Category: Wine Talk (Page 1 of 3)

Pietro Buttitta works among vines of Dolcetto at his estate.

Pietro Buttitta Talks Wine and the Apollonian/Dionysian Dialectic

November 9, 2021 / [email protected] / 0 Comments

I like to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well.

The wines were intriguing, pleasurable. I opened the bottles — a 2018 Barbera, a 2017 Sangiovese and an Aglianico — over the course of several weeks, and tasted their contents alone and with food. First impressions: The quality of the winemaking was evident, clear and profound. Restrained yet confident these wines are. In addition, the fruit is of a high calibre.

I knew nothing about the winemaker, Pietro Buttitta. A public relations consultant had reached out to me about him and his Prima Materia label after reading a Wine Talk piece, and a few weeks later I was tasting the wines. My future drinking will include more selections from the producer, because his offerings are worth revisiting.

What I’ve learned about Buttitta (without having met him in person — yet) is that he is, in addition to being a fine maker of wine, an opinionated writer with a style I find engaging and honest. He grew up on a vineyard in the Russian River Valley AVA and fell in love with food early on, the latter of which I certainly identify with. He is not a “foodie”. . . he is a perfectionist. He worked in restaurants, struggled with the low pay and slovenly (or worse) colleagues, and, in 2009, found himself back in California and in the family vineyard.

**You’ll find lots of Italy in these vineyards.**

That vineyard encompasses 12 acres in the Kelsey Bench AVA, in Lake County, and includes (among others) vines of Sagrantino, Nebbiolo, Negroamaro, Sangiovese, Aglianico, Primitivo and Dolcetto. Buttitta makes his wine in small batches (two to 10 barrels of each). He eschews herbicides and pesticides, and his wines are unfined and unfiltered. You taste the place, you taste the fruit, and you taste the winemaking. That’s a bountiful trifecta.

Buttitta is, as I wrote, opinionated, and I find myself in agreement with much of what he says and writes, including his takes on cooking and the importance of listening to what a grape has to say to one. I also share with him a passion for Sagrantino. He’s a serious person who is familiar with Nietzsche, and he’s a self-taught winemaker who never fails to credit and thank those who helped him learn. I hope to meet Buttitta as soon as I can, and would, I think, enjoy spending time with him in the vineyard and kitchen.

If you want to taste his wines, and I recommend that you do so, they are available here. Now, let’s see what Buttitta has to say in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Pietro Buttitta: Beyond obvious illness paranoia, and the ethical dimension of trying to keep one’s self safe while simultaneously having a responsibility to protect other people and a part-time employee, it made life challenging. I was very lucky to have the grounding element of the vineyard in 2020, and even through the 2020 fire insanity it had a touchstone effect. I really missed eating in restaurants, though, and face-to-face meetings are still awkward. I sorely miss professional/industry tastings – even the bad ones as my cellar palate gets worse and worse.

It really threw the wine industry for a loop. In 2020, grocery store wine went bonkers, I became a delivery service, then the public drank too much and slowed down, then we opened, then we closed, and then we reopened and the tasting room was insane for two months with cabin-fever escapees, then it nosedived, and now we are stuck in a lame plateau where people just don’t seem to be interested in wine in the same way. They want to drink and be out, in a wine-bar way, but it seems like residual exhaustion and overly on-demand commodification and delivery has left people disinterested.

Ninety percent of customers roll their eyes when I talk grape cultivars at the tasting room now. Hopefully this is just temporary, but I think about the business and how to safeguard and grow it in a different way. We took smoke-free grapes for granted, like bottles and label paper, or packing people into a tiny tasting room, and all of a sudden it all changed. Suddenly nothing is permanent, and how a tiny business can operate without any safety net in that scenario is very stressful.

We also watched tech-platform wine retailers, who went crazy last year and wrote themselves big paychecks, and are now cutting staff and downsizing. That tired old myth of building wine brands in restaurants (this DOES NOT work for small brands) took a serious beating. The industry went from 30 million surplus gallons of wine 3-1-2020 to facing a serious shortage today. And we are still wearing masks, and thinking about every surface that we touch.

If there is a positive when thinking about all of the challenges in the hospitality industry and agriculture, one is how we think about our responsibility to employees, and also what reasonable expectations and mutual respect should look like for longevity. In 2021 Covid drags on, but now record heat in our area, supply-chain issues, and the smallest crop in 20 years just sent us a whole new curveball. Last year’s adaptation and pivoting was only the beginning, so plan for impermanence, and be ready to reassess everything every day is my lesson.

**Pietro Buttitta is the man behind Prima Materia wines.**

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

PB: I’ll start with one of mine – our 2016 Sangiovese. It was the last mellow and boring vintage, not too hot, the initial 25 percent stem inclusion was a little too much. Five years down the road it has integrated beautifully with full spice and touch of tannin mellowing allowing New World fruit with Old World structure and earthiness to really show, and an innate whiff of pine. Time is magical with wine. Braised beef – maybe a mole?

This wine? I'd pair it with wild boar. — **This wine? I’d pair it with wild boar.**

2). Giacosa 2002 Barbaresco – Aged Nebbiolo is an easy win, but sometimes the fruit desiccates too much and parches out while waiting for the tannin to round off. This bottle had that magical balance of all things being in harmony, and the aromatics grew and grew the longer it was open. Simple pasta and cheese or risotto with mushrooms.

3). Always drinking well – Sercial Madeira. Before dinner, after dinner, even drinking nicely with food like vegetable stir fry or something cheesy. Acid plus caramel!

**Nothing wrong with these at all. Nothing.**

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

PB: I haven’t had this one, but Mastroberardino – Villa dei Misteri. Not the most expensive bottle, and their best wines are always oak-free and get pretty mixed reviews otherwise, but I love the concept and historicity of it all.

JB: What is your favorite grape variety, and why?

PB: Sangiovese. It fills the pinot void (our vineyard is far too hot for pinot) while also touching on spice elements of cool-climate syrah. Sangiovese is also very finicky about texture, riding a knife edge of tannic astringency, fruit and acid without having a cluttering mid-palate texture. I am definitely a texture person, and I will never use the term “perfume” in reference to wine like some aromatically focused winemakers do. It also ages very well, and clonal variances are as pronounced as with Pinot.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

PB: While vintage Champagne is tempting – and it is very predictable with aging – another safe bet is above-mentioned Madeira, especially on the drier end of the spectrum. But in keeping with the big Italian red theme of Prima Materia, I will go with a Taurasi (Aglianico from Campania) or Sagrantino from Umbria on the bigger end of the spectrum.

Though Antonelli can be very nice and pure, and I love Bea, but here I say big, wild-boar-like stinky and shape-shifting Milziade Riserva Sagrantino. Just be prepared to have your face ripped off and spend an evening trying to figure what is going on exactly. Magic for $75.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

PB: A nice summer evening outdoor with a few friends sounds very appealing, with the sun going down, sliding into the Dionysian darkness so vision becomes secondary. I like really simple food if focusing on a wine, and a simple environment.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

PB: LET IT BREATH! White wines, too. They are living things. You know how that soft cheese smells stinky and dank suffocating in plastic wrap? Or how raw chicken gets sulfury-smelling in plastic? Let it breath and enjoy how it changes. Of course, commodity wines may not need this, but you don’t treat meatloaf like Beef Wellington, or fish sticks like fresh sablefish, do you?

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

PB: One of my early professional tastings in 2008, with Marchesi di Grésy, going through all of the wines and then the single-vineyard Nebbioli. That was the mind-expanding moment of a novice suddenly getting it, flavor and texture unfolding in 20 dimensions, hurting so good.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

PB: A few:

1). The many times I’m pouring wine at a consumer tasting and two people try the same wine and one says, “It is so smooth” and the other says, “It is so dry and harsh”. . . and then they look at each other, and I at them.

2). Watching fire eat into the hillsides so many times now, and wondering what will happen next.

3). Selling lots of wine in New York and having the distributor cancel all of the sales because he didn’t like me and I wasn’t impressed by his self-absorbed bicep-flexing reflection in the subway.

4). Picking at 10 pm at night, still 90 degrees, and the tractor breaking down in the middle of the worst vintage ever, and just carrying picking tubs all night long.

5). Winery owners who don’t know anything about making wine calling themselves “winemakers” right in front of me. That doesn’t fly in restaurants, or any other industry except this one, somehow.

6). The hauntingly quiet winery during harvest with no electricity.

7). Napa Valley at 4:20 am last year with hot winds and the Glass Fire swirling at St. Helena crossroad. I kept thinking the sun was coming up but it was too early …

8). Watching some celebrated “natural wine” producers bottle, and thinking, oh my god, they really don’t care about the product, or watching them make natural wine using $500,000 worth of equipment at a custom crush facility. And then having transcendental ones that make me take all of that grumbling back.

9). Conversely, how my 100 percent whole-cluster fermentations come out undrinkable while those of others come out beautifully. They can taste my fear.

” … lust is only a sweet poison for the weakling, but for those who will with a lion’s heart it is the reverently reserved wine of wines." — **” … lust is only a sweet poison for the weakling, but for those who will with a lion’s heart it is the reverently reserved wine of wines.”**

JB: Your favorite wine reference in a work of literature?

PB: Can’t really think of one. Usually they conflate ethanol intoxication with the aesthetic nature of wine, and though these things overlap, they are not the same, but they are somehow inseparable. I guess “Mondovino,” for all of the misrepresentations, is pretty fun. Some of the movies about sommeliers are so gross and precious that they are unwatchable, but I haven’t seen Somm II yet. I am waiting for the film that takes on the “natural wine” or tackles class in the wine industry.

Oh, though not a literary wine reference per se but more of a heuristic tool, I do use the Apollonian/Dionysian spectrum pretty regularly. Light, structure, symmetry for the first, the rationality of daytime, think technical but soulless production wine, which has its place. The Dionysian is all that swirling dank darkness, emotion over rationality, feral qualities, the fear and thrill of darkness. This is an oversimplification, but music and wine fit well within these two poles, though we need a third dimension, thank you, Birth of Tragedy.

Want more wine? Read on:

Nick Goldschmidt and His Family Affair
A Loire Favorite, and Other Tasting Notes
Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Nick Goldschmidt, who hails from New Zealand, has made wines in myriad regions around the globe. He and his family have called Healdsburg home since 1990. (Courtesy Goldschmidt Vineyards)

Nick Goldschmidt Doesn’t Throw Good Wine Against The Wall

October 2, 2021 / [email protected] / 0 Comments

Nick Goldschmidt has a way with wine, and with words. The native New Zealander is gregarious and he’s passionate about his craft. The man is a walking, breathing repository of viticultural knowledge, lore and history.

He’s plied his trade for decades now, in many regions, and the wineries for which he’s worked and consulted are too numerous to mention in this space, but here are a few names: Atlas Peak, Buena Vista, Simi Winery, Clos du Bois, Gary Farrell, and William Hill. Not to mention his own Goldschmidt Vineyards, which was established in 1998.

Goldschmidt’s career officially began in 1982, when he took a research position at New Zealand’s Lincoln University. He graduated from that institution with a degree in horticulture, and did postgraduate work in viticulture and oenology at the Wagga Wagga campus of Charles Stuart University, also in his homeland, and then at Adelaide University, in South Australia, where he was enrolled in the Hickinbotham Roseworthy Wine Science program.

I’ve long known of Goldschmidt, and have enjoyed his wines over the years. When I was contacted recently about Merlot Month and saw that he was one of the participating winemakers this year, I knew I wanted to feature him in Wine Talk. (October is Merlot Month, and PaperCity’s The Pour series will have more about that, so stay tuned, and in the meanwhile, drink more Merlot.)

A family of wine. (Courtesy Goldschmidt Vineyards)

Goldschmidt and his wife and business partner, Yolyn, have called Healdsburg, California home since 1990, and his passion is now a family affair. In fact, one of the wines I tasted in preparation for Merlot Month was the 2019 Chelsea Goldschmidt Guidestone Rise Merlot (Alexander Valley AVSA). There are five Goldschmidt children, and Chelsea is one of them (the names Hilary and Katherine also grace Goldschmidt labels).

Let’s see what the winemaker has to say.

James Brock: How has COVID-19 changed your work and life?

Nick Goldschmidt: I have a theory that the average white guy lives to 85 and I am 59, so I have 25 years left to live. Twenty five by 365 days is 9,125 bottles of wine to drink. If I drink one bad bottle of wine, that is like throwing a good one against the wall.

I had a dream COVID, as four of our five children moved home. What other time in my life would I have adult children living with me? It was truly an amazing experience.

As a result of the additional people in the house, my wine cellar has been severely depleted and I’ll be closer to 10,000 bottles by the time I pass. The second thing I learned was that my children were asking, “OK, if we are drinking five bottles of wine tonight, which ones are they? We need to start drinking them in reverse order.” This also made sense, so we drank the best wines first. Great idea to finish the evening with a white. Fresh and with good acidity like we now do at wine judgings.

From a professional aspect, I was actually in Chile when COVID hit so I saw the implications of trying to harvest and make wine with all these severe restrictions in place. This meant I knew how hard it would be when I was scheduled to do this in California six months later. I’ve also seen today countries on a slower route to recovery and some that are much faster in terms of vaccinations. This means each country has its own set of rules, not only in terms of getting in, but how it is to work.

For instance, without foreign workers it has been very hard to pick grapes in New Zealand, which I think has been the hardest hit. Getting around Chile takes many special passes each day, which requires getting online before I head off each morning. Then Argentina has been impossible to get into. Canada has also been difficult, but is opening up now. So yes, consulting has been a challenge.

We have also seen difficulty with shipping and trucking. Of course, containers from New Zealand are taking months just to book. But also getting rebar for a planting job I am doing on the Staircase Vineyard has been ridiculous. We ordered in November and finally got it in June.

The Staircase Vineyard: A study of soil.

As a result I think in some strange way that COVID has been good for me in terms of both my personal and professional life. I am much closer to all clients I’ve been in touch with during this time.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

NG: I have started drinking what I preach. By that I mean I often talk about wines holding up over time primarily focusing on color and no “crusty deposit on the shoulder of the bottle”. As wines age, they move from purple to red to brown to orange, and I’ve always explained how I get my wines to only go purple and eventually to red. I learned many years ago how to slow the ageing beyond that.

**This wine has a special place in the heart of Nick Goldschmidt.**

So I started drinking older wines. For example, Goldschmidt Yoeman, which is the first wine that we made, in 1999. I have been drinking the 2001, marking 20 years for this particular wine. Remarkably, it has remained in a purple color with great liveliness, and it still has a fine freshness. No crust. Tannins are of course integrated and possess far more silky complexity than when released.

The second one I’ve been drinking a lot of is Singing Tree Chardonnay. We have been making this wine for a while now. It is from a field selection (no clone) and has a more lively mouthfeel on release and so really helps with its ageing. I have been drinking the 2014 and 2016, which really stayed alive. Both good vintages, of course. I think we have achieved what we set out to do, which is to make a wine with tension and liveliness without the high alcohol.

The reason for tasting is as I look back I wondered if I should add more weight to this wine like we did at Simi. I am carefully analyzing people around me and what their perception of the wine is. Do I make a change, or do I stay the course? So far, stay the course, but I do like analyzing over time. Thinking to how we farmed then and now and how our palates also change.

I don’t often drink wines from wineries for whom I consult, but as of late, based on amazing reviews, I’ve been trying Chadwick Cabernet in the Maipo Valley Chile. This wine has had two 100-point scores and I’ve really focused on those and the vintages around them. To me, it is not about the wine itself but a memory of the vintage. With the memory of the vintage comes my memory of the people who lead the winery and make the wine. I spend three months per year in Chile and have done so for almost 30 years now, so I know the area and the vineyard well. Chadwick 2017 is so far my favorite.

The Chadwick Cabernet Sauvignon was the first Chilean wine to receive 100 points from a wine writer (James Suckling, for the 2014 vintage). Image courtesy jackyblisson.com — **The Chadwick Cabernet Sauvignon was the first Chilean wine to receive 100 points from a wine writer (James Suckling, for the 2014 vintage).** Image courtesy jackyblisson.com

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

NG: If cost was no consideration and it was something I could do each day, I would probably choose Vega Sicilia Unico, because it was one of the first great wines that, when I drink it, I drink with the memory of whom I was with, where and when. Even better would be that I would drink it in Spain in the DO of Ribera del Duero (Denominación de Origen).

I worked in the area when I was consulting with Tarsus. This was when I was the chief winemaker at Allied Domecq and so have many great memories of the region and the winemakers as well.

Vega Sicilia Unico: This wine evokes fond memories for Nick Goldschmidt — **Vega Sicilia: When Nick Goldschmidt drinks this wine, the memories come flooding back.**

JB: What is your favorite grape variety, and why?

NG: Cabernet, of course. It is so specific to its surroundings. I’m originally from New Zealand, and it is very hard to make there, so having lived in Napa and Sonoma for the past 30 years, I have learned a lot about it. I also see it in Maipo, Mendoza and Okanagan, all places I work. It comes in so many shapes and sizes. The future for me, though, is making these wines under 14 percent alcohol. We are doing it already in some appellations, but will it have respect if it is done in Napa?

It has the power and the weight, but it is a spicy variety, and too often at high alcohol they finish sweet. I really do not like the term “Napa Style,” which is used around the world. We need to get away from that.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

NG: I always find these questions very difficult to answer. I always wondered why we sell wine by the individual bottle and in 12 packs. Is it because we are supposed to drink one bottle per year, or 12 bottles per year? I’m never quite sure. Let’s say it’s 12 bottles per year. Drink one a month and then you choose the best month of your memory when the wine tasted best.

I think the wine that will taste best is always the one that was drunk in one of the happiest moments. Therefore, choosing a wine for an anniversary or another great celebration in your life has to come with some extra effort. I would choose Goldschmidt Game Ranch Oakville. It is a fairly rare wine of limited release, and a bottle can add to the special occasion and hopefully the happy memories that will go with it.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

NG: My children will tell you my happy place is down on the Dry Creek river with a bottle of Boulder Bank Marlborough Sauvignon Blanc. I built a table down there many, many years ago and each Sunday night the family gathers at it. We cook over an open fire away from the Internet but with many bottles of wine and lots of great food. We are very fortunate to live in the Dry Creek Valley, and in particular on the Dry Creek River itself.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

NG: I always wish people would keep in mind that wine is a living, breathing, evolving product, and it is of the earth. It is not like making beer or spirits where the goal is to make an amazing product but make it the same every day.

Wine is completely different because the vintage itself tells a story about the weather, the people, the soil and the culture, which is one part. You need to travel to the wine regions, getting to know the places. Doing so gives one great reference for when you are back home and assessing and enjoying the wines.

The second part is where you choose to drink the wine. When I go to a restaurant I always choose something that I cannot pronounce on the menu and the wine generally that I’ve never heard of before. Going out for dinner drinking wine with food is a memory and an experience. Don’t drink badge brands. This is the time to try something different, take a risk.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

NG: For me it was a combination of processes. When I worked in the vineyards at Lincoln College in New Zealand I pruned the vines without actually knowing what wine was about. Then during the summer we picked the grapes and made the wine and then I drank the wine. For me, growing crops is fascinating, but to have it turn into something even cooler is amazing. This particular crop turns into a food product that is unique and different and truly represents where it comes from. There’s absolutely nothing like wine.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

NG: I don’t really have any strange moments, but I do have situations in which I suddenly had an “aha” moment.

One of the first ones was when I was making wine in Portugal for LVMH. The company owned Roses, a Port house, at the time. When you’re in Portugal with winemakers you pretty much have three ports — for lunch, breakfast and dinner — so after being there for three days I asked a winemaker if I could have a glass of white wine. He said, we don’t make white wine in Portugal.

**Drinking Vinho Verde for the first time was an epiphany for Nick Goldschmidt.**

But the young lady in the restaurant said, don’t worry I’ll bring you a glass. She filled the glass up to the rim. It was 120 Fahrenheit outside and we were eating barnacles, of which you need three for a mouthful. The condensation was flowing off the glass of wine and it looked so tasty. I took a deep gulp. But when I drank it my whole mouth puckered. It had so much CO2 and acidity in it, and my immediate reaction was, what the heck was that?

The enamel on my teeth was gone, the roof of my mouth was gone, and I had this whole unctuous acidic taste. I asked what it was and the winemaker said it was a Vinho Verde. Well, I didn’t know what Vinho Verde was. I didn’t even know it was a region. I also thought it was CO2, but actually it was minerality. But I always remember that experience. This wine either making me hungry or thirsty and I couldn’t quite work it out. That is sensation I’ve always remembered.

Try this at home.

JB: Your favorite wine reference in a work of literature?

NG: I have many, but they are all about winemaking, specifically production. This is one of my favorites: “Drinking a bad bottle of wine is like throwing a good one against the wall”.

Want more wine? Read on:

A Loire Favorite, and Other Tasting Notes
Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

This man is all about the Sta. Rita Hills. (Photo courtesy Brewer-Clifton)

A Philosophical Winemaker on Ego, Envy, and Baudelaire

June 10, 2021 / [email protected] / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

The tasting was scheduled for 10 in the morning, on a Saturday, so the drive to Los Olivos from Los Angeles began a little after 7. At that time of the day traffic is usually light — weekend bonus — and the journey was relaxed and pleasurable. I never tire of driving along the Pacific, seeing the sun rise from the waves and the rolling hills glide by.

I was headed north to meet with Greg Brewer, of Brewer-Clifton, diatom, and Ex Post Facto, at his label’s tasting room in Los Olivos. I was familiar with his Brewer-Clifton wines, and appreciated their purity, but had never sampled diatom or Ex Post Facto, so was looking forward to the encounter.

Brewer, who was named Winemaker of the Year in 2020 by Wine Enthusiast magazine (one of the categories in the publication’s Wine Star Awards), is a product of the Sta. Rita Hills AVA. When one discusses wine with him, the soils and vineyards and geography of the appellation come to life, and tasting with the Los Angeles-born former French instructor (UC Santa Barbara) is a sensuous and intellectual tour of the region.

“The winemaker of the year award is much more about the Sta. Rita Hills than it is about me,” he told my tasting companion and me as we tasted the 2018 Brewer-Clifton Chardonnay. “The people here, the land and the environment, those are the stars.”

**The Sta. Rita Hills AVA is the source of some lively, vibrant Chardonnay.**

Brewer founded Brewer-Clifton with Steve Clifton in 1996, and diatom, focused on “starkly raised” Chardonnay, was born in 2005. Ex Post Facto, dedicated to cold-climate Syrah, followed in 2016. In addition, beginning in 1999 and continuing through the 2015 harvest, Brewer co-founded and served as winemaker at Melville Winery.

Brewer, whose labels became part of Jackson Family Wines in 2017, began his career in wine at Santa Barbara Winery, in 1991. He worked in the tasting room, and soon discovered a passion for production, a passion that continues today.

**Greg Brewer and James Brock post-tasting in the Brewer-Clifton tasting room, located in Los Olivos, California.** (Photo by The Brockhaus)

Conversing with Brewer was a refreshing experience, one that took me back to my Eastern philosophy classes and seminars. Ego; the self; humility; chop wood, carry water; process; the razor’s edge: those words and phrases came to mind on that Saturday morning as we talked about the appellation and its attributes and Brewer’s approach to winemaking (and life). He’s someone I would gladly sit with over a three-hour meal.

In addition to the Sta. Rita Hills Chardonnay, the tasting lineup included the 2017 Sta. Rita Hills Pinot Noir, the 2016 diatom Machado, the 2017 Machado Pinot Noir, the 2018 Ex Post Facto Syrah, and the 2009 Brewer-Clifton Mount Carmel Chardonnay. All show sense of place in a remarkable manner, and demonstrate Brewer’s method, which, though highly personal, has been honed to ensure integrity and longevity no matter what life brings.

“I could be hit by a bus, and our wines would live on,” Brewer told me, referring to the way he has trained others on his team to make these wines.

Here’s Brewer in Wine Talk:

James Brock: How has COVID-19 changed your work and life?

Greg Brewer: The pandemic has, as with many, caused me to become quite nostalgic and increasingly sentimental. I have embraced this opportunity to reignite direct correspondence with our community as a means of intimate connection during times of quarantine and lack of social interaction. While I hope that the outreach from me has been welcomed by them to remain engaged, I have also benefited greatly, as the exercise has been very nourishing and restorative for me.

While initially resistant to virtual events, I quickly dove into that platform, which proved to be very rewarding. My initial hesitancy was rooted in a fear of not connecting as well as in person, yet I quickly realized it was far from inferior and simply different. There can be tremendous intimacy and comfort when interacting in this manner, particularly when all participants are as focused and vulnerable as possible.

As I find ultimate identity through my work, there is really no differentiation for me on any level between personal and professional. For the mere attempt to segregate the two would lessen my core devotion to the craft and industry.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

GB: Everything is appropriate, worthwhile and timely. I gravitate towards wines raised by gentle hands and pure intent, and am particularly inspired when one has the confidence to explore an aesthetic which is singular and relevant. Brander Au Naturel Sauvignon Blanc and Captûre Tradition Sauvignon Blanc are excellent examples of that ethos for different reasons. Larmandier-Bernier Champagne is another reference point that comes to mind. All three are singular while maintaining a very specific point of view and not alienating others. Unique and inclusive. Deliberate and still very aware of surroundings.

If a certain wine and dish are pleasurable, they will always make a good pairing. Composure and pleasure eclipse the stress that can frequently accompany a pursuit to replicate expected and almost cliché pairings. The alignment of dynamics can be great, as can be exploring contrast. It closely resembles any other personal relationship. As soon as one embraces the risk and fear of an atypical rapport, the world opens up to myriad possibilities that may have otherwise been overlooked. Gender, race, sexual orientation, careers, hobbies, favorite colors and zodiac signs. If one is confined to a cage, there is never a chance to engage with the other animals.

**Brewer: My hope and goal throughout my entire career has been to help others feel more comfortable with wine.**

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

GB: While I ultimately love all wines, there is really nothing I envy. There is a time and place for everything, and I fear that seeking something out would lessen the relationship I would have with the object. Who am I to have something in my keeping when it might offer more pleasure to someone else? Many of the wines that I have possessed have been very valuable to me and their subsequent consumption has been the best way to honor them. Such would include last vintages from inspirational mentors who have since passed away or last vintages from colleagues whose families have asked me to finish their work upon their sudden passing.

JB: What is your favorite grape variety, and why?

GB: I don’t subscribe to the notion of favorites, but were I to work with only one grape, it would unequivocally be Chardonnay. I cherish its purity, nobility, and its capacity to convey place.

This wine reveals itself in a patient manner.

JB:How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

GB: From our collection of wines, I would suggest diatom Chardonnay. It is not only something that wouldn’t be expected, it is by far and away the longest-lived wine that we steward. As it is raised in a virtual vacuum, it is very slow to unveil what lies beneath, and as such would hopefully be compelling for someone at year 10, 20 or 30.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

GB: My wife and I both work long hours every day, and a “go to place” outside of those two venues is somewhat foreign. My ideal scenario would be for us to stand in our home together with nice glassware and sexy deep house trance music — preferably with female vocals.

Greg Brewer is a philosophical creature of the Sta. Rita Hills AVA. (Photo courtesy Brewer-Clifton)

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

GB: My hope and goal throughout my entire career has been to help others feel more comfortable with wine. There is a tremendous level of fear, apology and permission that accompanies many individuals’ relationship with wine. It makes me sad and I always turn myself inside out to try to assuage that insecurity in others.

The word “should” has been imbedded in millions of questions posed to me about wine, which is tragic, really. When should I drink this? What should I drink it out of? What temperature should I, etc.? The fear abridges the ultimate understanding and pleasure that wine can offer. It is an extremely primitive and elementary beverage that has essentially been around as long as water and fire. People can quickly recognize they know WAY more about it than they realize it as soon as they link the fundamentally simple elements of it to other areas of life with which they have more confidence. Music, fashion, art, design, gravity, a teeter totter … It’s all virtually the same once you allow it.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

GB: There are two that stand out that both occurred quite early in my career, which I suppose is obviously inherent based on the question! Sorry!! ;). One was tasting a 1987 Williams-Selyem Rochioli Pinot Noir for the first time, and the other was 1987 Calera Jensen Pinot Noir. In addition to the monumental nature of both wines, the setting and company elevated the experience to a different level. Both were beautiful lessons that the environment in which something is experienced plays such a vital role to every aspect of the experience. No matter how coveted the object or experience, the enjoyment will prove meaningless if one feels uncomfortable, distracted, or under duress.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

GB: I don’t think anything has been that strange, ultimately. Fun coincidences, synergies, and surprises, but nothing that seems too far outside of this realm.

**Baudelaire had a special relationship with wine.**

JB: Your favorite wine reference in a work of literature?

GB: The poem, “Enivrez-vous” by Charles Baudelaire. I love the notion of arresting time through wine, poetry, or virtue. I love how those elements can suspend time, which is not only something we all possess in equal measure, but the one thing that is the most fleeting …

Enivrez-vous (Paris Spleen, 1864)

Il faut être toujours ivre. Tout est là: c’est l’unique question. Pour ne pas sentir l’horrible fardeau du Temps qui brise vos épaules et vous penche vers la terre, il faut vous enivrer sans trêve.
Mais de quoi? De vin, de poésie ou de vertu, à votre guise. Mais enivrez-vous.
Et si quelquefois, sur les marches d’un palais, sur l’herbe verte d’un fossé, dans la solitude morne de votre chambre, vous vous réveillez, l’ivresse déjà diminuée ou disparue, demandez au vent, à la vague, à l’étoile, à l’oiseau, à l’horloge, à tout ce qui fuit, à tout ce qui gémit, à tout ce qui roule, à tout ce qui chante, à tout ce qui parle, demandez quelle heure il est et le vent, la vague, l’étoile, l’oiseau, l’horloge, vous répondront: “Il est l’heure de s’enivrer! Pour n’être pas les esclaves martyrisés du Temps, enivrez-vous; enivrez-vous sans cesse! De vin, de poésie ou de vertu, à votre guise.”

Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.
Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.
And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave, star, bird, clock, will answer you: “It is the hour to be drunken! Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will.”

Arthur Symons (1865-1945) translation, as quoted by Eugene O’Neill in Long Day’s Journey into Night

Want more wine? Read on:

Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Caitlin Cutler, co-owner of Ronan, is very fond of Malvasia. (Photo by Liam Brown)

Ronan’s Caitlin Cutler on Malvasia, Skin-Contact Sauvignon Blanc, and Country Music

June 4, 2021 / [email protected] / 0 Comments

From the moment I perused the wine list I knew I wanted to feature its creator in Wine Talk. It (and they) had me at the Claus Preisinger Zweigelt and the Martha Stouman Nero d’Avola, not to mention the Alfredo Maestro “Amanda.” This small, concise list was put together by someone who cares about what her guests drink with their food.

This was in May, and it was my first visit to Ronan, a restaurant in Los Angeles that is now high on my “Brockhaus Approved” list. The meal was something to write home about — read the review here — and I’ve been back once more since then, and plan to be a frequent guest.

Asking around, I was told that Caitlin Cutler was the woman behind Ronan’s wine program. She also co-owns the restaurant with Daniel Cutler, her husband and Ronan’s chef. They have a good thing going on Melrose Avenue.

Caitlin runs the front of the house, and her presence is one of calm and confidence. She’s a welcoming person. Her past work experience includes stints in the corporate finance and real estate development worlds, and then she entered the restaurant industry, serving as general manager at two Los Angeles Italian restaurants: Sotto (now closed, it’s where the couple met and fell in love) and Alimento, Zach Pollack’s Italian restaurant in Silver Lake.

The pair opened Ronan in September 2018. During the first year of Ronan’s existence Caitlin was pregnant — they now have two children — and the couple faced the challenges familiar to all mom-and-pop restaurant owners. Reviews were favorable; Bill Addison, of the Los Angeles Times, loved the French Dip-inspired calzone, and Eric Wareheim’s endorsement of the pies brought scores of people in asking for the “Instagram pizza.”

The inevitable dip in traffic came, as the “see and be seen” crowd came and went, but the restaurant’s team labored on and word about the food at Ronan spread. Then came COVID-19. (Jenn Harris has written a wonderful piece on Caitlin and Daniel’s life the day after Los Angeles ordered all restaurants to cease service; you can read it here — LA Times subscription required.)

It’s been, needless to say, a rough, harrowing time, the days and nights since March 31, 2020, for restaurants and the rest of the world. The National Restaurant Association, in a study published in September 2020, reported that nearly one in six restaurants (representing nearly 100,000 establishments in the United States) “is either closed permanently or long-term,” resulting in the unemployment of nearly 3 million individuals. It added that the industry “is on track to lose $240 billion in sales by the end of the year.”

**Some meatballs: Ronan’s pork polpettini are things of beauty.** (Photo by The Brockhaus)

Ronan survived, about which I am glad, and if you’ve never been to the restaurant, I urge you to book a table. Order the focaccia and the burrata. If you go on Wednesday, all wines made by women are offered at 30 percent off. Try the meatballs, and if the calzone is on the menu, go for it.

Meanwhile, here’s Caitlin Cutler in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Caitlin Cutler: I am able to spend a lot more time at home with my kids. My husband and I co-own Ronan, and prior to COVID, we both worked five to six nights a week. When safer-at-home orders came out, we had to alternate who would come into work, because one of us had to stay home with the kids (no childcare!). It really gave me the personal and professional balance that I was craving, but couldn’t quite allow myself to have, and now I work at the restaurant three nights a week.

**Caitlin Cutler and her husband, Daniel Cutler, are the couple behind Ronan, a great restaurant in Los Angeles.** (Photo by Liam Brown)

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

CC: “Bon Jus” Sauvignon Blanc is our skin contact BTG right now, and it just slaps for summertime. I had never had a skin-contact Sauvignon Blanc before this wine, and I’m not particularly partial to the grape in general, but leave it on the skins for 15 days and we’re in business. The wine is unfiltered, no additives, and you can almost taste the coastal Santa Barbara laidback vibes in the glass. Pairing: Sea bass Zarandeado at Ronan.

The “chilled red” is really having a moment, and I am fully behind it. We have three chilled options on the list at Ronan right now, but the one that has my heart is “Soul Love” from Tessier Winery out of Healdsburg. It’s a blend of Riesling (50 percent), Trousseau (20 percent) and Mourvedre (30 percent), and it just sparkles behind its psychedelic label. Don’t let the playful nature of the label fool you, this is a fantastic, nuanced bottle. Tessier is run by a husband-and-wife team, and is 30 percent off on “Women in Wine Wednesdays” at Ronan. Pair with the classic Margherita pizza, do or don’t add anchovies (do).

**From Austria, courtesy Claus Preisinger.** (Image courtesy Midfield Wine Bar)

I just have to close out this list with the “Puszta Libre!,” a biodynamic Zweigelt from Austrian wine producer Claus Preisinger. This wine never sells unless I suggest it to a table, and it is such a missed opportunity for so many guests who want a bold red, but don’t know how to get out of their comfort zone. I promise you all there are sophisticated reds outside of France, Spain and Italy! Pairing: The pork meatballs at Ronan with a side of some thick focaccia piping hot and dripping in good Sicilian olive oil over the toasted rosemary garnish.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

CC: I like collecting wines from significant years. My husband and I were both born in 1985, and for our wedding we got two magnums of Emidio Pepe 1985 Montepulciano d’Abruzzo. I would probably get two more from my daughters birth years (2015 and 2019) now, while I can still afford them.

JB: What is your favorite grape variety, and why?

CC: Hands down, Malvasia. This was the first grape that taught me how much depth there was to discovering wine. I have had bottles that are light and floral, I have had bottles that are earthy and, dare I say, masculine. I have had it still and I have had it sparkling. I have loved it every which way and I can’t wait to try many more iterations.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

CC: I wish I had a good suggestion for this, but I tend to focus on lower cost, newer production on my list. I would say find something sentimental to you and cellar that. Maybe a bottle you had on your first date, or a producer you love from a significant year. Nostalgia can add a lot to your experience years down the road.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

CC: I adore Esters Wine Bar in Santa Monica. The service, the vibe — it’s all so welcoming and yet special at the same time, and you can find really fabulous wines by the glass that you don’t see everywhere else around town.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

CC: It’s not about what the restaurant wants you to drink or what will impress the table next to you. It’s about you. This is your experience, and we are just here to facilitate it. Talk to your server or the person who does the wine list, ask questions and they will lead you to the hidden gems that fit your needs, but make sure you listen to your gut and drink what you want to drink that night. Sometimes it’s what they suggest, but sometimes it’s a dirty martini or your go-to bottle of Chianti, and that’s A-OK too.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

CC: In 2014, it was my boss’s birthday and I went to Silver Lake Wine to buy him a bottle of wine. He was a chef with many years of wine knowledge under his belt, and I was a novice restaurant worker just beginning to scratch the service of my wine studies. I went into Silver Lake Wine and bought him a bottle of Rojac “Royaz” sparkling Refošk. He opened it for us to share and it knocked his socks off. He put it on the opening list of his trendy new restaurant in Silver Lake and I had never been prouder.

**Ronan’s dining room features communal tables, booths, and bar seating.** (Photo Courtesy Ronan)

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

CC: I had a friend of a friend (who I didn’t know and had never even met briefly) email me multiple times and repeatedly ask me to waive corkage for his upcoming reservation for a party of six. Ronan was three months old at the time, and we were still paying off our contractors from the years of construction leading up to our recent opening, never mind tackling paying back our investors. I was so insulted that a stranger thought it was appropriate to bring their own wine in and not expect to pay a fee (mind you, our corkage is VERY reasonable). I am so happy that the pandemic brought to light how hard the financials are from a restaurant perspective, and moments like that seem to be a distant memory.

JB: Your favorite wine reference in a work of literature?

CC: Country music is my guilty pleasure, and any time a female musician talks about drinking red wine and plotting revenge on an ex, I can’t help but smile.

Want more wine? Read on:

Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Dan Petroski, whose Massican wines have a loyal following, also makes wine for Larkmead Vineyards.

Dan Petroski Talks Soil, T.S. Eliot, and Making Wine in Napa Valley

May 28, 2021 / [email protected] / 0 Comments

Dan Petroski is the man behind some of my favorite white wines made in California. His Massican flagship Annia is on my always-have-around list — it’s a blend of Tocai Friulano, Ribolla Gialla and Chardonnay, and I love its versatility with food and its fetching minerality. If you’ve never experienced a bottle of it, find one today.

**Dan Petroski named this expressive wine after his mother.** (Courtesy Massican)

Petroski is also in charge of the winemaking at Larkmead Vineyards, and I recently had the pleasure of participating in a virtual session with him and others that took a deep dive into the soils at Larkmead and their effect on the estate’s Cabernet Sauvignon. We tasted three barrel samples and examined some of the estate’s soils. Petroski — who graduated from Columbia University with a degree in history (minor in ancient Greek and Roman history) and played football at the school — spoke eloquently and with authority about the topic.

Any semi-serious wine drinker knows that what a vine (or its rootstock) grows in has (or should have) profound effect on what it produces. But listening to Petroski and Brenna J. Quigley, a geologist who is working with Larkmead (among other clients), talk about that relationship was a valuable way to spend an hour.

**The Larkmead Estate: Though it is a valley-floor property, its diversity of soils are more typical of hillside parcels.**

Petroski has stated that “Larkmead is blessed with a diverse estate that based on soil profile alone is a snapshot of the entire Napa Valley” and he and Quigley conveyed that in an illuminating manner during the online session. The estate comprises 110 acres planted to vines (69.4 acres of Cabernet Sauvignon, 12.4 acres of Sauvignon Blanc, 11.5 acres of Merlot, 8 acres of Cabernet Franc, 6.6 acres of Petit Verdot, 1.2 acres of Malbec, and 1.1 acres of Tocai Friulano), and the soil profiles include Pleasanton loam, Cortina gravelly loam, Bale clay loam, Bale loam, Clear Lake clay and Cole Silt loam. (If geology turns you on, I recommend John McPhee’s Annals of the Former World. It’s a fascinating masterpiece, written by a master.)

Larkmead was founded in 1895, making it one of the oldest family-owned estates in Napa Valley. While the original owners did make wine for a period of time after its founding, during the second half of the 20th century Larkmead grew grapes for other wineries and winemakers only. Beginning in 1997 that changed, and wine was once again being made under the Larkmead name. (Larkmead still sells 50 percent of its fruit to other entities).

Petroski joined the team as winemaker in 2007 — current owners Cam and Kate Solari Baker know talent when they see it — and in 2020 the estate established and planted a research block (I’ll have more on that in a later article).

Petroski’s style is enthusiastic, thoughtful and engaging. I’m glad he left his career in publishing at Time Inc. to pursue his passion, because he’s making wines I admire and look forward to drinking and sharing.

Let’s get to Dan Petroski in his own words.

James Brock: How has COVID-19 changed your work and life?

Dan Petroski: The shelter-in-place conditions during the COVID-19 pandemic slowed my life down for sure, but it also opened a world of virtual meet-ups and cocktail hours to get to know some of our direct customers a little better.

As wine professionals, historically our relationship building has been with our trade partners — wholesale, restaurant and retail buyers — but 2020 turned that upside down a bit and put us directly, virtually in front of the people who drink our wine. That was special.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

DP: I really love drinking our wines young in fine wine terms — the current release vintages of Larkmead have such great vibrancy that the wines are a joy to drink. I am talking about the 2018, 2016, 2014, 2013 and 2010 vintages specifically for red wines at Larkmead. On a white wine side, I really appreciate our Sauvignon Blanc style, which is a little weightier than a classic table-friendly Sancerre.

**A Sauvignon Blanc that “acts like a Chardonnay.”**

If I had to host a Larkmead dinner tonight, I would choose our 2018 Lillie Sauvignon Blanc paired with anchovies in butter with crusty bread and maybe a fennel salad. A 2013 Larkmead Cabernet Sauvignon paired with a Zuni-style roasted chicken. And a 2010 Larkmead Solari Cabernet Sauvignon with a selection of hard and soft cheeses to finish the night.

**Cortina and Pleasanton soils drive this wine.**

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

DP: I never drink wine alone, so there is no cost (high or low) that I wouldn’t pay to share a glass of wine with someone. And we all know that a glass of Champagne brings the most joy, so I would love to add as many bottles of my favorite Champagne, Philipponnat Clos des Goisses to my cellar.

JB: What is your favorite grape variety, and why?

DP: Chardonnay in all its forms is one of my favorite grapes. I will go to my grave extolling the beauty of Sauvignon Blanc, and Tocai Friulano is my favorite wine grape that makes the most versatile food-pairing wine. But Cabernet and its sibling Merlot will always haunt me. My top bottles consumed all-time remain Bordeaux blends.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

DP: Larkmead or any Napa Valley Cabernet from 2013 or 2016.

**Dan Petroski at work in the Larkmead research block.** (Photo by Bob McClenahan)

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

DP: When in Napa, it is great to sit at a bar at all my neighborhood haunts — DM me for a list. When traveling to my hometown, NYC, I love spending time at the bar at all of Danny Meyer’s restaurants, whether Gramercy Tavern, Maialino or more.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

DP: Drink what makes you feel good — the story, the deliciousness, the price point, the moment. . . whatever makes you enjoy it the most.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

DP: Probably the story I was told of Sean Thackrey and his wines when sitting at Le Bernardin in 1999. To hear the story of a former art gallery owner who moved out to the far Sonoma Coast and studied the history of wine growing back to ancient Greek and Rome. Sean went on to name his flagship wine after the constellation Pleiades because his blend was of seven grape varieties. This was the story that made me change my life five or six years later and pursue a career in wine.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

DP: Strangest would probably be when I taste a wine that I made and say, “Wow, did I make that?” I am very hard on myself and my winemaking. I always say, the best is yet to come, and I hope you come for the ride with me.

JB: Your favorite wine reference in a work of literature?

DP: When T.S. Eliot wrote in The Love Song of J. Alfred Prufrock, “Of restless nights in one-night cheap hotels, And sawdust restaurants with oyster-shells.”

Eliot didn’t mention wine in those lines, but I want a cigarette and a glass of Chablis every time I read them.

Want more wine? Read on:

Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Alex MacGregor, a former bartender, is the head winemaker at Saracina Vineyards. No, his actual skin tone does not veer toward magenta.

Alex MacGregor and Saracina: An Unfinished Novel of Craft and Passion

May 10, 2021 / [email protected] / 0 Comments

It was a good virtual tasting, the one with Saracina Vineyards in which I participated back in early April. We opened a few bottles, including a 2019 unoaked Chardonnay that I liked very much, and the conversation was witty and engaging.

Alex MacGregor, the winemaker at the Mendocino County-based estate, a man I had never met before the tasting, is now someone with whom I want to share a table, a table reserved for a long meal, because the conversation would, I am confident, be a wide-ranging, eclectic, gratifying adventure. And the wines we open would be just as moving.

MacGregor is a fine conversationalist, an individual who knows how to convey a lot without relying on the feeble crutch of logorrhea. (In addition, David Ramey had a hand in teaching him winemaking, so there’s that.)

He’s a Canadian, and he fell into wine while working at a restaurant in Toronto, one with a stellar list. (His career in the Canadian city included stints at Olivier’s Bistro and Le Select Bistro; he also worked under Héctor Vergara, Canada’s only Master of Wine at the time.) And though he hails from Canada, Mendocino is his home, the land in which he thrives. He made his way to California in 1989 and took a job as an enologist in the Dry Creek Valley. In 2001, John Fetzer and Patty Rock founded Saracina Vineyards, and MacGregor was hired as the first winemaker there (Ramey was consulting with Saracina at the time).

The entrance to Saracina Ranch, in Mendocino County, is a welcoming sight.

MacGregor’s enthusiasm and passion for old vines and family-owned estates is palpable, and there was definitely no reason for Marc Taub (of Palm Bay International and Taub Family Selections), who purchased Saracina from Fetzer and Rock in 2018, to make any changes to the winemaking personnel at the 250-acre property, which, by the way, is Certified California Sustainable. MacGregor is in charge, and I imagine he will be for a long time.

Let’s see what he has to say in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Alex MacGregor: It’s been unpleasant and stressful on both counts. I’m hopeful we will have learned from this.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

AM: I’m going local value here. Skylark 2019 Pinot Blanc Orsi Vineyard, Mendocino County ($20). Streamlined, austere in all the right ways. Shellfish city. It’s in limited distribution and direct from their website.

Saracina 2019 Unoaked Chardonnay, Mendocino County ($20). Cleansing, pure, unadulterated Chard, stone fruits. Great value if I do say so myself. Pair with anything you want (maybe your significant other), though BBQ might be a stretch. It’s in distribution and available on our website and at the winery.

Boonville Road 2018 Mourvedre Alder Springs, Mendocino County, around $30? Super cool, nervy, slightly green, delicious. I’ve had a few bottles paired with owner Ed Donovan’s smoked brisket (his smoker has a license plate, that’s how serious it is). Amazing pairing. Available direct from the website.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

AM: 1998 Domaine Jean-Louis Chave Ermitage Cuvée Cathelin. It’s transcendent, beyond wine. I was speechless.

**Not much of this is made. If you can afford a bottle, and find one available, do not hesitate.**

JB: What is your favorite grape variety, and why?

AM: Old-vine field blends, like Casa Verde in Mendocino County; Grenache, Carignane, a mystery red and French Colombard, head pruned, 76-year-old dry-farmed vines grown organically. Sum is greater than the parts, crunchy wines. (Plus no trellis or wires so I can walk in any direction I please,which suits me)

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

AM: The 2019 Saracina Sauvignon Blanc Lolonis Vineyard will be neat in 10 years. Oldest Sauvignon Blanc in the country, planted in ’42. Tons of depth with acid and length. Our older SBs from this vineyard go to a great place with age.

A 2019, and at least one individual recommends that you cellar this until 2029. Give it a go.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

AM: With my good friends John Lancaster (wine director at Boulevard) and Robert Perkins (artist, Skylark Wine Co.) in either of their dining rooms. They are both generous, knowledgeable and charming (most of the time). Raveneau, Leflaive, Chave, Huet, Alban, Sine Qua Non, Le Pergole Torte, Quintarelli, always great bottles.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

AM: Buy more?

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

AM: Sailing (floating?) down the Guadiana between Spain and Portugal, 1986. We would get our flagon filled at the local bodega after throwing anchor, mostly great fino, buy some fresh fish, good to go. Lovely, simple food and wine experience nightly. I remember it like it was yesterday.

**Allen Ginsberg took this photo, in 1996, in North Beach San Francisco.**

JB: Your favorite wine reference in a work of literature?

AM: Cliché: War, “Spill the Wine”
Cooler: Lawrence Ferlinghetti, “Drinking French Wine in Middle America”

Bought a bottle of Vouvray
and poured out its bouquet
of the French countryside
on the plains of Middle America
and that fragrance
floods over me
wafts me back
to that rainy hillside
by the banks of the Loire
Vouvray tiny village
where I sat with rucksack
twenty-eight years old
seafarer student
uncorking the local bottle
with its captured scent of spring
fresh wet flowers
in first spring rain
falling lightly now
upon me-

Where gone that lonesome hiker
fugace fugitive
blindfold romantic
wanderer traumatic
in some Rimbaud illusionation-

The spring rain falls
upon the hillside flowers
lavande and coquelicots
the grey light upon them
in time’s pearly gloaming-
Where gone now
and to what homing-
Beardless ghost come back again!

How to Paint Sunlight: Lyric Poems and Others (New Directions).

Want more wine? Read on:

Chris Kajani took over at Bouchaine Vineyards in 2015. (Photo by Bob McClenehan)

Pandemic Pivot: Chris Kajani Has Bouchaine Vineyards in Fine Form

May 3, 2021 / [email protected] / 0 Comments

I was already planning to visit Bouchaine Vineyards this year (as soon as possible) when I heard about the falcons.

It was during a recent Zoom tasting with Chris Kajani, the estate’s winemaker and general manager, and the images of the raptors — I am a hopeless and indefatigable admirer of birds — transported me.

We tasted some delicious Chardonnay, Pinot Noir, and Pinot Meunier with Kajani that day, who was stationed in Bouchaine’s well-appointed kitchen, and I was impressed with the wines and Kajani’s stories of her father’s wine collection, as well as the way she and rest of the Bouchaine team responded to the demands and challenges of the COVID-19 pandemic.

This kitchen is usually full of activity.

Bouchine took the now-universal Zoom tastings to new heights, and featured chefs and cooking classes and dining, as well as live music and falconry demonstrations, all paired with Bouchaine wines, of course. (These programs continue today, and have proved popular with individuals, groups, and corporations.)

A Bouchaine initiative I find especially appealing is called B-Together, a collection of recipes and videos featuring chefs including Martin Slavin, Scott Warner, and Joey Altman (along with tours of the estate’s vineyards and some musical performances). You’ll find recipes for, among other dishes, Mongolian lamb, Serbian sun bread, Dan Dan noodles, and Shangai-style pork belly sliders.

And those falcons. In addition to scaring away pesky birds, the raptors, overseen by Kate Marden, owner of West Coast Falconry, star in demonstrations that visitors to the estate can experience.

“Falconry helps us maintain our commitment to sustainable farming, but it’s also just an amazing thing to witness,“ says Kajani.

Kajani has a background in biotech, the field in which her career began, but journeys to Europe worked their way on her already strong passion for wine — which had been kindled and nurtured by her Napa upbringing — and she enrolled at UC Davis and earned a master’s degree in viticulture and enology.

She began working at Saintsbury in 2006 as associate winemaker, and in 2013 became the winemaker there. In 2015, she moved to Bouchaine, accepting the position that she holds today.

**This Carneros AVA estate was founded in 1981 by Tatiana and Gerret Copeland.**

Bouchaine is one of the oldest continuously operating family-run properties in the Carneros AVA. Of the estate’s 87 planted acres, 46 are dedicated to Pinot Noir and 31 to Chardonnay; the remaining 10 acres grow Riesling, Gewürztraminer, Pinot Meunier, and Syrah.

Let’s talk to Kajani, and hear what she has to say about, among other things, sneaking a bottle of Riesling into a movie theater.

James Brock: How has COVID-19 changed your work and life?

Chris Kajani: Professionally, it was incredibly lonely. No guests at the winery, no travel to enjoy winemaker dinners with fans or at events, and a constant anxiety over the health of our team, our families, our community, and our industry. Personally, I was strengthened by family and community bonds. I drew, and continue to draw, a deep satisfaction from working with a team that is world class in the wine business.

Our team pivoted with grace and seized a moment to cultivate a robust virtual tasting program that has propelled our business forward. Bouchaine was one of the first wineries to introduce virtual tastings that offer guests a variety of different experiences, from a tasting of Pinot Noir blends versus single clones, to wine and chocolate or cheese pairings, and even virtual falconry demonstrations. Upcoming — wine and bourbon tastings, and also pairing Bouchaine wines with music selections from the Philadelphia Orchestra. Because of our team’s hard work we are hosting corporate and group virtual tastings multiple times a day, which has allowed Bouchaine to thrive throughout a challenging time.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

CK: 2020 Bouchaine Vin Gris of Pinot Noir ($29): Just released and bursting with guava, watermelon, and nectarine flavors. The bright acidity and tangy mouthfeel work with a multitude of dishes but sings with anything off the grill (scallops, chicken, salmon). It can be purchased on our website.

2018 Bouchaine Pommard Clone Pinot Noir, Estate Selection ($65): All blue fruit (plum, blueberry) with hints of mocha and cigar tobacco. The Pommard clone showcases a lush creamier palate, a huge crowd-pleaser. Try with lamb chops, or cocoa/espresso-rubbed hangar steak.

The 2013 Domaine Carneros Le Reve Blanc de Blancs ($120): A favorite of Team Bouchaine. Their winemaker, Zak Miller, was one of my interns when I was making wine at Saintsbury, and he is gifted in the magic of crafting sparkling wine. We love the nutty character, texture, and play on beautiful fruit layers and ginger spice.

**This one is worthy of cellaring until 2035, at least.**

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

CK: I need a bottle of the 170-year-old Champagne that was discovered in the shipwreck off the coast of Finland in 2015. As a Champagne junkie, that would be the ultimate wine experience.

JB: What is your favorite grape variety, and why?

CK: Pinot Noir is my first love; I like the yin/yang of its character. It’s a shapeshifter — so intoxicating, yet fickle. Pinot Noir showcases layers of depth and intrigue, but it’s also thin-skinned. It grows more succulent over time and also has a legitimate reputation for being difficult. There is no shortage of personality in great Pinot Noir.

**Chris Kajani working in a Bouchaine vineyard.** (Photo by Bob McClenehan)

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

CK: Pick a cooler vintage full of tension, texture, and bright acidity. The 2008, 2009, and 2010 Pinot Noirs from Carneros are gorgeous right now. For more current releases, try the 2018 Bouchaine Swan Clone Pinot Noir, Estate Selection, which is bright and graceful, but with an underlying current of strength and ageability.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

CK: I love the Carneros Resort and Spa and spend as much time as I can on the lovely patio outside of FARM restaurant. FARM has an amazing wine list (thanks to the über talented Zion Curiel) and delectable food (Chef Aaron Meneghelli rocks) I am also devoted to Bistro Don Giovanni (Chef Scott Warner’s pastas and salmon!).

**Bouchaine Vineyards, where the views are things of beauty.**

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

CK: Drink what you like. Then find a local wine shop and link up with someone who can recommend wines based on what you enjoy. This opens up another exciting dimension of wine when you can taste what is happening across the wine world. And travel! Visiting wine regions brings not only the wine, but the culture, people, and history into your muscle memory when you open those bottles. Every bottle of wine tells a story; the more you know about where it comes from or who made it, the greater the enjoyment.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

CK: My dad’s wine cellar, circa 1990. Napa Valley showing off beautiful wines from the 1970s and 1980s.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career?

CK: We snuck a bottle of Riesling into a movie once and during one of those quiet emotional scenes we knocked it over — with the entire theater listening to it roll down many rows (screw top, thankfully). The people that caught it handed it back to us and the entire theater cheered.

**Unoaked and ready for a new season in the EPL.**

JB: Your favorite wine reference in a work of literature?

CK: “In victory, you deserve Champagne. In defeat you need it.”

― Napoleon Bonaparte

Or when our 2018 Bouchaine Unoaked Estate Chardonnay was compared to Ted Lasso by R.H. Drexel – I fell on the floor laughing. So perfect.

Want more wine? Read on:

A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Samra Morris, who became the head winemaker at Alma Rosa Winery in 2019, hails from Bosnia.

Bosnia’s Loss is California’s Gain: Samra Morris Takes the Lead at Alma Rosa

April 7, 2021 / [email protected] / 0 Comments

The world of wine never fails to provide me with pleasure. Opening a bottle, walking through a vineyard, tasting a barrel sample, meeting a fellow traveler in l’univers du vin … the discovery and exploration never end.

The journey continued last month on a beautiful expanse of land in Santa Barbara County, a property that played a major role in the formation of the Sta. Rita Hills AVA. (If you don’t know the name Richard Sanford, go ahead and learn about him, because he is truly the “Godfather of Central Coast Pinot Noir.”)

**Samra Morris: “I think that would be my guidance: Drink what you love.”** (Courtesy Alma Rosa Winery)

We had driven up from Los Angeles, and Buellton was my destination, specifically the Alma Rosa Winery tasting room. I was there to meet Samra Morris, Alma Rosa’s winemaker since 2019, for a tasting and a tour of the estate. (Note: For those who may not know this, the small complex in which the tasting room is housed is a must-visit when/if you do visit the town. One of my favorite restaurants in California — Industrial Eats — is also located there, and its food alone is worth the trip, especially the beef tongue pastrami reuben and the white shrimp wrapped in pancetta.)

**A beef tongue pastrami sandwich extraordinaire …**

**White shrimp, pancetta, garlic, butter …**

We sampled a bit of Alma Rosa sparkling at the tasting room; it was a warm afternoon, and the wine was good. What followed was a 10-minute drive to the estate along a quiet, nearly traffic-free road, and then, beauty.

Alma Rosa’s 628 acres (38 acres planted to vines) spread from the valley floor to the top of the Santa Rosa Hills. The estate vineyard, El Jabali, originally planted by Richard Sanford in 1983, has been joined by four non-contiguous plots of Pinot Noir (55 percent), Chardonnay (30 percent), and Syrah and Grenache (15 percent), all farmed using sustainable practices.

Sanford and his wife, Thekla, sold the estate to Bob and Barb Zorich in 2014. Zorich is a businessman in the oil industry who now resides in Houston, Texas, but he and his wife both attended school at the University of California Santa Barbara and have a home in the coastal city. They were introduced to the Sanfords in 2013, and, upon discovering that the property was for sale, took a leap into the world of winery ownership.

A ride through Alma Rosa Winery is a feast for the senses.

When we arrived at Alma Rosa, Morris took us on a quick ATV ride to a vineyard planted with Syrah — no bud break yet. Along the way we spied a few turkeys. Bobcats, deer, and mountain lions are also denizens of the property, the latter rarely seen.

Back at the ranch house on the valley floor we tasted with Morris and Debra Eagle, Alma Rosa’s general manager. Both women are engaging, passionate about wine and the estate, and great ambassadors for the brand.

Morris was born and raised in Bosnia, and attended the University of Sarajevo, where she studied agriculture and food sciences, receiving bachelor’s and master’s degrees. She met an American in the U.S. Air Force who was stationed overseas, and they moved to California when his duty took him back to the states.

She interned at St. Supéry in 2014, and worked three harvests with Thomas Rivers Brown as a cellar intern at Mending Wall. In 2017, Morris began working as a lab assistant at Free Flow Wines, and by 2019 was a quality control manager there. She became Alma Rosa’s winemaker later that year.

Here is Morris in her own words.

James Brock: How has COVID-19 changed your work and life?

Samra Morris: I think Covid-19 has affected me more personally than professionally. As a winemaker, I have been fortunate to be able to go to work every day and enjoy my cellar duties. It was a good escape from reality and what is happening in the world. It gave me a sense of peace that I needed.

Personally, it affected me in that I didn’t have the opportunity to go home to see my family in Bosnia and enjoy my time with them. I had already been missing them a lot, so I was very disappointed when my flight was canceled. I’ve been very homesick recently, so I hope that by the end of this year we all get vaccinated and I have an opportunity to see my family next summer.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

SM: I will start with Alma Rosa’s 2018 El Jabali Pinot Noir ($68). It is a gorgeous Pinot Noir that represents our beautiful Sta. Rita Hills in the glass. You can purchase this wine through our website or at our tasting room in Buellton. I would pair this wine with red meats.

The second wine is Alma Rosa’s 2020 Grenache Rosé ($30) from our Sta. Rita Hills estate vineyard. This rosé is beautiful, and salty strawberry notes and bright acidity make this gorgeous wine perfect to drink in the summertime. Growing up in Bosnia, we often took summer vacations on the Croatian coast. The salinity and acidity in this wine reminds me of the Old World Adriatic wines I loved from home. I would pair this wine with a light shrimp salad.

The third bottle would be the 2017 Foxy Bubbles ($55) by Blair Fox Cellars, located in Los Olivos. This is a delicious sparkling wine, and I don’t need an excuse — an occasion or food — to enjoy a bottle of it.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

SM: If cost were not an issue, I would choose a bottle — or a few cases — of the 2014 Maybach “Materium” Cabernet Sauvignon.

I call it a perfect glass of wine. Also, this was the first bottle I had the opportunity to share with my family when I went home for the first time after moving to California, and while sharing this bottle with them we also shared laughs and good conversation that we needed to catch up after so many years apart.

JB: What is your favorite grape, and why?

SM: As a winemaker and as a wine drinker, my favorite grape to work with is definitely Pinot Noir. Due to its thin skin, tight clusters and late ripening, Pinot Noir can be a fragile variety that always challenges me as a winemaker. As a wine drinker I just love the aromas and perfume notes.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

SM: The one bottle I’d buy to cellar for the next 10 years is Saxum’s 2018 Paderewski Vineyard. This wine is spectacular, and it’s worth opening for your next major celebration.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

SM: It would be somewhere I get to look at the ocean. We have so many beautiful places in Santa Barbara County where I can experience that. The ocean is so powerful, and looking at it while sipping wine is so relaxing for me.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

There are so many times when people ask me what my favorite wine is that they should buy, and I always reply by asking them about their favorite wine and what they like to taste when drinking wine.

I think that would be my guidance: Drink what you love to taste.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

SM: I think when I made wines for the first time as a winemaker. It created a different relationship between me and wines, it became much more personal. I became more passionate and think of my wines in cellar as my babies. Having the wine that I made in a bottle and sharing it with friends, family, and our customers makes me so happy. I know that all of my hard work has paid off when I see smiles on their faces.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career?

SM: The strangest moment involving wine that I have experienced in my career is my relationship with forklifts. When I first became a winemaker, I thought I would never be able to drive a forklift like a professional. One of the skills of being a winemaker, besides producing wines, is needing to be extremely handy in the cellar. At first it was a very daunting task, but every time I was on the forklift I became more familiar.

Now, I am so proud of my forklift skills and my forever connection to them! At Alma Rosa we use forklifts throughout the year, moving barrels and pallets of wine around the cellar and dumping bins of grapes into the press during harvest. When visiting the winery, you can often find me on the forklift.

JB: Your favorite wine reference in a work of literature?

SM: In Vino Veritas. It’s a phrase I learned while studying about wine at college.

Want more wine? Read on:

From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Joe Nielsen has been director of winemaking at Ram's Gate since 2018. (Photo by Dawn Heumann)

Joe Nielsen’s Journey From Backyard Vineyard to Ram’s Gate Winery

March 24, 2021 / [email protected] / 0 Comments

Joe Nielsen has a wine story that I love. It’s the tale of how his journey as a winemaker began. The teenager was living in Lansing, Michigan, and in 2003 enrolled at Michigan State University, planning to become a doctor and enter the medical field.

At Michigan State, Nielsen was introduced to an exploratory winemaking program the university was conducting, but his age prevented him from taking classes in it. He was too young. He was not going to let that inconvenient fact stop him, however, so he took up the study of viticulture on his own, and received permission from his parents to plant some vines in the family’s 20-acre backyard. A career was budding …

He was eventually admitted into the program at Michigan State, and graduated in 2007 with a bachelor’s degree in horticulture. Next came a winemaking position at Black Star Farms, located in northern Michigan. In 2008, Nielsen moved to California for a yearlong internship at Merryvale Vineyards. Then, in 2009, at 23, Nielsen was named cellar master at Donelan Family Wines. In 2013, he was promoted to the head winemaker position at Donelan — and also finished the Executive Wine MBA program at Sonoma State University during that time.

Which brings us to the present, and Ram’s Gate Winery. Nielsen has been the director of winemaking at the Sonoma estate since 2018, and from what I’ve tasted recently — Chardonnay and Pinot Noir, reviews to come — he’s found a great home (and one that he is pushing to become 100 percent organic in the next five years).

**The Berler Vineyard, source of some outstanding Cabernet Sauvignon.**

Ram’s Gate is owned by Michael John, Jeff O’Neill, Paul Violich, and Peter Mullin, and their 28-acre estate is the ideal laboratory for the winemaker’s craft.

Here is Nielsen in Wine Talk.

James Brock: How has COVID-19 changed your work and life?

Joe Nielsen: I think COVID-19 has shown me how connected we are as a civilization and how globally we are all connected. Personally, I have traveled much less and enjoyed fewer great meals at restaurants, but overall I know personally I am very lucky. Professionally our job continues as grape-growers and winemakers, it is an agrarian process that does not stop for anything.

In addition, in the last year our team at Ram’s Gate has really grown our digital presence in order to connect with our consumers. I am finding myself participating in a lot of content creation for our winery, from long-form videos, to Tik Toks and Reels. I hope that through these social-media initiatives we have been able to educate and connect with people during this year.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

JN: 2018 Ram’s Gate Estate Chardonnay ($75): I really love the way this wine is tasting. It was my first vintage at Ram’s Gate Winery, and it was my first chance discovering the estate terroir. What make’s this wine special is that in my opinion it is a study in the art of nuance and balance. We elected to do to minimal malolactic fermentation, and it is neither the heaviest or most alcoholic of our line-up, yet it is subtle, engaging, and elegant. Time in bottle has been terrific for this wine and we are currently serving it at our Tasting Hall, as well as selling it on our website. The wine is paired with Dungeness Crab Spaghettini and it is simply a dynamite pairing.

2017 Ram’s Gate Berler Vineyard Cabernet Sauvignon ($115): This wine is the second vintage of what originally started out as a passion project between my wife and I. Prior to my start at Ram’s Gate, I began making this Cabernet from Berler Vineyard in Fountain Grove District. The vineyard is nestled up into the Mayacamas Mountains on the back side of Spring Mountain in Sonoma County about 1600 feet above sea level. The location continues to blow me away; it’s a Shangri-La oasis tucked away that is fairly exposed to the cool ocean breezes coming up through Santa Rosa.

The 2017 Berler captures my desire to craft wines that are timeless; this wine reminds me of the elegance and refined pleasure of old California Cabernet Sauvignons from the 1970s and 1980s. I recently tasted this wine, and I am thrilled with the quality and that many of the primary notes are so vivid still. I can’t wait to see how this wine develops with several more years in bottle. It can be purchased on our website. I would pair it with braised beef short ribs and honey-glazed carrots.

2011 Felsina Rancia Chianti Classico Riserva ($50): I love the wines of Italy and they make up a very large percentage of my cellar that I did not personally make. The wines of Chianti are rustic and delicious to me, with plenty of verve and focus on the palate. I tend to gravitate to wine regions where the cellaring time of the wines can range several decades; as a collector I like the notion that whether I open it tomorrow or in 10 years I’m going to find joy in that bottle. And it’s something I also strive to produce professionally. Felsina is a great producer, and ever since visiting, in 2012, I have been a loyal follower. I recently opened a bottle with friends and paired it with their homemade brick-oven pizza, a total must. This wine can be purchased on the K&L website.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

JN: If cost were no consideration, I would want an unlimited supply of Smith Haut Lafitte Blanc. This is one of the most intensely texture wines I have ever had and I can’t imagine ever getting tired of drinking it.

JB: What is your favorite grape, and why?

JN: Hard to have a favorite when I enjoy making so many different varieties. Ultimately, the grape I am often the most passionate about is Syrah. It is such a complex wine that can be made in so many different styles. Not to mention, I think it is so transparent with terroir. We are looking forward to releasing our 2018 Hyde Vineyard Syrah and the 2018 Durell Vineyard Syrah in the next month.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

JN: From a cellar-worthy standpoint, I believe our Estate Pinot Noir is going to be one of those wines that continues to reward patience. It is an ethereal wine that continues to evolve long after it leaves the barrel. I have multiple different formats of the 2018 for this very case; it is the birth year of my son and I feel comfortable that we will be enjoying that on his 21^stbirthday.

**Joe Nielsen, who was raised and educated in Michigan, has found his home in California.** (Photo by Dawn Heumann)

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

JN: Quite literally, outside of my home on my patio is a great place to have a glass of wine. Honestly though, my favorite place to enjoy wine is with friends, wherever that may be.

**The tasting hall at Ram’s Gate Winery** (Photo by Dawn Heumann)

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

JN: Wine continues to evolve, and not all wine will last forever. I’m guilty of this, too, but sometimes people hold onto wine well beyond its peak and miss out on all the fun. I love making wine that can age, but part of the joy is checking in, popping a bottle, and seeing where it is at. Cellaring is not an exact science, and it ultimately depends on a ton of factors. I drink wine that is often too young (side-effect of the job), and I also enjoy really old wines, but it is OK to drink them somewhere in between!

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

JN: I have told this story so many times that it has become my “big fish” story, but simply put, my friend told me in college that I should not pursue medicine; rather, he insisted, I was destined for something interesting like being a winemaker. Being from Michigan, and seeing that winemaking was not a common profession in the area, it was such a strange comment that I had to “Google” it.

From that moment, I was introduced to an exploratory winemaking program. However, because I was underage, I was not permitted to apply. After some research, and with my parents’ blessing, I planted an experimental vineyard in their 20-acre backyard. While at school, I continued to lobby for entrance to the university’s winemaking program. Eventually, the faculty granted my request. For whatever reason, my first “Google” search was enough of a catalyst that, roughly 18 years later, here I am.

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

JN: That is a tough one … I can’t think of anything too strange. I suppose what is kind of strange is the ability to travel the world and taste wine with people who don’t speak the same language that I do. Despite that, we are able to have a meaningful exchange entirely based on gestures and sound effects — apparently there is a universal way to describe wine without the use of actual words.

(*Bartolome Esteban Murillo, ‘The Marriage Feast at Cana’, 1672*)

JB: Your favorite wine reference in a work of literature?

JN: Still impressed with the whole water into wine reference!

Want more wine? Read on:

Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Erica Stancliff, winemaker at Pfendler Vineyards, is also the president of the Petaluma Gap Winegrowers Alliance.

Paul Hobbs Knew: Erica Stancliff Was Made to Make Wine

March 13, 2021 / [email protected] / 0 Comments

A few days ago, I tasted two wines that impressed me: a Chardonnay and a Pinot Noir, both from Pfendler Vineyards. They mark the first releases for Erica Stancliff as Pfendler’s head winemaker, and if you like your Chardonnay with defines notes of spice, try this one. I tasted it again last night, and it held up — this time the apple and citrus notes were more pronounced. (Regarding the Pinot Noir, buy a few, because you’ll want to cellar some of these for, let’s say, five years or so — at least. It’s drinking well now, but — as Stancliff concurs — this one promises to enjoy the aging process. Total production was 200 cases, so best not tarry.)

I’ll have full reviews of these wines soon, but this Wine Talk serves to introduce you to Stancliff, whose background and pedigree are intriguing. She was raised in a family whose existence revolved around food (I can identify with and approve of that); her mother is Rickey Trombetta, of Trombetta Family Wines, and one look at the family’s website will make you hungry — and thirsty.

Erica has been the Trombetta Family winemaker since 2014, and she’s also served as the president of the Petaluma Gap Winegrowers Alliance since 2019. Her journey in the wine world can be said to have begun when she was 10; Paul Hobbs, who would become her mentor, was dining with the Trombetta family one evening and was impressed by Stancliff’s palate. He encouraged her to learn more about wine, and introduced her to vineyards in Sonoma and Napa.

She graduated in 2010 from Cal State Fresno with a degree in enology, and flew to an internship in Mendoza, at Viña Cobos (a Hobbs property), then worked the 2011 harvest at Rudd Estate. Enartis Vinquiry was next — she was there for two and a half years — and then moved to CrossBarn and Trombetta. In 2019, she added Pfendler to her CV.

I look forward to tasting what Stancliff does going forward at Pfendler, and a visit to Trombetta Family Wines is now on my post-COVID agenda.

Here is Stancliff, in her own words.

James Brock: How has COVID-19 changed your work and life?

Erica Stancliff: COVID has changed my everyday life in many ways. From wearing a mask everywhere I go (even in the middle of harvest doing punchdowns or walking to vineyards) to having my own personal hand sanitizer with me at all times. Interacting with people is a new adventure every time because you want to be respectful of everyone’s level of caution, and yet, some people aren’t cautious at all.

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

ES: I’m a sucker for a killer Carignan, so I’m drinking the Delve 2018 Carignan, which I didn’t make, but good friends did. This is my feel-good wine that I usually have with chicken and mushrooms or a big salad. You can purchase it from the winery website for $27.

Stancliff likes this Carignan with chicken and mushrooms.

The 2019 Pfendler Chardonnay is so approachable early on — I like to pair that with seafood (tuna tartar or baked salmon) or lemon risotto. The wine is available from Pfendler’s website for $45.

The third wine that is drinking well at the moment is the 2015 Trombetta Gap’s Crown Pinot Noir Petaluma Gap. 2015 was a low-yield vintage in Sonoma County, which made the wines much more concentrated than normal, so after six years I think this wine is just starting to hit its stride. It pairs well with grilled salmon or pork. You can purchase it from the winery for $65.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

ES: This is a hard one! If cost was no consideration, give me a Joseph Drouhin Musigny Grand Cru 1988, France, Burgundy, Côte de Nuits Pinot Noir — I love the producer and it’s my birth year.

JB: What is your favorite grape, and why?

ES: I will say as a winemaker my favorite variety to make is Chardonnay, and here is why: Chardonnay can be a blank canvas for a winemaker to impart their style on. The nuances of the grape and subtleties are what make it a challenge. Too much oak, too much acid … anything can throw the end wine out of balance or create a perception of heavy-handedness.

“That’s the purpose of what winemakers do: We want you to enjoy our wines!”

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day?

ES: The 2019 Pfendler Petaluma Gap Pinot is going to be just hitting its stride in 10 years, and I would highly recommend keeping one bottle aside for a special occasion.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

ES: The Barlow, in Sebastopol, has a great wine bar called Region; it has a ton of local Sonoma County producers and you can buy a taste or full bottle to enjoy on their patio.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

ES: The beautiful thing about wine is that there is one for every taste and palate. It doesn’t matter about price or producer, as long as you enjoy it. That’s the purpose of what winemakers do: We want you to enjoy our wines!

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

ES: My mentor is Paul Hobbs, whom I have known since my childhood. My biggest lightbulb moment was when we were walking a vineyard together when I was in high school right before harvest in Sebastopol. Watching his attention, care, and passion in the vineyard and asking him questions about harvest made the lightbulb go off for me when I learned about how much passion went into making something with your hands.

Paul Hobbs, mentor extraordinaire (Courtesy PaulHobbs.com)

JB: What has been the strangest moment/incident involving wine that you have experienced in your career?

ES: I have a few, but let’s go with this one: Harvest 2011, someone dropped their cell phone in a tank of fermenting Malbec. 20 days later, when we emptied it, the phone still worked. It was the weirdest thing …

JB: Your favorite wine reference in a work of literature?

ES: “In wine there is wisdom, in beer there is freedom, in water there is bacteria.” — Benjamin Franklin

Want more wine? Read on:

Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Category: Wine Talk (Page 1 of 3)

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