “Royaz” sparkling Refošk. He opened it for us to share and it knocked his socks off. He put it on the opening list of his trendy new restaurant in Silver Lake and I had never been prouder. 

Ronan’s dining room features communal tables, booths, and bar seating. (Photo Courtesy Ronan)

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

CC: I had a friend of a friend (who I didn’t know and had never even met briefly) email me multiple times and repeatedly ask me to waive corkage for his upcoming reservation for a party of six. Ronan was three months old at the time, and we were still paying off our contractors from the years of construction leading up to our recent opening, never mind tackling paying back our investors. I was so insulted that a stranger thought it was appropriate to bring their own wine in and not expect to pay a fee (mind you, our corkage is VERY reasonable). I am so happy that the pandemic brought to light how hard the financials are from a restaurant perspective, and moments like that seem to be a distant memory. 

JB: Your favorite wine reference in a work of literature?

CC: Country music is my guilty pleasure, and any time a female musician talks about drinking red wine and plotting revenge on an ex, I can’t help but smile. 

Want more wine? Read on:

Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Dan Petroski, whose Massican wines have a loyal following, also makes wine for Larkmead Vineyards.

Dan Petroski Talks Soil, T.S. Eliot, and Making Wine in Napa Valley

May 28, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Dan Petroski is the man behind some of my favorite white wines made in California. His Massican flagship Annia is on my always-have-around list — it’s a blend of Tocai Friulano, Ribolla Gialla and Chardonnay, and I love its versatility with food and its fetching minerality. If you’ve never experienced a bottle of it, find one today.

Dan Petroski named this expressive wine after his mother. (Courtesy Massican)

Petroski is also in charge of the winemaking at Larkmead Vineyards, and I recently had the pleasure of participating in a virtual session with him and others that took a deep dive into the soils at Larkmead and their effect on the estate’s Cabernet Sauvignon. We tasted three barrel samples and examined some of the estate’s soils. Petroski — who graduated from Columbia University with a degree in history (minor in ancient Greek and Roman history) and played football at the school — spoke eloquently and with authority about the topic.

Any semi-serious wine drinker knows that what a vine (or its rootstock) grows in has (or should have) profound effect on what it produces. But listening to Petroski and Brenna J. Quigley, a geologist who is working with Larkmead (among other clients), talk about that relationship was a valuable way to spend an hour.

The Larkmead Estate: Though it is a valley-floor property, its diversity of soils are more typical of hillside parcels.

Petroski has stated that “Larkmead is blessed with a diverse estate that based on soil profile alone is a snapshot of the entire Napa Valley” and he and Quigley conveyed that in an illuminating manner during the online session. The estate comprises 110 acres planted to vines (69.4 acres of Cabernet Sauvignon, 12.4 acres of Sauvignon Blanc, 11.5 acres of Merlot, 8 acres of Cabernet Franc, 6.6 acres of Petit Verdot, 1.2 acres of Malbec, and 1.1 acres of Tocai Friulano), and the soil profiles include Pleasanton loam, Cortina gravelly loam, Bale clay loam, Bale loam, Clear Lake clay and Cole Silt loam. (If geology turns you on, I recommend John McPhee’s Annals of the Former World. It’s a fascinating masterpiece, written by a master.)

There’s treasure in these soils.

Larkmead was founded in 1895, making it one of the oldest family-owned estates in Napa Valley. While the original owners did make wine for a period of time after its founding, during the second half of the 20th century Larkmead grew grapes for other wineries and winemakers only. Beginning in 1997 that changed, and wine was once again being made under the Larkmead name. (Larkmead still sells 50 percent of its fruit to other entities).

Petroski joined the team as winemaker in 2007 — current owners Cam and Kate Solari Baker know talent when they see it — and in 2020 the estate established and planted a research block (I’ll have more on that in a later article).

Petroski’s style is enthusiastic, thoughtful and engaging. I’m glad he left his career in publishing at Time Inc. to pursue his passion, because he’s making wines I admire and look forward to drinking and sharing.

Let’s get to Dan Petroski in his own words.

James Brock: How has COVID-19 changed your work and life?

Dan Petroski: The shelter-in-place conditions during the COVID-19 pandemic slowed my life down for sure, but it also opened a world of virtual meet-ups and cocktail hours to get to know some of our direct customers a little better.

As wine professionals, historically our relationship building has been with our trade partners — wholesale, restaurant and retail buyers — but 2020 turned that upside down a bit and put us directly, virtually in front of the people who drink our wine. That was special.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

DP: I really love drinking our wines young in fine wine terms — the current release vintages of Larkmead have such great vibrancy that the wines are a joy to drink. I am talking about the 2018, 2016, 2014, 2013 and 2010 vintages specifically for red wines at Larkmead. On a white wine side, I really appreciate our Sauvignon Blanc style, which is a little weightier than a classic table-friendly Sancerre.

A Sauvignon Blanc that “acts like a Chardonnay.”

If I had to host a Larkmead dinner tonight, I would choose our 2018 Lillie Sauvignon Blanc paired with anchovies in butter with crusty bread and maybe a fennel salad. A 2013 Larkmead Cabernet Sauvignon paired with a Zuni-style roasted chicken. And a 2010 Larkmead Solari Cabernet Sauvignon with a selection of hard and soft cheeses to finish the night.

Cortina and Pleasanton soils drive this wine.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

DP: I never drink wine alone, so there is no cost (high or low) that I wouldn’t pay to share a glass of wine with someone. And we all know that a glass of Champagne brings the most joy, so I would love to add as many bottles of my favorite Champagne, Philipponnat Clos des Goisses to my cellar.

JB: What is your favorite grape variety, and why?

DP: Chardonnay in all its forms is one of my favorite grapes. I will go to my grave extolling the beauty of Sauvignon Blanc, and Tocai Friulano is my favorite wine grape that makes the most versatile food-pairing wine. But Cabernet and its sibling Merlot will always haunt me. My top bottles consumed all-time remain Bordeaux blends.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

DP: Larkmead or any Napa Valley Cabernet from 2013 or 2016.

Dan Petroski at work in the Larkmead research block. (Photo by Bob McClenahan)

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

DP: When in Napa, it is great to sit at a bar at all my neighborhood haunts — DM me for a list. When traveling to my hometown, NYC, I love spending time at the bar at all of Danny Meyer’s restaurants, whether Gramercy Tavern, Maialino or more.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

DP: Drink what makes you feel good — the story, the deliciousness, the price point, the moment. . . whatever makes you enjoy it the most.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

DP: Probably the story I was told of Sean Thackrey and his wines when sitting at Le Bernardin in 1999. To hear the story of a former art gallery owner who moved out to the far Sonoma Coast and studied the history of wine growing back to ancient Greek and Rome. Sean went on to name his flagship wine after the constellation Pleiades because his blend was of seven grape varieties. This was the story that made me change my life five or six years later and pursue a career in wine.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

DP: Strangest would probably be when I taste a wine that I made and say, “Wow, did I make that?” I am very hard on myself and my winemaking. I always say, the best is yet to come, and I hope you come for the ride with me.

JB: Your favorite wine reference in a work of literature?

DP: When T.S. Eliot wrote in The Love Song of J. Alfred Prufrock, “Of restless nights in one-night cheap hotels, And sawdust restaurants with oyster-shells.”

Eliot didn’t mention wine in those lines, but I want a cigarette and a glass of Chablis every time I read them.

Want more wine? Read on:

Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Alex MacGregor, a former bartender, is the head winemaker at Saracina Vineyards. No, his actual skin tone does not veer toward magenta.

Alex MacGregor and Saracina: An Unfinished Novel of Craft and Passion

May 10, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

It was a good virtual tasting, the one with Saracina Vineyards in which I participated back in early April. We opened a few bottles, including a 2019 unoaked Chardonnay that I liked very much, and the conversation was witty and engaging.

Alex MacGregor, the winemaker at the Mendocino County-based estate, a man I had never met before the tasting, is now someone with whom I want to share a table, a table reserved for a long meal, because the conversation would, I am confident, be a wide-ranging, eclectic, gratifying adventure. And the wines we open would be just as moving.

MacGregor is a fine conversationalist, an individual who knows how to convey a lot without relying on the feeble crutch of logorrhea. (In addition, David Ramey had a hand in teaching him winemaking, so there’s that.)

He’s a Canadian, and he fell into wine while working at a restaurant in Toronto, one with a stellar list. (His career in the Canadian city included stints at Olivier’s Bistro and Le Select Bistro; he also worked under Héctor Vergara, Canada’s only Master of Wine at the time.) And though he hails from Canada, Mendocino is his home, the land in which he thrives. He made his way to California in 1989 and took a job as an enologist in the Dry Creek Valley. In 2001, John Fetzer and Patty Rock founded Saracina Vineyards, and MacGregor was hired as the first winemaker there (Ramey was consulting with Saracina at the time).

The entrance to Saracina Ranch, in Mendocino County, is a welcoming sight.

MacGregor’s enthusiasm and passion for old vines and family-owned estates is palpable, and there was definitely no reason for Marc Taub (of Palm Bay International and Taub Family Selections), who purchased Saracina from Fetzer and Rock in 2018, to make any changes to the winemaking personnel at the 250-acre property, which, by the way, is Certified California Sustainable. MacGregor is in charge, and I imagine he will be for a long time.

Let’s see what he has to say in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Alex MacGregor: It’s been unpleasant and stressful on both counts. I’m hopeful we will have learned from this. 

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

AM: I’m going local value here. Skylark 2019 Pinot Blanc Orsi Vineyard, Mendocino County ($20). Streamlined, austere in all the right ways. Shellfish city. It’s in limited distribution and direct from their website. 

McGregor recommends Skylark.

Saracina 2019 Unoaked Chardonnay, Mendocino County ($20). Cleansing, pure, unadulterated Chard, stone fruits. Great value if I do say so myself. Pair with anything you want (maybe your significant other), though BBQ might be a stretch. It’s in distribution and available on our website and at the winery.

Boonville Road 2018 Mourvedre Alder Springs, Mendocino County, around $30? Super cool, nervy, slightly green, delicious. I’ve had a few bottles paired with owner Ed Donovan’s smoked brisket (his smoker has a license plate, that’s how serious it is). Amazing pairing. Available direct from the website. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

AM: 1998 Domaine Jean-Louis Chave Ermitage Cuvée Cathelin. It’s transcendent, beyond wine. I was speechless. 

Not much of this is made. If you can afford a bottle, and find one available, do not hesitate.

JB: What is your favorite grape variety, and why?

AM: Old-vine field blends, like Casa Verde in Mendocino County; Grenache, Carignane, a mystery red and French Colombard, head pruned, 76-year-old dry-farmed vines grown organically. Sum is greater than the parts, crunchy wines. (Plus no trellis or wires so I can walk in any direction I please,which suits me)

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

AM: The 2019 Saracina Sauvignon Blanc Lolonis Vineyard will be neat in 10 years. Oldest Sauvignon Blanc in the country, planted in ’42. Tons of depth with acid and length. Our older SBs from this vineyard go to a great place with age.

A 2019, and at least one individual recommends that you cellar this until 2029. Give it a go.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

AM: With my good friends John Lancaster (wine director at Boulevard) and Robert Perkins (artist, Skylark Wine Co.) in either of their dining rooms. They are both generous, knowledgeable and charming (most of the time). Raveneau, Leflaive, Chave, Huet, Alban, Sine Qua Non, Le Pergole Torte, Quintarelli, always great bottles.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

AM: Buy more?

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

AM: Sailing (floating?) down the Guadiana between Spain and Portugal, 1986. We would get our flagon filled at the local bodega after throwing anchor, mostly great fino, buy some fresh fish, good to go. Lovely, simple food and wine experience nightly. I remember it like it was yesterday.  

Allen Ginsberg took this photo, in 1996, in North Beach San Francisco.

JB: Your favorite wine reference in a work of literature?

AM: Cliché: War, “Spill the Wine”
Cooler: Lawrence Ferlinghetti, “Drinking French Wine in Middle America”

Bought a bottle of Vouvray
and poured out its bouquet
of the French countryside
on the plains of Middle America
and that fragrance
floods over me
wafts me back
to that rainy hillside
by the banks of the Loire
Vouvray tiny village
where I sat with rucksack
twenty-eight years old
seafarer student
uncorking the local bottle
with its captured scent of spring
fresh wet flowers
in first spring rain
falling lightly now
upon me-

Where gone that lonesome hiker
fugace fugitive
blindfold romantic
wanderer traumatic
in some Rimbaud illusionation-

The spring rain falls
upon the hillside flowers
lavande and coquelicots
the grey light upon them
in time’s pearly gloaming-
Where gone now
and to what homing-
Beardless ghost come back again!

How to Paint Sunlight: Lyric Poems and Others (New Directions).

Want more wine? Read on:

Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Joe Nielsen has been director of winemaking at Ram's Gate since 2018. (Photo by Dawn Heumann)

Joe Nielsen’s Journey From Backyard Vineyard to Ram’s Gate Winery

March 24, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Joe Nielsen has a wine story that I love. It’s the tale of how his journey as a winemaker began. The teenager was living in Lansing, Michigan, and in 2003 enrolled at Michigan State University, planning to become a doctor and enter the medical field.

At Michigan State, Nielsen was introduced to an exploratory winemaking program the university was conducting, but his age prevented him from taking classes in it. He was too young. He was not going to let that inconvenient fact stop him, however, so he took up the study of viticulture on his own, and received permission from his parents to plant some vines in the family’s 20-acre backyard. A career was budding …

He was eventually admitted into the program at Michigan State, and graduated in 2007 with a bachelor’s degree in horticulture. Next came a winemaking position at Black Star Farms, located in northern Michigan. In 2008, Nielsen moved to California for a yearlong internship at Merryvale Vineyards. Then, in 2009, at 23, Nielsen was named cellar master at Donelan Family Wines. In 2013, he was promoted to the head winemaker position at Donelan — and also finished the Executive Wine MBA program at Sonoma State University during that time.

Which brings us to the present, and Ram’s Gate Winery. Nielsen has been the director of winemaking at the Sonoma estate since 2018, and from what I’ve tasted recently — Chardonnay and Pinot Noir, reviews to come — he’s found a great home (and one that he is pushing to become 100 percent organic in the next five years).

The Berler Vineyard, source of some outstanding Cabernet Sauvignon.

Ram’s Gate is owned by Michael John, Jeff O’Neill, Paul Violich, and Peter Mullin, and their 28-acre estate is the ideal laboratory for the winemaker’s craft.

Here is Nielsen in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Joe Nielsen: I think COVID-19 has shown me how connected we are as a civilization and how globally we are all connected. Personally, I have traveled much less and enjoyed fewer great meals at restaurants, but overall I know personally I am very lucky. Professionally our job continues as grape-growers and winemakers, it is an agrarian process that does not stop for anything.

In addition, in the last year our team at Ram’s Gate has really grown our digital presence in order to connect with our consumers. I am finding myself participating in a lot of content creation for our winery, from long-form videos, to Tik Toks and Reels. I hope that through these social-media initiatives we have been able to educate and connect with people during this year.  

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

JN: 2018 Ram’s Gate Estate Chardonnay ($75): I really love the way this wine is tasting. It was my first vintage at Ram’s Gate Winery, and it was my first chance discovering the estate terroir. What make’s this wine special is that in my opinion it is a study in the art of nuance and balance. We elected to do to minimal malolactic fermentation, and it is neither the heaviest or most alcoholic of our line-up, yet it is subtle, engaging, and elegant. Time in bottle has been terrific for this wine and we are currently serving it at our Tasting Hall, as well as selling it on our website. The wine is paired with Dungeness Crab Spaghettini and it is simply a dynamite pairing.

An estate Chardonnay

2017 Ram’s Gate Berler Vineyard Cabernet Sauvignon ($115): This wine is the second vintage of what originally started out as a passion project between my wife and I. Prior to my start at Ram’s Gate, I began making this Cabernet from Berler Vineyard in Fountain Grove District. The vineyard is nestled up into the Mayacamas Mountains on the back side of Spring Mountain in Sonoma County about 1600 feet above sea level. The location continues to blow me away; it’s a Shangri-La oasis tucked away that is fairly exposed to the cool ocean breezes coming up through Santa Rosa.

The 2017 Berler captures my desire to craft wines that are timeless; this wine reminds me of the elegance and refined pleasure of old California Cabernet Sauvignons from the 1970s and 1980s. I recently tasted this wine, and I am thrilled with the quality and that many of the primary notes are so vivid still. I can’t wait to see how this wine develops with several more years in bottle. It can be purchased on our website. I would pair it with braised beef short ribs and honey-glazed carrots.

2011 Felsina Rancia Chianti Classico Riserva ($50): I love the wines of Italy and they make up a very large percentage of my cellar that I did not personally make.  The wines of Chianti are rustic and delicious to me, with plenty of verve and focus on the palate. I tend to gravitate to wine regions where the cellaring time of the wines can range several decades; as a collector I like the notion that whether I open it tomorrow or in 10 years I’m going to find joy in that bottle. And it’s something I also strive to produce professionally.  Felsina is a great producer, and ever since visiting, in 2012, I have been a loyal follower. I recently opened a bottle with friends and paired it with their homemade brick-oven pizza, a total must. This wine can be purchased on the K&L website. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

JN: If cost were no consideration, I would want an unlimited supply of Smith Haut Lafitte Blanc. This is one of the most intensely texture wines I have ever had and I can’t imagine ever getting tired of drinking it.

JB: What is your favorite grape, and why?

JN: Hard to have a favorite when I enjoy making so many different varieties.  Ultimately, the grape I am often the most passionate about is Syrah. It is such a complex wine that can be made in so many different styles. Not to mention, I think it is so transparent with terroir. We are looking forward to releasing our 2018 Hyde Vineyard Syrah and the 2018 Durell Vineyard Syrah in the next month.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

JN: From a cellar-worthy standpoint, I believe our Estate Pinot Noir is going to be one of those wines that continues to reward patience. It is an ethereal wine that continues to evolve long after it leaves the barrel. I have multiple different formats of the 2018 for this very case; it is the birth year of my son and I feel comfortable that we will be enjoying that on his 21stbirthday.

Joe Nielsen, who was raised and educated in Michigan, has found his home in California. (Photo by Dawn Heumann)

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

JN: Quite literally, outside of my home on my patio is a great place to have a glass of wine. Honestly though, my favorite place to enjoy wine is with friends, wherever that may be.

The tasting hall at Ram’s Gate Winery (Photo by Dawn Heumann)

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

JN: Wine continues to evolve, and not all wine will last forever. I’m guilty of this, too, but sometimes people hold onto wine well beyond its peak and miss out on all the fun. I love making wine that can age, but part of the joy is checking in, popping a bottle, and seeing where it is at. Cellaring is not an exact science, and it ultimately depends on a ton of factors. I drink wine that is often too young (side-effect of the job), and I also enjoy really old wines, but it is OK to drink them somewhere in between!

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

JN: I have told this story so many times that it has become my “big fish” story, but simply put, my friend told me in college that I should not pursue medicine; rather, he insisted, I was destined for something interesting like being a winemaker. Being from Michigan, and seeing that winemaking was not a common profession in the area, it was such a strange comment that I had to “Google” it.  

From that moment, I was introduced to an exploratory winemaking program. However, because I was underage, I was not permitted to apply. After some research, and with my parents’ blessing, I planted an experimental vineyard in their 20-acre backyard. While at school, I continued to lobby for entrance to the university’s winemaking program. Eventually, the faculty granted my request. For whatever reason, my first “Google” search was enough of a catalyst that, roughly 18 years later, here I am.

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

JN: That is a tough one … I can’t think of anything too strange. I suppose what is kind of strange is the ability to travel the world and taste wine with people who don’t speak the same language that I do. Despite that, we are able to have a meaningful exchange entirely based on gestures and sound effects — apparently there is a universal way to describe wine without the use of actual words.

(Bartolome Esteban Murillo, ‘The Marriage Feast at Cana’, 1672)

JB: Your favorite wine reference in a work of literature?

JN: Still impressed with the whole water into wine reference!  

Want more wine? Read on:

Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Erica Stancliff, winemaker at Pfendler Vineyards, is also the president of the Petaluma Gap Winegrowers Alliance.

Paul Hobbs Knew: Erica Stancliff Was Made to Make Wine

March 13, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

A few days ago, I tasted two wines that impressed me: a Chardonnay and a Pinot Noir, both from Pfendler Vineyards. They mark the first releases for Erica Stancliff as Pfendler’s head winemaker, and if you like your Chardonnay with defines notes of spice, try this one. I tasted it again last night, and it held up — this time the apple and citrus notes were more pronounced. (Regarding the Pinot Noir, buy a few, because you’ll want to cellar some of these for, let’s say, five years or so — at least. It’s drinking well now, but — as Stancliff concurs — this one promises to enjoy the aging process. Total production was 200 cases, so best not tarry.)

I’ll have full reviews of these wines soon, but this Wine Talk serves to introduce you to Stancliff, whose background and pedigree are intriguing. She was raised in a family whose existence revolved around food (I can identify with and approve of that); her mother is Rickey Trombetta, of Trombetta Family Wines, and one look at the family’s website will make you hungry — and thirsty.

Erica has been the Trombetta Family winemaker since 2014, and she’s also served as the president of the Petaluma Gap Winegrowers Alliance since 2019. Her journey in the wine world can be said to have begun when she was 10; Paul Hobbs, who would become her mentor, was dining with the Trombetta family one evening and was impressed by Stancliff’s palate. He encouraged her to learn more about wine, and introduced her to vineyards in Sonoma and Napa.

She graduated in 2010 from Cal State Fresno with a degree in enology, and flew to an internship in Mendoza, at Viña Cobos (a Hobbs property), then worked the 2011 harvest at Rudd Estate. Enartis Vinquiry was next — she was there for two and a half years — and then moved to CrossBarn and Trombetta. In 2019, she added Pfendler to her CV.

I look forward to tasting what Stancliff does going forward at Pfendler, and a visit to Trombetta Family Wines is now on my post-COVID agenda.

Here is Stancliff, in her own words.

James Brock: How has COVID-19 changed your work and life?

Erica Stancliff: COVID has changed my everyday life in many ways. From wearing a mask everywhere I go (even in the middle of harvest doing punchdowns or walking to vineyards) to having my own personal hand sanitizer with me at all times. Interacting with people is a new adventure every time because you want to be respectful of everyone’s level of caution, and yet, some people aren’t cautious at all.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

ES: I’m a sucker for a killer Carignan, so I’m drinking the Delve 2018 Carignan, which I didn’t make, but good friends did. This is my feel-good wine that I usually have with chicken and mushrooms or a big salad. You can purchase it from the winery website for $27. 

Stancliff likes this Carignan with chicken and mushrooms.

The 2019 Pfendler Chardonnay is so approachable early on — I like to pair that with seafood (tuna tartar or baked salmon) or lemon risotto. The wine is available from Pfendler’s website for $45. 

The third wine that is drinking well at the moment is the 2015 Trombetta Gap’s Crown Pinot Noir Petaluma Gap. 2015 was a low-yield vintage in Sonoma County, which made the wines much more concentrated than normal, so after six years I think this wine is just starting to hit its stride. It pairs well with grilled salmon or pork. You can purchase it from the winery for $65. 

A family jewel …

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

ES: This is a hard one! If cost was no consideration, give me a Joseph Drouhin Musigny Grand Cru 1988, France, Burgundy, Côte de Nuits Pinot Noir — I love the producer and it’s my birth year. 

JB: What is your favorite grape, and why?

ES: I will say as a winemaker my favorite variety to make is Chardonnay, and here is why: Chardonnay can be a blank canvas for a winemaker to impart their style on. The nuances of the grape and subtleties are what make it a challenge. Too much oak, too much acid … anything can throw the end wine out of balance or create a perception of heavy-handedness.  


“That’s the purpose of what winemakers do: We want you to enjoy our wines!”

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

ES: The 2019 Pfendler Petaluma Gap Pinot is going to be just hitting its stride in 10 years, and I would highly recommend keeping one bottle aside for a special occasion.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

ES: The Barlow, in Sebastopol, has a great wine bar called Region; it has a ton of local Sonoma County producers and you can buy a taste or full bottle to enjoy on their patio.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

ES: The beautiful thing about wine is that there is one for every taste and palate. It doesn’t matter about price or producer, as long as you enjoy it. That’s the purpose of what winemakers do: We want you to enjoy our wines!

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

ES: My mentor is Paul Hobbs, whom I have known since my childhood. My biggest lightbulb moment was when we were walking a vineyard together when I was in high school right before harvest in Sebastopol. Watching his attention, care, and passion in the vineyard and asking him questions about harvest made the lightbulb go off for me when I learned about how much passion went into making something with your hands. 

Paul Hobbs, mentor extraordinaire (Courtesy PaulHobbs.com)

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

ES: I have a few, but let’s go with this one: Harvest 2011, someone dropped their cell phone in a tank of fermenting Malbec. 20 days later, when we emptied it, the phone still worked. It was the weirdest thing …

JB: Your favorite wine reference in a work of literature?

ES: “In wine there is wisdom, in beer there is freedom, in water there is bacteria.” — Benjamin Franklin

Want more wine? Read on:

Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

“I wanted to drink wines like that forever and understand what made them so good.” (Photo by Emma K. Morris)

Ian Cauble, from ‘Somm’ to SommSelect, Keeps On Tasting

March 4, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Perhaps you’ve seen Somm, the 2012 film that chronicled the attempts of four men to pass the Master Sommelier exam. It’s an entertaining — and at times overly indulgent — look at the process, and has spawned sequels and Somm TV, a streaming service.

Ian Cauble was in the film, and he passed the test. Today, he is one of only 269 individuals in the world to hold the title, conferred by the Court of Master Sommeliers. (The organization and its nonprofit educational arm, GuildSomm, have been beset by (ongoing) controversy as of late; you can read a bit about that here.)

“I was deeply sickened to hear of the reports of sexual harassment and abuse. There is no room for that behavior in this, or any, industry,” Cauble said about the issue. “I stand with those who are ready to make long-overdue changes and create a more equitable organization. We must hold ourselves to the standards of excellence, integrity, and humility that we wish to exemplify.”

The world of wine on your doorstep

In 2014, Cauble founded SommSelect, to, he said, “bring the sommelier experience home.” He is the Chief Wine Officer of the company, an online venture that includes a daily offer, a wine shop, and monthly clubs. David Lynch, whose work at Babbo — at one time my favorite restaurant in New York — joined Cauble at SommSelect in 2017 as editorial director.

Today’s selection at the venture is the 2019 Château du Carrubier, “Cuvée Ingénue” Rosé, and I especially like the Germany selections in the shop, such as “Bacharacher Hahn” from Toni Jost (2017) and the 2014 “Hocheimer Hölle” from Domdechant Werner.

I spoke with Cauble a week or so ago, via Zoom, and learned that SommSelect was profitable. We discussed the complexities of shipping wine, and we talked about Riesling and Germany and Austria.

I look forward to tasting with Cauble in person, but until then, here he is in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Ian Cauble: COVID-19 has obviously changed almost every aspect of daily life for people all over the world. In the face of a pandemic, and so much loss of life and suffering, the first and foremost reaction is just one of sadness for those who have lost loved ones, and tremendous gratitude to healthcare workers and frontline workers who have done so much to keep us safe and keep “normal” life going as much as possible.

As a business owner, of course our number-one priority has been to keep our staff safe and healthy. Some of us have been able to pivot our jobs at SommSelect to working from home, but we have an incredible operations team who have been working in our warehouse under new safety guidelines during COVID and making sure that we’re able to fulfill our orders for customers during the pandemic.

Since we have always been a completely online, DTC business, our model and infrastructure was already very COVID-friendly, and it has been interesting to see people who probably never thought they’d want to buy wine online realize that it’s actually pretty awesome to have wine that’s been hand-selected for you just show up at your door.

As the Chief Wine Officer of our company, one of my main responsibilities is sourcing wines from new producers and regions, so that usually involves a lot of travel in a given year. Cearly all of that came to a screeching halt last March. Of course, I’m itching to get out on the wine route again once it’s safe to do so, but thankfully our suppliers are sending us wines to taste with our team here in Sonoma, so the business hasn’t skipped a beat. I’m just extremely grateful to all of the people who have helped make that possible over the last year.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

IC: The first wine I would mention is a Nebbiolo from Piedmont called Conti Boca DOC 2012 ($70). I bought a case from one of our (SommSelect) Daily Offers two years ago and the wine is now firing on all cylinders. I open it with special guests that come over for dinner, usually paired with a slow-braised beef cheek pappardelle with fresh parmesan.

This is an incredible wine made in miniscule quantities just northeast of Barolo within “Alto-Piemonte” (high Piedmont), where it is slightly cooler, with the vineyards sitting in the foothills of the Italian Alps. Until recently the family farmed only about five acres of vines, and the wine is reminiscent of a top-class Barolo/Barbaresco meets fine red Burgundy. The higher elevation leaves more floral notes in the wine and the alcohol is a bit lighter, leaving more tension and minerality. When this wine is paired with the correct dish, served in a big Burgundy stem at just above cellar temp,  it can be magical. The production is so small SommSelect gets about 300 bottles a year only, and it is sold as a daily offer.

The next wine I love right now is Walter Scott “La Combe Verte” 2019 Chardonnay ($36), from Willamette Valley. Walter Scott is an up-and-coming superstar in the Oregon wine scene who makes wines very similar to Burgundy’s famous village of Puligny-Montrachet, where many of the greatest white wines on earth are made every year.

The latitude, soils, and climate of the Willamette Valley are all very similar to Burgundy, and that allows producers to make incredible expressions of Chardonnay that can fool many great tasters into thinking the wine is in fact from a famous site in France costing much more. The “Combe Verte” is the entry-level wine from their offerings, which gives the viewer a sneak-peek into how good their top wines are, as their “entry-level” wine is better than other producers’ best offerings. This wine was included in our Explore 4 wine club as one of the four selections this month, where we focused on Oregon. It is a chameleon with food: I have enjoyed it with yellowtail nigiri sushi, and it can pair beautifully with a simple roasted chicken and potatoes. One tip: Make sure to decant their wines for 30 to 60 minutes, as they often need oxygen to open up properly. Also, do not serve this wine too cold — about cellar temp (55F) or so is perfect. 

My third selection would have to be Knoll “Schütt” Riesling 2017 ($68), from Austria’s Wachau region just outside of Vienna. The Wachau is one of the most beautiful wine regions in the world and is an UNESCO World Heritage site. These terraced vineyards are a sight to behold, and they produce some of the most spectacular dry white wines in the world. Weingut Knoll is one of the top producers in the region, and I feel honored each time I get to visit and taste the wines. They pair impeccably well with Cantonese cuisine, and I really enjoy pairing his Rieslings with fresh steamed fish with jasmine rice along with bok choy sautéed with ginger and a touch of sesame oil. The simplicity of the dish allows the deep complexities of the Riesling to shine. Alternatively, bring a bottle of Knoll Riesling to a dim-sum restaurant and prepare to be addicted to the experience. You will never forget it.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

IC: I would add Domaine de la Romanée-Conti – Romaneé-Conti 1990. It is one of my favorite vintages in Burgundy, from my favorite producer, and is approaching its peak of drinking now. There are other wines that might be older and rarer, but the odds of drinking perfection are extremely high.

JB: What is your favorite grape, and why?

IC: My favorite grape is Pinot Noir. This is a tough one, but Pinot Noir has the ability to express so many different personalities all over the world. My favorite region of course is Burgundy, but other areas around the world are starting to make stunning expressions of Pinot Noir. Other than DRC noted above, the wines produced by Domaine Leroy are extraordinary, and her Musigny Grand Cru is truly magical. I rarely get to taste it.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

IC: I would recommend Krug Champagne, Grand Cuvée in magnum or 3 liter. Before I started SommSelect, I worked as the United States ambassador for Krug, and that was an experience I will never forget. To see how these wines evolve over time is truly special, and one of the very best wines I ever tasted was an older bottle of Grande Cuvée out of a 3L right after I passed my Master Sommelier exam. In terms of price to quality, there are a few wines in the world that can compete, and the pleasure factor is an 11 on a 10 scale.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

IC: I usually end up at Cadet in downtown Napa. Everyone that works there is extremely knowledgeable and kind, and the prices on the wine list are not much more than normal retail. It makes it easy to go in there and drink a couple of special bottles without breaking the bank. Their selections are top-notch.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

IC: I think most people drink white wine way too cold and red wine way too warm. I also think people should be investing in nice glassware because, just like a speaker is to music, your wine will be only as good as your glass you are drinking out of it in terms of aromatic complexity, etc. Zalto makes some great glassware to consider; their Burgundy stem takes drinking Pinot Noir and Chardonnay to another level entirely.

So many corks to pull … (Photo by Emma K. Norris)

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

IC: When I returned from traveling overseas for a year and a half after college, I came home broke. I borrowed money from my dad to buy a suit and ended up getting a job at the Wine Merchant of Beverly Hills off Rodeo Drive. A few weeks after I started my boss asked me to go open up a bottle of Domaine G. Roumier Musigny Grand Cru 1990 for him and a special client nand pour it into these special Riedel stems. I polished the glasses and opened up the wine and poured myself a taste, and my life was forever changed.

I had no idea a wine could be so perfumed and thought-provoking! It smelled like strawberries and cream in a cold forest … underbrush, roses, mushrooms, and black truffles. I was literally getting emotional from smelling it. From that moment on, I put all of my focus into learning as much as I could about wine because I wanted to drink wines like that forever and understand what made them so good.

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

IC: Probably the time when the table I was serving asked the proper way to open a bottle of Champagne. At that time I opened up dozens of bottles a day, but had no idea that this particular bottle had just been delivered a few hours before and had been shaken up all day on the delivery truck. I showed them how to leave the cage on and remove the cork and cage together at the same time for safety while holding the bottle at a slight angle. I then slowly removed the cork from the bottle as usual, and the moment the cork released the wine sprayed all over me and the roof like an explosion, giving a nice gift of Rosé Champagne spray to the ladies in front of me. Ironically, the next week I flew to Athens to compete for the Best Young Sommelier in the world and won gold for the U.S. I always laugh about that story. 

JB: Your favorite wine reference in a work of literature?

IC: The Jerk (1979). Steve Martin, when asked if he’d like another bottle of Château Latour: “Yes, but no more 1966. Let’s splurge! Bring us some fresh wine, the freshest you’ve got. This year’s! No more of this old stuff. He doesn’t realize he’s dealing with sophisticated people here.”

Want more wine? Read on:

Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Kathleen Inman is fond of Baudelaire, and Champagne.

Kathleen Inman: A Soul of Wine

August 3, 2020 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Kathleen Inman. Whenever I hear that name my mind immediately goes to France. Inman makes wine in Sonoma County as the owner of Inman Family Wines, but the story behind her Endless Crush Rosé captivated me when I first heard it, and since I love Provence …

I don’t know why I waited so long to feature Inman in Wine Talk, because she is a great conversationalist — a recent Zoom tasting confirmed my initial impression, which I made based on quotes, articles, and conversations with others. Her laugh rang through, and when I heard it during the virtual tasting it was uncannily similar to the one I heard in my head when reading descriptions of Inman.

Inman loves Rosé, and she loves Champagne, and her way with Pinot Noir makes me happy. She studied French literature in college, which is another reason I look forward to meeting her (Baudelaire, Rimbaud … what’s not to like?).

Oh yes, she farms the Olivet Grange Vineyard, from which comes some fine Pinot Noir and Pinot Gris fruit.

Memories of Provence …

If you are seeking a new Rosé to add to your list, order some Endless Crush. During our tasting, I sampled Inman’s 2017 Russian River Valley Pinot Noir Special Blend. I loved it. Complex, elegant, wonderful acidity, and a fascinating fruit makeup (Olivet Grange, Sexton Road Ranch, and Vine Hill). This wine grandly represents Inman’s approach to her craft.

Let’s get to her Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. How about a food pairing for each one?

Kathleen Inman: First, 2018 and 2019 Domaine Tempier Bandol Rosé. I pair this with anything and everything. Kermit Lynch or Wine.com, $56

Next, 2019 Crocker & Starr Sauvignon Blanc Crocker Estate. Although it’s a little heavier in alcohol than past vintages, I have been drinking this recently. Crocker & Starr is the only wine club I belong to. I paired it recently with a caponata using eggplants and tomatoes from my garden. Purchased from the winery, $40

2015 Inman Family Extra Brut Luxe Cuvée, a blend of Chardonnay and Pinot Noir that spent years on the yeast. It’s currently a favorite of my husband’s, Simon, and is $78 (available from the winery only).

Inman Family WInes Experience from Inman Family Wines on Vimeo.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

KI: 2004 Krug Clos du Mesnil would be my choice. I had a bottle of this last year for my birthday, and it was very delicious. Clos du Mesnil, a tiny, walled vineyard, is a little gem. Krug, my favorite Champagne house, makes from it a single-vineyard, single-vintage, single-varietal sparkling wine that has mouthwatering Chardonnay fruit, crystalline acidity, and such a sense of place. This wine inspired me in making my sparkling wines; although they are made from Pinot Noir from the Inman Family OGV Estate vineyard, I kept the structure single-vineyard, single-vintage, and single-varietal, inspired by the Krug wines I love.

Clos du Mesnil: Do not tear down this wall.
Kathleen Inman with some Pinot Noir.

JB: What is your favorite grape, and why?

KI: I have to be really predictable here: It is Pinot Noir that I am most passionate about. I love it in all of its guises: rich and redolent in ripe fruit, elegant and savory with texture like silk satin, made into Rosés, made into sparkling wines … all the Pinots!

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

KI: We tend to buy vintage port for birth years since it can cellar for much longer than 10 years, but of course, not every year is a vintage year. Of my own wines, the OGV Estate Pinot Noirs really come into their own after 10 years. I would recommend the 2017 vintage. It is elegant, and each time I taste it, it has a subtle, haunting character that is more beguiling as the months pass. I would love to have this in 2027 with a seared duck breast with lentils and sautéed spinach.

JB: Where is your go-to place when you want to have a glass or bottle?

KI: COVID-19 has made us very solitary homebodies these days. However, in pre-pandemic days, Corkage, in Bath, Somerset, UK was our favorite place to enjoy wine by the glass or the bottle with small plates. We have been going there often for some years. A fantastic list. I do miss being able to travel.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

KI: On the business side, I think wine consumers should keep in mind that the best way to support small wineries is to buy from them directly. Distributors and retailers all make more money than the winery when a consumer purchases at a store. About 50-60 percent of the price of that bottle is all the winery gets — and from that they have to pay the taxes as well as the production costs. As often as you can, support wineries by buying direct.  

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

KI: My “wine eureka moment” that led to my passion for wine — as a consumer and later as a maker — was probably when I did a wine-tasting class offered by a local retailer when I was at UC Santa Barbara. I was fascinated by how the same grape grown in different places could result in wines that tasted so different, and then grapes grown in the same place but made by different people into wine were also different. Add in vintage differences and the variations were endlessly fascinating. Pinot Noir and Riesling were my first wine loves, but when I discovered Champagne … wow!

JB: What is your favorite wine reference in a work of literature or a film?

KI: Can I give two? Having studied a lot of French literature at university, I am a fan of the French Symbolist poets, and Baudelaire’s “L’âme du vin” (“The Soul of Wine”) is a favorite, but I would be remiss if I did not mention my friend Regine Rousseau, who, besides being a wine entrepreneur (Shall We Wine is her business), is a poet. Her recently published book — “Searching for Cloves and Lilies: The Wine Edition” — pairs her poems with wines, including one paired with my Endless Crush Rosé of Pinot Noir.

Want More Wine? Read On:

Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Another harvest nears ...

Wines For Summer and Beyond

July 22, 2020 / / 0 Comments

How’s your summer going? Is it summer? Judging by most of the conversations I’m having, it’s a summer like no other … I do not count among my friends or acquaintances anyone who remembers the global pandemic of 1918-1919.

As usual, I’ve been tasting a lot of wines, for review purposes and otherwise, and every time I sit down to write about them, I hear a voice in my head saying something along these lines: “Wine? You are writing about wine? The world is falling apart, the alleged leader of the U.S. performing on par with the leaders of Russia, India, and Brazil, a pandemic is killing hundreds of thousands of your fellow citizens, and you are extolling the wonders of Riesling?”

I listen to the voice, and I know it has a great point. “I am writing about wine, I respond to the voice, but I am also working on a piece that will attempt to lay out my emotions and thoughts about the chaos and dysfunction we are all experiencing.” The voice grows quiet, for a moment …

Yesterday, I published Wine Talk, this one featuring Bibiana González Rave, and today I’m going to sample one of her wines, a Syrah. She makes a Sauvignon Blanc that I wish everyone could taste. Get to know her, and buy some of her wines.

My Summer Wine Guide was published last week, at PaperCitymag.com. It is a selection of bottles I love, wines from, among other places, Italy and Oregon and California and Germany. Give it a read here.

As always, drink well, with those you love.

Want more wine? Read on:

Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

« Older posts

© 2024 Mise en Place

Theme by Anders Noren — Up ↑