Category: cooking (Page 2 of 7)

Rest in Peace, You Ladies of the Kitchen and Table: Bidding Farewell to Raffetto, Council, Kafka, and Brennan

It gives me solace that they each lived a long life, these woman whose cooking and writing and spirit gave happiness and nourishment to so many. Pasta, fried chicken livers, a recipe for shrimp and asparagus with sorrel, and eggs Sardou: these things are evocative entry points to, respectively, Romana Raffetto, Mildred Council, Barbara Kafka, and Ella Brennan, four women whose legacies won’t soon fade. Losing them all within the space of a few weeks is a tough blow, but let’s try to celebrate the exuberance and love of food they displayed.

One of my favorite things to do in New York is to walk the streets of the West Village and make the rounds of my shops, including Murray’s, Faicco’s, and Ottomanelli & Sons. For pasta, when I did not want to make my own, or lacked the time to do so, I would stop at Raffetto’s on West Houston Street, pasta whose quality never disappointed. Romana Raffetto, who passed away on May 25, was behind the counter on most days, talking to customers and extolling the virtues of her family’s products, which evolved over time to include all the shapes and types that are now ubiquitous in even the most pedestrian of grocery stores (think pumpkin ravioli and squid-ink tagliatelle). The store, officially known as M. Raffetto & Bros., opened in 1906, and there’s no telling how many meals have been composed with Raffeto’s pastas and sauces since then. I enjoyed talking with Raffetto, and her pride in the store, and what her family had created, was obvious. (If you want to try a few things intriguingly delicious, order the following from Raffetto’s: pink sauce made with cognac, gorgonzola and walnut jumbo ravioli, and black squid Tagliarini all Chitarra. Those are my favorites.)

Romana Raffeto stands at the counter of her family’s store in 1978. (Photo courtesy Gino Raffeto)

Stores like Raffetto’s are national treasures, and in many cities are extinct, if they ever existed at all. As I write this, the aromas of that wondrous space in the West Village are all around me, and I know what one of my first stops will be the next time I am in New York. In the meantime, mail order will have to suffice.

Here’s a look at the place and the people behind it:

Mama Dip. What can you say about Mama Dip, otherwise known as Mildred Council? What about her Community Dinners? Or the courage and bravery she exhibited in choosing to end her marriage after 29 years, in 1976, having endured emotional and physical abuse? “The biggest turning point in my life was when I left my husband,” she told an interviewer in 1994. A cookbook that has so far sold 250,000 copies (“Mama Dip’s Kitchen”)? Fried chicken livers adored by Craig Claiborne (and thousands of other individuals)? How about the fact that she opened her first restaurant in 1976 and had but $40 to make breakfast, and at the end of that first day went home with $135? Her food was honest and filling and delicious and spoke of the lessons she learned cooking for her poor family, which she began to do at the age of 9, when her mother passed away. She was tall — 6 foot 2 — and she was loving and gracious, and Chapel Hill will never be the same.

“I’m not a chef. And I don’t like people to call me a chef because a chef is more like—I call them the artists,” Council told the Southern Foodways Alliance’s Amy C. Evans in a 2007 interview. “They have so much artist in them, artistic, ever what you call it. Artist, I guess, because they can just make things so pretty, you know. And I try to make things good.” Did she ever.

Mildred Council left countless fans and admirers, who will forever miss her cooking. (Image courtesy Mama Dip’s)

Barbara Kafka’s books sold millions of copies, and her advocacy of using a microwave to prepare food — she even used the appliance to deep-fry, alarming many and disgusting others — earned the disdain of many chefs, but the indefatigable author didn’t let the criticism bother her. She pushed on with her testing and writing and consulting, and in 2007 was awarded a Lifetime Achievement Award from the James Beard Foundation.

“I do try to write in English, I don’t write ‘kitchen’ and I don’t write French,” Kafka told an interviewer in 2005. “What’s wrong with saying matchsticks instead of julienne?” Clearly, her straightforward — many would say brash — approach spoke to legions of home cooks, who devoured her writing and learned their skills from her books and articles. She supported Citymeals on Wheels early on, spent thousands of hours testing recipes, and maintained a passion for the transformative power of food and cooking. If you like cookbooks with a definitive voice and point of view, Kafka’s are for you. And you know what? Though I do not use the microwave to deep-fry my chicken livers or cook artichokes, I do start my roast chickens at 500 Fahrenheit.

New Orleans is one of my favorite destinations for food and eating. I can still recall the first time my family visited the city; I could not have been more than 10, but the flavor and sights and smells are still vivid in my senses. Strong black coffee, beignets covered in powdered sugar, shrimp and gumbo and everywhere, it seemed, the sounds of jazz.

Ella Brennan and the Crescent City were made for one another, both colorful and romantic and stubborn. “Hurricane” Ella was definitely a force of nature, and her love of restaurants and the people who made them work is worthy of much admiration. Here is all she said at the podium at the 1993 James Beard Awards (Commander’s Palace picked up the Outstanding Service award that year): “I accept this award for every damn captain and waiter in the country.” Classy lady was she.

If you want to read a lively autobiography, get a copy of “Miss Ella of Commander’s Palace: I Don’t Want a Restaurant Where a Jazz Band Can’t Come Marching Through“. Then set aside a part of your evening and watch “Ella Brennan: Commanding the Table.”

The experience will be all the more pleasurable with Miss Ella’s Old Fashioned in hand, a fine drink with which to toast the memories of these four amazing and strong women.

Miss Ella’s Old Fashioned

Ingredients
2 ounces Bourbon
2-3 dashes Peychaud’s bitters
one half-cube sugar
lemon peel for garnish

Fill a rocks glass with ice and a touch of water. In a second rocks glass, muddle the sugar cube with Peychaud’s bitters , then add Bourbon. Swirl the ice in the first glass to chill it, then discard the ice and water. Pour the drink into the now-chilled glass. Run the lemon peel around the rim of the glass, then toss the peel into to the drink for garnish.

Great Wines for a Great Feast: Rootstock and Delicious Alchemy Pair With Perfection

It was meant to be, is what I now think. Angela and I were at Vinology, a wine bar in Houston, sampling a few vintages on a Sunday afternoon. I had a lot on my mind, because my colleagues and I at the Recipe for Success Foundation were putting together the myriad parts of three events, the largest of which, Delicious Alchemy: The Banquet, involved 100 guests, 10 chefs creating a 10-course meal, and wine pairings for each course. It is the foundation’s largest fundraiser of the year, and I wanted to do my part to make it a perfect event.

One component of that perfection: wine. I sought to select great wines to pair with each course, bottles that would fit the fun and elegant affair and complement the food, which included snapper and shrimp ceviche, branzino, duck leg, and lobster bisque. A diverse menu, one that posed certain difficulties when it came to pairings. In an episode of serendipity, the decision to stop by Vinology that day led to perfection, because Nathan Smith was there.

Nathan is with Rootstock Wines, whose portfolio I love, and Angela and I had the same idea at the same time: Rootstock, and Nathan, would be perfect partners for the foundation and Delicious Alchemy. I had met Nathan several years earlier, when he was with Marco Wiles’ group of restaurants, and I respected his palate and approach. We told him about the event, that it was Recipe for Success’ most important fundraiser of the year, and that I wanted to give our guests unique wines, wines that spoke confidently of their provenance. Nathan immediately went to work, contacting the owner of Rootstock, Ian McCaffery, who also liked the idea.

Angela and I met Nathan for dinner a week or so later, at Amalfi Ristorante Italiano & Bar, whose chef and owner, Giancarlo Ferrara, would be cooking at the event. We talked more about the dinner, its scope and timeline, and the chefs involved. I was in the final stages of compiling a complete menu, which, a week or so later, I shared with Nathan, and the rest is history. Nathan and Ian began reaching out to their producers, who came through with aplomb, and the fine people at Kermit Lynch also offered their services. After a lot of work and thought and gracious acts (special gratitude goes to Silvia Altare and Riccardo Sorbino), the wines, and food, were set, and they were, to my mind, perfect. See for yourself:

The menu for Delicious Alchemy: The Banquet is a thing of beauty.

 

Nathan Smith: I like his style. (Nick de la Torre/Houston Chronicle )

The day arrived — May 7 — and all was in order. Nathan came to the event venue — a beautiful home in the Memorial area in Houston — in the afternoon, to open bottles and taste and confer with the service staff about the wines. We tasted and talked about the selections, and Nathan poured for the chefs. Guests arrived, dinner began, and it all went oh so well. As I wrote, Delicious Alchemy: The Banquet, is our largest fundraiser, and this year’s edition, thanks to the support and largesse of the guests, donors, and partners, raised nearly $240,000.

I cannot say enough about these selections, and I urge you to find and taste them for yourself. If you are in Houston, Houston Wine Merchant and Vinology are two great sources for these wines.

Here are some tasting notes:

Arcari+Danesi Franciacorta Brut Dossagio Zero 2013
Giovanni Arcari and Nico Danesi are the new guard of Franciacorta, making it their mission to show the true soul of the wines of their beloved region. Instead of trying to imitate Champagne (which has been the norm in Franciacorta), Arcari and Danesi make their small-production Franciacorta with a method they call “solo uva” or ” grapes only”. This method results in an elegant and fresh style of “metodo classico” sparkling wine, a product that doesn’t have the oxidative qualities that you get when using sugar for secondary fermentation.  This wine is brand new to the Texas market, but has been in high demand in the top wine markets of the world since its inaugural vintage. We couldn’t be more excited to have them as part of the Rootstock portfolio.

Region: Lombardia – Montorfano, Franciacorta
Grapes: Chardonnay 90%,  Pinot Bianco 10%
Production: 11,000 bottles
Aged on lees: minimum 30 months
Soil: moranic, silt, clay
Importer: Rootstock

Campogrande Cinqueterre Bianco 2012
The story of wine in the Cinqueterre goes back to the times of the Roman Empire, when the  terraced vineyards were built. The wines produced then were celebrated by kings, popes, and  poets. Renowned Barolo producers Elio Altare and Antonio Bonanni have rediscovered the potential in the vineyards of this Unesco Heritage site that was once overgrown by forests. Two hundred meters above the Mediterranean, the ancient coastal varieties in this wine are grown on steep, terraced vineyards, and are painstakingly worked by hand – to produce but a few thousand bottles a year.

Region: Liguria – Cinqueterre
Grapes: Bosco and Albarola
Production: 5,600 bottles
Soil: sand, schist, limestone
Skin contact: 4 days
Importer: T. Edwards (donated by Silvia Altare)

Punta Crena ‘Vigneto Ca da Rena’ Pigato 2016
The tiny village of Varigotti sits on the Mediterranean, just a few rows of houses and restaurants on a pristine beach, with its back against steep hills. Climb up into the hills and you will discover neatly terraced vineyards on the slopes and in hidden clearings farther up on the peaks. The Ruffino family has been tending these vineyards for more than 500 years, hardly changing a thing as they pass their knowledge and wisdom from one generation to the next. These grapes come from just 1200 meters from the water and enjoy sea breezes that help keep them healthy and happy. Pigato is a genetic variation of Vermentino that developed around the 18th century and was probably named for its pighe—“freckles” in the local dialect, referring to its spotty skin. Pro tip: save a splash for your branzino!

Area:  Liguria – Riviera Ligure di Ponente, Colline Savonesi
Grape: Pigato
Production: 10,000 bottles
Aged on lees: 3 months
Soil: rocky red clay
Importer: Kermit Lynch

Manni Nössing Südtirol Eisacktaler Grüner Veltliner 2015
Descended from a family of farmers, Manni Nössing has no formal training in viticulture or enology but seeks to learn from each vintage in order to produce wines that are capable of giving pleasure while also reflecting the terroir from which they originate. In 2000, he made the decision to start bottling his own wine instead of selling to a nearby co-op. Since then, he has increased his holdings to 5 hectares, all hillside vineyards at altitudes of 650 to 800 meters. Today, Manni is seen around the world as one of Südtirol’s top producers. Half of Manni’s Veltliner is fermented in acacia barrels, an alternative to oak, which adds roundness to this otherwise pristine, clean-cut white.

Region: Alto Adige (Südtirol) – Valle Isarco
Grape: Grüner Veltliner
Production: 12,000 bottles
Elevage: acacia, stainless steel
Soil: sand, granite
Importer: Kermit Lynch

Cascina Delle Rose Langhe Nebbiolo 2016
Cascina delle Rose’s three-hectare estate includes some of the best vineyards in the Rio Sordo Valley. This family operation (winery and agroturismo) has been producing world-class Barbaresco since 1948, They practice organic viticulture and traditional winemaking, using large, neutral barrels for their Barbaresco. This incredible Langhe nebbiolo is made from the same wine as their cru Barbarescos, the only difference being the oak and bottle aging. Classic pairing with butternut squash agnolotti and black truffles.

Region: Piemonte – Barbaresco
Grape:  Nebbiolo
Production: 8-10,000 bottles (depending on vintage)
Elevage: Stainless Steel
Soil: calcareous, clay
Importer: La Famiglia Corona (donated by Riccardo Sorbino of Cascina delle Rose)

Sandro Fay Valtellina Superiore Valgella ‘Costa Bassa’ 2014
A fun juxtaposition to the Langhe nebbiolo, this nebbiolo from Valtellina (regionally called “chiavennasca”) has a very long history in northern Italy. In fact, Valtellina was the first region where nebbiolo was fermented dry. Sandro Fay is based in the small town of San Giacomo di Teglio and is widely regarded as one of the leading producers in the region. They sustainably farm 14 hectares, work organically, and harvest by hand. The nebbioli of Sandro Fay come from terraced vineyards and are most notably differentiated by the effects of altitude and exposure for each of the parcels. The fruit in the Costa Bassa comes from about 500 meters above sea level, and the wine shows lighter tannin and a fuller expression of fruit with balanced acidity.

Region: Lombardia – Valgella, Valtellina
Grape Nebbiolo (Chiavennasca)
Production: 16,000 bottles
Elevage: 12 months in neutral oak
Soil: sandy silt over limestone
Importer: Rootstock

Passopisciaro Passorosso 2015
Andrea Franchetti arrived on Mt. Etna in 2000 as one of the first of the modern wave of producers on the volcano. There, he found 70- to 100-year-old, bush-trained vines across the northern side of the volcano across a variety of optimal sites between 550 and 1,000 meters (1,800 to 3,300 feet) above sea level. The grapes are taken from various contrade (crus) of Malpasso, Guardiola, Santo Spirito, Favazza and Arcuria; generally, the higher crus are on a more gravelly soil, the lower ones in a deeper powder made with more oxidized, older lavas. Often compared to Burgundy and Nebbiolo these wines are really something all their own – offering red fruits, minerals, herbs, and the apparent aroma of the volcano in the glass.

Region: Sicilia – Mt. Etna
Grape: Nerello Mascalese
Production: 40,000 bottles
Elevage: large-format neutral oak
Soil: primarily gravelly soil and old lava flow
Importer: Rootstock

Tenuta di Trinoro Le Cupole 2015
Located in a remote corner of southeastern Tuscany, Tenuta di Trinoro specializes in rich, age-worthy red wines made of Cabernet Franc, Merlot, Cabernet Sauvignon, and Petit Verdot. The 200-hectare estate sits in viticultural isolation in the Orcia Valley near Sarteano, where Tuscany meets Umbria and Lazio. Fermented in stainless steel and aged in one- to three-year-old barriques and cement, Le Cupole is velvety and approachable. Tenuta di Trinoro is the first project of Andrea Franchetti, and has an interesting connection to Houston. Andrea is the nephew of artist Cy Twombly, whose collection has its own building at the Menil. Andrea purchased this estate in Val D’Orcia after selling one piece of his uncle’s art!

Region: Tuscany – Val D’Orcia
Grapes: Cab Franc, Merlot, Cabernet Sauvignon, Petit Verdot
Production: 57,000 bottles
Elevage: 8 months in neutral French barrique (1 to 3 years old)
Soil: Clay, Limestone, gravel
Importer: Rootstock

Meroi Verduzzo Friulano 2013
Coming from the westernmost part of Colli Orientali in Friuli, Meroi is a winery of great importance in the region. Damiano Meroi and his father make some of the area’s best red and white wines, as well as amazing dessert wines made from indigenous varieties. This wine is made from Verduzzo Friulano and is a traditional pairing with local desserts. Fun fact: Verduzzo is considered to be the most anti-oxidant of all grape varieties.

Region: Friuli – Colli Orientali
Grape: Verduzzo
Production: 2,500 bottles
Elevage: 30 months in used barrique
Soil: Eocenic marl (Ponca)
Importer: Rootstock

(Slideshow photos courtesy Michelle Watson)


Up next: The food at Delicious Alchemy: The Banquet

A Wine For Your Mother, And You — Plus, Some Fine Rum Distilled in Texas, and The Brockhaus Returns

There are times, when working on stories, that one comes across individuals who make an immediate impact. That impression and experience can, of course, be good and enriching, or it can be upsetting and frustrating. Both types of encounters provoke thought, in different ways, and while discourse with and exposure to jerks and zero-sum people can provide one with a level of amusement, I much prefer dealing with and learning from unselfish, self-secure subjects, people for whom life is a rollicking adventure, men and women confident enough to know that there is always something new to learn and that being kind and giving does not lead down the road to mediocrity. The world is a better place because of these types, and would, I am confident, be much more rewarding if the zero-sum cohort disappeared with haste.

I recently had the pleasure of meeting with and/or talking to individuals — both in the beverage industry  — who make the lives of those around them better. They are passionate about their craft, they display infectious enthusiasm about what they are doing, and they are clearly and genuinely interested in what others do. They are worth knowing.

This woman makes some fine rum. (Courtesy Railean Distillers)

 

I’m referring to Kelly Railean and Joe Donelan (click on their names for additional words about them and what they do). I met Railean in December at her distillery in San Leon, Texas, took a tour of her workshop, and sampled her wares. I recommend you do the same. I have spoken with Donelan on the phone several times, each conversation thoughtful and attentive. The Brockhaus is partnering with Donelan Family Wines on an upcoming dinner benefitting an animal-welfare and shelter charity, a direct result of that pointed disavowal of the zero-sum mentality. In December, I had the pleasure of tasting Donelan’s 2014 Nancie Chardonnay, named after Joe’s mother, and it’s drinking well now. He’s built a business in California that honors his passions and his family, and, as has Railean, he’s added joy to the lives of many along the way.

Good people, making good things, doing good. I hope you have a multitude of such people in your life, and I hope you steer clear of that sad zero-sum trap.

Want more stories about wine and spirits and the people who make them? Read on:

A Chardonnay For Your Mother (and You)
Don’t Dismiss the Peat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
Here’s Your Texas Rum Goddess
A ZaZa Wine Guy Loves Great Service
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life

Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

 

Cornbread, Black-Eyed Peas, and A Very Good Chocolate Cake: Miss Lewis Is With Us Today

Perhaps you’ve had a wonderful 2017; then again, you might be of the opinion that the year has been a bad one. I, as often as I can, try to remind myself that good and bad are intermingled, twined, eternally debating and by turns battling it out for dominance, good on top for a while, then losing to bad, which takes its place at the top for a time. Then there are those days and nights during which good and bad share the roost. Those might seem strange periods, but the wise among us know it’s aways that way.

I imagine 2018 will bring more of the same, as human years always have. Our minds either figure out how to assimilate and understand the dualities of good and bad, and stay above lazy despair or vapid elation, or fight against the bad, a struggle that — and these latter types of minds, in my opinion, never realize that their crusade for “their” good results in the killing of the self — is futile and cripples the struggler, often mortally.

Wake up and smell the coffee in 2018.

The first day of a year, as arbitrary as that day might in actuality be, is a good time to decide which mind you want to have. It’s January 1, 2018, and I’m thinking of Edna Lewis, who had a great mind and soul. I’m thinking of her because Angela made A Very Good Chocolate Cake yesterday, and today I’m making cornbread. The recipes for both come from Lewis, a woman with whom I wish I had been able to share a table at least once, a beautiful woman with soul and spirit and grace and talent who conquered New York City with her food and hospitality. She also: made a dress for Marilyn Monroe; worked with Dorcas Avedon (Richard’s wife) as a dress copier; and, perhaps most famously, presided over the kitchen at Café Nicholson, where she served Truman Capote, Marlon Brando, Tennessee Williams, William Faulkner, Diana Vreeland, and Marlene Dietrich, to name but a few of the many who found nourishment for their bodies and souls at her table. If you know Miss Lewis, celebrate her memory by creating something from one of her cookbooks. If you do know not know of her, now’s the time.

Angela (and Edna Lewis) did this.

I’ve made A Very Good Chocolate Cake many times, and have enjoyed hearing from others who made it at my urging, or after reading this. I’ll go ahead and persuade you to make it, because it is nothing but good.

Christmas Eve Cooking: This Year, It’s Bok Choy, Pork, and Rice Noodles

I come from a long line of Southern cooks (that’s that terribly interesting and crazy and beautiful and frustrating region in the United States of America that’s produced some of the best writers known to man, along with some of the best food and cooks anywhere) who begin planning their Thanksgiving and Christmas feasts every year on December 26, people who never miss a date with a giant pot of black-eyed peas and collard greens on New Year’s Day. Tradition, spiced up by something new every year, a recipe or dish that my mother wanted to make, was the comforting norm, and that is a good thing. I taste still my grandmother Ida’s cornbread stuffing, and it’s been 15 years since I’ve actually put a spoonful of it in my mouth.

This year is going to be a bit different, however. Christmas Eve dinner’s main course will star pork and rice noodles and lots of bok choy (plus garlic and ginger and Thai chiles and cilantro and scallions and a good bottle or two of Riesling). Angela and I will be cooking with a friend who lost her mother this year; she also dealt with the death of her dog. Loss is everywhere all the time, of course, but this woman, whom I met only recently, is full of life and spirit and hope. It’s a lesson to me, her determination to tackle her grief while at the same time saying “yes” to life, embracing and respecting the sadness but pushing for communion and solace. She invited Angela and me into her home to cook and share a meal, and that’s as good a tradition as any.

I’m missing my parents this year — I spent Christmas with them last year — and making the distance worse is the reality that my father is dealing with a disease that has forced him to use a walker. He doesn’t sing any longer, but the songs are still in his smiling eyes. I’ll travel down to Florida next year to be with them in December, and I hope to start planning the meal with my mother soon. I want to recreate one of our holiday meals of yore, with all the trimmings. And I’ll bake the best chocolate cake that’s ever existed.

Here’s the recipe for the pork and rice noodles, if you want to make your own. I based it on one I found in The New York Times.

Ingredients: 

5 heads baby bok choy
2 ounces ginger root (choose one that fills the palm of your hand)
10 ounces thick rice noodles
3 tablespoons peanut oil
1.5 pounds ground pork
1.5 cups soy sauce
3 tablespoons rice wine vinegar
3/4 cup sliced scallions
4 garlic cloves sliced thinly (so one can see through them)
1 thai chile, stemmed and seeded (or 2 chilis, if you prefer if hotter)
3 tablespoons toasted sesame seeds
2 tablespoons (or more) sesame oil
cilantro or basil, torn
black vinegar (feel free to use balsamic vinegar as a substitute)

How to cook it:

Wash bok choy thoroughly, and shake off excess water. Cut green leaves from the stalks, then slice the stems thinly (discard the woody, thick bottoms of the stalks). Peel a good chunk of the ginger, perhaps 2 ounces of it, and finely chop half of it and matchstick the rest.

Heat half of the oil in a large skillet over medium heat, then add pork and cook until browned and cooked through, using a fork or spoon to break it into small pieces. Season with salt, 2 tablespoons of soy sauce, and 1 tablespoon rice wine vinegar. Stir well and taste, then remove mixture to a bowl.

Bowl water in a kettle; put rice noodles in a large bowl (heat it first in water if you are worried about the heat cracking it). Pour bowling water over noodles and stir, then let them sit for one minute. Drain the noodles, then rinse them in cold water and let them drain again, well.

Pour the remaining peanut oil into the skillet and turn heat to medium. Next, add half of the scallions, the garlic, the chile, and the chopped ginger. Cook for 2 minutes or so, allowing the flavors to mingle and intensify. Now’s when you add the bok choy stalks, and more oil if desired. Cook the stalks until they begin to soften, 2-3 minutes. Next, add the bok choy leaves and the pork to the skillet, and stir and cook all a few minutes longer.

Add the noodles to the skillet a bit at a time, so they untangle, along with the remainder of the soy sauce and  the rice wine vinegar. Heat through gently, taste for salt, and season as you desire. (I add more soy and rice wine vinegar, most of the time.)

When the mixture is hot, pour it into a large serving bowl, then toss the torn cilantro or basil on top and bring to table. Lay the ginger matchsticks in a small bowl and pour the black or (balsamic) vinegar over them, put the scallions in a small bowl, and sit down. Pour more wine, and enjoy.

Whatever you are cooking and drinking this year for the holidays, do it with love and share it all with good people.

Last Night I Dreamed About Charlie Trotter — Then the Morning Became Odder

I have phases during which I vividly recall my dreams, and I’m in one now. I wake up, and the images and action and scenes and dialog seem burned into my synapses. I retell the “stories” to myself and write them down in a notebook, and I also, from time to time, think I figure out why I dreamed what I did. Just as often, I cannot fathom the reason for the dreams, and simply enjoy the mise-en-scène. I am doing that as I write this, and Charlie Trotter is on my mind.

You see, last night I dreamed a Chicago dream, and Charlie Trotter and I hung out and ate and drank together, and we walked up and down sidewalks and streets and ended up at his townhome, late in the evening. We sat in his kitchen — as I imagined it … I never set foot in Trotter’s kitchen, or his home for that matter — and the hours passed and the conversation flowed. We cooked breakfast as the sun rose.

What did we talk about? I can remember France, and a trip down a canal on a barge, a pet Trotter had as a child, his father’s car, and the wallpaper of a hotel room in Paris. Earlier in the dream — it was winter, a Chicago winter — the steam coming from our mouths and nostrils as we stood under a streetlight and talked seemed especially visceral, though I have not the faintest idea why. Also, the condensation on his eyeglasses sticks in my mind.

The overall feeling of the dream is comfort, despite Trotter’s infamous personality. We apparently were friends, as we discussed trips we had been on together, wines we had shared. It was, as opposed to many dreams I have, unencumbered by the slightest sense of anxiety or angst or conflict. It left me feeling warm and part of a network of grace and kindness.

In 2009, I met Charlie Trotter in Abu Dhabi at a dinner he prepared.

Why, or how, did the morning become odder, odder than the dream itself? Because, in what seems a Jungian shadow-happening, the first email message I clicked on this morning while giving a few minutes to the ongoing process of clearing out my inbox included two photos of Charlie Trotter and me, taken in 2009 in Abu Dhabi. I decided to delete emails with the .ae suffix, and the message containing those images — which I had forgotten about — was the first one on the resultant search list. I opened it, unaware of the attached photos, and sat and pondered.

I’m not sure why it happened, and I don’t have a lot of time right now to figure it out. Nor do I know why I dreamed about Trotter and hanging out with him in Chicago. Perhaps reading about the closing of Grace was the impetus? Who knows … Dreams are mysterious, their meanings can be evasive and perplexing. I’ll figure this one out, eventually. Until then, I’ll relish those feelings of grace and warmth, and the sensual experiences of cooking, drinking, and eating with the departed chef.

Two Chickens, Malibu Coast AVA, Some Hot-Smoked Salmon, and Stock and Soup

The hills were rolling, the mountains captivating, all a transfixing and calming mixture of greens and browns. The drive from Los Angeles to Malibu was a magical journey, the light bouncing off the Pacific Ocean illuminating all. The air was buoyant, the mood light. We lunched al fresco at Malibu Kitchen & Gourmet Country Market, then were on our way to a vineyard, a small plot of Chardonnay planted by Elliott and Lynn Dolin in 2006 on a sloping hill perched high above the ocean. The afternoon was warm, the wine and conversation flowed, and our Central Coast sojourn had begun well.

The Dolins are making Chardonnay, Pinot Noir, and Rosé, and lead (and have led) interesting lives. Over dinner, I spoke with Elliott about Jack Clement, Ray Price, Willie Nelson, and wine. You can read about the couple — and see some photos of their lovingly restored Spanish Colonial Revival home — by clicking here. (Our California trip continued in Santa Barbara and environs, more about which later.)

Like Salmon? It’s a popular fish, of course, in many ways too popular — if you have not read “Four Fish: The Future of the Last Wild Food” you need to — and the farming of it has gotten out of hand. Watch this:

I endeavor at all times to eat only wild salmon, and recently tasted some very fine Sockeye, hot-smoked at Houston’s Ibiza and served with crème fraîche carrying the wonderful flavors of orange and dill. On top, caviar. Delicate and rich, this dish is perfect with a glass of Cava. Here’s my take on the rest of the meal at the restaurant (hint: order a Campari and Soda to begin your meal there). Charles Clark has been in the kitchen at Ibiza for a long time now, and his experience and passion show.

From salmon to chicken, specifically two hens I made last week. One I roasted (garlic slivers under the skin, lemon and onion in the cavity) the other I poached in milk.

Sockeye, hot-smoked

Both tender, both full of flavor. We served then with a simple salad, and I made a soup from leftovers, enriched by a homemade stock. Don’t throw away those carcasses and scraps and offal … instead, save everything and spend a few hours creating something earthy and honest. (Click here for a recipe/method from Jacques Pépin.)

A stock begins …

The soup: onions, celery, carrot, olive oil, stock, and shredded chicken meat, plus heavy cream, cilantro, and basil. Crusty bread, a green salad, and a Chenin Blanc completed the picture.

Vegetables, chicken, and cream: a fine trio.

A Wine (Pinot Noir) For the Fourth of July

Oh, Pinot Noir, you can be so vexing. Or perhaps I should restate it this way: Oh, makers of Pinot Noir, some of you can be so vexing. The popularity of the varietal makes for some bad examples. We don’t need any more bad wine. We don’t need overly fruity, sweet Pinot Noir. We need more elegant, complex Pinot Noir. It’s a particular grape, and needs care, not mass production.

Now I write the above with full knowledge and recognition that some people like the type of Pinot Noir that I don’t, and that’s fine. I’m not a wine snob, and I don’t get a kick out of dropping names. I drink what I like, and you should, too. But I do recommend against limiting your palate.

A week or so ago I opened a Pinot Noir that I appreciated, and you can read about it here. If you are persuaded to try it, write and let me know what you think.

The Fourth of July is around the corner, and the menus are being planned. We’ll be doing a pork shoulder low and slow with wood and charcoal … and will have pulled pork sandwiches for the holiday. Along with Craig Claiborne’s baked beans, German potato salad, and a watermelon salad. Click this link for the watermelon salad recipe.

Todd and absinthe in Prague

You need la fée verte …

Wines? Oh, there’ll be a Riesling in a the mix, and some cava, as well. A Pinot Noir is not out of the question, and a bottle of Cabernet Sauvignon has been promised by one young woman who will be at the party. I imagine Todd will be making a fine cocktail or two, and we might even be treated to some absinthe.

I’d be remiss if I did not mention a certain Fußball tournament going on right now in Russia. It’s the 2017 Confederations Cup, and Die Mannschaft plays on Sunday in the final against Chile. It kicks off at 2 p.m. EST, so turn the match on and enjoy. (Yesterday, the German U21 team beat Spain in the final of the U21 European Championships, in Poland. Deutschland über alles.)

However you choose to celebrate, relish the long weekend, hug your friends and family, and share your table with people you love.

The Brockhaus Returns For A Truffled Affair on May 7

20150124_214446

Hands on the ribeye at The Second Coming

It’s complete, the Brockhaus menu for May 7. Hosted by Diane Roederer, the owner of  DR Delicacy, A Truffled Affair will commence at 7 o’clock with sparkling wine and conversation. We’ll present a menu inspired  by the season and the goodness brought to Houston by Diane.

****************************

The Brockhaus: A Truffled Affair

Uovo in Raviolo / Truffle

Butter-Poached Lobster / Truffle 

Gulf Red Snapper / Zucchini Agrodolce / Chilies / Mint

Morel Foie Gras Farci / Truffle / Demi Glace

Short Rib / Polenta / Truffle

Bacon Semifreddo / Pine Nut Tuile

($145 per person, including a wine paired with each course)

****************************

If you have been to a Brockhaus event (click here for a look at some of our evenings), you know there will be a surprise or two during the meal. It’ll be a seven-course tasting menu – therein the first surprise — and the talk around the table will be lively and engaging. You’ll meet some interesting people, and perhaps close the evening out with some new friends.

Space is limited; to reserve your seat, fill out the form below. We look forward to seeing you on May 7.

1619600_10152439317349895_2406058602657243384_n

Judy, Brockhaus CIO Angela, and co-host Caroline at The First Supper

 

 

 

The Brockhaus Takes The (Rainy) Houston Heights

Prepping was well under way when the rains (and lightning and thunder) came, heavy and loud. The house – the creation of the minds of the hosts and their architect – was, save for the kitchen, quiet, orderly. The rooms, tastefully appointed, were full of framed photography (the owners are collectors), journeys for the mind and eye. It was the perfect environment in which to cook.

Working menu

Working menu

Except that as time marched on toward 7 p.m., when guests were asked to arrive, the rains persisted. The sommelier for the evening was phoning me from his car; the previous week’s flooding in Houston had him worried, so he decided to turn around and head home. Hoping the deluge would devolve into a shower, I called the guests, changed the cocktail time to 7:30, and hoped for the best.

FullSizeRender-3

Constance and I – now joined by Chris – were all in the kitchen, Chris working on Swiss chard and porcini, Constance putting the final touches on the snapper prep, and I taking care of the pork belly.  Chris and I have an unspoken ease in a kitchen, and the input and assistance from Constance, who attended the dinner with Alison (they of the beautiful Nantucket wedding), made the work perfect.

It was May 30, and this was the third Brockhaus dinner (fourth if  the wedding on Nanctucket is included), and despite the rains and the late start, it was a fine affair. Eight guests gathered around a table, seven courses, wines from the hosts’ cellar*, lively and often raucous conversation, smiles, laughter. Strangers at a table when the first course arrived, friends upon departure around midnight. I feel profound satisfaction when my food makes that happen. The guests included three former Brockhaus attendees, two of whom, Russ and Judy, have been at all three Houston events, (they have also hosted a Brockahus event at their home, and I consider them great patrons) and five first-timers. Here is what one guest wrote me a few days later:

“Brockhaus hit the trifecta … creatively prepared food that excited the senses;  expertly paired wines that complimented each course,  and engaging guests that would be envy of any dinner party.   James set a high bar with this delightful evening.”

The Brockhaus journey continues, and we hope to see you at a table soon.

*Wines served: Ivernel Brut Prestige NV,  Château de Montfort Vouvray 2011, Patz & Hall Hyde Vineyard 2012 Carneros Chardonnay, Kosta Browne Pinot Noir Koplen Vineyard 2012, Bodegas El Nido Jumilla Clio 2006, Tenuta Fontodi Vin Santo del Chianti Classico 1996

(Slideshow created by Constance Brinkley-Badgett.)

 

 

 

 

« Older posts Newer posts »

© 2024 Mise en Place

Theme by Anders NorenUp ↑