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Sannio is a small region in Campania, and its wines are full of taste and value.
Sannio is a small region in Campania, and its wines are full of taste and value.

Falanghina and More: Wines From Sannio Deserve Your Love

March 19, 2022 / / 0 Comments

Do you know Sannio? Some of you might, but for those who have never heard the word I’d like to provide a primer and recommend some wines from the Italian region, which lies north of Naples and offers lots of value, whether one is discussing wine, travel, food, or real estate.

Perhaps the first thing to know is that Sannio is located in Campania, in Italy’s southwest. It’s a land of hills, and the soils that produce Sannio’s wine grapes are mostly limestone and sandstone beneath gravel and stone, along with some volcanic soils, which were deposited by the region’s many active, dormant and extinct volcanoes.

One interesting and notable fact about Campania’s (and Sannio’s) place in the wine world is that it is home to an astoundingly large number of native cultivars, a treasure that all lovers of wine should appreciate. Forastera, Piedirosso, Sciascinoso and Coda di Volpe Bianca are but four of the region’s grapes that deserve more exposure to the outside world. (The poverty in the region was one reason that farmers did not pull out their “old” vines and replace them with more popular and profitable names, such as merlot and cabernet sauvignon. Simply put, farmers in the area did not have the money to rip out their traditional vines.)

I tasted through a few wines from Sannio recently at a lunch sponsored by the Sannio Consorzio Tutela Vini, an organization that supports the area’s viticulture, and was impressed with the lineup. The quality on display left me with no choice but to recommend all of the following bottles to anyone looking for everyday selections at great prices. A case of any of these wines would be a welcome addition to any party or gathering.

A sparkling wine from Sannio, one that would suit nearly any occasion. (Courtesy Corte Normanna Società Agricola)

We’ll begin our Sannio tour with a sparkling wine, the Corte Normanna Società Agricola Falanghina Brut. It is made by the Charmat method, and one can find it for around $10 a bottle. The perlage here is fine and persistent, which adds to the pleasure of drinking. You’ll enjoy pairing a bottle with salade niçoise — the olives will love this sparkling — or goat cheese and a baguette. Serve chilled, of course, and be sure to have at least two extra bottles on hand, because your guests will want more than one glass.

Falanghina For You

We’ll stay with Falanghina for our next wine. It’s a grape that has a long and storied history. Some posit that it is the source of the fabled Falernian, which you might recall reading about in the Satyricon. (Others give Aglianico the nod, but no matter.) Falernian was popular in the classical Roman period, and it was a strong drink. Pliny the Elder was familiar with it, and in the 14th book of Naturalis Historia noted its high alcohol content: “It is the only wine that takes light when a flame is applied to it.”

Falanghina, an ancient grape that offers great value and taste. (Courtesy Cantina Sociale La Guardiense)

Our second bottle is from Cantina Sociale La Guardiense, a cooperative that produces a wide variety of wines, including Aglianico, Fiano, Greco and a very good Falanghina, all part of its Janare program, which was instituted to “safeguard and improve local grape varieties.” (I spent some time in Campania a few years ago and was impressed with the stewardship shown by winemakers for their indigenous plants.)

The Janare Falanghina offers tremendous value for its $11 suggested retail price, and it is remarkably friendly with food. Want to serve a white wine with aged provolone? Looking for a great pairing for baked rockfish with olives and garlic? This Falanghina is a perfect option for both scenarios.

It’s dry, possesses remarkable acidity, and leaves nothing but pleasure. (I love a good ratatouille, and look forward to popping the cork on a bottle of this wine next time I make the dish.)

A third Falanghina was on the tasting agenda during my lunch, and it was from Azienda Olivinicola Terre Stregate. If the phrase “Tre Bicchieri” means anything to you, you’ll be happy to hear that this Falanghina, named “Svelato” by the producer, has been awarded that accolade for seven years in a row. I’ve tasted previous vintages of this wine, and I am pleased to report that the quality has been maintained with this bottling. (A recent search located it for sale at K&L for $19.99.)

This wine has earned an impressive number of accolades, and deservedly so. (Courtesy Azienda Olivinicola Terre Stregate)

I love wines that offer exciting minerality, and this one has that quality in abundance. Apple, pineapple and hints of jasmine are all obvious on the nose, and you’ll appreciate the honeysuckle and lemon once you take a sip of this commendable wine. I will pair this bottle with roast chicken or mushroom pâté.

Finishing With a Red

The final wine I tasted during the Sannio seminar was from Fattoria La Rivolta — and it had the distinction of being the sole red we tasted. Aglianico del Taburno is a DOCG (Denominazione di Origine Controllata e Garantita) designation for grapes grown around Mount Taburno, and the La Rivolta offering is 100 percent Aglianico, one of Italy’s finest wine grapes, an opinion I share with Ian D’Agata — who in Native Wine Grapes of Italy, a must-have for any lover of Italian wines, writes: “Aglianico is one of the world’s great red grapes, one that is finally carving a place in mainstream wine-drinking consciousness. Along with Nebbiolo and Sangiovese, it is generally believed to be one of Italy’s three best wine grapes, but in my opinion, it is far more. At the very least, it’s one of the world’s dozen or so best wine grapes.”

Pair this beautiful wine with grilled lamb, and you will not regret the decision. (Courtesy Fattoria La Rivolta)

The La Rivolta Aglianico, in addition to being the only red wine poured at the lunch session, was also the most expensive wine of the day — the 2017 vintage is available on Wine.com for $24.99 — but it is worth that price, and, according to my palate, will reward a few years of patient aging. Drink this with grilled lamb, pastas with tomato sauce and sausage, or eggplant baked with cheese and tomatoes. It’s a robust and full-bodied wine with gorgeous fruit undergirding impressive structure.

One of the pleasures of navigating the world of wine is tasting around the globe, trying things unfamiliar to you. I urge you to become familiar with Sannio and the excellence it offers.

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Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
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Jesse Katz at work in the Aperture Cellars winery. (Courtesy Aperture Cellars)

What I’m Drinking This Week: A Loire Favorite, British Bubbles, a Carmignano Riserva, and More

July 29, 2021 / / 0 Comments

Tasting wines on a daily basis brings abundant opportunity for assessment, reassessment, discovery, and reinforcement (“that wine is as good as I thought it was,” or, “I did not notice such stark acidity in my previous tasting of this Riesling”). It is an illuminating process.

The other day I opened a bottle of Domaine Guion Bourgueil “Cuvée Prestige” — 2018 vintage — with comparison as the goal … that, and enjoying a glass of something that I liked immensely back in April of 2020. I wanted to see how the ’18 had changed in the bottle between tastings. Little, was my answer; it was still one of my favorite wines of the year, and I look forward to drinking more of this wine come 2022 (and beyond).

Stéphane Guion knows how to make fine Cabernet Franc. (Courtesy Domaine Guion)

Stéphane Guion is the man behind this bottle — the fruit comes from vines averaging 50 to 70 years of age planted on a domaine that’s been certified organic since the 1960s — and works from his base in Bourgueil, in the Loire Valley. I first tasted wines from this producer back in the 1990s, at a dinner in New York, and recall that they were inexpensive and delicious.

Cabernet Franc is one of my favorite things to drink, and this one is among my top picks. Low alcohol, lovely acidity — cellar this one for a decade and thank me when you open it in 2031 — with wonderfully ripe, soft tannins. You’ll appreciate violet and strawberry aromas, plus some spice and tobacco. In the mouth, dark fruit and subtle black pepper. Pair this with everything from grilled asparagus to lamb, sausage, and seafood stew. You can find this wine for around $17 at select outlets, including Chambers Street Wines.

Buy as much of this as you can.

The lesson — or one lesson — to be had from the act of daily tasting is, aside from the pleasure of it, development of the palate. While taste is subjective, objectivity is vital to individuals engaged with wine. Taste, taste, then taste some more.

Another wine I sampled recently: the 2018 Aperture Cabernet Sauvignon. Jesse Katz, the young winemaker behind this bottle, has for a good while been the recipient of accolades for his approach, one that he began working on (if originally through osmosis) while traveling as a young boy with his father, photographer Andy Katz, in Bordeaux, Burgundy, and other wine-growing regions. The younger Katz was the first winemaker to be included in the “Forbes 30 Under 30” list, and Wine Spectator named him a “Rising Star.” He made wine for Justin Timberlake. And if all of that does not impress, his wines, including his Devil Proof Malbecs, will.

Jesse Katz made this.

First, know that the 2018 Cabernet Sauvignon from Aperture Cellars is drinking well now. If you were to open a bottle of it this evening and pair it with a grilled ribeye you would have no regrets. However, this wine will also reward patience. Drink a bottle now, and put one (or a case) away for eight years or so.

The Alexander Valley AVA is the source of this wine, which is 86 percent Cabernet Sauvignon, 7 percent Malbec, 5 percent Merlot, and 2 percent Petit Verdot. It retails for $70. The Cabernet here is sourced from four volcanic-soil sites on hillside slopes, and the wine is unfiltered, unfined, and un-acidified.

By the way, if you can get your hands on some of Katz’s Malbec, do so.

Do give this bottle some time to breathe … decant it for a few hours. The cassis, tobacco, and coffee notes will please your olfactory senses, and the dark fruit and slight spice and vanilla will linger in the mouth.

A sparkling wine with a British accent. (Courtesy Nyetimber)

Let’s turn to some sparkling wine from England — West Sussex and Hampshire to be exact. It’s from Nyetimber, and it’s a multi-vintage cuvée (Chardonnay, Pinot Noir, and Pinot Meunier) that retails for $55. I consider this one of my go-to sparkling wines at that price level, and like to keep one chilled at all times.

The Nyetimber Classic Cuvée is aged for an average of three years, and its toasty quotient is remarkable. Brioche, frangipane, a slight nuttiness … all of that is there, plus fine bubbles and an elegance that makes this wine more than ideal for celebrations, anniversaries, and brunch. Would I pair it with oysters or salmon? Yes, and if toro and ebi were served to me I’d be happy drinking this wine with them as well.

Nyetimber as a producer has put a lot of money and thought into reducing its carbon footprint, and I like that. Thirty percent of its estate holdings is comprised of “nonproductive” hedgerows, sheep from a nearby farm graze the grass and other ground vegetation in vineyard plots — their waste supplies nutrients to the soil, and their eating habits reduce the use of tractors and lower carbon emissions. I am a firm believer in the adage that every little effort counts, and these types of practices at Nyetimber (and at many other producers) add up.

The Contini Bonacossi family has been making wine for a long time.

Finally this week, a red wine from Italy that spoke to me with confidence and promise. It’s from Tenuta di Capezzana, an estate whose founding dates back to 804 A.D. It’s situated 12 miles west of Florence, and is a leading name in the Carmignano region, the history of which is fascinating.

In 1716, the Grand Duke of Tuscany, Cosimo III de’Medici, granted the region official and legal status; today, Carmignano DOCG regulations stipulate that Sangiovese must be at least 50 percent of the blend, and allow 10 to 20 percent of Cabernet Sauvignon or Cabernet Franc, as much as 20 percent Canaiolo Nero and 5 percent Mammolo and Colorino, and up to 10 percent white grape varieties, such as Trebbiano or Malvasia.

To the wine: It’s the 2015 Trefiano Carmignano Riserva DOCG, and it has a suggested retail price of $59. It’s bottled during the best vintages only, “best” as deemed by the winemaker, and it’s aged for 18 months in French oak (10 percent new oak) and an additional year in bottle.

The 2015 is 80 percent Sangiovese, 10 percent Cabernet Sauvignon, and 10 percent Canaiolo, a blend put together well by Benedetta Contini Bonacossi (Capezzana is owned by the Contini Bonacossi family). For those of you who are interested in names, Trefiano refers to the 15th-century villa purchased in the 1920s by the Contini Bonacossi clan. Five hectares of vineyards that surround the villa are the source of the grapes used to make this wine.

Deep ruby in color, the Trefiano greets the nose with dark cherry and cedar. This is a wine with serious intent, and I loved it with lamb. Steaks, wild boar, and sausages would be other great pairings. Ripe tannins never jar the drinker, and the tobacco notes on the palate are delightful. I’m looking forward to revisiting this vintage in five years.

I also sampled three other offerings from Capezzana, bottles at different price points; each is worth consideration.

I began with the 2018 Barco Reale di Carmignano DOC, at $18 a great value. It’s 75 percent Sangiovese, 15 percent Cabernet Sauvignon, 5 percent Canaiolo, and 5 percent Cabernet Franc, and is fermented in stainless steel and aged in Slavonian oak. Drink now.

Next, the 2016 Villa di Capezzana Carmignano DOC ($30). It’s considered the flagship wine of the estate; 80 percent Sangiovese and 20 percent Cabernet Sauvignon, fermented in French oak and aged for a year in the barrel. Drink now-2026.

Finally, the 2013 Ghiaie della Furba Toscana IGT ($51). As with the Trefiano, this wine is made in the best vintages only. “Ghiaie” refers to the gravelly soils near the Furba, a stream on the estate. It’s 40 percent Cabernet Sauvignon, 35 percent Syrah, and 25 percent Merlot. Delicious now, and is still full of aging potential.

Next week, I’ll be sitting down with, among other selections, some California Zinfandel, a Prosecco, and a Malbec from the Temecula Valley AVA.

Want more wine? Read on.

Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
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Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
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Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

The wines of Azienda Agricola Poliziano are on display and for sale at the family's enoteca in Montepulciano. (Courtesy Michele Bindi Fotografia)

A Quartet of Italian Wines From The Carletti Family

February 12, 2021 / / 1 Comment

The opportunity to taste a number of wines from a single producer in the same sitting is an enjoyable experience. It’s illuminating to sample, say, various vintages of the same wine, or compare several single-vineyard selections of Riesling (or Merlot) made by one winemaker.

Recently, I tasted four wines from the Carletti family, owners of Poliziano and Lohsa —  the 2019 Rosso di Montepulciano DOC (SRP: $17); the 2017 Poliziano Vino Nobile di Montepulciano DOCG (SRP: $30); the 2017 Poliziano Asinone Vino Nobile di Montepulciano DOCG (SRP: $63); and the 2018 Lohsa Morellino di Scansano DOCG (SRP: $16).

I’ll start with this: each of these wines is worthy of consideration and consumption. You will enjoy drinking them, pairing them with food, and recommending them to friends.

Dino Carletti purchased the Poliziano estate in 1961 (54 acres at the time), and it’s now run by a son of his, Federico — whose children, Francesco and Maria Stella, are being groomed to join the enterprise.

In a 2014 interview, Carletti told BKWine Magazine’s Ulf Bengtsson, “My father was not very interested in wine making, so when I wanted to take over he just said, ‘go ahead, that’s the vineyard, here are the keys!’”

Federico Carletti (Courtesy Vendemmia International Wines)

That was 1980, and Carletti, who considers himself first and foremost a farmer (he has a degree in agriculture) has since expanded the estate — located in the commune of Montepulciano — to more than 640 acres. In all, Poliziano’s annual output exceeds 83,000 cases produced from 400 acres in Montepulciano, Cortona, and Maremma.

My tasting began with the Rosso di Montepulciano DOC, and I recall writing at the time that, “it’s a wine I would happily drink every day.” It’s 80 percent Prugnolo Gentile (Sangiovese in Montepulciano) and 20 percent Merlot. Great fruit here, grown at 280-350 meters above sea level, and a robust yet sprightly body. Cherry, of course, but also a bit of humus and bright berry. Tasting this made me feel lighter, happier.

Fermentation takes place in cement tanks, and aging (10 months) is done 50 percent in French oak and 50 percent in cement (2-4 months in the bottle). This wine (250,000 bottles produced per year, 13.5 percent alcohol) rewards a lack of patience, so drink it when you get it. Pairings? Hamburgers, lamb chops, basil pesto and farfalle.

Drink this with or without a lamb chop on the side.

We proceeded to the next bottle, the 2017 Poliziano Vino Nobile di Montepulciano DOCG. (Note: We opened each of these wines after having chilled them in the refrigerator for 15 minutes.) Here, we have 85 percent Prugnolo Gentile, backed by Colorino and Canaiolo, along with a touch of Merlot.

I appreciated the interplay between the buoyant tannins and the shy floral notes in this wine, and want to revisit this vintage in three or four years. If I opened this bottle on a cold evening in November or December, I would love to pair it with wild boar. Fermentation takes place in large vats of French oak, and the wine is aged for 18-20 months in French oak (6-8 months in the bottle). Production is 200,000 bottles per year, and alcohol is 14 percent.

A noble bottle, fit for a meal of wild boar.

The third bottle in our tasting, what the Carletti family refers to as its flagship wine, was the 2017 Poliziano Vino Nobile di Montepulciano Asinone DOCG. Asinone is the name of the vineyard from which the fruit here comes — its shape resembles a donkey’s back, hence the moniker. Poliziano’s first vintage from the 14-hectare plot was released in 1983 as Vigna Asinone Riserva, and in its present form was awarded Tre Bicchieri from Gambero Rosso.

This wine is 95 percent Prugnolo Gentile (Sangiovese), and 5 percent Canaiolo and Merlot. (Vino Nobile regulations require 70 percent Sangiovese only.) Production is 20,000 bottles a year, and fermentation takes place in French oak vats (6,000-8,000 liters in size). Aging: 20 months in French oak, 20 percent new; at least 8 months in bottle. Alcohol level is 14.5 percent.

Not many bottles of this wine are produced, but I urge you to find one.

This vintage was marked by heat, and as others have remarked, I found that the tannins lacked some integration. Dark cherry and soil shine here, and this wine lingers in the mouth, desirably so. The fruit’s quality is evident in this bottle. I would pair it — again — with wild boar, and a hearty beef stew would also be suitable. Hold until 2023, and I would love to taste this in 2040.

We now visit our final bottle from the tasting, the 2018 Lohsa Morellino di Scansano DOGC. Morellino is the name for Sangiovese in the Maremma region of Tuscany, and for my money, this bottle represents outstanding value. Poliziano ventured into Maremma in 1998 with this wine, and the deft hand of Carletti is amply evident in the bottle.

From Maremma, a Sangiovese with another name.

It’s 85 percent Sangiovese and 15 percent Ciliegiolo, and I really likes this wine. Morellino di Scansano possesses a wonderful herbaceous quality, and you’ll find that in this bottle. Bright cherry, humus, a harmonious light-bodied wine that is fun to drink. I made basil pesto this week, and would be delighted to pair it and penne with this wine.

It’s aged 10 months in French oak and cement tanks — 2-4 months in bottle — and 60,000 bottles are produced annually. Drink now, with gusto.

The vineyards of Poliziano tell the story of a family’s love for the land.

Federico Carletti, who in the past served as the president of the Consorzio del Vino Nobile di Montepulciano (2008-2013), has guided his father’s purchase for decades now, and he has been producing wines that enhance one’s life. His enoteca in Montepulciano is a beautiful love letter to the region — make sure to pay it a visit when you are next in the area — and I look forward to tasting more of his family’s wines.

Historical note: Carletti’s father named the estate after Angelo Poliziano (1454-1494), a son of Montepulciano and scholar whose work was instrumental in the development of Renaissance Latin.

U.S. importer: Dalla Terra Winery Direct

Want more wine? Read on:

Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

The Il Bricco Vineyard, owned by Pio Cesare, in which Chardonnay was first planted in 1980.

A Chardonnay From Italy: Pio Cesare’s 2016 Piodilei Shines

November 2, 2020 / / 0 Comments

The Pio Cesare winery was founded in 1881, by the man himself, Pio Cesare, in Alba. If you appreciate Barolos and Barbarescos, you certainly know the name. The fifth generation of the family is now involved in the business, and I am comfortable stating that —barring a climate catastrophe — the 10th generation of the family will one day make great wines under the label.

The family that makes wine together stays together …

I wrote Barolo and Barbaresco, but a few days ago I drank a Chardonnay from Pio Cesare, the 2016 Piodilei Langhe DOC. It’s a barrel-fermented wine from the Il Bricco vineyard in Treiso and the Colombaro vineyard in Serralunga d’Alba. The Il Bricco vines were planted in 1980 (the very first Chardonnay planting of the winery).

I loved this wine. It’s a serious Chardonnay, with an elegant, long finish. Apples cooked for three hours at low heat, wet speckled stones, flowering lime, almonds … those things and more struck me while drinking the Piodilei. A profound and refreshing creaminess is also evident.

A serious Chardonnay

This Chardonnay begins fermentation in stainless, then is moved to French oak for eight months. Six months of bottle-aging then follow. It represents what the family says is “our desire to produce a white wine with the same body, complexity, and aging potential of the great reds historically produced in the area.” They met their goal with this wine.

It comes with a $50 suggested retail price, and you can enjoy it now, or hold until 2022. I would happily pair the Piodilei with a mussel risotto.

Want more wine? Read on:

Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Tenuta Capofaro, on the island of Salina, is the source of some worthy Malvasia.

From Volcanic Soils, Malvasia di Lipari Grapes Bottled Well

October 6, 2020 / / 0 Comments

A heatwave was upon us in downtown Los Angeles late last week.

Our apartment’s living room boasts a wall of windows — glass from floor to ceiling — and while the view is a fine thing to possess, the south-facing orientation becomes a heat trap, a condition heightened when the temperature hovers around 100 degrees Fahrenheit, as it did for two days last week.

A wine I sampled recently is ideal for the current heatwave (I would drink it on a cooler day as well, because the quality/price ratio here is solid). It’s the 2019 “Didyme” Salina IGT from Tenuta Capofaro. It has a suggested retail price of $26.

How much do you know about Malvasia di Lipari the grape? Well, according to Ian D’Agata’s Native Wine Grapes of Italy, it’s been produced since at least the first century B.C.E.; the esteemed botanist Francesco Cupani (1657-1710) mentions it in 1696, using the word malvagia. Sicily is its domain, and Carlo Hauner Sr., a painter and designer, is credited with popularizing it for modern palates. Hauner, from Milan, maintained a second home on the Lipari islands — situated off the northern coast of Sicily — and began producing wine there. (The wine made from the grape is known as malvasia delle Lipari).

“Malvasia di Lipari is immediately recognizable due to its very scrawny, elongated, cylindrical (rarely cylindrical-conical) grape bunch and small, round berries with thin skins,” writes D’Agata.

Malvasia di Lipari

This is a grape, D’Agata continues, that buds early, is susceptible to spring frosts, and is sensitive to oidium. It is an irregular producer, and it is low-yielding. It loves volcanic soil, but is not that vigorous.

At one point, this grape was in danger of becoming extinct, but Hauner Sr. and his compatriots have done more than enough to save it, and while it is not a household name in most wine-drinking parts of the world, it is available for purchase at a good numbers of retailers in the United States (inquire at your favorite wineseller).

Drink this wine with sautéed shrimp or a grilled fish.

To the bottle at hand we go. Tenuta Capofaro is owned by Tasca d’Almerita, and is located on Salina — the same island on which Hauner established his estate. Salina IGT is the appellation. Drink this slightly chilled — it was kept at 55 degrees Fahrenheit in the Eurocave, and I put it in the refrigerator for 20 minutes before uncorking.

The Didyme is slightly aromatic — apricot is evident — and I appreciate the way it expresses its volcanic terroir. Crisp, bright, marvelous acidity, and pleasant citrus blossoms are notes that come to mind. You will detect herbal activity as well … acacia perhaps foremost. The grapes used here grow at 20 meters above sea level, and the wine is aged for four months in stainless steel. Alcohol is at 13.5 percent, and residual sugar comes in at 2 grams per liter.

If you are curious about food-pairing suggestions, I know that sautéed shrimp (olive oil, garlic, red pepper flakes) go well with this wine, as would grilled fish or scallops. Drink now.

I am sampling other wines in the Tasca d’Almerita portfolio now — all of which are imported to the U.S. by Dalla Terra Winery Direct — and will be writing about them soon.

Want more wine? Read on.

Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Looking for something to toast a friend on the occasion of his birthday? This sparking Rosé from Trentino is a good choice.

We Toasted Colby With Monfort Rosé, a Worthy Trentodoc Choice

July 28, 2020 / / 0 Comments

We had arranged a Virtual Happy Hour/Birthday Party last week with friends — his birthday fell on a weekday this year, so we opted to gather on the Saturday following his big day — and I decided to toast him with a sparkling wine.

Which wine, however, was the question. It’s a commandment around the BrockShah household that at least two bottles of sparkling — Champagne, Sekt, Lambrusco, Cava, or another variety of bubbly wine —be chilled and ready to serve at all times.

On that auspicious Saturday, I had the following bottles from which to choose: a Riesling Sekt from Loosen Bros., a 2011 DVX from Mumm, a Lambrusco from Cleto Chiarli, a non-vintage Billecart-Salmon Rosé, and a Monfort Rosé from Cantine Monfort. I chose the latter bottle, and we celebrated our friend’s birthday in Italian style.

Trentino, in the countrys’ far north, is the home of Monfort, and Trento DOC is an appellation about which you should know more (if you don’t already). The sparkling wines made there are of great value, and the producers are fine practitioners of the metodo classico.

The Monfort Trentodoc sparkling we drank possessed a beautiful pale-salmon hue in the stem. Perlage was distinct, fine, lively, and vigorous. We drank it with Goldfish, and loved the pairing. You will note appealing aromas of wild strawberry and citrus; hints of toast and nuttiness are the flavor profiles.

This Rosé is 50 percent Chardonnay and 50 percent Noir, and alcohol comes in at 12.5 percent. Residual sugar, you ask? That would be 8 grams per liter, decidedly dry. Look for this wine at the $30 price point.

Want more wine? Read on:

Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Michael Kennedy makes wine in Bordeaux and Napa.

Michael Kennedy Has Sailing and Zinfandel on His Mind

July 6, 2020 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

I was waiting on Michael Kennedy at the bar. I had tasted his wines the week before, and was looking forward to meeting him in person. Email correspondence had given me a good idea of the man — thorough, enthusiastic, intelligent — and I’m always happy when my initial assessment is verified. In Kennedy’s case, I was correct.

He had come to Houston to sell his wine, which I was representing with Monopole Wines. Component is Kennedy’s label, and wines bearing the name hail from Napa and Bordeaux. He and his partners have three lieux-dits (left and right banks) in Bordeaux from which they source fruit (Merlot, Cabernet Franc, and Cabernet Sauvignon), and in Napa they have made wines with grapes grown in the Yount Mill Vineyard (Semillon), the Caldwell Vineyard (Cabernet Franc), and on Pritchard Hill (Cabernet Sauvignon, Cabernet Franc, and Petit Verdot).

Lunch was a glass of wine and a croquet madame, paired with lots of conversation, and afterward, I was convinced that Kennedy was someone I would be glad to know. We visited a few restaurants, and a country club or two, and sold some wine. We had dinner that evening, at Tony’s, joined by a few people Kennedy had met on Grand Cayman — he was a sommelier at Blue by Eric Ripert at the Ritz-Carlton — and the conversation continued (and continues).

Kennedy’s career includes serving as the beverage director at the Cayman Cookout, and his first vintage at Component was 2013. If you haven’t tasted what he is making, you will be in for a pleasant experience. I look forward to again sharing a table with him after the pandemic’s demise allows such pleasures.

Here is Kennedy in Wine Talk:

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Michael Kennedy:  In our portfolio, I have really been loving our Sémillon this summer. It’s über fresh, with a bit of saltiness — perfect with raw oysters or other beach foods like ceviche. I have also been drinking quite a bit of our 2017 reds from Bordeaux. It’s a “fresh” vintage, so that means they’re drinking well young. Unlike in 2016, where our wines were austere and serious, the ’17 allows for some immediate pleasure out of the bottle. Strange, of course, to say young Bordeaux at this price point is drinking well, but I love vibrancy and acidity, which it delivers.

I am drinking these wines with summer meats — meaning pork tenderloin, crispy-skin chicken — especially if prepared simply on the grill, perhaps with some herbal friends like grilled rosemary. This will really trigger the herbacious qualities of the wine, while allowing the juicy acidity to play well with mid-weight meats. (2018 Component Semillon, Yount Mill Vineyard, Napa $68 a bottle, 2017 Component La Carrière Cabernet Franc, Saint-Emilion, Bordeaux  $170 a bottle.)

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

MK: If cost was no matter … I’d love to have a cellar full of Château Lafleur. I truly have not had an experience quite like I had visiting the estate and learning from their winemaking team. The wine is so light, almost hard to believe it comes from Bordeaux, but what it doesn’t have is where I fall in love. It replaces weight with flowery elegance and toys with your mind. At one moment, the wine is intense, in the very next it is subtle. Alternatively, I’d love to acquire all of the old American Zinfandels out there — the classics from Ravenswood, Ridge, Swan — even further back from Martini and others. This varietal is so underappreciated — in fact, I like it that way.

JB: What is your favorite grape, and why?

MK: I wish I was cool enough to say something like Palomino or even Chenin Blanc, but I have to say the white wine I drink most at home is Chardonnay. I am a sucker for Bourgogne Blanc. Benjamin Leroux described it as the “red wine of white wines,” and that’s true. It can be so complex — texturally, aromatically — and confounding as well. If there’s another varietal I love, it’s Cabernet Franc — the feminine to the masculine Cabernet Sauvignon. 

Component has roots in Bordeaux and Napa.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

MK: Buy more American Zinfandel — something like Bedrock from a historic vineyard site (Monte Rosso, planted in 1886, is a good start). Not many people realize that some of the consistently oldest vines for commercial production are right here in the US. Plus, Zinfandel ages beautifully.

JB: Where is your go-to place when you want to have a glass or bottle?

MK:  All I want to do right now is go sailing with a bunch of friends and a cooler filled with entry-level white Burgundy, Vinho Verde, Muscadet and Pinot Grigio. Maybe next year …

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

MK: Wine is wine, you know? One of the coolest guys in the business is a man named Alessandro Masnaghetti. He’s an Italian mapmaker, and he said something that struck me recently in regard to “famous” winemakers. He talks about the phenomenon of “genuises” in winemaking being compared to Einstein or Dante — and the ridiculousness of this. One of those men discovered the theory of relativity, winemakers make wine for people to consume. I don’t know, I guess I just wish people would enjoy wine more — and stop “analytically tasting” wine. Just love what’s in your glass (but make sure it’s tasty). 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

MK: I feel like I’ve been talking a lot about Bordeaux, but, oh well. I have two moments, and both over a bottle of Bordeaux. 

First, a 1996 Château Montrose with my then-mentor, Allyson Gorsuch. We had worked a long tasting event and one of the benefactors of the event put out cases of wine from his cellar for us (the sommeliers working the event) to enjoy. I was just studying for my Certified Sommelier, and Gorsuch was studying for her Advanced. Everyone immediately took the Burgundy and Napa big shots, and we went with Montrose. It was in the “bret” days of the estate — and man was it awesome. We popped the bottle, sat down, and talked for two hours, watching the wine evolve. Over that conversation (which was arguably better than the wine), we saw this wine take a wild ride. It taught me about complexity.

The most important wine lesson I learned over a bottle of wine happened in 2012, when I had been given a bottle of 2005 Carruades de Lafite (the second wine of Lafite). I opened it with essentially the only wine collector I knew at the time. He had an excellent old-world cellar, and in an effort to prove to him that I knew something about wine (I had recently passed my Certified Sommelier) I googled everything on the internet I could find about the estate, the winemaker, the vintage, etc.

I opened the bottle and started babbling through everything I memorized earlier that day. This kind and experienced collector was so gracious; he listened and engaged sparingly. And when I ran out of information, it was a much quieter turn in the evening. After some time of silence, he started telling me things like, “This wine has really improved since I tasted it shortly after release five years ago,” and, “It reminds me of how the 1990 tasted at this stage,” and, “It seems to me that this wine will have a similar path of aging to the 1996”. It was in that moment that I realized I cannot “memorize” experience and that I should shut up, listen, and drink as many great wines as I can. To this day, I have to fight the urge to say too much, because I don’t want to miss something of meaning from someone more intelligent, experience, and generous than myself. (Although look how much I wrote here.) 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

MK: Too many to mention. It’s an industry filled with characters! One of my favorites, though, is also one of my most embarrassing. I was 21, first month in the industry — straight out of college — and my brother’s friend who owns a really excellent distribution company invited us to a portfolio tasting. We of course decided to attend and loved every minute of walking around experiencing the different wines and producers.

It was all well and good until we walked up to the table of a top Italian winemaking family, hosted by the beautiful daughter of the founder. She was in a stunning white dress and had opened some of their family’s top red wines. There was even an older vintage in a large, wide-based decanter. I tasted through, somewhat starstruck about the wines, and when it came for her to pour us the older wine, I took a deep sip of it. My wonderful brother whispered a comment about her not being able to use the decanter well right as the wine hit my palate, and I sprayed the family’s rare red wine all over this woman in the white dress. I was mortified, and basically blacked out and ran away. I saw her years later from across the room at Food & Wine Classic in Aspen and immediately changed course to avoid her in the off chance she recognized me. So, yeah. 

And it was good …

JB: What is your favorite wine reference in a work of literature or a film?

MK: I feel like there are plenty of deep and philosophical references out there, but I recently started looking at biblical wine references. I found a diagram of a wine press from Jesus’ times and then decided to see exactly how much wine Jesus made as his first miracle. Turns out, we know quite exactly how much wine: “Six stone water jars, containing 20-30 gallons each”. That’s about equal to 1 ton of grapes or two standard barrels, or 50 cases of wine. Man, I would have loved to have tasted that. 

Want More Wine? Read On:

Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Wines from Alto Adige belong on every table. (Courtesy Alois Lageder)

Two Bottles From a Fine Alto Adige Producer

April 25, 2020 / / 0 Comments

Wines from northern Italy are among my favorites, particularly those from Alto Adige. Kerner, Pinot Grigio, Gewürztraminer, Riesling, Sylvaner, Lagrein … those names make me happy. The region is home to some great producers, and the wines they make will always have a home in my collection.

This week was a great one, in part because I opened two bottles from Alto Adige, a 2019 Pinot Bianco ($15 SRP) and a 2019 Pinot Grigio ($16 SRP), both from Alois Lageder’s Terra Alpina line, and both Dolomiti IGT.

The wines produced by Lageder never fail to impress me; they are made well, and they represent great value. (Alois Lageder was founded in 1823, and is led today by the sixth generation of the family.) While we are not at the moment hosting dinner parties, a Lageder bottle or three will certainly be in the mix at our initial pre-Covid gathering.

A Pinot Bianco from Alois Lageder, 2019 vintage …
… and the 2019 Terra Alpina Pinot Grigio from Lageder.

Lageder works with growers in the Dolomiti to produce wines in its Terra Alpina line, and is encouraging all of them to transition to organic farming . The producer’s estate vineyards are all certified organic and biodynamic.

Back in 2018, in Houston, I spent some time with Alois Clemens Lageder, Alois Lageder’s son. We talked Fußball and Rudolf Steiner, and, of course, wine, three things we both care about. His pride in his family’s history and dedication to the land they own was evident.

I tasted the two Terra Alpina wines on an early evening, slightly chilled. (Here is where I remind you to drink your white wines warmer than you probably do now, and your red wines a bit cooler than you likely do now. Disregard this if you have already heeded my request.)

The winemakers behind both of these wines are Jo Pfisterer, Georg Meissner, and Paola Tenaglia.

Alois Clemens Lageder and his father, Alois Lageder. (Courtesy Alois Lageder)

The Pinot Bianco is produced from grapes grown in soil containing primarily limestone, with some volcanic (porphyry) content, and the vines are at 300-500 meters. The Pinot Grigio’s soil makeup is the same, and the vines grow at 200-300 meters in elevation. Both spend up to four months on the lees, and are aged in stainless tanks.

We began with the Pinot Grigio; in the glass, it possesses a straw-yellow tone, inviting. Citrus and faint cinnamon aromas are evident, and it sparkles on the tongue. Poached shrimp would be ideal with this wine.

The Pinot Bianco, just as lively as the Pinot Grigio, with which it shares its color profile, offers apple and peach aromas — those notes make one think the wine might perhaps be “sweeter” than it is. It does drink heavier than the Pinot Grigio, has a slightly heftier body. My grocery delivery was full of asparagus, so we paired the Pinot Grigio with some stalks roasted with olive oil and garlic.

Alois Clemens Lageder says that Herman Hesse is his favorite author; Hesse is one of the first writers I gravitated to upon moving to Germany, and I’ll close this with a quote from him; feel free to replace “tree” with “vine”:

A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

It takes a lot of work to make great wine.

Tastings: A Fine California Blend, Followed By a Roero Arneis From a Vaunted Name

October 25, 2018 / / 0 Comments

After a great tasting earlier this month of selections from 19 of Italy’s best wineries put on by the Instituto del Vino Italiano di Qualità – Grandi Marchi , I conducted tastings of several California wines and one from Italy, bottles that impressed me with their honest approaches and distinct characteristics.

A family of farmers who make great wine.

Among them was the 2014 Gamble Family Vineyards Paramount Proprietary Red Blend, a succulent and bold wine (32 percent Cabernet Sauvignon, 32 percent Cabernet Franc, 28 percent percent Merlot and 8 percent Petit Verdot) that will continue to improve with age. Click here for my take on it, and then look for a bottle of your own, which will be an asset to your cellar for the next decade or so, or feature at your next dinner party. I shared a meal with Tom Gamble and one of his sales reps several years ago at Tony’s in Houston, and immediately grew fond of the man and his wines; I look forward to tasting more of them.

Vietti is the name behind another wine from this week, and that name is special to me. I have drank a lot of wine emanating from the house, and I’ve never been disappointed. This time, it was the 2017 Roero Arneis, a unique grape that more people should know about. Dry, full-bodied, satisfying, and crisp: I loved it. Here’s my brief review of the vintage.

I wrote about these wines, and many more, for PaperCity magazine, and if you want to see what else I’ve been drinking, check out the links below.

A Zinfandel for Daily Drinking
A Wine Family’s Excellent Adventure
Four Brothers and Some Great Young Wines
Your Endless Crush Rosé
Enrique Varela Loves Malbec
This Geologist Knows His Italian
A Chardonnay For Your Mother (and You)
Don’t Dismiss the Peat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
Here’s Your Texas Rum Goddess
A ZaZa Wine Guy Loves Great Service
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

"The Vintagers" (after miniature of the "Dialogues de Saint Gregoire" (Collection of the Royal Library of Brussels)

An (Italian) Gentleman of Wine: Osvaldo Pascolini

January 27, 2018 / / 0 Comments

Have you had a good glass of Prosecco lately? A really good one? There’s a lot of, well, let’s just say, “mediocre” examples out there, so don’t drink that. Osvaldo Pascolini, whom I met a month or so ago, likes Prosecco, and drinks it often. I asked him a few questions about wine recently, and you might be interested in what he has to say. He’s the subject of the latest Wine Talk, which you can read here.

Pascolini is a geologist, works in the energy industry, and hails from Italy. He now resides in Houston, teaches courses on wine, and never swirls a sparkling wine. Open a bottle and get to know him.

Osvaldo Pascolini knows a bit about geology and wine.

Drink well, with people you like.

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