Month: May 2014

Snapshots of Dining With Dean in Hong Kong and Macau

Life can at times seem to be one long meal … which is not a bad way to think about the journey we all take. Meals and conversations form a long road, a connected series of days and nights and tables and bottles and sensual memories that one can return to again and again.

I spent a month in 2013 with Dean Cox, one of my closest friends, in Hong Kong. I have known him a long time, and never tire of his company. (I am missing him now, because we have not been together in the same place since March of 2013.) We have shared meals in Paris and the Loire Valley, Hong Kong and Macau, New York and Basel, and Stockholm and Huntsville and Birmingham. It’s been a great journey thus far, and it continues.

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UPDATE: Make Your Own Pasta (Thank You, Lidia and Marcella)

(Editor’s note: A few readers have chastised me for neglecting to include a recipe in this post. That oversight has now been rectified. Please let me know how you make pasta, and if you have never made fresh pasta at home, I hope this post inspires you to do so.)

“I still think that one of the pleasantest of all emotions is to know that I, with my brain and my hands, have nourished my beloved few, that I have concocted a stew or a story, a rarity or a plain dish, to sustain them truly against the hunger of the world.”

– M.F.K. Fisher, The Gastronomical Me

It is simple, and the payoff is extremely satisfying.

It is simple, and the payoff is extremely satisfying.

Pasta from a box is fine. I use it, mostly penne and farfalle. But there is nothing better than fresh pasta, and I am always happy when I can show people how easy it is to make their own. I taught my 8-year-old nephew how to make pasta, and I’ve guided Angela through the process – she is now expert at it.

I have a stand mixer and pasta attachments, and love it, but that has not prevented me from making hundreds of batches of linguine and ravioli and other varieties of pasta by hand. And there is a bonus: It is a meditative process. The action of mixing and kneading and rolling and cutting calms one’s mind.

There are plenty of recipes and methods for making pasta. I use two eggs (sometimes three), some olive oil, and, of course, flour and water. Over the years I have discovered my own technique and method. (You will, too.) Here is mine, and I give all thanks to Lidia Bastianich, whose pasta I encountered firsthand at Felidia years ago. I followed her methods and have revised them as time has passed. (Marcella Hazan is another inspiration, for pasta and many other things. Get to know her.)

First, relax. Do not get uptight about the process. It is a simple thing, depending on the shape of pasta you wish to make. Put on some good music, open a bottle of wine. Choose a smooth and large working surface; if you have a work island, use it. (I use a large wooden butcher’s block.) Make sure the surface is clean and dry. Sift two cups all purpose flour onto the surface and form it into a mound. Make an indentation in the middle of the mound. In a small bowl, mix two eggs, 1/4 tablespoons extra virgin olive oil, and 3 tablespoons of water. (I often add a pinch of salt. You can as well.) Gently pour the liquid mixture into the flour’s crater, and, using a fork, combine the liquid and the solid. Then, with lightly floured hands, mix and knead the dough until it is soft and smooth. (You will get the hang of it after a few attempts. Again, it is not difficult. In all, it should take you about 8 minutes or so to make the dough.) If the dough is too moist, add a little flour. If too dry, add a touch of olive oil. As you make more and more pasta, your hands and eyes will guide you. You will know when it is correct.

Form the dough into a ball and wrap tightly in plastic wrap. If you are going to use it that evening, let it sit at room temperature for 30 minutes before rolling it out. (Wrapped tightly and well, you can freeze the dough; I have frozen it for as long as a month, but I rarely do this.)

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Ian's pasta

He did this: Ian’s pasta.

When you are ready to roll, clean your work surface, get a rolling pin, and divide your ball into three pieces; lightly flour the surface – a dusting – and roll until the dough is as thin as you can make it. (In the photo below is a modified fettuccine, and we should have produced thinner noodles – they always expand in the water. But again, do not fret … on this evening we made basil pesto, and the meal was delicious, thick noodles and all.)

To make this simple ribbon pasta, use a sharp knife and cut the dough in straight lines, lightly arranging the ribbons into three bird’s nest clumps. Bring some salted water to a vigorous boil and, one bird’s nest at a time, cook the noodles until they float to the top of the water. (One important thing: Many home cooks err by not using a sufficient amount of water. Get your largest pot, and do not skimp on the water; the noodles need room in which to move and evenly cook.)

Have a sauté pan ready (with your desired sauce in it: oil and onions, tomatoes, pesto … your imagination is the limit). Lift the pasta from the water and add it to the pan, coating the ribbons thoroughly. (I also like to cook the pasta a bit longer in the pan, a minute or so; it makes everything taste better.)

That’s it. After you do this a few times, you’ll be ready for ravioli and orecchiette.

Flour and eggs and water and oil, plus you.

Flour and eggs and water and oil, plus you.

Percebes, and We Were Late for Lunch at Asador Etxebarri

Inside this building an inspired master presides over a fine kitchen.

Inside this building an inspired master presides over a fine kitchen.

Food and cooking (and culinary subjects in general) constitute a large part of my reading diet. Magazines, food sections, web sites, books … all are fair game. In a recent issue of The New York Times I came across this piece, about something that was part of a meal that holds a place among my all-time favorite meals: percebes. 

Asador Etxebarri was the place, and we were on our way to San Sebastián, having left Barcelona that morning. Colby and Kim were in one car, and Angela and I in another. We were equipped with a GPS unit, so were not worried about making it to our lunch on time. That turned out to be misplaced confidence, because the name of the village in which Asador Etxebarri is similar to another village in the region, and the latter is the one our BMW’s GPS unit selected. We should have insisted on a Mercedes. (Editor’s note: A reliable source insisted that I include the following statement: “And I should have just paid attention to my driving and followed Kim, who was piloting the car ahead. In addition, I should have not argued with Angela when she expressed little faith in my sense of direction.”)

We arrived at the village early and waited on Colby and Kim – our favorite traveling companions – who were on their way to the “right” village. We ordered some wine and sat in the sun in an old square, watching schoolchildren play and dogs chase one another. Colby and Kim never arrived. We called them. They were at the restaurant. We were not. And we were going to be late.

What to do? Well, what we did was walk at a brisk pace to the car while Colby asked if it was possible for our lunch to be delayed, to allow us time to arrive. The manager assented. Kindly. I then attempted to program the village’s name into the GPS system, but it was not cooperating. We called Colby, told him of our dilemma, and he was informed that a young American was staging in Extebarri’s kitchen. The young cook came to the phone and gave directions to Angela, who then relayed them to me.

Traffic was heavy, lots of trucks – we were driving through a semi-industrial area. Hungry, expectant, we drove for about 40 minutes, ending up in a small and beautiful village. The village we thought we were in hours ago. We parked, walked a short distance to the restaurant, and, it turned out, nirvana.

Colby Walton, who was very happy to see us.

Colby Walton, who was very happy to see us.

Colby and Kim were happy to see us, Colby nursing a … was it a Campari? The dining room, upstairs, was sunny, spare, welcoming. The staff welcomed us, laughing a little.

We joined the punctual ones at our table and I was given the wine list; the waiter was aware of our mishap and intuited that I would want wine. A Txakoli is what I ordered. A bottle, which the four of us drank while we looked at the menu.

A menu for the ages.

A menu for the ages.

For those who know nothing of Asador Etxebarri, I have two words for you: Wood and Smoke. Victor Arguinzoniz is the man behind that pairing, and he uses them both to create  beauty. Take a look at the menu shown above and you will see that he grills everything, a method of cooking that imparts flavors of the different varieties of wood his staff collects from the area, including oak and vine cuttings. (He even created a special “cooker” in which he smokes caviar.)

Victor Arguinzoniz and I tour his kitchen.

Victor Arguinzoniz was a gracious host, and I loved his kitchen. (The pulleys behind us are part of his grilling regimen.)

Our meal began, and it was a highlight of our eating tour that trip, which included El Celler de Can Roca, Mugaritz, Akelare, and Arzak, among others. The percebes followed a smoked goat butter, a smoky and creamy opening course that I can taste even today, a few years later. Grilled peas, anchovies, egg followed. And one of the best pieces of beef that man ever cooked. (I asked for the bone, and we took it to the apartment we were renting in San Sebastián; I later trimmed it of all remaining meat and fat and used it in a ragù.) (The photos that follow take you on a brief tour of our tasting menu. Enjoy.)

Colby, Kim, Angela and I spent three or four hours in Asador Etxebarri, and could have spent far more. After our lunch we took a short walk around the restaurant’s environs, admiring the green landscape, the quiet, and gained some insight about how geography and surroundings affect the way one cooks. But we had an appointment in San Sebastián, so once again hit the road and headed to the coast. Much awaited us.

A restaurant with a view.

A restaurant with a view.

Percebes, before the tasting.

Percebes, before the tasting.

The meat. The wonder.

The meat. The wonder.

A chef smiles.

A chef smiles.

Cheese flan

Cheese flan

Palomos prawns

Palomos prawns

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Grilled peas

Grilled peas

The place in which it happens.

The place in which it happens.

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Egg and mushroom

Egg and mushroom

Baby octopus

Baby octopus

If you like beef, this it is.

If you like beef, this it is.

An environment in which to create beauty on the plate.

An environment in which to create beauty on the plate.

Smoked goat butter

Smoked goat butter

Sea cucumber

Sea cucumber

Here's the wood that produces the smoke.

Here’s the wood that produces the smoke.

Plates of the day: A Gem Named Giacomo’s

There are a few restaurants in Houston to which I return again and again, because they are serving food that is good, and honest, and selling it at prices that are fair. One is named Giacomo’s, and it is owned by Lynette Hawkins, who has been in the business a long time and knows what she is doing.

I had lunch at Giacomo’s today with a friend who had never been there, and I knew that he would love the Swiss chard ravioli; it is one of my favorite dishes in Houston, and reminds me of the malfatti (also with Swiss chard and ricotta) served at Al Di La. (I ate those malfatti on a weekly basis at that little place in Park Slope, followed by rabbit and polenta.)

Today I ordered something I had never had at Giacomo’s: mozzarella in carrozza. The menu describes them as “little fried mozzarella sandwiches, anchovy caper sauce.” Two small sandwiches come in a bowl, the bread caressed by a delicate and very authentic sauce, a sauce so good that I would surely have no problem drinking a cup of it. The bread is slightly crisp, and though I wish it and the cheese had been a bit warmer, I can’t wait to introduce these things to Angela.

These little things and their anchovy-caper sauce are now at the top of my Houston food list.

These little things and their anchovy-caper sauce are now at the top of my Houston food list.

If you like cheese, anchovies, capers and crisp bread, order this.

If you like cheese, anchovies, capers and crisp bread, order this.

I convinced Jack to try the tortelli di bietola (ravioli stuffed with Swiss chard, ricotta, goat cheese, sage butter sauce). Again, this is one of my favorite dishes in Houston; I have eaten a lot of pasta around the world, and this plate at Giacomo’s stands up to the best of them. Paper-thin ravioli filled with a mixture of cheeses and chard, nestled on a plate in a rich sauce. It is perfection, simplicity at its best. Jack concurred.

My favorite pasta dish in Houston.

My favorite pasta dish in Houston.

While Jack was discovering Hawkins’ ravioli, I began eating my gnocchi. I have had this dish before at Giacomo’s, and this time it seemed especially good, mainly because the mushrooms possessed a pronounced funky, earthy flavor, something missing during a previous visit. The sauce – cream and gorgonzola – is always wonderful, not too thick, not too thin, and the potato gnocchi are obviously made and cooked by someone who understands the process.

Gnocchi di funghi at Giacomo's is rich, decadent and earthy, full of funky cremini mushrooms.

Gnocchi di funghi at Giacomo’s is rich, decadent and earthy, full of funky cremini mushrooms.

Giacomo’s is a gem, really. No pretension, congenial and adept staff, and an owner who knows her stuff. Plus, they sell wine by the quartino and have a good and value-priced list. Haven’t been? Correct that oversight soon.

The Derby, One Year On

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This exact time last year Angela and I were in Louisville, for the Derby, enjoying a great breakfast of grits and bacon and eggs in a little bed and breakfast in Indiana, just over the Kentucky border and about 10 miles from Churchill Downs. We were not alone. In addition to the promised ghosts – which the proprietor told us existed but whom I never saw – we were there with Colby and Kim and David and Nicole and Zack and Susan and Michael, an eccentric and lively crew if ever there was one. (Come to think of it, I know why the ghosts stayed in their closets.)

The weekend began with food and drink and ended the same way; when Angela and I spend time with Colby and Kim that is the order of the day, whether it be Spain or Dallas or Austin. I wagered $50 or so on the horses, failing to add to my holdings, and made a Derby style statement with my knickerbockers.

I am not at the Derby this year, but I am sure I will make another appearance in Louisville in May in another year. And today I will be spending time with Angela, and am certain we will find ourselves in a bar, watching the horses run. (And you read it here first: California Chrome will wear the roses.)

 

 

Plate of the Day: Rack of Lamb Amid the Boxes

It's from New Zealand, and it's good. (But if anyone can find me some good American lamb please get in touch.) (Photo by James Brock)

It’s from New Zealand, and it’s rare. (But if anyone can find me some good American lamb please get in touch.) (Photo by James Brock)

I have taken far too long to settle into my apartment in Houston. In fact, I am still not fully unpacked. Far from it. Most of my books are still in boxes, and though my bookcases are ready and willing to serve their purpose, I have been, shall we say, less than industrious in the area of fully moving in. But that is over. I have set myself a strict deadline. Soon I will be able to put on dinner parties, something I have missed hosting.

However, boxes of books and general clutter have not prevented me from cooking. This past week I was wanting lamb, so I went to a butcher shop/meat market and bought a rack. There was a jar of tapenade in the refrigerator – my parents had sent it to me as a gift  – and I used it, along with some bread crumbs and more capers, as a rub/crust for the rack. A bed of sautéed spinach and shallots finished the dish, which I enjoyed with a bottle of a red from Rioja.

Easy, elegant, delicious. As it was cooking I opened a box that just happened to contain cookbooks. One down, oh so many to go …

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