Category: cookbooks

Rest in Peace, You Ladies of the Kitchen and Table: Bidding Farewell to Raffetto, Council, Kafka, and Brennan

It gives me solace that they each lived a long life, these woman whose cooking and writing and spirit gave happiness and nourishment to so many. Pasta, fried chicken livers, a recipe for shrimp and asparagus with sorrel, and eggs Sardou: these things are evocative entry points to, respectively, Romana Raffetto, Mildred Council, Barbara Kafka, and Ella Brennan, four women whose legacies won’t soon fade. Losing them all within the space of a few weeks is a tough blow, but let’s try to celebrate the exuberance and love of food they displayed.

One of my favorite things to do in New York is to walk the streets of the West Village and make the rounds of my shops, including Murray’s, Faicco’s, and Ottomanelli & Sons. For pasta, when I did not want to make my own, or lacked the time to do so, I would stop at Raffetto’s on West Houston Street, pasta whose quality never disappointed. Romana Raffetto, who passed away on May 25, was behind the counter on most days, talking to customers and extolling the virtues of her family’s products, which evolved over time to include all the shapes and types that are now ubiquitous in even the most pedestrian of grocery stores (think pumpkin ravioli and squid-ink tagliatelle). The store, officially known as M. Raffetto & Bros., opened in 1906, and there’s no telling how many meals have been composed with Raffeto’s pastas and sauces since then. I enjoyed talking with Raffetto, and her pride in the store, and what her family had created, was obvious. (If you want to try a few things intriguingly delicious, order the following from Raffetto’s: pink sauce made with cognac, gorgonzola and walnut jumbo ravioli, and black squid Tagliarini all Chitarra. Those are my favorites.)

Romana Raffeto stands at the counter of her family’s store in 1978. (Photo courtesy Gino Raffeto)

Stores like Raffetto’s are national treasures, and in many cities are extinct, if they ever existed at all. As I write this, the aromas of that wondrous space in the West Village are all around me, and I know what one of my first stops will be the next time I am in New York. In the meantime, mail order will have to suffice.

Here’s a look at the place and the people behind it:

Mama Dip. What can you say about Mama Dip, otherwise known as Mildred Council? What about her Community Dinners? Or the courage and bravery she exhibited in choosing to end her marriage after 29 years, in 1976, having endured emotional and physical abuse? “The biggest turning point in my life was when I left my husband,” she told an interviewer in 1994. A cookbook that has so far sold 250,000 copies (“Mama Dip’s Kitchen”)? Fried chicken livers adored by Craig Claiborne (and thousands of other individuals)? How about the fact that she opened her first restaurant in 1976 and had but $40 to make breakfast, and at the end of that first day went home with $135? Her food was honest and filling and delicious and spoke of the lessons she learned cooking for her poor family, which she began to do at the age of 9, when her mother passed away. She was tall — 6 foot 2 — and she was loving and gracious, and Chapel Hill will never be the same.

“I’m not a chef. And I don’t like people to call me a chef because a chef is more like—I call them the artists,” Council told the Southern Foodways Alliance’s Amy C. Evans in a 2007 interview. “They have so much artist in them, artistic, ever what you call it. Artist, I guess, because they can just make things so pretty, you know. And I try to make things good.” Did she ever.

Mildred Council left countless fans and admirers, who will forever miss her cooking. (Image courtesy Mama Dip’s)

Barbara Kafka’s books sold millions of copies, and her advocacy of using a microwave to prepare food — she even used the appliance to deep-fry, alarming many and disgusting others — earned the disdain of many chefs, but the indefatigable author didn’t let the criticism bother her. She pushed on with her testing and writing and consulting, and in 2007 was awarded a Lifetime Achievement Award from the James Beard Foundation.

“I do try to write in English, I don’t write ‘kitchen’ and I don’t write French,” Kafka told an interviewer in 2005. “What’s wrong with saying matchsticks instead of julienne?” Clearly, her straightforward — many would say brash — approach spoke to legions of home cooks, who devoured her writing and learned their skills from her books and articles. She supported Citymeals on Wheels early on, spent thousands of hours testing recipes, and maintained a passion for the transformative power of food and cooking. If you like cookbooks with a definitive voice and point of view, Kafka’s are for you. And you know what? Though I do not use the microwave to deep-fry my chicken livers or cook artichokes, I do start my roast chickens at 500 Fahrenheit.

New Orleans is one of my favorite destinations for food and eating. I can still recall the first time my family visited the city; I could not have been more than 10, but the flavor and sights and smells are still vivid in my senses. Strong black coffee, beignets covered in powdered sugar, shrimp and gumbo and everywhere, it seemed, the sounds of jazz.

Ella Brennan and the Crescent City were made for one another, both colorful and romantic and stubborn. “Hurricane” Ella was definitely a force of nature, and her love of restaurants and the people who made them work is worthy of much admiration. Here is all she said at the podium at the 1993 James Beard Awards (Commander’s Palace picked up the Outstanding Service award that year): “I accept this award for every damn captain and waiter in the country.” Classy lady was she.

If you want to read a lively autobiography, get a copy of “Miss Ella of Commander’s Palace: I Don’t Want a Restaurant Where a Jazz Band Can’t Come Marching Through“. Then set aside a part of your evening and watch “Ella Brennan: Commanding the Table.”

The experience will be all the more pleasurable with Miss Ella’s Old Fashioned in hand, a fine drink with which to toast the memories of these four amazing and strong women.

Miss Ella’s Old Fashioned

Ingredients
2 ounces Bourbon
2-3 dashes Peychaud’s bitters
one half-cube sugar
lemon peel for garnish

Fill a rocks glass with ice and a touch of water. In a second rocks glass, muddle the sugar cube with Peychaud’s bitters , then add Bourbon. Swirl the ice in the first glass to chill it, then discard the ice and water. Pour the drink into the now-chilled glass. Run the lemon peel around the rim of the glass, then toss the peel into to the drink for garnish.

In Which I Begin Cooking With Nathan Myhrvold

Seared with a torch, cooked at 170F ... (Brockhaus photo)

Seared with a torch, cooked at 170F. (Brockhaus Photo)

In 2012 I won a copy of a something I had placed on my wish list the minute it was published: “Modernist Cuisine: The Art and Science of Cooking”. It is a five-volume wonder that’s found in the collections of restaurants around the world; I first got my hands on it in Germany, when I was working at Amador. My copy was back in the U.S., at my parents’ house, where it had been shipped.

One of the first things I did when I returned to the U.S., in 2013, was open the box containing the books and dip into the volumes. (The volumes are stored in an acrylic case, and if there is someone you really love who loves to cook you should get this for them. It costs about $500.) I did not, however, have enough time to start cooking from it, so I put the books back into their case and the entire thing back into the box and vowed to, as soon as possible, begin using it in my kitchen.

Much to read, much to cook, much to eat. (Photo courtesy Modernist Cuisine)

Much to read, much to cook, much to eat. (Photo courtesy Modernist Cuisine)

That time has come. Yesterday I put a rib eye in the freezer, initial prep for Low-Temp Oven Steak. Today I took the steak from the freezer and seared it with a torch, making sure to pay attention to the fat on the sides of the meat. My gas oven’s lowest temperature setting is 170F – the method Nathan Myhrvold and his team perfected uses 160F – but that’s not an issue. Use 160F if you can; if not, just use the lowest setting on your range. I inserted the probe of my digital thermometer into the thickest part of the rib eye and set the unit to notify me when the internal temperature of the steak reached 134F.

Perfect temperature (overlook the imperfect plate and the large flake of Maldon I overlooked). (Brockhaus photo)

Perfect temperature (overlook the imperfect plate and the large flake of Maldon I overlooked). (Brockhaus Photo)

The steak was ready in less time that I anticipated, so I didn’t have time to make the spinach dish I had planned, but who cares? I removed the rib eye from the oven and put it on a cutting board, sliced it immediately, drizzled melted butter over it, then sprinkled some salt on top. It tasted very good – the searing with the torch created that flavor we all love on a steak, and the slow and low cooking resulted in extreme tenderness.

I am making a list of different cuts of beef to prepare using this method, and this is the “Modernist Cuisine” recipe that is up next at Brockhaus: 72-Hour Braised Short Ribs.

To Julia Child: I Toast a Grande Dame on Her 102nd Birthday

A giant in the kitchen, in more ways than one.

A giant in the kitchen, in more ways than one. (Photo courtesy estate of Julia Child)

I am celebrating her birthday in her absence. She would have turned 102 today, and she would have done it in style, sitting at a table surrounded by friends and loved ones. Paul would have been there, of course, the love of her life. Their courtship and long relationship should be the envy of us all. James Beard would be at her side, as well.

I won’t speculate about the menu, but I would not be unhappy for Julia Child if a waiter brought her sole meunière at some point during the meal. I feel a lot of passion for that dish, because it is what awakened Child’s senses and opened her mind to the wonders of good food, and the preparation of it. It was November, 1948, and she and Paul had just arrived in France. They were on their way to Paris, but needed to eat during the drive. It was Julia’s (allow me to refer to her as “Julia”) first meal in France, and she writes of it in “My Life in France” in this manner:

Rouen is famous for its duck dishes, but after consulting the waiter Paul had decided to order the sole meunière. It arrived whole: a large, flat Dover sole that was perfectly browned in a sputtering butter sauce with a sprinkling of chopped parsley on top. The waiter carefully placed the platter in front of us, stepped back, and said: “Bon appétit!”

I closed my eyes and inhaled the rising perfume. Then I lifted a forkful to my mouth, took a bite, and chewed slowly. The flesh of the sole was delicate, with a light but distinct taste of the ocean that blended marvelously with the browned butter. I chewed slowly and swallowed. It was a morsel of perfection. … At La Couronne I experienced fish, and a dining experience, of a higher order than any I’d ever had before.

As a child, I watched Julia on television. I am sure that back then I did not know what to think of her. My mother was born in Savannah, as was I, and I was very familiar with crab and shrimp and clams and pheasant and fried chicken and Cornish hen and even some less familiar sorts of seafood, but this tall woman with the funny voice … well, she had a way with those things that was different. She made me want to learn as much about them as I could. Little did I know that she would become a profound part of my life. I’m grateful she did, and I am certain many of you feel the same.

Julia Child became, and is, an international star.

Julia Child became, and is, an international star.

Every chance I get to “mingle” with Julia I take. In Napa, I visited Copia – the cultural and educational center dedicated to the discovery, understanding, and celebration of wine, food, and the arts in American culture – to see some of the pots and pans and other tools that she used in her Cambridge, Mass., kitchen. Copia, which she helped found, is now closed, but those pots and pans are in the Smithsonian, so when I was in D.C. in 2013 I visited them there.

A kitchen for the ages.

A kitchen for the ages. (Photo courtesy estate of Julia Child)

I’ve spoken with people who met her, and with a few people who cooked with her. In Houston, I ran across a letter she wrote to Robert Del Grande, which now hangs in his restaurant, RDG+Bar Annie. I talk about her with people all of the time, and when I met Mike Lata in 2007 at Blackberry Farm we talked about how she is the reason he cooks. I have many of her books, and never tire of watching her shows: her solo ventures, segments with other chefs, and the beautiful series she made with her great friend, Jacques Pépin. I never met her, but it is not because I did not try. Once, when I was in Cambridge, I went to her house and knocked on the door. No one answered … I assume she was away. I don’t know what I would have done if she had answered.

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Most profoundly, I cook with her. Not a day goes by that I don’t see her, in my mind’s eye, standing at a stove or counter, chopping an onion or pounding a piece of veal or hoisting a pot. She, in ways that I have yet to fully realize, taught me how to cook, taught me how to see the wisdom and grace that food possesses. And that is much more of a gift than that little boy watching her on television all those years ago could have ever expected.

Thank you, Julia, and Happy Birthday. I love and miss you.

Plate of the Day: Rack of Lamb Amid the Boxes

It's from New Zealand, and it's good. (But if anyone can find me some good American lamb please get in touch.) (Photo by James Brock)

It’s from New Zealand, and it’s rare. (But if anyone can find me some good American lamb please get in touch.) (Photo by James Brock)

I have taken far too long to settle into my apartment in Houston. In fact, I am still not fully unpacked. Far from it. Most of my books are still in boxes, and though my bookcases are ready and willing to serve their purpose, I have been, shall we say, less than industrious in the area of fully moving in. But that is over. I have set myself a strict deadline. Soon I will be able to put on dinner parties, something I have missed hosting.

However, boxes of books and general clutter have not prevented me from cooking. This past week I was wanting lamb, so I went to a butcher shop/meat market and bought a rack. There was a jar of tapenade in the refrigerator – my parents had sent it to me as a gift  – and I used it, along with some bread crumbs and more capers, as a rub/crust for the rack. A bed of sautéed spinach and shallots finished the dish, which I enjoyed with a bottle of a red from Rioja.

Easy, elegant, delicious. As it was cooking I opened a box that just happened to contain cookbooks. One down, oh so many to go …

To read, to cook, and to dream (Thank you, M.F.K. Fisher)

Books and cooking are perfect companions. I never tire of reading about food, about the preparation of it, the soul-nourishing properties of selecting and preparing what we eat, the way we dream and think about ingredients and countrysides and fields and markets and tables. Or the way we recall meals enjoyed in restaurants and gardens and backyards.

Cookbooks and volumes on wine and food and all things culinary occupy large amounts of space on the shelves of my bookcases, and I consult them often. (Or, I should say, will again once my books are out of boxes and back on said shelves.) Indeed, I miss terribly sitting with The French Laundry Cookbook and The Gift of Southern Cooking, among others, and delving into the passions of Edna Lewis and Thomas Keller. I miss my Le Guide Culinare. In the past several months I have found myself wishing I had easy access to On Food and Cooking and the words of Mencken on food and drink.

I have been traveling and cooking in Europe since July; Paris is the next stop. My books are in the dark, packed away. I wanted to take a few volumes with me when I began this journey, but suitcases fill rapidly, and shoes and knives and clothing are surprisingly heavy once one begins packing for an extended sojourn.

Reading about tête de veau and M.F.K. Fisher's days and nights in Dijon. (Photograph by Angela Shah)

Reading about tête de veau and M.F.K. Fisher’s days and nights in Dijon. (Photograph by Angela Shah)

I have with me one title, The Art of Eating, by M.F.K. Fisher. I recommend that anyone interested in food and life and love – not to mention good writing – get their own copy, or anything by the author. (I am sure many of you already have.) M.F.K. Fisher has nourished me in Germany and Spain and France and Switzerland thus far on this trip, and she’ll continue to do so for a long time. She has shared her thoughts with me about dining alone, which I have been doing a lot of lately, and her love of tête de veau and sweetbreads and the sorrow and frustration resulting from the fact that more people have not discovered the joys inherent in making a meal of these fine staples. (Of the latter, that sorrow and frustration, I feel the same.) The Art of Eating includes a great recipe for tête de veau, and these lines on eating such honest things:

“Why is it worse, in the end, to see an animal’s head cooked and prepared for our pleasure than a thigh or a tail or a rib? If we are going to live on other inhabitants of this world we must not bind ourselves with illogical prejudices, but savor to the fullest the beasts we have killed … People who feel that a lamb’s cheek is gross and vulgar when a chop is not are like the medieval philosophers who argued about such hairsplitting problems as how many angels could dance on the point of a pin. If you have these prejudices, ask yourself if they are not built on what you may have been taught when you were young and unthinking, and then if you can, teach yourself to enjoy some of the parts of an animal that are not commonly prepared.”

Ms. Fisher dreaming about that perfect trout.

Ms. Fisher dreaming about that perfect trout.

I have been reading this volume of collected works (a partial offering of her output) in an effort to get to know Ms. Fisher a little better, and I have. Recently in Switzerland I took the book high up into the hills above Montreux and Vevey, where she once lived and cooked and loved. I was hoping to make my way to what remains of her house in those hills, but instead met some very fine people as I searched for remnants of Ms. Fisher’s life. I’ll tell you about them soon, and of their kindness and hospitality and love for food. And, I have much more to say and write about Mary Frances Kennedy Fisher’s work and life.

M.F.K. Fisher and one of her admirers.

M.F.K. Fisher and one of her admirers.

In the meantime, read her. And live and love and cook and eat, well.

Thinking of France and Chickens

I lived in Paris for about seven months in 2005, and I miss that city, and France, especially when I am shopping for food. For most of my time there during that year I lived in the 10th, near the fine old Marché Saint-Quentin. It was built in 1866, and is a lovely covered market with lots of glass and iron. And it is full of great produce and fish and cheese and meat and poultry of all sorts.

A good place to shop: Le marché Saint-Quentin, in Paris' 10th.

A good place to shop: Le marché Saint-Quentin, in Paris’ 10th.

I shopped there three or four times a week, and most weeks bought a chicken, usually from the same woman, because hers seemed the freshest. Indeed, some of them had been killed the night before I cooked them. I bought them with the feet and heads still on, and appreciated their organic wholeness.

Most of the time I roasted them, which I am confident is the best way to cook a chicken, though fried chicken is a close second. Every now and then, though, I liked to poach a bird in cream, lots of cream. Two quarts, to be exact. Two quarts of fresh light cream, cream that tasted better than any milkshake I have ever had, and I imagined it coming from the most perfect dairy cow in France.

I’ve forgotten where I first saw a recipe for this dish, but it is an age-old technique, and many of you have undoubtedly poached chicken breasts before. One recipe I used recently as a foundation comes from Daniel Young’s “The Bistros, Brasseries, and Wine Bars of Paris.” I brined the bird when I made it this week, eight hours in a water/salt/sugar/black peppercorn solution.

Chicken brining in a plastic bag.

Chicken brining in a plastic bag.

Here’s how you do it:

Rinse the chicken inside and out with cool water and pat dry. Let stand at room temperature for 20 minutes, then season liberally inside and out with salt and pepper. While the chicken is waiting, heat two cups of chicken stock (you can use bouillon cubes) and heat the oven to 325 Fahrenheit. 

Carrots, onions, and celery, and a chicken

Carrots, onions, and celery, and a chicken

Peel two carrots and cut them in half; do the same to two onions and two turnips. To these, add the white part of one leek. I also like to use two stalks of celery, cut in half. (You can peel the celery if you want.) Put the chicken in a Dutch oven and then pour in the stock and the cream and add the vegetables to the mix. Heat on the stovetop over moderately high heat until just below boil. Put the lid on the mixture and put it in the oven for about two hours.

It's a bird surrounded by cream and vegetables – what's not to like?

It’s a bird surrounded by cream and vegetables – what’s not to like?

Remove the chicken and vegetables from the Dutch oven and keep warm; pour two to three cups of the cream mixture through a fine sieve into a saucepan and cook over medium heat, whisking the sauce until it thickens, for five minutes or so. 

Arrange the chicken and vegetable on a platter and pour as much of the sauce over them as you wish. I like to get a leg and breast on my plate, and the carrots and onions take on a flavor that will make you want to double the quantity of them next time you make this. (A final note: it is best to use a large chicken here, say, five pounds, but a bird of that size is difficult to find in many places, so if you use a smaller bird, just reduce the amount of cream.)

It really is very simple, and what results is chicken reminiscent of what you get when you make Chicken and Dumplings – moist and rich. And the sauce will have you thinking of milkshakes. I drank a Côtes de Duras blanc with the dish this week.

Pork on ice

Most people I know love bacon, and most people I know have a strong affection for ice cream. Two years ago I was invited to a Thanksgiving dinner in Dubai – about 40 people were going to be attending. I was asked to bring something for dessert, because the turkeys and hams and gumbo were already taken care of. The hosts were from Texas, and I was happy to accept the invitation, because I had already been fortunate enough to taste D.B.’s slow-cooked pork and beef brisket.

I then got to thinking about what I would make; the year before, A.S. and I had put on a Thanksgiving dinner for about 15 friends and colleagues, and it was a great success. It would be good for a change to not have to brine and cook a turkey and make Scooter’s Southwestern Dressing and struggle to find room in the refrigerator for a 20-pound bird.

However, I knew I would miss working with poultry and pork and giblets and set out to come up with something both savory and sweet for my dessert. After a bit of thought I recalled a pine nut semifreddo recipe I had run across in The Silver Spoon; it is a great dish with which to end a meal – not too sweet, but sweet enough to satisfy, especially if served with a small chocolate cake. So, thinking of pork, and one of my favorite pork products, bacon, I decided to make Pine Nut and Bacon Semifreddo.

Goodness: Bacon and brown sugar

Goodness: Bacon and brown sugar

I do not want to mislead you into thinking that this dish sprung from my head with no precursor; by now, there is nothing original to do with bacon, and we have enjoyed it in brownies and cocktails and cheese and panna cotta, to name but a few. I also recall, with pleasure, a fine dish I had at a restaurant in Brooklyn that included avocado and bacon ice cream.

That said, my Bacon Semifreddo was a hit that Thanksgiving, so much so that the amount I made fell short of demand, the empty bowl in the middle of the dessert table looking bereft, yet satisfied, as the containers of strawberry and vanilla ice creams around it sat full and forlorn. More than several people asked me if there was more bacon “ice cream” and told me it was the best thing they had tasted that Thanksgiving evening. (I recall fondly, however, a giant pot of gumbo that included homemade andouille that had been brought over from Louisiana … it was as good as the semifreddo, and I am glad it was there.)

Have you ever pulverized bacon? You should.

Have you ever pulverized bacon? You should.

So, here’s how I make the semifreddo; I use the recipe found in The Silver Spoon (and if you don’t have this book, get it) as a foundation, and add the candied bacon:

Preheat oven to 400F; on a baking sheet lined with aluminum foil or a Silpat, arrange five slices of bacon. Sprinkle 2-3 tablespoons of brown sugar evenly on the slices and cook for 15 minutes or so (until brown), turning the slices midway through the cooking time. Cool bacon on a wire rack. When cool, cut slices and put in food processor with blade inserted; pulse until the bacon is nearly pulverized. Set aside in a bowl.

Next, spread 1 1/4 cups of pine nuts on a baking sheet and roast at 350F for 8 minutes or so, until the nuts are golden; do not overcook. While the pine nuts are roasting, put 1 cup of sugar and 4 tablespoons of water in a heavy pan over medium-high heat. The mixture will bubble and then become a clear syrup. Stir, and wait until the syrup begins to turn a golden brown. Carefully add the roasted pine nuts to the syrup and stir carefully. Coat the nuts evenly, then spread on an oiled cookie sheet. Let cool, then break up the praline and put half in your food processor, reserving the other half. Pulse until very fine. Then, pulse the rest of the praline until crushed, but do not turn it to powder.

Dessert is served.

Dessert is served.

Now, you proceed to the semifreddo in earnest. You need 1 vanilla bean, 4 eggs, separated, 4 tablespoons of sugar, 1 1/4 cups of heavy cream, and a pinch of salt. Slice the vanilla bean lengthwise and scrape the seeds into a bowl. Add the egg yolks and sugar and whisk until pale. In another bowl (use glass or other nonreactive bowls for this recipe) whisk the cream until you form peaks. (Always use a clean whisk; grease or fats interfere with the process; if you have only one, wash and dry it for each step.) In a third bowl, whisk the egg whites and pinch of salt until thick – I always do the whites last so as to have stiffer peaks.

Now, fold the cream into the yolk mixture, then fold the whites into that. Finally – and if all of this seems laborious, it isn’t – fold in your delicious bacon and the crushed praline. Pour the mixture into an airtight container and freeze until firm. You can make this the day before.

I like to serve the semifreddo with a flourless chocolate cake, but have been known to take the container from the freezer and, using my favorite silver spoon, enjoy as is.

Offal is good

Sweetbreads. When I hear that word I salivate. I love them, and whenever I see them on a menu I order. Two recent meals in which they played a part I remember especially well: at Babbo, and at Le Pigeon, in Portland. (More on those meals, and restaurants, later.)

OFFAL: The Fifth Quarter, by Anissa Helou. Fully revised hardback edition, 192 pages, published by Absolute Press

OFFAL: The Fifth Quarter, by Anissa Helou. Fully revised hardback edition, 192 pages, published by Absolute Press

While I don’t need an excuse to think of sweetbreads, what brought them to my mind today was a book that I recently added to my collection: “Offal: The Fifth Quarter,” by Anissa Helou. (“The Fifth Quarter” refers to the parts of an animal – the head, feet, tail and innards –that do not belong to the four quarters of the carcass.)

Here is one reason I like this book; it is a quote found in its opening section – “An A-Z of Offal”– that introduces the entry on kidneys:

Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liver slices fried with crustcrumbs, fried hencods’ roes. Most of all he like grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.”
Ulysses, James Joyce

You see, Anissa Helou not only knows her food, but she also appreciates literature. And food and literature are two of the passions of my life, so any work that combines them interests me.

But back to sweetbreads, and her wonderful book. I was glad to see “An A-Z of Offal,” because I am always encouraging people to venture beyond and try hearts and kidneys and brains … and, yes, yes, yes, sweetbreads.  In “An A-Z” Ms. Helou tells us, among other things, that “calf’s sweetbreads are finer than those from sheep,” an opinion with which, after much testing and tasting, I agree. You will also learn that a love of pig’s feet just might have been the undoing of Louis XIV.

If you buy this book, you will have at the ready a handy and informative lexicon of all things offal, and if you read it and cook from it, you and your guests will be the better for it. Above all, it allows one to understand that eating chittlerings or ears is not a macho, daring act, but one of taste, tradition and respect, and that is a valuable and important message indeed.

Calf's Sweetbreads with Capers (photo by Mike Cooper)

Calf's Sweetbreads with Capers (photo by Mike Cooper)

Full of clear and concise recipes – including Chicken Liver Tartlets, Mexican Pig’s Trotter Salad, and, a favorite of mine, A Head Dinner for Two: (Poached Brain and Eyes with Fleur de Sel, followed by Lamb’s Tongue with Vinaigrette Sauce, ending with Lamb’s Cheek with Blanquette Sauce) – Ms. Helou has stocked “Offal” with wonderful stories from her life and recounts the days and nights she spent in Paris, Barcelona, Marrakesh and other locales getting to know the items and recipes that make up the book. (Mike Cooper’s photography is an effective addition; take a look at his photo of frying pig’s trotters on page 101 and you’ll see what I mean.)

Personal and informative – “I am not one for eating feet stew for breakfast. Raw liver perhaps, but not feet stew.” – this volume belongs in the collection of anyone who embraces head-to-tail cookery. And I urge anyone who now turns up their nose at sheep’s brain and bone marrow to get “Offal: The Fifth Quarter” and explore a new route on their gastronomic journey.

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