Tag: Grenache

Alex MacGregor and Saracina: An Unfinished Novel of Craft and Passion

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

It was a good virtual tasting, the one with Saracina Vineyards in which I participated back in early April. We opened a few bottles, including a 2019 unoaked Chardonnay that I liked very much, and the conversation was witty and engaging.

Alex MacGregor, the winemaker at the Mendocino County-based estate, a man I had never met before the tasting, is now someone with whom I want to share a table, a table reserved for a long meal, because the conversation would, I am confident, be a wide-ranging, eclectic, gratifying adventure. And the wines we open would be just as moving.

MacGregor is a fine conversationalist, an individual who knows how to convey a lot without relying on the feeble crutch of logorrhea. (In addition, David Ramey had a hand in teaching him winemaking, so there’s that.)

He’s a Canadian, and he fell into wine while working at a restaurant in Toronto, one with a stellar list. (His career in the Canadian city included stints at Olivier’s Bistro and Le Select Bistro; he also worked under Héctor Vergara, Canada’s only Master of Wine at the time.) And though he hails from Canada, Mendocino is his home, the land in which he thrives. He made his way to California in 1989 and took a job as an enologist in the Dry Creek Valley. In 2001, John Fetzer and Patty Rock founded Saracina Vineyards, and MacGregor was hired as the first winemaker there (Ramey was consulting with Saracina at the time).

The entrance to Saracina Ranch, in Mendocino County, is a welcoming sight.

MacGregor’s enthusiasm and passion for old vines and family-owned estates is palpable, and there was definitely no reason for Marc Taub (of Palm Bay International and Taub Family Selections), who purchased Saracina from Fetzer and Rock in 2018, to make any changes to the winemaking personnel at the 250-acre property, which, by the way, is Certified California Sustainable. MacGregor is in charge, and I imagine he will be for a long time.

Let’s see what he has to say in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Alex MacGregor: It’s been unpleasant and stressful on both counts. I’m hopeful we will have learned from this. 

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

AM: I’m going local value here. Skylark 2019 Pinot Blanc Orsi Vineyard, Mendocino County ($20). Streamlined, austere in all the right ways. Shellfish city. It’s in limited distribution and direct from their website. 

McGregor recommends Skylark.

Saracina 2019 Unoaked Chardonnay, Mendocino County ($20). Cleansing, pure, unadulterated Chard, stone fruits. Great value if I do say so myself. Pair with anything you want (maybe your significant other), though BBQ might be a stretch. It’s in distribution and available on our website and at the winery.

Boonville Road 2018 Mourvedre Alder Springs, Mendocino County, around $30? Super cool, nervy, slightly green, delicious. I’ve had a few bottles paired with owner Ed Donovan’s smoked brisket (his smoker has a license plate, that’s how serious it is). Amazing pairing. Available direct from the website. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

AM: 1998 Domaine Jean-Louis Chave Ermitage Cuvée Cathelin. It’s transcendent, beyond wine. I was speechless. 

Not much of this is made. If you can afford a bottle, and find one available, do not hesitate.

JB: What is your favorite grape variety, and why?

AM: Old-vine field blends, like Casa Verde in Mendocino County; Grenache, Carignane, a mystery red and French Colombard, head pruned, 76-year-old dry-farmed vines grown organically. Sum is greater than the parts, crunchy wines. (Plus no trellis or wires so I can walk in any direction I please,which suits me)

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

AM: The 2019 Saracina Sauvignon Blanc Lolonis Vineyard will be neat in 10 years. Oldest Sauvignon Blanc in the country, planted in ’42. Tons of depth with acid and length. Our older SBs from this vineyard go to a great place with age.

A 2019, and at least one individual recommends that you cellar this until 2029. Give it a go.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

AM: With my good friends John Lancaster (wine director at Boulevard) and Robert Perkins (artist, Skylark Wine Co.) in either of their dining rooms. They are both generous, knowledgeable and charming (most of the time). Raveneau, Leflaive, Chave, Huet, Alban, Sine Qua Non, Le Pergole Torte, Quintarelli, always great bottles.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

AM: Buy more?

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

AM: Sailing (floating?) down the Guadiana between Spain and Portugal, 1986. We would get our flagon filled at the local bodega after throwing anchor, mostly great fino, buy some fresh fish, good to go. Lovely, simple food and wine experience nightly. I remember it like it was yesterday.  

Allen Ginsberg took this photo, in 1996, in North Beach San Francisco.

JB: Your favorite wine reference in a work of literature?

AM: Cliché: War, “Spill the Wine”
Cooler: Lawrence Ferlinghetti, “Drinking French Wine in Middle America”

Bought a bottle of Vouvray
and poured out its bouquet
of the French countryside
on the plains of Middle America
and that fragrance
floods over me
wafts me back
to that rainy hillside
by the banks of the Loire
Vouvray tiny village
where I sat with rucksack
twenty-eight years old
seafarer student
uncorking the local bottle
with its captured scent of spring
fresh wet flowers
in first spring rain
falling lightly now
upon me-

Where gone that lonesome hiker
fugace fugitive
blindfold romantic
wanderer traumatic
in some Rimbaud illusionation-

The spring rain falls
upon the hillside flowers
lavande and coquelicots
the grey light upon them
in time’s pearly gloaming-
Where gone now
and to what homing-
Beardless ghost come back again!

How to Paint Sunlight: Lyric Poems and Others (New Directions).

Want more wine? Read on:

Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Paul Hobbs Knew: Erica Stancliff Was Made to Make Wine

love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

A few days ago, I tasted two wines that impressed me: a Chardonnay and a Pinot Noir, both from Pfendler Vineyards. They mark the first releases for Erica Stancliff as Pfendler’s head winemaker, and if you like your Chardonnay with defines notes of spice, try this one. I tasted it again last night, and it held up — this time the apple and citrus notes were more pronounced. (Regarding the Pinot Noir, buy a few, because you’ll want to cellar some of these for, let’s say, five years or so — at least. It’s drinking well now, but — as Stancliff concurs — this one promises to enjoy the aging process. Total production was 200 cases, so best not tarry.)

I’ll have full reviews of these wines soon, but this Wine Talk serves to introduce you to Stancliff, whose background and pedigree are intriguing. She was raised in a family whose existence revolved around food (I can identify with and approve of that); her mother is Rickey Trombetta, of Trombetta Family Wines, and one look at the family’s website will make you hungry — and thirsty.

Erica has been the Trombetta Family winemaker since 2014, and she’s also served as the president of the Petaluma Gap Winegrowers Alliance since 2019. Her journey in the wine world can be said to have begun when she was 10; Paul Hobbs, who would become her mentor, was dining with the Trombetta family one evening and was impressed by Stancliff’s palate. He encouraged her to learn more about wine, and introduced her to vineyards in Sonoma and Napa.

She graduated in 2010 from Cal State Fresno with a degree in enology, and flew to an internship in Mendoza, at Viña Cobos (a Hobbs property), then worked the 2011 harvest at Rudd Estate. Enartis Vinquiry was next — she was there for two and a half years — and then moved to CrossBarn and Trombetta. In 2019, she added Pfendler to her CV.

I look forward to tasting what Stancliff does going forward at Pfendler, and a visit to Trombetta Family Wines is now on my post-COVID agenda.

Here is Stancliff, in her own words.

James Brock: How has COVID-19 changed your work and life?

Erica Stancliff: COVID has changed my everyday life in many ways. From wearing a mask everywhere I go (even in the middle of harvest doing punchdowns or walking to vineyards) to having my own personal hand sanitizer with me at all times. Interacting with people is a new adventure every time because you want to be respectful of everyone’s level of caution, and yet, some people aren’t cautious at all.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

ES: I’m a sucker for a killer Carignan, so I’m drinking the Delve 2018 Carignan, which I didn’t make, but good friends did. This is my feel-good wine that I usually have with chicken and mushrooms or a big salad. You can purchase it from the winery website for $27. 

Stancliff likes this Carignan with chicken and mushrooms.

The 2019 Pfendler Chardonnay is so approachable early on — I like to pair that with seafood (tuna tartar or baked salmon) or lemon risotto. The wine is available from Pfendler’s website for $45. 

The third wine that is drinking well at the moment is the 2015 Trombetta Gap’s Crown Pinot Noir Petaluma Gap. 2015 was a low-yield vintage in Sonoma County, which made the wines much more concentrated than normal, so after six years I think this wine is just starting to hit its stride. It pairs well with grilled salmon or pork. You can purchase it from the winery for $65. 

A family jewel …

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

ES: This is a hard one! If cost was no consideration, give me a Joseph Drouhin Musigny Grand Cru 1988, France, Burgundy, Côte de Nuits Pinot Noir — I love the producer and it’s my birth year. 

JB: What is your favorite grape, and why?

ES: I will say as a winemaker my favorite variety to make is Chardonnay, and here is why: Chardonnay can be a blank canvas for a winemaker to impart their style on. The nuances of the grape and subtleties are what make it a challenge. Too much oak, too much acid … anything can throw the end wine out of balance or create a perception of heavy-handedness.  


“That’s the purpose of what winemakers do: We want you to enjoy our wines!”

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

ES: The 2019 Pfendler Petaluma Gap Pinot is going to be just hitting its stride in 10 years, and I would highly recommend keeping one bottle aside for a special occasion.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

ES: The Barlow, in Sebastopol, has a great wine bar called Region; it has a ton of local Sonoma County producers and you can buy a taste or full bottle to enjoy on their patio.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

ES: The beautiful thing about wine is that there is one for every taste and palate. It doesn’t matter about price or producer, as long as you enjoy it. That’s the purpose of what winemakers do: We want you to enjoy our wines!

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

ES: My mentor is Paul Hobbs, whom I have known since my childhood. My biggest lightbulb moment was when we were walking a vineyard together when I was in high school right before harvest in Sebastopol. Watching his attention, care, and passion in the vineyard and asking him questions about harvest made the lightbulb go off for me when I learned about how much passion went into making something with your hands. 

Paul Hobbs, mentor extraordinaire (Courtesy PaulHobbs.com)

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

ES: I have a few, but let’s go with this one: Harvest 2011, someone dropped their cell phone in a tank of fermenting Malbec. 20 days later, when we emptied it, the phone still worked. It was the weirdest thing …

JB: Your favorite wine reference in a work of literature?

ES: “In wine there is wisdom, in beer there is freedom, in water there is bacteria.” — Benjamin Franklin

Want more wine? Read on:

Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Alta Colina’s Molly Lonborg Talks Grenache, Asparagus, and Château Rayas

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Molly Lonborg’s laughter is infectious, even experienced over a Zoom virtual tasting, which is how I was introduced to her last week. She’s the winemaker at Alta Colina, a Paso Robles-based estate “whose singular purpose is to grow superior Rhône-style wines.”

We tasted through several barrel samples on the chat, and a bottle sample of Alta Colina’s 2017 GSM. All were tasting well, and I was drinking quality, something that never fails to please me.

Lonborg came to Alta Colina in February of 2020, by way of Halter Ranch, whose team she joined in 2011 as lab manager and cellar assistant. She graduated from California Polytechnic State University in 2009, with a degree in earth sciences (with a concentration in wine and viticulture), and studied geology in New Zealand at the University of Otago. She was hand-picked by Bob Tillman, the founder and co-owner of the family-run Alta Colina, to succeed him as winemaker (Tillman is still a hands-on owner, and has the title of director of winemaking at the estate).

As you’ll read, Lonborg loves Grenache, and what she’s doing at Alta Colina with Rhône varietals is, based on my (thus far) limited tasting, exemplary. The bottle sample of the 2017 GSM we tasted was delicious, and the barrel samples caused me to write “get your hands on more of this producer’s bottles.”

I look forward to meeting Lonborg (and Tillman) in person, but until then, let’s see what she has to say in Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Molly Lonborg: Our current technique at Alta Colina is for our red wines to undergo 22 months of barrel-aging and an additional year in bottle.  We just released our 2017 reds and a couple of our whites.  At the moment, my personal favorites are the 2017 GSM, the 2019 Grenache Blanc, and our 2019 Rose. 

Alta Colina’s GSM: France-inspired Californian

Our 2017 GSM ($56) is a blend of 76 percent Grenache, 20 percent Syrah, and 4 percent Mourvèdre. This wine has a beautiful combination of fruit and rusticity.  With Grenache in the driving seat there are notes of strawberry fruit, leather, and dried cranberry; the Syrah is providing some unctuousness and depth; and the Mourvèdre rounds it out with earthy notes and spice characteristics. I personally love to age Grenaches, as I think they are complex, and over time the flavors become more layered. So although this wine is drinking great right now, I think it has the potential to shine around 2028-2030.  This is an extremely versatile wine and can pair beautifully with a wide range of foods, from hearty vegetable dishes to wild game.  

I am also really enjoying our 2019 Grenache Blanc ($34). I love Grenache Blanc from Paso Robles. Over the years it seems that it has received a bit of a bad rep as being a flabby (low acid) white wine. However, I think a lot of that comes from the fact that it is a Rhone white varietal and historically the tank space was favored for red wines, resulting in whites that were often left too long on the vine prior to vinification. 

Grenache Blanc is actually one of the few white grapes that is able to maintain acidity in our hot climate, while also having some body.  Our Grenache Blanc is true to the varietal with notes of white flowers, honeydew melon, pear, and a great minerality. Most of our whites are fermented in barrel and aged for 18 months, but the Grenache Blanc is tank fermented and released after after months of aging in the tank, which makes it a fresh, ready-to-drink offering. This wine pairs well with summer salads and anything from the sea.

A sampling of Alta Colina’s production

My third wine is our 2019 Rose ($28).  It is 100 percent Grenache, picked early and pressed whole-cluster prior to fermenting cool in the tank. This wine saw a few weeks of neutral oak, which adds some nice creamy notes to the predominant flavors of wild strawberries and guava. I love this wine with brunch, egg-based dishes, salmon, or vegetarian cuisine (Esther Mobley just wrote an article touting this wine’s ability to pair well with asparagus, a notoriously difficult vegetable to pair wine with due to the sulfur qualities in contains).

(Note: Alta Colina’s sales skew about 95 percent direct to consumer, so the best way to find these wines is through its website.)

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

ML: This is a tough question for me … there are so many really!  Honestly, if someone said I could spend $500 to $1,000 on a bottle of wine, I would probably ask to take the money and spend it on a case or two from a bunch of different producers.  I love to try out new, fun, unique offerings from the U.S. and around the world.  I like to support small wineries that are preserving varietal characteristics in their wines.  

However, if I were forced to buy one bottle it would probably be a 2016
Château Rayas.  Although I have never been able to taste a Château Rayas I love Grenache and I have heard great things about the 2016 vintage in Châteauneuf-du-Pape. 

JB: What is your favorite grape, and why?

ML: Well, I kind of just gave it away, but Grenache is by far my favorite varietal.  There are so many reasons why I love Grenache.  It is such a versatile grape, it makes delicious Rose and red wine; it can be beautiful on its own, but also shines in blends. Because it is a medium-bodied wine it tends to not do well with new oak, as the intricacies of the varietal can easily be overpowered. It can be head-trained or trellised. It withstands virus in the vineyard well, and pairs well with a wide variety of foods. It is generally affordable, and has amazing red fruit characteristics like strawberry, cherry, cranberry, even watermelon and guava when used for a Rose.  

I am also really excited that in 2020 we are going to continue a project that I started while working at Halter Ranch Vineyard by producing a carbonic Grenache at Alta Colina.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

ML: Red-letter day, I love that! I would suggest two wines, our 2018 Model Citizen Roussanne (will be released this fall), as I love the way Roussanne ages, and our 2017 Ann’s Block Petite Sirah. These are both gorgeous wines that should drink well for 10 to 15 years. 

Bob Tillman, Alta Colina’s founder and co-owner, sold the first bottle of Alta Colina-labeled wine in 2009.

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)?

ML: Sadly, I don’t get out much these days (and not just because of COVID-19 times), because we have an 11-month-old that keeps us pretty busy.  However, on the rare occasions we do get out we will usually head to 15C for a wide range of wines, Lone Madrone for burger Sunday and to enjoy some delicious wines crafted by the father-son duo of Neil and Jordan Collins (all fruit is sourced from dry-farmed vineyards, with minimal oak/additives), or we often frequent the Collins’ other establishment, Bristols Cider House.

Alta Colina’s tasting room is looking forward to a post-COVID-19 world.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

ML: That if you think the wine is good, then it’s good.  I waited tables for years, and people would always ask me if I thought a particular bottle was a good wine.  My response was always, “It doesn’t matter what I think, if you like it then it’s a good wine.”  I think people get wrapped up in the prestige of wine, what other people think, the price, the label, etc.  At the end of the day, wine is a labor of love, and we do what we do in hopes that wherever you are when you open that bottle of wine that it makes you feel something and provides some happiness.  

I met the Alta Colina team of Bob Tillman, Maggie Tillman, and Molly Lonborg at a virtual tasting in May.
The 2019 Syrah Block 8 barrel sample is confidently speaking of the vintage’s potential.
Lots of great Grenache, Syrah, and Mourvèdre is growing at Alta Colina.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

ML: That’s a bit hard to say.  I didn’t grow up in a wine family, and I don’t think I can trace my interest back to one bottle or tasting. However, I began my interest in university.  I studied earth science at Cal Poly and spent a lot of time in soil classes; after my freshman year I spent a year in New Zealand studying geology. Upon my return to Cal Poly, I discovered the wine and viticulture department. I quickly added a concentration in wine and viticulture to my curriculum. I began working in the industry thinking I would go into sustainable/organic vineyard work, but I ended up on a path that kept me in the winery.  

There used to be a wine seminar called A7 that was created for industry members who loved Rhône wines. I remember the first one was at Law Estate, and there were two presentations by amazing women winemakers, Anne-Charlotte MéliaBachas of Font du Loup and Helen Keplinger of Keplinger wines. I had felt a bit of an odd (wo)man out in the wine industry, as it has been pretty male dominated, but after hearing these women talk I knew I was hooked and that I wanted to be a winemaker.  

Font du Loup’s Anne-Charlotte Mélia-Bachas is in part responsible for Molly Lonberg’s winemaking career.

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

ML: So many, how to choose just one … One of my favorite wine moments was discovering a gem of a wine that I had completely overlooked. The 2017 harvest was difficult for whites in Paso Robles because we had a lot of rain, which resulted in a lot of crop and canopy, but then, in the beginning of September, we had 10 days over 100 degrees, which caused a lot of the fruit to stall in ripening. At Halter Ranch we had some Picpoul Blanc that just never ripened; we kept letting it hang, thinking it might eventually ripen, but we ended up harvesting it in the beginning of November at 19 brix (typically we would harvest around 23 brix). We vinified it in tank and racked it clean to a topped-up tank, thinking we would sell it on the bulk market. I was tasting through tanks one day, and when I smelled this tank I was completely blown away. After tasting it I was hooked! We ended up bottling it on its own at 11.2 percent alcohol, and it was such a fun wine and a beautiful expression of the varietal. 

However, by far the craziest wine incident in my career involved an intern that accidentally removed the wrong clamp, and the 3-inch bottom valve to a 10-ton fermenter that was filled with actively fermenting Syrah blew off and wine and grapes began to deluge everywhere.  It took three of us to put all of our weight into covering the hole while someone else set up a sump and a pump and we pumped as much as we could into an empty tank. It took about 45 minutes for us to get the thing under control, and by the end we had lost quite a bit of wine and fruit and we were covered from head to toe in fermenting Syrah. Man oh man, I wish those were the days of iPhones and easily accessible cameras; sadly, there is no photo of the aftermath.

JB: What is your favorite wine reference in a work of literature or a film?

ML: I wish there were more to choose from. But probably my favorite wine reference is from The Jerk when Steve Martin is asked if he wants another bottle of Chateau Latour and he responds with, “Yes, but no more 1966.  Let’s splurge!  Bring us some fresh wine, the freshest you’ve got. This year’s. No more of this old stuff.  He doesn’t realize he’s dealing with sophisticated people here!”

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