Category: M.F.K. Fisher

Kitchen Zen (Provence, 1970)

Olive oil, salt, radishes, and heat

Olive oil, salt, radishes, and heat

A blank canvas, a sheet of paper devoid of characters or symbols, an empty plate. All draw us to them, call out for completion, for satisfaction. I am forever filling plates and bowls, in my mind and at the countertop, and it is not uncommon that something I read or view forces me into the kitchen. I recently finished a book that inspired some cooking. It is titled  “Provence, 1970,” and it was written by M.F.K. Fisher’s grandnephew, Luke Barr. It’s a work of nonfiction that takes readers to France and puts them at the table with Julia and Paul Child, Richard Olney, Judith Jones, James Beard, and, certainly not least, Fisher, a writer for whom I have immense admiration and respect. I still want to find her home in Vevey and have a vermouth and gin on its terrace.

fiddleheads

The book tells the story of a year that saw the end of one grand era in American cuisine and cooking and the beginning of another. It is a fine read, and its pages bring to life conversations between Olney and Fisher, evenings spent at La Pitchoune, James Beard’s enormous personality. (It makes one feel that life is diminished now that those souls are no longer cooking and writing among us, but I say read it despite that.)

I’ve been cooking osso buco, and duck, and radishes, and chicken and watercress, and “Provence, 1970” has added to my kitchen repository, and some of its scenes have been translated onto my plates.  For many a year now a handful of special  people (including some in Barr’s book) have been in that hallowed room with me when I plan and plate and clean, and from now on a part of me will regret not being in that small part of Provence with those individuals during that pivotal year.

Time makes things perfect.

Time makes things perfect.

UPDATE: Make Your Own Pasta (Thank You, Lidia and Marcella)

(Editor’s note: A few readers have chastised me for neglecting to include a recipe in this post. That oversight has now been rectified. Please let me know how you make pasta, and if you have never made fresh pasta at home, I hope this post inspires you to do so.)

“I still think that one of the pleasantest of all emotions is to know that I, with my brain and my hands, have nourished my beloved few, that I have concocted a stew or a story, a rarity or a plain dish, to sustain them truly against the hunger of the world.”

– M.F.K. Fisher, The Gastronomical Me

It is simple, and the payoff is extremely satisfying.

It is simple, and the payoff is extremely satisfying.

Pasta from a box is fine. I use it, mostly penne and farfalle. But there is nothing better than fresh pasta, and I am always happy when I can show people how easy it is to make their own. I taught my 8-year-old nephew how to make pasta, and I’ve guided Angela through the process – she is now expert at it.

I have a stand mixer and pasta attachments, and love it, but that has not prevented me from making hundreds of batches of linguine and ravioli and other varieties of pasta by hand. And there is a bonus: It is a meditative process. The action of mixing and kneading and rolling and cutting calms one’s mind.

There are plenty of recipes and methods for making pasta. I use two eggs (sometimes three), some olive oil, and, of course, flour and water. Over the years I have discovered my own technique and method. (You will, too.) Here is mine, and I give all thanks to Lidia Bastianich, whose pasta I encountered firsthand at Felidia years ago. I followed her methods and have revised them as time has passed. (Marcella Hazan is another inspiration, for pasta and many other things. Get to know her.)

First, relax. Do not get uptight about the process. It is a simple thing, depending on the shape of pasta you wish to make. Put on some good music, open a bottle of wine. Choose a smooth and large working surface; if you have a work island, use it. (I use a large wooden butcher’s block.) Make sure the surface is clean and dry. Sift two cups all purpose flour onto the surface and form it into a mound. Make an indentation in the middle of the mound. In a small bowl, mix two eggs, 1/4 tablespoons extra virgin olive oil, and 3 tablespoons of water. (I often add a pinch of salt. You can as well.) Gently pour the liquid mixture into the flour’s crater, and, using a fork, combine the liquid and the solid. Then, with lightly floured hands, mix and knead the dough until it is soft and smooth. (You will get the hang of it after a few attempts. Again, it is not difficult. In all, it should take you about 8 minutes or so to make the dough.) If the dough is too moist, add a little flour. If too dry, add a touch of olive oil. As you make more and more pasta, your hands and eyes will guide you. You will know when it is correct.

Form the dough into a ball and wrap tightly in plastic wrap. If you are going to use it that evening, let it sit at room temperature for 30 minutes before rolling it out. (Wrapped tightly and well, you can freeze the dough; I have frozen it for as long as a month, but I rarely do this.)

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Ian's pasta

He did this: Ian’s pasta.

When you are ready to roll, clean your work surface, get a rolling pin, and divide your ball into three pieces; lightly flour the surface – a dusting – and roll until the dough is as thin as you can make it. (In the photo below is a modified fettuccine, and we should have produced thinner noodles – they always expand in the water. But again, do not fret … on this evening we made basil pesto, and the meal was delicious, thick noodles and all.)

To make this simple ribbon pasta, use a sharp knife and cut the dough in straight lines, lightly arranging the ribbons into three bird’s nest clumps. Bring some salted water to a vigorous boil and, one bird’s nest at a time, cook the noodles until they float to the top of the water. (One important thing: Many home cooks err by not using a sufficient amount of water. Get your largest pot, and do not skimp on the water; the noodles need room in which to move and evenly cook.)

Have a sauté pan ready (with your desired sauce in it: oil and onions, tomatoes, pesto … your imagination is the limit). Lift the pasta from the water and add it to the pan, coating the ribbons thoroughly. (I also like to cook the pasta a bit longer in the pan, a minute or so; it makes everything taste better.)

That’s it. After you do this a few times, you’ll be ready for ravioli and orecchiette.

Flour and eggs and water and oil, plus you.

Flour and eggs and water and oil, plus you.

To read, to cook, and to dream (Thank you, M.F.K. Fisher)

Books and cooking are perfect companions. I never tire of reading about food, about the preparation of it, the soul-nourishing properties of selecting and preparing what we eat, the way we dream and think about ingredients and countrysides and fields and markets and tables. Or the way we recall meals enjoyed in restaurants and gardens and backyards.

Cookbooks and volumes on wine and food and all things culinary occupy large amounts of space on the shelves of my bookcases, and I consult them often. (Or, I should say, will again once my books are out of boxes and back on said shelves.) Indeed, I miss terribly sitting with The French Laundry Cookbook and The Gift of Southern Cooking, among others, and delving into the passions of Edna Lewis and Thomas Keller. I miss my Le Guide Culinare. In the past several months I have found myself wishing I had easy access to On Food and Cooking and the words of Mencken on food and drink.

I have been traveling and cooking in Europe since July; Paris is the next stop. My books are in the dark, packed away. I wanted to take a few volumes with me when I began this journey, but suitcases fill rapidly, and shoes and knives and clothing are surprisingly heavy once one begins packing for an extended sojourn.

Reading about tête de veau and M.F.K. Fisher's days and nights in Dijon. (Photograph by Angela Shah)

Reading about tête de veau and M.F.K. Fisher’s days and nights in Dijon. (Photograph by Angela Shah)

I have with me one title, The Art of Eating, by M.F.K. Fisher. I recommend that anyone interested in food and life and love – not to mention good writing – get their own copy, or anything by the author. (I am sure many of you already have.) M.F.K. Fisher has nourished me in Germany and Spain and France and Switzerland thus far on this trip, and she’ll continue to do so for a long time. She has shared her thoughts with me about dining alone, which I have been doing a lot of lately, and her love of tête de veau and sweetbreads and the sorrow and frustration resulting from the fact that more people have not discovered the joys inherent in making a meal of these fine staples. (Of the latter, that sorrow and frustration, I feel the same.) The Art of Eating includes a great recipe for tête de veau, and these lines on eating such honest things:

“Why is it worse, in the end, to see an animal’s head cooked and prepared for our pleasure than a thigh or a tail or a rib? If we are going to live on other inhabitants of this world we must not bind ourselves with illogical prejudices, but savor to the fullest the beasts we have killed … People who feel that a lamb’s cheek is gross and vulgar when a chop is not are like the medieval philosophers who argued about such hairsplitting problems as how many angels could dance on the point of a pin. If you have these prejudices, ask yourself if they are not built on what you may have been taught when you were young and unthinking, and then if you can, teach yourself to enjoy some of the parts of an animal that are not commonly prepared.”

Ms. Fisher dreaming about that perfect trout.

Ms. Fisher dreaming about that perfect trout.

I have been reading this volume of collected works (a partial offering of her output) in an effort to get to know Ms. Fisher a little better, and I have. Recently in Switzerland I took the book high up into the hills above Montreux and Vevey, where she once lived and cooked and loved. I was hoping to make my way to what remains of her house in those hills, but instead met some very fine people as I searched for remnants of Ms. Fisher’s life. I’ll tell you about them soon, and of their kindness and hospitality and love for food. And, I have much more to say and write about Mary Frances Kennedy Fisher’s work and life.

M.F.K. Fisher and one of her admirers.

M.F.K. Fisher and one of her admirers.

In the meantime, read her. And live and love and cook and eat, well.

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