Tag: M.F.K. Fisher

UPDATE: Make Your Own Pasta (Thank You, Lidia and Marcella)

(Editor’s note: A few readers have chastised me for neglecting to include a recipe in this post. That oversight has now been rectified. Please let me know how you make pasta, and if you have never made fresh pasta at home, I hope this post inspires you to do so.)

“I still think that one of the pleasantest of all emotions is to know that I, with my brain and my hands, have nourished my beloved few, that I have concocted a stew or a story, a rarity or a plain dish, to sustain them truly against the hunger of the world.”

– M.F.K. Fisher, The Gastronomical Me

It is simple, and the payoff is extremely satisfying.

It is simple, and the payoff is extremely satisfying.

Pasta from a box is fine. I use it, mostly penne and farfalle. But there is nothing better than fresh pasta, and I am always happy when I can show people how easy it is to make their own. I taught my 8-year-old nephew how to make pasta, and I’ve guided Angela through the process – she is now expert at it.

I have a stand mixer and pasta attachments, and love it, but that has not prevented me from making hundreds of batches of linguine and ravioli and other varieties of pasta by hand. And there is a bonus: It is a meditative process. The action of mixing and kneading and rolling and cutting calms one’s mind.

There are plenty of recipes and methods for making pasta. I use two eggs (sometimes three), some olive oil, and, of course, flour and water. Over the years I have discovered my own technique and method. (You will, too.) Here is mine, and I give all thanks to Lidia Bastianich, whose pasta I encountered firsthand at Felidia years ago. I followed her methods and have revised them as time has passed. (Marcella Hazan is another inspiration, for pasta and many other things. Get to know her.)

First, relax. Do not get uptight about the process. It is a simple thing, depending on the shape of pasta you wish to make. Put on some good music, open a bottle of wine. Choose a smooth and large working surface; if you have a work island, use it. (I use a large wooden butcher’s block.) Make sure the surface is clean and dry. Sift two cups all purpose flour onto the surface and form it into a mound. Make an indentation in the middle of the mound. In a small bowl, mix two eggs, 1/4 tablespoons extra virgin olive oil, and 3 tablespoons of water. (I often add a pinch of salt. You can as well.) Gently pour the liquid mixture into the flour’s crater, and, using a fork, combine the liquid and the solid. Then, with lightly floured hands, mix and knead the dough until it is soft and smooth. (You will get the hang of it after a few attempts. Again, it is not difficult. In all, it should take you about 8 minutes or so to make the dough.) If the dough is too moist, add a little flour. If too dry, add a touch of olive oil. As you make more and more pasta, your hands and eyes will guide you. You will know when it is correct.

Form the dough into a ball and wrap tightly in plastic wrap. If you are going to use it that evening, let it sit at room temperature for 30 minutes before rolling it out. (Wrapped tightly and well, you can freeze the dough; I have frozen it for as long as a month, but I rarely do this.)

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Ian's pasta

He did this: Ian’s pasta.

When you are ready to roll, clean your work surface, get a rolling pin, and divide your ball into three pieces; lightly flour the surface – a dusting – and roll until the dough is as thin as you can make it. (In the photo below is a modified fettuccine, and we should have produced thinner noodles – they always expand in the water. But again, do not fret … on this evening we made basil pesto, and the meal was delicious, thick noodles and all.)

To make this simple ribbon pasta, use a sharp knife and cut the dough in straight lines, lightly arranging the ribbons into three bird’s nest clumps. Bring some salted water to a vigorous boil and, one bird’s nest at a time, cook the noodles until they float to the top of the water. (One important thing: Many home cooks err by not using a sufficient amount of water. Get your largest pot, and do not skimp on the water; the noodles need room in which to move and evenly cook.)

Have a sauté pan ready (with your desired sauce in it: oil and onions, tomatoes, pesto … your imagination is the limit). Lift the pasta from the water and add it to the pan, coating the ribbons thoroughly. (I also like to cook the pasta a bit longer in the pan, a minute or so; it makes everything taste better.)

That’s it. After you do this a few times, you’ll be ready for ravioli and orecchiette.

Flour and eggs and water and oil, plus you.

Flour and eggs and water and oil, plus you.

Searching For a Ghost in Switzerland

I neared Vevey, and the sunshine reflecting off of Lake Geneva was bright and warm. That morning I had left Provence, and because I was looking for M.F.K. Fisher had not booked a place to spend the night in Switzerland. To be exact, I was hoping to make my way to the spot on which Fisher’s house in the hills above Vevey stood. She lived there during one of her sojourns in Europe, and I have been trying to spend some time in each place she lived, including Dijon and Strasbourg, and Provence. I planned to find a room in the hills.

From a hill high above Lake Geneva

From a hill high above Lake Geneva

Vevey, at first glance, once I arrived in the city proper, underwhelmed me. I scanned the steep hills above and wondered which road I should take to get nearer to where Fisher cooked and wrote, and grew discouraged, because they all seemed to end in neighborhoods of orderly lawns and quiet houses. In my head I had imagined an alpine pasture, wildflowers, a few cows … not BMWs and S500s and crosswalks.

Growing frustrated, and resigned to spending the night in a drab room back in Vevey – I had driven through Montreux, directly adjoining Vevey, glamorous, bright, alluring, but on this trip am sleeping inexpensively (though not devoid of grace and comfort) – I noticed a woman on horseback, riding a brown beauty up what looked to be not much more than a trail. I slowly nosed the car toward the trail, and saw that it was wide enough for one car to proceed along it. In addition, a sign told me it was open to traffic, so slowly up I went.

About 10 minutes later I saw a restaurant on my left, and pulled into the small parking lot next to it. It was 5 o’clock in the afternoon, the restaurant closed and empty. Across the narrow street a woman was walking a dog, and I asked her if she knew of any chambre d’hôtes in the immediate area. She pointed toward a fork in the road, about 100 feet in front of us, and told me there were two, one up the left fork and one down the right fork. I thanked her, went back to the car, and took the right fork. 

About two minutes later I saw a wooden house on my left …

A house at the end of the road

A house at the end of the road

It was beautiful, and welcoming. I parked the car and approached the front door, and my knock was answered by a smiling woman. She told me the room was occupied, but invited me in. The house, warm, redolent of wood smoke, immediately made me feel at home. I asked her about the area, and told her why I stopped near Vevey, about M.F.K. Fisher and my wanting to find her home there. The woman, Monika, told me she had not heard of Fisher, but then her daughter, Danielle, entered the room and, hearing our conversation, said she would ask her brother about Fisher, as her brother knew a lot about the history of the area. I gave them my email address and said I was going to check on the other bed and breakfast nearby. I wanted to continue the conversation, but was concerned that nightfall would find me homeless.

I drove back to the fork and headed higher, looking for a railroad crossing, where, I was told, I would find a salmon-colored house. It was easy to locate, and I parked my car across the street from the building. Walking up to the front door, I noticed a few people in the house’s side yard working on what looked to be a large shed. I greeted the first person I saw, a woman whose black sweater was covered in sawdust; when I told her I was looking for a room for the evening she put down what she was holding and took me inside the house, to a room on the first floor. It was perfect: neat, clean, functioning WiFi. I told her I would take it, and she invited me back outside for a coffee. She also ordered me to bring in any clothing I had that was in need of laundering …

Angela and sons, preparing lunch

Angela and sons, preparing lunch

The structure they were working on was something I would like to have: a room with a table that seats 12 people or so, adjoining a fully equipped kitchen. It was so much more than a shed. They used it for family meals, and their guests enjoyed breakfast at the big table, overlooking an outdoor Jacuzzi tub, a sauna, and, at the rear of the garden, a chicken house. (I learned that of eight hens, one remained, the other seven victims of a fox. The lone hen’s only companion was a goose, a plucky specimen that strutted on the grass looking like a miniature emperor.)

The Emperor of Chamby

The Emperor of Chamby

I had dinner that night at the restaurant down the road, where I had first parked and learned about my two bed possibilities, and after settling in at my table and ordering a glass of wine, I turned my thoughts again to M.F.K. Fisher, the person I was in search of on this steep hill overlooking Lake Geneva. I wondered how far away the remains of her house were, if she had ever dined on venison from the area (my main course that evening). And I thought about the idea that she on many evenings, from a perch most probably above where I was sitting, looked down on the lights of Vevey and Montreux, as I was doing.

Loin of venison in the Swiss hills

Loin of venison in the Swiss hills

I had driven for the better part of that day, so after my meal I headed back to my room, looking forward to getting in bed early, or at least earlier than was usual for me. But, as I opened the house’s front door and started toward my room, Angela and her husband met me in the foyer and invited me to go out with them for a drink, which I did. We drove down the steep hill and met some of their friends in a small club whose DJ loved ’80s music, and, to my relief, Marley and Nina Simone. We lasted until 1:30 or so in the morning, and after discussing local politics and my next destination and restaurants in the area we headed back up the hill to sleep.

The next morning I was awake at 8:30 or so but stayed in bed reading. I knew that I did not have a long trip ahead of me to get to Bavaria, so decided to take it easy. My hosts were already preparing lunch, and when I went outside I saw a pot filled with octopus and tomato sauce. As I was drinking my coffee, Angela asked me to stay for lunch, and how could I say no? They were all working on the room again, installing windows. The grandmother was in the kitchen, laying out cheeses and charcuterie. I lingered over a second cup of espresso and took in the sights and sounds, watching three generations of a family work and cook and live, and felt warm and at ease.

This, among other things, forced me to stay for lunch

This, among other things, forced me to stay for lunch

From the heart and hands of an artisan

From the heart and hands of an artisan

The table was set for our meal, and I went to my car and brought back a bottle of wine, a red from Provence. More family members arrived, and a plate of house-cured salumi was brought in. We ate the octopus and artichokes and bread and drank our wine. The fog, which earlier had shrouded the horizon and blocked our view of the lake far below, was lifting, and I took that as a cue that I should be on my way. I reluctantly stood and shook hands and received and gave hugs, and left my hosts at the table.

I neglected to mention that two ghosts are in this story, the other being that of Hemingway. About 250 feet or so from my room, higher up the narrow road, stood a house where the writer lived in 1922 with Hadley Hemingway. The house was then the Pension de la Forêt, and I wondered if Fisher ever stayed there …

A room for a giant

A room for a giant (Swiss Tourism Archive)

A young couple in Switzerland (JFK Library/Hemingway Collection)

A young couple in Switzerland (JFK Library/Hemingway Collection)

As I drove back down toward the fork in the road I decided to say bye in person to the woman whose pension I first stopped at; the night before she had sent me an email telling me her apartment would be available the following evening if I had plans to stay in the area longer, and her daughter had put me in touch with a historian in Montreux who might know something about M.F.K. Fisher’s life in Vevey. They were kind to do this, and I wanted to tell them so. The mother opened the door and invited me in; I could smell the pleasant odors of food coming from the kitchen, and again felt instantly welcome. The house was built in the 1630s, and its solidness gave me a sense of well-being. It turned out that the mother’s husband had been an American scientist; he died in 2011. He had done much work restoring and modernizing the house, and was a renowned builder of model ships, as I was to discover on a tour of the house.

The Titanic, big and with exquisite detail

The Titanic, big and with exquisite detail

I received another lunch invitation, and wanted to stay, both because of the hospitality and the smells emanating from the kitchen. But Germany beckoned, and I planned to arrive at my next destination before sunset, so I once again said goodbye and started down the hill, toward Bavaria.

Chasing a ghost is challenging, and I never found M.F.K. Fisher’s house (or what remains of it, if anything does) or the land upon which it stood. But I did find good people, and spent a few hours with them and their food and kindness. And I know that would have made Fisher happy, indeed. I also know that the next time I am near Montreux I will find myself in good company, around warm tables full of fine food and much laughter.

To read, to cook, and to dream (Thank you, M.F.K. Fisher)

Books and cooking are perfect companions. I never tire of reading about food, about the preparation of it, the soul-nourishing properties of selecting and preparing what we eat, the way we dream and think about ingredients and countrysides and fields and markets and tables. Or the way we recall meals enjoyed in restaurants and gardens and backyards.

Cookbooks and volumes on wine and food and all things culinary occupy large amounts of space on the shelves of my bookcases, and I consult them often. (Or, I should say, will again once my books are out of boxes and back on said shelves.) Indeed, I miss terribly sitting with The French Laundry Cookbook and The Gift of Southern Cooking, among others, and delving into the passions of Edna Lewis and Thomas Keller. I miss my Le Guide Culinare. In the past several months I have found myself wishing I had easy access to On Food and Cooking and the words of Mencken on food and drink.

I have been traveling and cooking in Europe since July; Paris is the next stop. My books are in the dark, packed away. I wanted to take a few volumes with me when I began this journey, but suitcases fill rapidly, and shoes and knives and clothing are surprisingly heavy once one begins packing for an extended sojourn.

Reading about tête de veau and M.F.K. Fisher's days and nights in Dijon. (Photograph by Angela Shah)

Reading about tête de veau and M.F.K. Fisher’s days and nights in Dijon. (Photograph by Angela Shah)

I have with me one title, The Art of Eating, by M.F.K. Fisher. I recommend that anyone interested in food and life and love – not to mention good writing – get their own copy, or anything by the author. (I am sure many of you already have.) M.F.K. Fisher has nourished me in Germany and Spain and France and Switzerland thus far on this trip, and she’ll continue to do so for a long time. She has shared her thoughts with me about dining alone, which I have been doing a lot of lately, and her love of tête de veau and sweetbreads and the sorrow and frustration resulting from the fact that more people have not discovered the joys inherent in making a meal of these fine staples. (Of the latter, that sorrow and frustration, I feel the same.) The Art of Eating includes a great recipe for tête de veau, and these lines on eating such honest things:

“Why is it worse, in the end, to see an animal’s head cooked and prepared for our pleasure than a thigh or a tail or a rib? If we are going to live on other inhabitants of this world we must not bind ourselves with illogical prejudices, but savor to the fullest the beasts we have killed … People who feel that a lamb’s cheek is gross and vulgar when a chop is not are like the medieval philosophers who argued about such hairsplitting problems as how many angels could dance on the point of a pin. If you have these prejudices, ask yourself if they are not built on what you may have been taught when you were young and unthinking, and then if you can, teach yourself to enjoy some of the parts of an animal that are not commonly prepared.”

Ms. Fisher dreaming about that perfect trout.

Ms. Fisher dreaming about that perfect trout.

I have been reading this volume of collected works (a partial offering of her output) in an effort to get to know Ms. Fisher a little better, and I have. Recently in Switzerland I took the book high up into the hills above Montreux and Vevey, where she once lived and cooked and loved. I was hoping to make my way to what remains of her house in those hills, but instead met some very fine people as I searched for remnants of Ms. Fisher’s life. I’ll tell you about them soon, and of their kindness and hospitality and love for food. And, I have much more to say and write about Mary Frances Kennedy Fisher’s work and life.

M.F.K. Fisher and one of her admirers.

M.F.K. Fisher and one of her admirers.

In the meantime, read her. And live and love and cook and eat, well.

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