Wine, Food, and Other Vital Things

Tag: Burgundy

Canlis’ First Female Wine Director Moves With Intent

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I encounter as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. Whether my subject is a sommelier, a collector, a winemaker, a chef, a buyer, or an avid drinker of wine, you’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Dining at Canlis had been on my agenda for a good number of years. I was in Seattle for a week or so back in 2010, part of an itinerary I had devised that included reuniting with friends residing on the West Coast (Portland and Seattle) and a visit with family in Florida.

I was living in Dubai at the time, working at a newspaper, and the trip was much needed. I wanted to get a table at Canlis during my trip, but part of my reason for being in Seattle was a reunion with some friends from my German high school, a gathering that featured a number of events and meals that took up most of my time. Canlis had to wait.

The welcoming and elegant entrance to Canlis. (Photo Courtesy Canlis)

Last year, I made it, finally. We flew up to Seattle, en route to Bremerton, where we would be staying with friends, former colleagues of mine with whom I worked at a newspaper in Westchester County, N.Y. Before taking a ferry over to Kitsap County we spent the evening at Canlis, a reservation for four secured with the help of Aisha Ibrahim, who was hired in 2021 as the restaurant’s first female chef – it’s had seven chefs, including Ibrahim, since it served its first dish 75 years ago. (Ibrahim, who helmed Canlis’ kitchen for nearly four years, has left the restaurant, along with her sous chef and life partner, Samantha Beaird; the pair plan to open their own place in either Los Angeles or New York. In other recent Canlis news, Brian Canlis is also parting ways with his family’s restaurant; he has accepted a role in Nashville with Will Guidara. His brother, Mark Canlis, remains at the establishment.)

A view into the main dining room at Canlis. (Photo by Kevin Scott/Canlis)

The meal was outstanding, as were the service and the ambiance. If you know anything about Canlis, you’ll be aware that it is an architectural star, and from the moment one glimpses the distinctive exterior of the restaurant the building itself becomes a vital component of one’s experience.

A quartet of dishes begins a meal at Canlis. (Photo by James Brock)

But the food and design at Canlis are not the foci of this piece. The star of this Wine Talk is Linda Milagros Violago, who happens to be the first female director of the restaurant’s vaunted wine program.

Fish done well at Canlis. (Photo by James Brock)

Violago was born in Winnipeg, and refers to herself as “a first-generation Filipina/Canadian and citizen of the world.” She’s worked – for more than 35 years – in restaurants in 13 countries, including at Michelin-starred luminaries in Europe (such as Mugaritz in Spain and In De Wulf in Belgium) and fine- and casual-dining places in North America, Charlie Trotter’s among them. She even, during the Covid pandemic, scooped and served ice cream at a shop in her Canadian hometown. She’s well traveled, and adaptable, to say the least.

Linda Milagros Violago sits at the piano in Canlis. (Photo by Amber Fouts)

Violago has also worked four harvests, and she’s brewed sake in Japan. When she’s not on the floor or in the cellar at Canlis, she’s traveling, practicing yoga – she teaches yoga and breathing to her colleagues – and spreading the word about the importance of intentional movement, which she credits with helping her “get through life and service” at her places of work.

Violago is thoughtful, careful with her words, and genuinely loves what she does. Let’s see what she has to say in Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Linda Milagros Violago: In no particular order:

The 2022 Domaine du Gringet Etraz. I have always loved Dominique Belluard’s wines, and this new project that has arisen after his death is sure to just grow and evolve in a beautiful way. This wine, though young, is just so special and unique. It’s also so drinkable now, but will definitely age well. I like this with one of our courses that has aged and smoked salmon served with silken tofu and crispy cabbage.

Domaine du Gringet: Continuing the legacy of Dominique Belluard.

Next, the 1996 Domaine de Montille Pommard Les Rugiens 1er Cru. I am not being cheeky. After a long conversation with a guest who wanted to splash out on wine and trying something with age, I served this bottle, and it did not disappoint. It was still so youthful and powerful, but elegant, too. I love old Nebbiolo, but I also really love old Burgundy, and wines from this generation (or earlier) just evolve in a really fun and satisfying way throughout the meal.

A Burgundian jewel.

Finally, anything from Bérêche & Fils. People who know me know that I love to support the small growers in Champagne. The brut reserve from Bérêche & Fils is just so easy to drink and yet so pleasing and complex. We just recently poured it by the glass at Canlis and the initial response was always, “Yes, that’s perfect,” and then a few sips later, “Wow, this is really great!” Great for apéro, great with our truffle fries, great with our whole menu.

JB: How did Covid-19 change your life, personally and professionally?

LMV: I want to invest more time and energy in things that promote growth – both for myself and others. I want to do something every day that brings me joy – reading, moving, listening to the birds … something that fills my cup and restores me. Professionally, I’ve changed how I talk about wine – to peers, to students, to guests. More than ever we need to make our discussions like real conversations, and not just us at the table talking to guests. We want them to feel good about what they chose and feel free to ask questions and describe in their own words what they want.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

LMV: That’s tough! A guest recently asked me if I were sitting down and had no budget, what would I drink? There are many options, and I do not regret serving him the 1996 Château Rayas.

JB: What is your favorite grape, and why? If you don’t have a single favorite, tell me about one that you are especially passionate about.

LMV: I have a few favourites, but old Nebbiolo makes me giddy and old Burgundy (red or white) brings me joy.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

Cayuse Widowmaker – yes, a wine that isn’t any of the grape varieties that I mentioned!

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)? 

LMV: Le Caviste.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it? 

LMV: Don’t be afraid to try something different, don’t be afraid to zero in on what you like and don’t like, and learning how to express that is as important as learning how to express it when you’re shopping for anything else. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?  

LMV: The wine that got me into wine as a very simple Alsatian Gewürztraminer from the early ’90s. It was then that I was able to first grasp at the different layers of wine.

Linda Milagros Violago is making history at Canlis. (Jeremy P. Beasley/Canlis)

JB: What has been the strangest moment/incident involving wine that you have experienced in your career? 

LMV: This was a strange interaction with guests. There was an older couple dining with two young women. One of them was the couple’s daughter and I am not sure about the relationship with the other young woman (she stayed quiet). The older couple were quite the characters. The man wanted to talk options, the woman – who was celebrating her birthday – stated, “I want red wine!” It was all very convivial and fun. They had a round of cocktails to start and I was looking forward to the conversation with them. The man turned to his daughter and asked if she was joining in the wine, and she refused, saying she “didn’t want to lose any brain cells.”

I’m in my 50s, I would guess that her parents were about my age, so we looked at each other and laughed and somehow got into a conversation of what we do to keep sharp: brain games, etc. And I talked about neuroplasticity. The daughter just refused, again, repeating that she didn’t want to lose any brain cells. But, she did want some sparkling wine. I mentioned our options of wines by the glass, but somehow that wasn’t what she wanted (she wanted bubbles, but didn’t want to order a glass, didn’t want to lose brain cells, and, honestly, it wasn’t clear what she did want.) Eventually, we found a bottle of wine for the parents to drink. The daughter did keep complaining about not having sparkling wine but wouldn’t order a glass. This happened just last year.

JB: Your favorite wine reference in a work of literature?

LMV: Rumi: “Gratitude is the wine for the soul. Go on. Get drunk.”

Less esoteric: Shakespeare, from “As You Like It”: “I pray you, do not fall in love with me, for I am falser than vows made in wine.”

Daniel Maclise (1806–1870), The Wrestling Scene in ‘As You Like It’ (1854), oil on canvas, 129 x 177.1 cm, location not known. (Wikimedia Commons)

Burgundian Days and Nights

When one sleeps surrounded by Chardonnay and Pinot Noir vines the essence of the fruit seems to slip into the subconscious. A final glance at the vineyard outside my room before retiring for the evening, moonlight allowing a view of the young light-green leaves, the cold air and ground working to strengthen the vines. Last night’s temperature fell to around 46. I closed the window and slept, warm under down.

Early morning mist fades away as the sun rises and warms the surroundings. The vines, the leaves, the tendrils – the tops of the trunks low to the ground, perhaps 1 foot or so in height where the green begins – appear fresh, confident even, their color uniform across the parcel. Buds are present, small, tight, promising. (Smudge pots and other weaponry against the dangers of frost abound – it’s late April in Burgundy, and though next week is forecast to bring warmer temperatures, farmers are worried.)

These vines are promise. And our tastings of various vintages this week bring to life the effort and fears and work and dreams that have been deposited into the surrounding vineyards. A 2020 Aligoté lively and fresh, a 2019 Pinot Noir flirtatious and tempting. A premier grand cru that made one’s eyes close with pleasure. That’s the promise.

Bibiana González Rave on California Syrah, Château Haut-Brion, and Purity

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Bibiana González Rave is a complex individual.

She learned how to make wine while attending university in France (the Lycée de L’Oisellerie in Angoulême and the University of Bordeaux); developed her skills in Cognac (Lycée Agricole de L’Oisellerie), Burgundy (Domaine Devevey), Bordeaux (Château La Dominique, Château Haut-Brion, and Château La Mission Haut-Brion), and Côte-Rôtie (Domaine Michelle & Stéphane Ogier and Domaine Clusel-Roch), and Alsace (Domaine Scheidecker); in a particularly hectic three-year period worked six harvests; has a degree in chemistry, earned in her hometown of Medellín, Colombia; and is married to a fellow winemaker, Jeff Pisoni, with whom she makes wine under the Shared Notes label.

Did I mention that Rave, who resides in Santa Rosa, owns Cattleya Wines and Alma de Cattleya? She does, and the wines she is making at both operations are worthy of attention — the former brand encompasses her high-end offerings, while the latter comprises her entry-level range, including one of the best Sauvignon Blancs ($22) I’ve tasted in a long while. (I forgot to tell you that she was the San Francisco Chronicle Winemaker of the Year in 2015.) As I said, Rave, the mother of two sons, is complex, busy, and a great winemaker.

This Sauvignon Blanc is now on my always-have-on-hand list.

Rave’s journey took her to California in 2004, when she moved to Sonoma and began immersing herself in the Golden State wine world. She took positions at Qupé, Peay Vineyards, Au Bon Climat, Lynmar Estate (where she was winemaker from 2009 through early 2012), and Pahlmeyer, among others. She founded Cattleya — name after the national flower of her homeland — in 2012, and launched Alma de Cattleya in 2015.

Several weeks ago, I participated in an informative and fun virtual tasting with Rave, which marked the occasion on which I met her. The session also included her husband, Jeff, and Mark Pisoni, Jeff’s brother, who is vineyard manager at Pisoni Estate. We tasted the 2019 Alma de Cattleya Rosé of Pinot Noir, the 2019 Sonoma County Alma de Cattleya Sauvignon Blanc, the 2018 Lucia Vineyards Sonoma County Chardonnay, and the 2018 Santa Lucia Highlands Lucia Pinot Noir (the latter two made by Jeff Pisoni), all off which are drinking well.

While I much prefer in-person meetings and conversations, this long-distance talk demonstrated more than clearly that Rave is a passionate perfectionist when it comes to making wine. When I mentioned to her that I noticed a slight haziness in the sample bottle of Sauvignon Blanc I had received, she responded with what approached alarm, apologizing profusely. A few days later, she sent an email explicating the haziness, which had to do with temperatures during shipping. I like drinking wines made by such people.

I look forward to meeting Rave and her husband in person, but until then, sampling her wines, including a 2017 Syrah that I cannot wait to open, must suffice. (Reviews to come soon.)

Here is Rave’s Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

BR: First, the 2019 Alma de Cattleya Sauvignon Blanc. I love making Sauvignon Blanc wines, and the weather right now is just perfect for it. This summer we’ve been cooking a lot of fish with roasted vegetables, and the Alma has been a staple for the season.

Next, the 2019 Lucy Rosé. I am a big fan of my husband’s rosé of Pinot Noir — unbiased, I promise! It’s made entirely with estate fruit, farmed sustainably, and just overdelivers on quality for the price. This rosé is so flexible with food pairings, or simply an apéritif  all by itself.  

Finally, the 2018 Château de Saint Cosme – Côtes du Rhône. It is the entry-level wine produced by this property, but a great wine that should be perfect for outdoor dining, BBQs, light salads, pizza-to-go, etc. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

BR: I am a huge fan of Chatêau Haut-Brion, and their Bordeaux Blanc is far out of my budget. If cost was not a consideration, I would have every single vintage of that wine. I gained a very special appreciation for their wines when I worked there during the 2003 vintage. I attended the University of Bordeaux and had the opportunity to do my thesis research with them. I was able to spend six months working with an extraordinary team focused on excellence — and some of the best fruit I have ever tasted from a vine.

I know the wines are ultra-expensive, so it is hard to talk about a brand that very few people taste . However, working there day to day, you learn why those wines have mystique surrounding them. Their focus on crafting wine is remarkable. I wish I could have a vertical of all their wines going back to 1945, red and white.

Rave, a native of Colombia who knew from an early age that she wanted to make wine, moved to France and learned to do so.

JB: What is your favorite grape, and why?

BR: I would say it is very hard for me to have a favorite grape, especially because I love working with all the different varietals for my three different brands, but if I have to choose one that I am very passionate about, I would say Syrah. 

I find myself saddened by the bad reputation (or lack of appreciation for) of Syrah from California, while someone may feel fine buying a $500 bottle of Guigal or Domaine Stéphane Ogier from Côte-Rôtie (both totally worth that price, especially the Ogier wines). (Full disclosure: Ogier is one of my dearest friends from my time in France.) I think Syrah’s quality in the United State has increased tremendously, mostly from small family estates that continue to put a lot of care into and focus on the making of those wines, such as Alban Vineyards, Dehlinger, Pisoni Vineyards, Peay, and Donelan, among others.  

I certainly put a lot of attention to my Syrahs. I used my most expensive barrels on my Cattleya from the Soberanes Vineyard and treat the wine the same way I would treat, for example, a Cabernet Sauvignon from Napa Valley. I tend to do very slow fermentations for a long period of time in tank, then age in barrel between 15 and 24 months. 

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

BR: The 2018 Cattleya The Initiation Syrah from the Soberanes Vineyard in Santa Lucia Highlands. I just tasted that wine today before pulling out of barrel for bottling. I decided for this specific vintage to leave the wine in barrel for 22 months. I loved what that extra aging did for the wine. It is a 100 percent French new oak barrel-aging, and the wine is just delicious. It will be about 85 cases total production only, but I do believe the wine is going to reach a beautiful point in 10 years from now. I was so excited about the taste of the wine that I called my grower to tell him how beautiful it was tasting, and of course, to thank him for his hard work. (He happens to be my brother-in-law, Mark Pisoni.) 

JB: Where is your go-to place when you want to have a glass or bottle?

BR: If we have time to escape for a date, I love to go to San Francisco. The city is a place where my husband, Jeff, and I love to go for special meals. There are just so many remarkable wine lists that have everything you want. We love finding white Burgundy gems on wine lists, from small producers that always excel at their craft and Rhône Valley wines with some age on them. Boulevard Restaurant is one of these spots I have always loved, for food and wine. Their list is phenomenal. 

Locally, we enjoy going to a great restaurant called Bird & The Bottle. They have a lot of great dishes and my kids are big fans of their sliders. They also carry the Alma de Cattleya Sauvignon Blanc by the glass, so that often becomes our selection for lunch or dinner.

Rave, whose wines I want more people to know about and taste, holds Syrah in high esteem.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

BR: Purity. I believe that even when consumers tell me that they don’t know about wine, or that they are not wine connoisseurs, our bodies always can sense purity in food and wine. So, when you find wines that are intense on the aromatics and with a refined texture, with volume and velvety tannins, then you have found something special. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

BR: 1994 Domaine Romanée Conti, La Tâche

I tasted that wine in 2004, just before departing France to come to California for my first harvest in the United States. The wine already had 20 years of age, and it was just brilliant. I was speechless, having one of those moments you rarely get with wine, when the world disappears around you and all you hear, think, and see is the image of the wine going through the process of being smelled, tasted and consumed. It was the first time I drank Pinot Noir that made me want to produce wines from that varietal, and here we go. California became that place for me. 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

BR: The way I got accepted into my first school in France was both pivotal for my career, and very strange in the way it happened. All my initial mailed enrollment applications from Colombia were rejected (11 of them, since I wrote to all 11 schools in France that focus on the BTS of Viticulture and Enology), so I decided to just visit the schools in person. When I arrived at the first school, near Cognac, I met with the school’s principal. He spoke only French, and I spoke only Spanish —yet, somehow, we carried on a conversation for more than an hour!

When he said “Tractor” I was very excited, because Tractor sounds the same in French and Spanish. At the end of our conversation I left convinced that The Lycée of L’Oisellerie would become my new school for the first few years of my education in France. A month later I got a call and the confirmation that I was enrolled in the program I never knew for sure how it worked, but I assumed it was my passion and persistence that convinced him, that and the belief that it was just meant to be.

It’s all about Sancerre …

JB: What is your favorite wine reference in a work of literature or a film?

BR: Sancerre in the book “Fifty Shades of Gray.” I heard from so many people that Sancerre has become their favorite wine after they read the book or watched the movie. Cool to see that Sauvignon Blanc could become popular after being referenced that way. 

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