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Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

What initially drew me to this winemaker was the way he talks about soil and rocks. I have read many interviews with (and stories about) Matt Dees, and immediately after finishing the first one I wanted to feature him in Wine Talk.

My journey with wine began in Germany, during high school, which I attended in the Pfalz. Riesling was my first companion, of course (it is still my favorite traveling mate wine-wise). Early on, I learned about and came to appreciate the qualities of slate and granite and limestone and greywacke (and many more types of soils and rocks) and how they affected and nurtured vines and imparted flavor and other characteristics. I became a lifelong amateur researcher in the field. So Dees appealed to me immediately. (And little did I know that he also likes Nina Simone, one of my favorite musicians.)

Dees, who studied plant and soil science at the University of Vermont, has been the winemaker for The Hilt and Jonata since 2004, and loves to talk dirt, in all its forms.

In 2014, a 3,600-acre piece of land (the famed Rancho Salsipuedes) that includes two prime vineyards — Radian and Bentrock — became part of Dees’ Hilt playground, and his creativity and experimentation in Santa Barbara County have been running wild, much to my delight. I plan to store up as much of his wines as I can, because I know they are bottles I will enjoy drinking for the rest of my life.

A little background on Dee’s three projects (all owned by Stanley Kroenke, the man in charge of Screaming Eagle and the Los Angeles Rams, among other things): Jonata, located in Ballard Canyon in the Santa Ynez Valley (around 5,000 cases a year, with recent bottle prices ranging from $185 for a 2015 El Alma de Jonata, $160 for the 2016 La Sangre de Jonata, and $80 for a 2015 Felix — all prices from wine.com ); The Hilt, based in the Sta. Rita Hills (7,000-8,000 cases annually … look for a 2016 Old Guard Chardonnay for $70, the ’16 Vanguard Chardonnay for $65, and the 2017 Vanguard Pinot Noir for $17); and The Paring (15,000-16,000 cases per annum, wines “made from vineyard blocks that are either too young or don’t fit into the vintage style” of Jonata and The Hilt selections — try the 2016 Sauvignon Blanc for $23, the 2015 Paring Red for $27, or the 2018 Rosé of Pinot Noir for 2018). There’s something for all budgets here.

A fine trio of Chardonnay

Last month, I had the pleasure of participating in a Zoom tasting with Dees and sampling three of his The Hilt Chardonnays — a 2017 Estate, the 2018 Radian Vineyard, and a 2012 Vanguard. It was a satisfying day, to say the least. The contents of the bottles were singing beautifully.

Dees, who was born in Kansas City, is as engaging live as he comes across in articles and interviews, and he’s someone I know I’d enjoying share a long meal with. (Note his food pairings below, and you’ll no doubt conclude he is a serious and thoughtful eater and drinker, my favorite type of person.)

Drinking these wines reaffirmed my enthusiasm for Sta. Rita Hills Chardonnay; Dees speaks of its “electric acidity,” and if you have not experienced it, do so as soon as you can. I look forward to meeting this gifted winemaker in person one day, but until then, here he is in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Matt Dees: In terms of my job, we’ve changed our approach as a winemaking team. We are wearing masks and keeping distance. We now have two teams with two different bathrooms, two different dining tables, two different coffee makers, etc.

In the vineyard, we are working in smaller teams and keeping them as far apart as possible. Beyond the day-to-day changes in routine, I’d have to say that I’ve had far more time to myself than I’m used to. I’ve never had so much time and space to myself in the vineyard. I’ve really been able to closely watch all the subtle changes in the vines over the growing season. I definitely have a more intimate understanding of our property and our vines after this time alone.

In the cellar, I’ve become my own worst enemy with all this newfound space and alone time. I’ve been tasting our wines so much more these past few months. I’ve never spent so much time in my own head tweaking and tweaking blends. My blending neurosis and self-doubt surely put Woody Allen to shame.

An excellent choice …

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

MD: 2015 Jean-Marc Vincent Auxey-Duresses “Les Hautes.” One of my absolute favorite Burgundy producers. I always grab bottles of this blend whenever I can find it. Like all his bottlings, this is vibrant and precise with depth and power. All the things I love so much about white Burgundy. We just enjoyed this bottle with black cod en papillote. 

2013 Franck Balthazar “Cornas Sans Soufre Ajouté”. My goodness! We just popped this bottle a week ago, and it stunned me. Such an elegant wine with incredible structure. Isn’t Cornas just about perfect? I loved it. Wish I had more. I seem to recall that this worked incredibly well with grilled Portobello mushroom tacos.

2017 The Hilt Estate Chardonnay. I’m so excited about the energy, tension, and salinity that shines in our estate Chardonnay bottling. In 2017, the green citrus notes are at the forefront, and they seem to welcome so many different food pairings. Our go-to dinner pairing at home is a simple lemon-and-garlic roast chicken. It’s a Sunday-night tradition these days, and is such a welcome celebration with our family. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

MD: As a history buff and a lover of classic Bordeaux, I’d absolutely love to taste a great bottle from a top-growth chateau from 1865. That’s not even classic Bordeaux, that’s “ancient and old school” Bordeaux. That’s before phylloxera and even before the familiar cast of characters (grape-wise) had settled in. I would just be fascinated. If anyone wants to share a bottle, just give me 24 hours notice! I’ll be there.

A few selections from The Paring

JB: What is your favorite grape, and why?

MD: I’ve got a pretty serious love affair going these days with Chardonnay. Ditto with Cabernet Franc, but let’s focus on what I’m drinking as I write this.

When I moved to Santa Barbara, back in 2004, Chardonnay probably wouldn’t have even cracked my list of the 100 grapes I wanted to work with for the rest of my life. If it had, it would have been 98 or 99, and that would have been after some French hybrids and a couple of extremely esoteric Russian varieties. No joke.

Now, fast-forward 16 years and it is number 1 on my list. It is a magical variety that has the ability to express the site, soil characteristics, aspect, elevation, etc. so clearly and with such precision. Some see this extreme malleability as a fault or weakness, but for me this is the crux of its true beauty. Its natural acidity is such an important factor in California wines today and should be a driving force in the years to come.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

MD: A 2015 El Desafio de Jonata. Our Cabernet Sauvignon-based blend from our estate vineyard in Ballard Canyon. Mother nature gave us these tiny clusters with BB shot-sized berries and then perfect conditions throughout the harvest. The Cabernet Sauvignon fermentations went without a hitch, and we were able to capture all the quantitatively massive and quantitatively exquisite tannins. This wine needs time, but has so much fruit density to go along with its currently imposing stature and structure. In 10 years it’ll be just coming into its own. It should be a beauty. Also good drinking today with a long decant.

Matt Dees urges you to open the “big bottles” early in the evening.

JB: Where is your go-to place when you want to have a glass or bottle? COVID-19 has put a crimp on going out, but pre-pandemic, where did you go?

MD: My favorite place to have a glass/bottle and more often than not, a magnum, is my brother’s home in Los Angeles. I take my family down and we join forces with my brother’s large family. We sit around a table, break bread together, pop some beautiful corks and have conversations that matter. I can picture the sun setting over Los Angeles. I miss it and I miss them. Looking forward to that opportunity again soon.

A sampling of Jonata …

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

MD: I think many of us find a really special bottle that we want to share with our family and friends. We plan a special night and a special meal together. Our guests show up (or used to show up, and will again one day!) and we welcome them with sparkling or beers and passed apps. We start with some fresh and easy white bottles. We might even open a few other nice bottles before we sit down and get into the main event: the bottle of impact and importance.

As humans, we’ve evolved to have the sharpest senses when we’re hungry and thirsty. By eating and drinking our way through the early hours of the evening, we’ve dumbed down our ability to sense and appreciate the beauty and special nature of the bottle in question. Next time, greet your guests with a glass of the “big” bottle, or at least make an effort to enjoy it earlier in the evening. If it is too late in the evening, it might as well be light beer.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

MD: Drinking the 1995 Staglin Family Vineyard Cabernet Sauvignon and the 1989 Château Certan de May in New York City with my brother back in 1998-1999 changed my world forever. I had planted a vineyard in Vermont in 1998, but after tasting these two wines I knew I was going to be a winemaker, there was no doubt.

The Hilt Estate from JONATA, The Hilt, The Paring on Vimeo.

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

MD: Oh where to start! I’ve had a tarantula walk across my boot in the cellar. A peacock wandered into our production facility. I’ve seen a giant container of meat pies fall into a press of Chardonnay (not in the U.S.). I’ve presented a series of wines I didn’t make to a large audience. I’ve been trapped in a festival tent in Chinon during a massive snowstorm. I’ve made three 45-minute presentations in French in Burgundy (in front of many of my winemaking heroes) without really speaking French. This is a great industry for strange incidents. I can’t wait to see what happens tomorrow …

JB: What is your favorite wine reference in a work of literature or a film?

Lilac Wine, Nina Simone

Dees has great taste when it comes to wine and music.

Want More Wine? Read On:

Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Pizza Sociale: Brooklyn Pizza in Los Angeles

I am a pizza snob. And I’m unapologetic about it. I detest bad, poorly made pie.

To be clear, “my” pizza must have a thin, crisp, charred crust. (I will not shun anyone who prefers deep-dish monstrosities or any other of the myriad inferior forms of pizza, but I don’t pretend to understand their preferences.) It must have (depending on the pie I order) fresh mozzarella, and olives that are full of acidity and brininess. It must have a sauce made with care, but it cannot have too much of that sauce.

Above all, it must possess a crust that is moist, crisp, dense, and light, all at the same time. And it must be charred in the proper manner. When it is all of this, magic happens.

Last month, I found a pizza to my liking in Los Angeles, near our apartment downtown. The owners are from Brooklyn, and the name of their place is Pizza Sociale. (I am working on a story about them and their restaurant, so stay tuned for that in this space soon.) In the meantime, here’s a look at two of their pies.

The Mama Maria: Lioni mozzarella, provolone, Bava Brothers ‘Nduja and soppressata, cotto, shaved Parmigiano Reggiano, and oregano
Lioni mozzarella Truffle Cheese, caramelized onions, mushrooms, shaved Parmigiano, truffle shavings

Angela and I have found our local pizzeria.

Inprint Is Still on My Cultural Agenda

One of the things I miss about Houston is Inprint, the city’s literary arts nonprofit organization. If you are interested in the written or spoken word, and aren’t familiar with Inprint, you need to be, no matter where you live. Its programming agenda is rich and diverse, and includes myriad writing workshops for children and adults, podcasts, and other engaging events. It also supports emerging writers through fellowships and prizes.

The component of the organization that I most enjoy is the Margarett Root Brown Reading Series, which, since 1980, “has featured more than 370 writers, including winners of nine Nobel Prizes, 62 Pulitzer Prizes, 56 National Book Awards, 50 National Book Critics Circle Awards, 15 Man Booker Prizes, as well as 19 U. S. Poets Laureate. The authors read from their work, followed by on-stage interviews and book signings at which audience members can meet the writers.”

It truly is one of the city’s treasures.

I’m a resident of Los Angeles now, and before COVID-19 hit I had been devouring the riches of the city’s vibrant arts and culture scene, including the Geffen Playhouse, the LA Phil, the Mark Taper Forum, to name but three of the hundreds of stages and venues at our disposal. When the virus has played itself out, I’ll be back in attendance at plays and concerts and exhibits. That cannot come soon enough.

Kevin Kwan: A chronicler of vanity, excess, and status anxiety.

Despite the distance, Inprint is still part of my existence. The pandemic has thrown events online, and at the end of this month I’ll be (virtually) at the live reading series, which is featuring Kevin Kwan, who’ll be reading from his new novel, Sex and Vanity. Kwan, as you are likely to know, wrote Crazy Rich Asians, which was made into a successful film of the same name. Expect droll and witty repartee and lots of humor.

You should join me on August 31, so get your (free) ticket here.

Kathleen Inman: A Soul of Wine

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Kathleen Inman. Whenever I hear that name my mind immediately goes to France. Inman makes wine in Sonoma County as the owner of Inman Family Wines, but the story behind her Endless Crush Rosé captivated me when I first heard it, and since I love Provence …

I don’t know why I waited so long to feature Inman in Wine Talk, because she is a great conversationalist — a recent Zoom tasting confirmed my initial impression, which I made based on quotes, articles, and conversations with others. Her laugh rang through, and when I heard it during the virtual tasting it was uncannily similar to the one I heard in my head when reading descriptions of Inman.

Inman loves Rosé, and she loves Champagne, and her way with Pinot Noir makes me happy. She studied French literature in college, which is another reason I look forward to meeting her (Baudelaire, Rimbaud … what’s not to like?).

Oh yes, she farms the Olivet Grange Vineyard, from which comes some fine Pinot Noir and Pinot Gris fruit.

Memories of Provence …

If you are seeking a new Rosé to add to your list, order some Endless Crush. During our tasting, I sampled Inman’s 2017 Russian River Valley Pinot Noir Special Blend. I loved it. Complex, elegant, wonderful acidity, and a fascinating fruit makeup (Olivet Grange, Sexton Road Ranch, and Vine Hill). This wine grandly represents Inman’s approach to her craft.

Let’s get to her Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. How about a food pairing for each one?

Kathleen Inman: First, 2018 and 2019 Domaine Tempier Bandol Rosé. I pair this with anything and everything. Kermit Lynch or Wine.com, $56

Next, 2019 Crocker & Starr Sauvignon Blanc Crocker Estate. Although it’s a little heavier in alcohol than past vintages, I have been drinking this recently. Crocker & Starr is the only wine club I belong to. I paired it recently with a caponata using eggplants and tomatoes from my garden. Purchased from the winery, $40

2015 Inman Family Extra Brut Luxe Cuvée, a blend of Chardonnay and Pinot Noir that spent years on the yeast. It’s currently a favorite of my husband’s, Simon, and is $78 (available from the winery only).

Inman Family WInes Experience from Inman Family Wines on Vimeo.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

KI: 2004 Krug Clos du Mesnil would be my choice. I had a bottle of this last year for my birthday, and it was very delicious. Clos du Mesnil, a tiny, walled vineyard, is a little gem. Krug, my favorite Champagne house, makes from it a single-vineyard, single-vintage, single-varietal sparkling wine that has mouthwatering Chardonnay fruit, crystalline acidity, and such a sense of place. This wine inspired me in making my sparkling wines; although they are made from Pinot Noir from the Inman Family OGV Estate vineyard, I kept the structure single-vineyard, single-vintage, and single-varietal, inspired by the Krug wines I love.

Clos du Mesnil: Do not tear down this wall.
Kathleen Inman with some Pinot Noir.

JB: What is your favorite grape, and why?

KI: I have to be really predictable here: It is Pinot Noir that I am most passionate about. I love it in all of its guises: rich and redolent in ripe fruit, elegant and savory with texture like silk satin, made into Rosés, made into sparkling wines … all the Pinots!

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

KI: We tend to buy vintage port for birth years since it can cellar for much longer than 10 years, but of course, not every year is a vintage year. Of my own wines, the OGV Estate Pinot Noirs really come into their own after 10 years. I would recommend the 2017 vintage. It is elegant, and each time I taste it, it has a subtle, haunting character that is more beguiling as the months pass. I would love to have this in 2027 with a seared duck breast with lentils and sautéed spinach.

JB: Where is your go-to place when you want to have a glass or bottle?

KI: COVID-19 has made us very solitary homebodies these days. However, in pre-pandemic days, Corkage, in Bath, Somerset, UK was our favorite place to enjoy wine by the glass or the bottle with small plates. We have been going there often for some years. A fantastic list. I do miss being able to travel.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

KI: On the business side, I think wine consumers should keep in mind that the best way to support small wineries is to buy from them directly. Distributors and retailers all make more money than the winery when a consumer purchases at a store. About 50-60 percent of the price of that bottle is all the winery gets — and from that they have to pay the taxes as well as the production costs. As often as you can, support wineries by buying direct.  

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

KI: My “wine eureka moment” that led to my passion for wine — as a consumer and later as a maker — was probably when I did a wine-tasting class offered by a local retailer when I was at UC Santa Barbara. I was fascinated by how the same grape grown in different places could result in wines that tasted so different, and then grapes grown in the same place but made by different people into wine were also different. Add in vintage differences and the variations were endlessly fascinating. Pinot Noir and Riesling were my first wine loves, but when I discovered Champagne … wow!

JB: What is your favorite wine reference in a work of literature or a film?

KI: Can I give two? Having studied a lot of French literature at university, I am a fan of the French Symbolist poets, and Baudelaire’s “L’âme du vin” (“The Soul of Wine”) is a favorite, but I would be remiss if I did not mention my friend Regine Rousseau, who, besides being a wine entrepreneur (Shall We Wine is her business), is a poet. Her recently published book — “Searching for Cloves and Lilies: The Wine Edition” — pairs her poems with wines, including one paired with my Endless Crush Rosé of Pinot Noir.

Want More Wine? Read On:

Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

We Toasted Colby With Monfort Rosé, a Worthy Trentodoc Choice

We had arranged a Virtual Happy Hour/Birthday Party last week with friends — his birthday fell on a weekday this year, so we opted to gather on the Saturday following his big day — and I decided to toast him with a sparkling wine.

Which wine, however, was the question. It’s a commandment around the BrockShah household that at least two bottles of sparkling — Champagne, Sekt, Lambrusco, Cava, or another variety of bubbly wine —be chilled and ready to serve at all times.

On that auspicious Saturday, I had the following bottles from which to choose: a Riesling Sekt from Loosen Bros., a 2011 DVX from Mumm, a Lambrusco from Cleto Chiarli, a non-vintage Billecart-Salmon Rosé, and a Monfort Rosé from Cantine Monfort. I chose the latter bottle, and we celebrated our friend’s birthday in Italian style.

Trentino, in the countrys’ far north, is the home of Monfort, and Trento DOC is an appellation about which you should know more (if you don’t already). The sparkling wines made there are of great value, and the producers are fine practitioners of the metodo classico.

The Monfort Trentodoc sparkling we drank possessed a beautiful pale-salmon hue in the stem. Perlage was distinct, fine, lively, and vigorous. We drank it with Goldfish, and loved the pairing. You will note appealing aromas of wild strawberry and citrus; hints of toast and nuttiness are the flavor profiles.

This Rosé is 50 percent Chardonnay and 50 percent Noir, and alcohol comes in at 12.5 percent. Residual sugar, you ask? That would be 8 grams per liter, decidedly dry. Look for this wine at the $30 price point.

Want more wine? Read on:

Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Wines For Summer and Beyond

How’s your summer going? Is it summer? Judging by most of the conversations I’m having, it’s a summer like no other … I do not count among my friends or acquaintances anyone who remembers the global pandemic of 1918-1919.

As usual, I’ve been tasting a lot of wines, for review purposes and otherwise, and every time I sit down to write about them, I hear a voice in my head saying something along these lines: “Wine? You are writing about wine? The world is falling apart, the alleged leader of the U.S. performing on par with the leaders of Russia, India, and Brazil, a pandemic is killing hundreds of thousands of your fellow citizens, and you are extolling the wonders of Riesling?”

I listen to the voice, and I know it has a great point. “I am writing about wine, I respond to the voice, but I am also working on a piece that will attempt to lay out my emotions and thoughts about the chaos and dysfunction we are all experiencing.” The voice grows quiet, for a moment …

Yesterday, I published Wine Talk, this one featuring Bibiana González Rave, and today I’m going to sample one of her wines, a Syrah. She makes a Sauvignon Blanc that I wish everyone could taste. Get to know her, and buy some of her wines.

My Summer Wine Guide was published last week, at PaperCitymag.com. It is a selection of bottles I love, wines from, among other places, Italy and Oregon and California and Germany. Give it a read here.

As always, drink well, with those you love.

Want more wine? Read on:

Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Bibiana González Rave on California Syrah, Château Haut-Brion, and Purity

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Bibiana González Rave is a complex individual.

She learned how to make wine while attending university in France (the Lycée de L’Oisellerie in Angoulême and the University of Bordeaux); developed her skills in Cognac (Lycée Agricole de L’Oisellerie), Burgundy (Domaine Devevey), Bordeaux (Château La Dominique, Château Haut-Brion, and Château La Mission Haut-Brion), and Côte-Rôtie (Domaine Michelle & Stéphane Ogier and Domaine Clusel-Roch), and Alsace (Domaine Scheidecker); in a particularly hectic three-year period worked six harvests; has a degree in chemistry, earned in her hometown of Medellín, Colombia; and is married to a fellow winemaker, Jeff Pisoni, with whom she makes wine under the Shared Notes label.

Did I mention that Rave, who resides in Santa Rosa, owns Cattleya Wines and Alma de Cattleya? She does, and the wines she is making at both operations are worthy of attention — the former brand encompasses her high-end offerings, while the latter comprises her entry-level range, including one of the best Sauvignon Blancs ($22) I’ve tasted in a long while. (I forgot to tell you that she was the San Francisco Chronicle Winemaker of the Year in 2015.) As I said, Rave, the mother of two sons, is complex, busy, and a great winemaker.

This Sauvignon Blanc is now on my always-have-on-hand list.

Rave’s journey took her to California in 2004, when she moved to Sonoma and began immersing herself in the Golden State wine world. She took positions at Qupé, Peay Vineyards, Au Bon Climat, Lynmar Estate (where she was winemaker from 2009 through early 2012), and Pahlmeyer, among others. She founded Cattleya — name after the national flower of her homeland — in 2012, and launched Alma de Cattleya in 2015.

Several weeks ago, I participated in an informative and fun virtual tasting with Rave, which marked the occasion on which I met her. The session also included her husband, Jeff, and Mark Pisoni, Jeff’s brother, who is vineyard manager at Pisoni Estate. We tasted the 2019 Alma de Cattleya Rosé of Pinot Noir, the 2019 Sonoma County Alma de Cattleya Sauvignon Blanc, the 2018 Lucia Vineyards Sonoma County Chardonnay, and the 2018 Santa Lucia Highlands Lucia Pinot Noir (the latter two made by Jeff Pisoni), all off which are drinking well.

While I much prefer in-person meetings and conversations, this long-distance talk demonstrated more than clearly that Rave is a passionate perfectionist when it comes to making wine. When I mentioned to her that I noticed a slight haziness in the sample bottle of Sauvignon Blanc I had received, she responded with what approached alarm, apologizing profusely. A few days later, she sent an email explicating the haziness, which had to do with temperatures during shipping. I like drinking wines made by such people.

I look forward to meeting Rave and her husband in person, but until then, sampling her wines, including a 2017 Syrah that I cannot wait to open, must suffice. (Reviews to come soon.)

Here is Rave’s Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

BR: First, the 2019 Alma de Cattleya Sauvignon Blanc. I love making Sauvignon Blanc wines, and the weather right now is just perfect for it. This summer we’ve been cooking a lot of fish with roasted vegetables, and the Alma has been a staple for the season.

Next, the 2019 Lucy Rosé. I am a big fan of my husband’s rosé of Pinot Noir — unbiased, I promise! It’s made entirely with estate fruit, farmed sustainably, and just overdelivers on quality for the price. This rosé is so flexible with food pairings, or simply an apéritif  all by itself.  

Finally, the 2018 Château de Saint Cosme – Côtes du Rhône. It is the entry-level wine produced by this property, but a great wine that should be perfect for outdoor dining, BBQs, light salads, pizza-to-go, etc. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

BR: I am a huge fan of Chatêau Haut-Brion, and their Bordeaux Blanc is far out of my budget. If cost was not a consideration, I would have every single vintage of that wine. I gained a very special appreciation for their wines when I worked there during the 2003 vintage. I attended the University of Bordeaux and had the opportunity to do my thesis research with them. I was able to spend six months working with an extraordinary team focused on excellence — and some of the best fruit I have ever tasted from a vine.

I know the wines are ultra-expensive, so it is hard to talk about a brand that very few people taste . However, working there day to day, you learn why those wines have mystique surrounding them. Their focus on crafting wine is remarkable. I wish I could have a vertical of all their wines going back to 1945, red and white.

Rave, a native of Colombia who knew from an early age that she wanted to make wine, moved to France and learned to do so.

JB: What is your favorite grape, and why?

BR: I would say it is very hard for me to have a favorite grape, especially because I love working with all the different varietals for my three different brands, but if I have to choose one that I am very passionate about, I would say Syrah. 

I find myself saddened by the bad reputation (or lack of appreciation for) of Syrah from California, while someone may feel fine buying a $500 bottle of Guigal or Domaine Stéphane Ogier from Côte-Rôtie (both totally worth that price, especially the Ogier wines). (Full disclosure: Ogier is one of my dearest friends from my time in France.) I think Syrah’s quality in the United State has increased tremendously, mostly from small family estates that continue to put a lot of care into and focus on the making of those wines, such as Alban Vineyards, Dehlinger, Pisoni Vineyards, Peay, and Donelan, among others.  

I certainly put a lot of attention to my Syrahs. I used my most expensive barrels on my Cattleya from the Soberanes Vineyard and treat the wine the same way I would treat, for example, a Cabernet Sauvignon from Napa Valley. I tend to do very slow fermentations for a long period of time in tank, then age in barrel between 15 and 24 months. 

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

BR: The 2018 Cattleya The Initiation Syrah from the Soberanes Vineyard in Santa Lucia Highlands. I just tasted that wine today before pulling out of barrel for bottling. I decided for this specific vintage to leave the wine in barrel for 22 months. I loved what that extra aging did for the wine. It is a 100 percent French new oak barrel-aging, and the wine is just delicious. It will be about 85 cases total production only, but I do believe the wine is going to reach a beautiful point in 10 years from now. I was so excited about the taste of the wine that I called my grower to tell him how beautiful it was tasting, and of course, to thank him for his hard work. (He happens to be my brother-in-law, Mark Pisoni.) 

JB: Where is your go-to place when you want to have a glass or bottle?

BR: If we have time to escape for a date, I love to go to San Francisco. The city is a place where my husband, Jeff, and I love to go for special meals. There are just so many remarkable wine lists that have everything you want. We love finding white Burgundy gems on wine lists, from small producers that always excel at their craft and Rhône Valley wines with some age on them. Boulevard Restaurant is one of these spots I have always loved, for food and wine. Their list is phenomenal. 

Locally, we enjoy going to a great restaurant called Bird & The Bottle. They have a lot of great dishes and my kids are big fans of their sliders. They also carry the Alma de Cattleya Sauvignon Blanc by the glass, so that often becomes our selection for lunch or dinner.

Rave, whose wines I want more people to know about and taste, holds Syrah in high esteem.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

BR: Purity. I believe that even when consumers tell me that they don’t know about wine, or that they are not wine connoisseurs, our bodies always can sense purity in food and wine. So, when you find wines that are intense on the aromatics and with a refined texture, with volume and velvety tannins, then you have found something special. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

BR: 1994 Domaine Romanée Conti, La Tâche

I tasted that wine in 2004, just before departing France to come to California for my first harvest in the United States. The wine already had 20 years of age, and it was just brilliant. I was speechless, having one of those moments you rarely get with wine, when the world disappears around you and all you hear, think, and see is the image of the wine going through the process of being smelled, tasted and consumed. It was the first time I drank Pinot Noir that made me want to produce wines from that varietal, and here we go. California became that place for me. 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

BR: The way I got accepted into my first school in France was both pivotal for my career, and very strange in the way it happened. All my initial mailed enrollment applications from Colombia were rejected (11 of them, since I wrote to all 11 schools in France that focus on the BTS of Viticulture and Enology), so I decided to just visit the schools in person. When I arrived at the first school, near Cognac, I met with the school’s principal. He spoke only French, and I spoke only Spanish —yet, somehow, we carried on a conversation for more than an hour!

When he said “Tractor” I was very excited, because Tractor sounds the same in French and Spanish. At the end of our conversation I left convinced that The Lycée of L’Oisellerie would become my new school for the first few years of my education in France. A month later I got a call and the confirmation that I was enrolled in the program I never knew for sure how it worked, but I assumed it was my passion and persistence that convinced him, that and the belief that it was just meant to be.

It’s all about Sancerre …

JB: What is your favorite wine reference in a work of literature or a film?

BR: Sancerre in the book “Fifty Shades of Gray.” I heard from so many people that Sancerre has become their favorite wine after they read the book or watched the movie. Cool to see that Sauvignon Blanc could become popular after being referenced that way. 

Want More Wine? Read On:

Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Michael Kennedy Has Sailing and Zinfandel on His Mind

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

I was waiting on Michael Kennedy at the bar. I had tasted his wines the week before, and was looking forward to meeting him in person. Email correspondence had given me a good idea of the man — thorough, enthusiastic, intelligent — and I’m always happy when my initial assessment is verified. In Kennedy’s case, I was correct.

He had come to Houston to sell his wine, which I was representing with Monopole Wines. Component is Kennedy’s label, and wines bearing the name hail from Napa and Bordeaux. He and his partners have three lieux-dits (left and right banks) in Bordeaux from which they source fruit (Merlot, Cabernet Franc, and Cabernet Sauvignon), and in Napa they have made wines with grapes grown in the Yount Mill Vineyard (Semillon), the Caldwell Vineyard (Cabernet Franc), and on Pritchard Hill (Cabernet Sauvignon, Cabernet Franc, and Petit Verdot).

Lunch was a glass of wine and a croquet madame, paired with lots of conversation, and afterward, I was convinced that Kennedy was someone I would be glad to know. We visited a few restaurants, and a country club or two, and sold some wine. We had dinner that evening, at Tony’s, joined by a few people Kennedy had met on Grand Cayman — he was a sommelier at Blue by Eric Ripert at the Ritz-Carlton — and the conversation continued (and continues).

Kennedy’s career includes serving as the beverage director at the Cayman Cookout, and his first vintage at Component was 2013. If you haven’t tasted what he is making, you will be in for a pleasant experience. I look forward to again sharing a table with him after the pandemic’s demise allows such pleasures.

Here is Kennedy in Wine Talk:

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Michael Kennedy:  In our portfolio, I have really been loving our Sémillon this summer. It’s über fresh, with a bit of saltiness — perfect with raw oysters or other beach foods like ceviche. I have also been drinking quite a bit of our 2017 reds from Bordeaux. It’s a “fresh” vintage, so that means they’re drinking well young. Unlike in 2016, where our wines were austere and serious, the ’17 allows for some immediate pleasure out of the bottle. Strange, of course, to say young Bordeaux at this price point is drinking well, but I love vibrancy and acidity, which it delivers.

I am drinking these wines with summer meats — meaning pork tenderloin, crispy-skin chicken — especially if prepared simply on the grill, perhaps with some herbal friends like grilled rosemary. This will really trigger the herbacious qualities of the wine, while allowing the juicy acidity to play well with mid-weight meats. (2018 Component Semillon, Yount Mill Vineyard, Napa $68 a bottle, 2017 Component La Carrière Cabernet Franc, Saint-Emilion, Bordeaux  $170 a bottle.)

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

MK: If cost was no matter … I’d love to have a cellar full of Château Lafleur. I truly have not had an experience quite like I had visiting the estate and learning from their winemaking team. The wine is so light, almost hard to believe it comes from Bordeaux, but what it doesn’t have is where I fall in love. It replaces weight with flowery elegance and toys with your mind. At one moment, the wine is intense, in the very next it is subtle. Alternatively, I’d love to acquire all of the old American Zinfandels out there — the classics from Ravenswood, Ridge, Swan — even further back from Martini and others. This varietal is so underappreciated — in fact, I like it that way.

JB: What is your favorite grape, and why?

MK: I wish I was cool enough to say something like Palomino or even Chenin Blanc, but I have to say the white wine I drink most at home is Chardonnay. I am a sucker for Bourgogne Blanc. Benjamin Leroux described it as the “red wine of white wines,” and that’s true. It can be so complex — texturally, aromatically — and confounding as well. If there’s another varietal I love, it’s Cabernet Franc — the feminine to the masculine Cabernet Sauvignon. 

Component has roots in Bordeaux and Napa.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

MK: Buy more American Zinfandel — something like Bedrock from a historic vineyard site (Monte Rosso, planted in 1886, is a good start). Not many people realize that some of the consistently oldest vines for commercial production are right here in the US. Plus, Zinfandel ages beautifully.

JB: Where is your go-to place when you want to have a glass or bottle?

MK:  All I want to do right now is go sailing with a bunch of friends and a cooler filled with entry-level white Burgundy, Vinho Verde, Muscadet and Pinot Grigio. Maybe next year …

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

MK: Wine is wine, you know? One of the coolest guys in the business is a man named Alessandro Masnaghetti. He’s an Italian mapmaker, and he said something that struck me recently in regard to “famous” winemakers. He talks about the phenomenon of “genuises” in winemaking being compared to Einstein or Dante — and the ridiculousness of this. One of those men discovered the theory of relativity, winemakers make wine for people to consume. I don’t know, I guess I just wish people would enjoy wine more — and stop “analytically tasting” wine. Just love what’s in your glass (but make sure it’s tasty). 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

MK: I feel like I’ve been talking a lot about Bordeaux, but, oh well. I have two moments, and both over a bottle of Bordeaux. 

First, a 1996 Château Montrose with my then-mentor, Allyson Gorsuch. We had worked a long tasting event and one of the benefactors of the event put out cases of wine from his cellar for us (the sommeliers working the event) to enjoy. I was just studying for my Certified Sommelier, and Gorsuch was studying for her Advanced. Everyone immediately took the Burgundy and Napa big shots, and we went with Montrose. It was in the “bret” days of the estate — and man was it awesome. We popped the bottle, sat down, and talked for two hours, watching the wine evolve. Over that conversation (which was arguably better than the wine), we saw this wine take a wild ride. It taught me about complexity.

The most important wine lesson I learned over a bottle of wine happened in 2012, when I had been given a bottle of 2005 Carruades de Lafite (the second wine of Lafite). I opened it with essentially the only wine collector I knew at the time. He had an excellent old-world cellar, and in an effort to prove to him that I knew something about wine (I had recently passed my Certified Sommelier) I googled everything on the internet I could find about the estate, the winemaker, the vintage, etc.

I opened the bottle and started babbling through everything I memorized earlier that day. This kind and experienced collector was so gracious; he listened and engaged sparingly. And when I ran out of information, it was a much quieter turn in the evening. After some time of silence, he started telling me things like, “This wine has really improved since I tasted it shortly after release five years ago,” and, “It reminds me of how the 1990 tasted at this stage,” and, “It seems to me that this wine will have a similar path of aging to the 1996”. It was in that moment that I realized I cannot “memorize” experience and that I should shut up, listen, and drink as many great wines as I can. To this day, I have to fight the urge to say too much, because I don’t want to miss something of meaning from someone more intelligent, experience, and generous than myself. (Although look how much I wrote here.) 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

MK: Too many to mention. It’s an industry filled with characters! One of my favorites, though, is also one of my most embarrassing. I was 21, first month in the industry — straight out of college — and my brother’s friend who owns a really excellent distribution company invited us to a portfolio tasting. We of course decided to attend and loved every minute of walking around experiencing the different wines and producers.

It was all well and good until we walked up to the table of a top Italian winemaking family, hosted by the beautiful daughter of the founder. She was in a stunning white dress and had opened some of their family’s top red wines. There was even an older vintage in a large, wide-based decanter. I tasted through, somewhat starstruck about the wines, and when it came for her to pour us the older wine, I took a deep sip of it. My wonderful brother whispered a comment about her not being able to use the decanter well right as the wine hit my palate, and I sprayed the family’s rare red wine all over this woman in the white dress. I was mortified, and basically blacked out and ran away. I saw her years later from across the room at Food & Wine Classic in Aspen and immediately changed course to avoid her in the off chance she recognized me. So, yeah. 

And it was good …

JB: What is your favorite wine reference in a work of literature or a film?

MK: I feel like there are plenty of deep and philosophical references out there, but I recently started looking at biblical wine references. I found a diagram of a wine press from Jesus’ times and then decided to see exactly how much wine Jesus made as his first miracle. Turns out, we know quite exactly how much wine: “Six stone water jars, containing 20-30 gallons each”. That’s about equal to 1 ton of grapes or two standard barrels, or 50 cases of wine. Man, I would have loved to have tasted that. 

Want More Wine? Read On:

Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Spottswoode’s Aron Weinkauf Has Spain To Thank for His Life in Wine

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

The COVID-19 pandemic has put me behind in meeting new people in person. Fellow writers, cooks and chefs, sommeliers, and, of course, winemakers. Aron Weinkauf (oh yes, he definitely has an appropriate family name!) is one of the individuals I look forward to meeting when next we are in Napa, and he’s the star of the latest Wine Talk.

Weinkauf is both vineyard manager and winemaker at the storied Spottswoode estate, whose team he joined in 2006 (as assistant winemaker). He is only the fifth head winemaker in Spottswoode’s history.

Weinkauf grew up in Nevada, where his family tended a vegetable garden (organic at that) and raised a variety of animals, including pigs, chickens, and horses. He went to school at Berry College, where he studied Spanish, a major that, though he did not know it at the time, put him on the road a career in wine.

During his junior and senior years at Berry, Weinkauf studied in Spain, where he learned to appreciate a glass of wine at meals. While working as a teacher after college, he volunteered at a winery in Nevada, and fell in love with the processes of growing grapes and making wine. Fresno State University was his next stop.

At the California school, Weinkauf, who was born in 1976, studied viticulture and enology, and he worked as an assistant winemaker at Ficklin Vineyards (which happens to be America’s oldest Port winery) while attending Fresno State. A stint at Paul Hobbs Winery was next.

And then came Spottswoode. Weinkauf oversees the estate’s 24 blocks, making some excellent Cabernet Sauvignon and Sauvignon Blanc — if you have not had the pleasure of tasting these wines, do something to change that. He also makes a Syrah, from Sonoma County fruit.

Let’s see what Weinkauf has to say …

Aron Weinkauf with Panda and Cachou: Every estate needs a dog or two.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Aron Weinkauf: First, if you can still find a 2012 Spottswoode Sauvignon Blanc, try it. One doesn’t age Sauvignon Blanc that often, but I really love ours with a little age on it. They can be so nuanced and yet still so fresh and youthful. You can get current vintages and try them young and try and age one if you can. My wife makes a salad with grapefruit, lettuce, shallots, a mustard dressing, and then crab or abalone (or any fish/shellfish), that is pretty awesome with it. 

Next, a Keller or Emmerich Knoll Riesling (Trocken) with some Thai or southeast-Asian stir fry.  

Drink this wine, says Weinkauf: Good things come from Weingut Knoll. (Courtesy The Source)

You can get the above bottles online, or ask at your wine shop; the Spottswoode can be ordered directly from us. 

I am very anxious to try a few more Priorat wines, too. I just had one and was amazed. The overripe, jammy versions of the 90’s seem to have made way for some really beautiful, balanced styles now. I want to see if that is true. 

Finally, I would also get a bottle of the Spottswoode’s 2016 or 2014 Estate Cab. Both are exceptional vintages and in very good shape, in youthful places. The 2017 is also great, yet one is rewarded by drinking Cabernets with a little more age on them.   

Weinkauf likes birth-year wines, and this one, from Heitz Cellar (1976), is on his list.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

AW: I’m a big fan of birth-year wines. It’s so special to open up those bottles to celebrate with friends and loved ones. For myself, a ’76 Heitz Martha’s or Fay. 1977 Taylor’s Port for my wife. My brother’s and sister’s years are still around, too.  I guess I’m lucky in that most are not considered amazing vintages in general, so hunting them can be more affordable. 

Aron Weinkauf wants you to know the stories behind the wines you buy and drink, including those of the people who make it and the places from which it comes. (Courtesy Spottswoode)

JB: What is your favorite grape, and why?

AW: I would say Cabernet Sauvignon. I work with it, always getting to know it more, and love how it grows in the vineyard.  It has a health, structure, and balance in the vineyard, and I see so many of its physical traits in the wines it becomes. We don’t always see how dynamic it can be, but it can be very much so, though always with a more tannic edge.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

AW: Without a doubt I have to say Spottswoode Estate Cab. It’s from a special place, will age beautifully, and I’m proud of what we make. 

Buy this, and let it age.

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)?

AW: At one point in time I would have told you Willi’s Wine Bar in Santa Rosa. It burned in the Tubbs Fire of 2017, and I now have two young kids, so if not work or home, going out is probably only going to happen with family or at a friend’s … and now socially distanced. (Note: Willi’s Wine Bar reopened, in a new location, in 2019.)

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

AW: Now more than ever, I wish people would know the story behind anything they purchase. Who owns it, how it’s made, farming practices, the effort, labor, and passion that has or has not gone into what you’re buying. There are real people behind each — where we choose to spend our money is how we pick whom we are supporting.  

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

AW: I was lucky enough to have studied in Spain. It was my first introduction to wine at the dinner table, and I loved it. I was lucky, too, that Spain makes some great wines and the people I was with would open good ones. Nothing collectible, just good table wine. 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

AW: The making of the 2017 vintage wines. The heat spikes of 2017 were so extreme … we hadn’t seen anything like it, and every day brought something new and peculiar. And then to have the vintage punctuated by all of the fires … It was a wild ride for sure. 

Jawohl, Herr Goethe, life is too short to drink bad wine. (Johann Heinrich Wilhelm Tischbein, Goethe in der roemischen Campagna)

JB: What is your favorite wine reference in a work of literature or a film?

AW: There is a quote that I think Tony Soter mentioned to me, but many have heard it: “In winemaking we are all interventionalists, otherwise we’d be making vinegar.”

 On a truer literary basis, I must admit, an immediate reference did not come to mind.  So, I looked up a few things and followed those wormholes a bit.  

From Goethe’s play Götz von Berlichingen: “Wine rejoices the heart of man and joy is the mother of all virtues. ”

And from Groucho Marx: “I shall drink no wine before its time! OK, it’s time!” (I know, a little cliché, but I did have to look this up quickly. )

Want More Wine? Read On:

Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Alta Colina’s Molly Lonborg Talks Grenache, Asparagus, and Château Rayas

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Molly Lonborg’s laughter is infectious, even experienced over a Zoom virtual tasting, which is how I was introduced to her last week. She’s the winemaker at Alta Colina, a Paso Robles-based estate “whose singular purpose is to grow superior Rhône-style wines.”

We tasted through several barrel samples on the chat, and a bottle sample of Alta Colina’s 2017 GSM. All were tasting well, and I was drinking quality, something that never fails to please me.

Lonborg came to Alta Colina in February of 2020, by way of Halter Ranch, whose team she joined in 2011 as lab manager and cellar assistant. She graduated from California Polytechnic State University in 2009, with a degree in earth sciences (with a concentration in wine and viticulture), and studied geology in New Zealand at the University of Otago. She was hand-picked by Bob Tillman, the founder and co-owner of the family-run Alta Colina, to succeed him as winemaker (Tillman is still a hands-on owner, and has the title of director of winemaking at the estate).

As you’ll read, Lonborg loves Grenache, and what she’s doing at Alta Colina with Rhône varietals is, based on my (thus far) limited tasting, exemplary. The bottle sample of the 2017 GSM we tasted was delicious, and the barrel samples caused me to write “get your hands on more of this producer’s bottles.”

I look forward to meeting Lonborg (and Tillman) in person, but until then, let’s see what she has to say in Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Molly Lonborg: Our current technique at Alta Colina is for our red wines to undergo 22 months of barrel-aging and an additional year in bottle.  We just released our 2017 reds and a couple of our whites.  At the moment, my personal favorites are the 2017 GSM, the 2019 Grenache Blanc, and our 2019 Rose. 

Alta Colina’s GSM: France-inspired Californian

Our 2017 GSM ($56) is a blend of 76 percent Grenache, 20 percent Syrah, and 4 percent Mourvèdre. This wine has a beautiful combination of fruit and rusticity.  With Grenache in the driving seat there are notes of strawberry fruit, leather, and dried cranberry; the Syrah is providing some unctuousness and depth; and the Mourvèdre rounds it out with earthy notes and spice characteristics. I personally love to age Grenaches, as I think they are complex, and over time the flavors become more layered. So although this wine is drinking great right now, I think it has the potential to shine around 2028-2030.  This is an extremely versatile wine and can pair beautifully with a wide range of foods, from hearty vegetable dishes to wild game.  

I am also really enjoying our 2019 Grenache Blanc ($34). I love Grenache Blanc from Paso Robles. Over the years it seems that it has received a bit of a bad rep as being a flabby (low acid) white wine. However, I think a lot of that comes from the fact that it is a Rhone white varietal and historically the tank space was favored for red wines, resulting in whites that were often left too long on the vine prior to vinification. 

Grenache Blanc is actually one of the few white grapes that is able to maintain acidity in our hot climate, while also having some body.  Our Grenache Blanc is true to the varietal with notes of white flowers, honeydew melon, pear, and a great minerality. Most of our whites are fermented in barrel and aged for 18 months, but the Grenache Blanc is tank fermented and released after after months of aging in the tank, which makes it a fresh, ready-to-drink offering. This wine pairs well with summer salads and anything from the sea.

A sampling of Alta Colina’s production

My third wine is our 2019 Rose ($28).  It is 100 percent Grenache, picked early and pressed whole-cluster prior to fermenting cool in the tank. This wine saw a few weeks of neutral oak, which adds some nice creamy notes to the predominant flavors of wild strawberries and guava. I love this wine with brunch, egg-based dishes, salmon, or vegetarian cuisine (Esther Mobley just wrote an article touting this wine’s ability to pair well with asparagus, a notoriously difficult vegetable to pair wine with due to the sulfur qualities in contains).

(Note: Alta Colina’s sales skew about 95 percent direct to consumer, so the best way to find these wines is through its website.)

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

ML: This is a tough question for me … there are so many really!  Honestly, if someone said I could spend $500 to $1,000 on a bottle of wine, I would probably ask to take the money and spend it on a case or two from a bunch of different producers.  I love to try out new, fun, unique offerings from the U.S. and around the world.  I like to support small wineries that are preserving varietal characteristics in their wines.  

However, if I were forced to buy one bottle it would probably be a 2016
Château Rayas.  Although I have never been able to taste a Château Rayas I love Grenache and I have heard great things about the 2016 vintage in Châteauneuf-du-Pape. 

JB: What is your favorite grape, and why?

ML: Well, I kind of just gave it away, but Grenache is by far my favorite varietal.  There are so many reasons why I love Grenache.  It is such a versatile grape, it makes delicious Rose and red wine; it can be beautiful on its own, but also shines in blends. Because it is a medium-bodied wine it tends to not do well with new oak, as the intricacies of the varietal can easily be overpowered. It can be head-trained or trellised. It withstands virus in the vineyard well, and pairs well with a wide variety of foods. It is generally affordable, and has amazing red fruit characteristics like strawberry, cherry, cranberry, even watermelon and guava when used for a Rose.  

I am also really excited that in 2020 we are going to continue a project that I started while working at Halter Ranch Vineyard by producing a carbonic Grenache at Alta Colina.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

ML: Red-letter day, I love that! I would suggest two wines, our 2018 Model Citizen Roussanne (will be released this fall), as I love the way Roussanne ages, and our 2017 Ann’s Block Petite Sirah. These are both gorgeous wines that should drink well for 10 to 15 years. 

Bob Tillman, Alta Colina’s founder and co-owner, sold the first bottle of Alta Colina-labeled wine in 2009.

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)?

ML: Sadly, I don’t get out much these days (and not just because of COVID-19 times), because we have an 11-month-old that keeps us pretty busy.  However, on the rare occasions we do get out we will usually head to 15C for a wide range of wines, Lone Madrone for burger Sunday and to enjoy some delicious wines crafted by the father-son duo of Neil and Jordan Collins (all fruit is sourced from dry-farmed vineyards, with minimal oak/additives), or we often frequent the Collins’ other establishment, Bristols Cider House.

Alta Colina’s tasting room is looking forward to a post-COVID-19 world.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

ML: That if you think the wine is good, then it’s good.  I waited tables for years, and people would always ask me if I thought a particular bottle was a good wine.  My response was always, “It doesn’t matter what I think, if you like it then it’s a good wine.”  I think people get wrapped up in the prestige of wine, what other people think, the price, the label, etc.  At the end of the day, wine is a labor of love, and we do what we do in hopes that wherever you are when you open that bottle of wine that it makes you feel something and provides some happiness.  

I met the Alta Colina team of Bob Tillman, Maggie Tillman, and Molly Lonborg at a virtual tasting in May.
The 2019 Syrah Block 8 barrel sample is confidently speaking of the vintage’s potential.
Lots of great Grenache, Syrah, and Mourvèdre is growing at Alta Colina.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

ML: That’s a bit hard to say.  I didn’t grow up in a wine family, and I don’t think I can trace my interest back to one bottle or tasting. However, I began my interest in university.  I studied earth science at Cal Poly and spent a lot of time in soil classes; after my freshman year I spent a year in New Zealand studying geology. Upon my return to Cal Poly, I discovered the wine and viticulture department. I quickly added a concentration in wine and viticulture to my curriculum. I began working in the industry thinking I would go into sustainable/organic vineyard work, but I ended up on a path that kept me in the winery.  

There used to be a wine seminar called A7 that was created for industry members who loved Rhône wines. I remember the first one was at Law Estate, and there were two presentations by amazing women winemakers, Anne-Charlotte MéliaBachas of Font du Loup and Helen Keplinger of Keplinger wines. I had felt a bit of an odd (wo)man out in the wine industry, as it has been pretty male dominated, but after hearing these women talk I knew I was hooked and that I wanted to be a winemaker.  

Font du Loup’s Anne-Charlotte Mélia-Bachas is in part responsible for Molly Lonberg’s winemaking career.

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

ML: So many, how to choose just one … One of my favorite wine moments was discovering a gem of a wine that I had completely overlooked. The 2017 harvest was difficult for whites in Paso Robles because we had a lot of rain, which resulted in a lot of crop and canopy, but then, in the beginning of September, we had 10 days over 100 degrees, which caused a lot of the fruit to stall in ripening. At Halter Ranch we had some Picpoul Blanc that just never ripened; we kept letting it hang, thinking it might eventually ripen, but we ended up harvesting it in the beginning of November at 19 brix (typically we would harvest around 23 brix). We vinified it in tank and racked it clean to a topped-up tank, thinking we would sell it on the bulk market. I was tasting through tanks one day, and when I smelled this tank I was completely blown away. After tasting it I was hooked! We ended up bottling it on its own at 11.2 percent alcohol, and it was such a fun wine and a beautiful expression of the varietal. 

However, by far the craziest wine incident in my career involved an intern that accidentally removed the wrong clamp, and the 3-inch bottom valve to a 10-ton fermenter that was filled with actively fermenting Syrah blew off and wine and grapes began to deluge everywhere.  It took three of us to put all of our weight into covering the hole while someone else set up a sump and a pump and we pumped as much as we could into an empty tank. It took about 45 minutes for us to get the thing under control, and by the end we had lost quite a bit of wine and fruit and we were covered from head to toe in fermenting Syrah. Man oh man, I wish those were the days of iPhones and easily accessible cameras; sadly, there is no photo of the aftermath.

JB: What is your favorite wine reference in a work of literature or a film?

ML: I wish there were more to choose from. But probably my favorite wine reference is from The Jerk when Steve Martin is asked if he wants another bottle of Chateau Latour and he responds with, “Yes, but no more 1966.  Let’s splurge!  Bring us some fresh wine, the freshest you’ve got. This year’s. No more of this old stuff.  He doesn’t realize he’s dealing with sophisticated people here!”

Want More Wine? Read On:

Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

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