Mise en Place

Tag: syrah

This man is all about the Sta. Rita Hills. (Photo courtesy Brewer-Clifton)

A Philosophical Winemaker on Ego, Envy, and Baudelaire

June 10, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

The tasting was scheduled for 10 in the morning, on a Saturday, so the drive to Los Olivos from Los Angeles began a little after 7. At that time of the day traffic is usually light — weekend bonus — and the journey was relaxed and pleasurable. I never tire of driving along the Pacific, seeing the sun rise from the waves and the rolling hills glide by.

I was headed north to meet with Greg Brewer, of Brewer-Clifton, diatom, and Ex Post Facto, at his label’s tasting room in Los Olivos. I was familiar with his Brewer-Clifton wines, and appreciated their purity, but had never sampled diatom or Ex Post Facto, so was looking forward to the encounter.

Brewer, who was named Winemaker of the Year in 2020 by Wine Enthusiast magazine (one of the categories in the publication’s Wine Star Awards), is a product of the Sta. Rita Hills AVA. When one discusses wine with him, the soils and vineyards and geography of the appellation come to life, and tasting with the Los Angeles-born former French instructor (UC Santa Barbara) is a sensuous and intellectual tour of the region.

“The winemaker of the year award is much more about the Sta. Rita Hills than it is about me,” he told my tasting companion and me as we tasted the 2018 Brewer-Clifton Chardonnay. “The people here, the land and the environment, those are the stars.”

The Sta. Rita Hills AVA is the source of some lively, vibrant Chardonnay.

Brewer founded Brewer-Clifton with Steve Clifton in 1996, and diatom, focused on “starkly raised” Chardonnay, was born in 2005. Ex Post Facto, dedicated to cold-climate Syrah, followed in 2016. In addition, beginning in 1999 and continuing through the 2015 harvest, Brewer co-founded and served as winemaker at Melville Winery.

Brewer, whose labels became part of Jackson Family Wines in 2017, began his career in wine at Santa Barbara Winery, in 1991. He worked in the tasting room, and soon discovered a passion for production, a passion that continues today.

Greg Brewer and James Brock post-tasting in the Brewer-Clifton tasting room, located in Los Olivos, California. (Photo by The Brockhaus)

Conversing with Brewer was a refreshing experience, one that took me back to my Eastern philosophy classes and seminars. Ego; the self; humility; chop wood, carry water; process; the razor’s edge: those words and phrases came to mind on that Saturday morning as we talked about the appellation and its attributes and Brewer’s approach to winemaking (and life). He’s someone I would gladly sit with over a three-hour meal.

A Chardonnay of intense purity.

In addition to the Sta. Rita Hills Chardonnay, the tasting lineup included the 2017 Sta. Rita Hills Pinot Noir, the 2016 diatom Machado, the 2017 Machado Pinot Noir, the 2018 Ex Post Facto Syrah, and the 2009 Brewer-Clifton Mount Carmel Chardonnay. All show sense of place in a remarkable manner, and demonstrate Brewer’s method, which, though highly personal, has been honed to ensure integrity and longevity no matter what life brings.

“I could be hit by a bus, and our wines would live on,” Brewer told me, referring to the way he has trained others on his team to make these wines.

Here’s Brewer in Wine Talk:

James Brock: How has COVID-19 changed your work and life?

Greg Brewer: The pandemic has, as with many, caused me to become quite nostalgic and increasingly sentimental. I have embraced this opportunity to reignite direct correspondence with our community as a means of intimate connection during times of quarantine and lack of social interaction. While I hope that the outreach from me has been welcomed by them to remain engaged, I have also benefited greatly, as the exercise has been very nourishing and restorative for me.  

While initially resistant to virtual events, I quickly dove into that platform, which proved to be very rewarding. My initial hesitancy was rooted in a fear of not connecting as well as in person, yet I quickly realized it was far from inferior and simply different. There can be tremendous intimacy and comfort when interacting in this manner, particularly when all participants are as focused and vulnerable as possible.

As I find ultimate identity through my work, there is really no differentiation for me on any level between personal and professional. For the mere attempt to segregate the two would lessen my core devotion to the craft and industry. 

“Gentle hands and pure intent … “

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one? 

GB: Everything is appropriate, worthwhile and timely. I gravitate towards wines raised by gentle hands and pure intent, and am particularly inspired when one has the confidence to explore an aesthetic which is singular and relevant. Brander Au Naturel Sauvignon Blanc and Captûre Tradition Sauvignon Blanc are excellent examples of that ethos for different reasons. Larmandier-Bernier Champagne is another reference point that comes to mind. All three are singular while maintaining a very specific point of view and not alienating others. Unique and inclusive. Deliberate and still very aware of surroundings.

If a certain wine and dish are pleasurable, they will always make a good pairing. Composure and pleasure eclipse the stress that can frequently accompany a pursuit to replicate expected and almost cliché pairings. The alignment of dynamics can be great, as can be exploring contrast. It closely resembles any other personal relationship. As soon as one embraces the risk and fear of an atypical rapport, the world opens up to myriad possibilities that may have otherwise been overlooked. Gender, race, sexual orientation, careers, hobbies, favorite colors and zodiac signs. If one is confined to a cage, there is never a chance to engage with the other animals.

Brewer: My hope and goal throughout my entire career has been to help others feel more comfortable with wine.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

GB: While I ultimately love all wines, there is really nothing I envy. There is a time and place for everything, and I fear that seeking something out would lessen the relationship I would have with the object. Who am I to have something in my keeping when it might offer more pleasure to someone else? Many of the wines that I have possessed have been very valuable to me and their subsequent consumption has been the best way to honor them. Such would include last vintages from inspirational mentors who have since passed away or last vintages from colleagues whose families have asked me to finish their work upon their sudden passing.

JB: What is your favorite grape variety, and why?

GB: I don’t subscribe to the notion of favorites, but were I to work with only one grape, it would unequivocally be Chardonnay. I cherish its purity, nobility, and its capacity to convey place. 

This wine reveals itself in a patient manner.

JB:How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

GB: From our collection of wines, I would suggest diatom Chardonnay. It is not only something that wouldn’t be expected, it is by far and away the longest-lived wine that we steward. As it is raised in a virtual vacuum, it is very slow to unveil what lies beneath, and as such would hopefully be compelling for someone at year 10, 20 or 30.

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

GB: My wife and I both work long hours every day, and a “go to place” outside of those two venues is somewhat foreign. My ideal scenario would be for us to stand in our home together with nice glassware and sexy deep house trance music — preferably with female vocals.

Greg Brewer is a philosophical creature of the Sta. Rita Hills AVA. (Photo courtesy Brewer-Clifton)

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

GB: My hope and goal throughout my entire career has been to help others feel more comfortable with wine. There is a tremendous level of fear, apology and permission that accompanies many individuals’ relationship with wine. It makes me sad and I always turn myself inside out to try to assuage that insecurity in others. 

The word “should” has been imbedded in millions of questions posed to me about wine, which is tragic, really. When should I drink this?  What should I drink it out of?  What temperature should I, etc.? The fear abridges the ultimate understanding and pleasure that wine can offer. It is an extremely primitive and elementary beverage that has essentially been around as long as water and fire. People can quickly recognize they know WAY more about it than they realize it as soon as they link the fundamentally simple elements of it to other areas of life with which they have more confidence. Music, fashion, art, design, gravity, a teeter totter …  It’s all virtually the same once you allow it.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

GB: There are two that stand out that both occurred quite early in my career, which I suppose is obviously inherent based on the question! Sorry!! ;). One was tasting a 1987 Williams-Selyem Rochioli Pinot Noir for the first time, and the other was 1987 Calera Jensen Pinot Noir. In addition to the monumental nature of both wines, the setting and company elevated the experience to a different level.  Both were beautiful lessons that the environment in which something is experienced plays such a vital role to every aspect of the experience. No matter how coveted the object or experience, the enjoyment will prove meaningless if one feels uncomfortable, distracted, or under duress.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career thus far?

GB: I don’t think anything has been that strange, ultimately. Fun coincidences, synergies, and surprises, but nothing that seems too far outside of this realm.

Baudelaire had a special relationship with wine.

JB: Your favorite wine reference in a work of literature?

GB: The poem, “Enivrez-vous” by Charles Baudelaire. I love the notion of arresting time through wine, poetry, or virtue. I love how those elements can suspend time, which is not only something we all possess in equal measure, but the one thing that is the most fleeting …

Enivrez-vous (Paris Spleen, 1864)

Il faut être toujours ivre. Tout est là: c’est l’unique question. Pour ne pas sentir l’horrible fardeau du Temps qui brise vos épaules et vous penche vers la terre, il faut vous enivrer sans trêve. 
   Mais de quoi? De vin, de poésie ou de vertu, à votre guise. Mais enivrez-vous. 
   Et si quelquefois, sur les marches d’un palais, sur l’herbe verte d’un fossé, dans la solitude morne de votre chambre, vous vous réveillez, l’ivresse déjà diminuée ou disparue, demandez au vent, à la vague, à l’étoile, à l’oiseau, à l’horloge, à tout ce qui fuit, à tout ce qui gémit, à tout ce qui roule, à tout ce qui chante, à tout ce qui parle, demandez quelle heure il est et le vent, la vague, l’étoile, l’oiseau, l’horloge, vous répondront: “Il est l’heure de s’enivrer! Pour n’être pas les esclaves martyrisés du Temps, enivrez-vous; enivrez-vous sans cesse! De vin, de poésie ou de vertu, à votre guise.”

Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.
  Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.
And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave, star, bird, clock, will answer you: “It is the hour to be drunken! Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will.”

Arthur Symons (1865-1945) translation, as quoted by Eugene O’Neill in Long Day’s Journey into Night

Want more wine? Read on:

Caitlin Cutler Really Likes Malvasia
Dan Petroski on Soil and J. Alfred Prufrock
A Canadian Makes Good in Mendocino
Bouchaine’s Chris Kajani Tackles the Challenges of a Pandemic
A Bosnian Winemaker Finds a Home in the Sta. Rita Hills AVA
From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Samra Morris, who became the head winemaker at Alma Rosa Winery in 2019, hails from Bosnia.

Bosnia’s Loss is California’s Gain: Samra Morris Takes the Lead at Alma Rosa

April 7, 2021 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

The world of wine never fails to provide me with pleasure. Opening a bottle, walking through a vineyard, tasting a barrel sample, meeting a fellow traveler in l’univers du vin … the discovery and exploration never end.

The journey continued last month on a beautiful expanse of land in Santa Barbara County, a property that played a major role in the formation of the Sta. Rita Hills AVA. (If you don’t know the name Richard Sanford, go ahead and learn about him, because he is truly the “Godfather of Central Coast Pinot Noir.”)

Samra Morris: “I think that would be my guidance: Drink what you love.” (Courtesy Alma Rosa Winery)

We had driven up from Los Angeles, and Buellton was my destination, specifically the Alma Rosa Winery tasting room. I was there to meet Samra Morris, Alma Rosa’s winemaker since 2019, for a tasting and a tour of the estate. (Note: For those who may not know this, the small complex in which the tasting room is housed is a must-visit when/if you do visit the town. One of my favorite restaurants in California — Industrial Eats — is also located there, and its food alone is worth the trip, especially the beef tongue pastrami reuben and the white shrimp wrapped in pancetta.)

A beef tongue pastrami sandwich extraordinaire …
White shrimp, pancetta, garlic, butter …

We sampled a bit of Alma Rosa sparkling at the tasting room; it was a warm afternoon, and the wine was good. What followed was a 10-minute drive to the estate along a quiet, nearly traffic-free road, and then, beauty.

Alma Rosa’s 628 acres (38 acres planted to vines) spread from the valley floor to the top of the Santa Rosa Hills. The estate vineyard, El Jabali, originally planted by Richard Sanford in 1983, has been joined by four non-contiguous plots of Pinot Noir (55 percent), Chardonnay (30 percent), and Syrah and Grenache (15 percent), all farmed using sustainable practices.

Sanford and his wife, Thekla, sold the estate to Bob and Barb Zorich in 2014. Zorich is a businessman in the oil industry who now resides in Houston, Texas, but he and his wife both attended school at the University of California Santa Barbara and have a home in the coastal city. They were introduced to the Sanfords in 2013, and, upon discovering that the property was for sale, took a leap into the world of winery ownership.

A ride through Alma Rosa Winery is a feast for the senses.

When we arrived at Alma Rosa, Morris took us on a quick ATV ride to a vineyard planted with Syrah — no bud break yet. Along the way we spied a few turkeys. Bobcats, deer, and mountain lions are also denizens of the property, the latter rarely seen.

Vines and hills …

Back at the ranch house on the valley floor we tasted with Morris and Debra Eagle, Alma Rosa’s general manager. Both women are engaging, passionate about wine and the estate, and great ambassadors for the brand.

Morris was born and raised in Bosnia, and attended the University of Sarajevo, where she studied agriculture and food sciences, receiving bachelor’s and master’s degrees. She met an American in the U.S. Air Force who was stationed overseas, and they moved to California when his duty took him back to the states.

She interned at St. Supéry in 2014, and worked three harvests with Thomas Rivers Brown as a cellar intern at Mending Wall. In 2017, Morris began working as a lab assistant at Free Flow Wines, and by 2019 was a quality control manager there. She became Alma Rosa’s winemaker later that year.

Here is Morris in her own words.

James Brock: How has COVID-19 changed your work and life?

Samra Morris: I think Covid-19 has affected me more personally than professionally. As a winemaker, I have been fortunate to be able to go to work every day and enjoy my cellar duties. It was a good escape from reality and what is happening in the world. It gave me a sense of peace that I needed. 

Personally, it affected me in that I didn’t have the opportunity to go home to see my family in Bosnia and enjoy my time with them. I had already been missing them a lot, so I was very disappointed when my flight was canceled. I’ve been very homesick recently, so I hope that by the end of this year we all get vaccinated and I have an opportunity to see my family next summer. 

JB: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

SM: I will start with Alma Rosa’s 2018 El Jabali Pinot Noir ($68). It is a gorgeous Pinot Noir that represents our beautiful Sta. Rita Hills in the glass. You can purchase this wine through our website or at our tasting room in Buellton. I would pair this wine with red meats. 

An estate Pinot Noir

The second wine is Alma Rosa’s 2020 Grenache Rosé ($30) from our Sta. Rita Hills estate vineyard. This rosé is beautiful, and salty strawberry notes and bright acidity make this gorgeous wine perfect to drink in the summertime. Growing up in Bosnia, we often took summer vacations on the Croatian coast. The salinity and acidity in this wine reminds me of the Old World Adriatic wines I loved from home. I would pair this wine with a light shrimp salad.

The third bottle would be the 2017 Foxy Bubbles ($55) by Blair Fox Cellars, located in Los Olivos. This is a delicious sparkling wine, and I don’t need an excuse — an occasion or food — to enjoy a bottle of it. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why.

SM: If cost were not an issue, I would choose a bottle — or a few cases — of the 2014 Maybach “Materium” Cabernet Sauvignon.

I call it a perfect glass of wine. Also, this was the first bottle I had the opportunity to share with my family when I went home for the first time after moving to California, and while sharing this bottle with them we also shared laughs and good conversation that we needed to catch up after so many years apart.

JB: What is your favorite grape, and why?

SM: As a winemaker and as a wine drinker, my favorite grape to work with is definitely Pinot Noir. Due to its thin skin, tight clusters and late ripening, Pinot Noir can be a fragile variety that always challenges me as a winemaker. As a wine drinker I just love the aromas and perfume notes.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

SM: The one bottle I’d buy to cellar for the next 10 years is Saxum’s 2018 Paderewski Vineyard. This wine is spectacular, and it’s worth opening for your next major celebration. 

JB: Where is your go-to place when you want to have a glass or bottle (outside of your home and workplace)?

SM: It would be somewhere I get to look at the ocean. We have so many beautiful places in Santa Barbara County where I can experience that. The ocean is so powerful, and looking at it while sipping wine is so relaxing for me. 

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

There are so many times when people ask me what my favorite wine is that they should buy, and I always reply by asking them about their favorite wine and what they like to taste when drinking wine. 

I think that would be my guidance: Drink what you love to taste.

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

SM: I think when I made wines for the first time as a winemaker. It created a different relationship between me and wines, it became much more personal. I became more passionate and think of my wines in cellar as my babies. Having the wine that I made in a bottle and sharing it with friends, family, and our customers makes me so happy. I know that all of my hard work has paid off when I see smiles on their faces. 

JB: What has been the strangest moment or incident involving wine that you have experienced in your career?

SM: The strangest moment involving wine that I have experienced in my career is my relationship with forklifts. When I first became a winemaker, I thought I would never be able to drive a forklift like a professional. One of the skills of being a winemaker, besides producing wines, is needing to be extremely handy in the cellar. At first it was a very daunting task, but every time I was on the forklift I became more familiar.

Now, I am so proud of my forklift skills and my forever connection to them! At Alma Rosa we use forklifts throughout the year, moving barrels and pallets of wine around the cellar and dumping bins of grapes into the press during harvest. When visiting the winery, you can often find me on the forklift. 

JB: Your favorite wine reference in a work of literature?

SM: In Vino Veritas. It’s a phrase I learned while studying about wine at college.

Want more wine? Read on:

From a Michigan Backyard Vineyard to Sonoma
Paul Hobbs Knew She Had Talent
Ian Cauble: From ‘Somm’ to SommSelect
Eric Sigmund is High on Texas Wine
Jeff Cole, Sullivan Estate’s Winemaker
Jon McPherson Talks Tokay and His Mentor Father
Two Reds From Chile
An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

The Baroness Philippe de Rothschild was passionate about making wine in Chile.

Two Red Wines From Chile, By Way of The Rothschilds

December 2, 2020 / / 0 Comments

A recent tasting featured two wines from Chile that I’m making sure will be in my holiday rotation. I tasted them on their own, and drank them with a standing rib roast, with which they were ideal pairings.

The wines are made by Viña Baron Philippe de Rothschild in Buin-Maipo, about 30 miles south of Santiago. (Baron Philippe de Rothschild SA is, of course, behind the brand, and it was created in 1999 by the baron’s daughter, Philippine de Rothschild.)

Emmanuel Riffaud, an agricultural engineer and oenologist who joined the Rothschild concern in 1999, has been the managing director of the Chilean enterprise since 2015.

Viña Baron Philippe de Rothschild planted its French roots in Chile in the late 1990s.

Escudo Rojo is the name of the wine — Red Shield in English — and I tasted the 2018 Gran Reserva (SRP $21.99) and the 2018 Reserva Cabernet Sauvignon (SRP $17.99).

We’ll begin with the Reserva Cabernet Sauvignon — this Escudo Rojo line also includes Carmenere, Syrah, Pinot Noir, Chardonnay, and Sauvignon Blanc — which is the wine I sampled first in the tasting.

Pair this with meat.

It’s 100 percent Cabernet Sauvignon — Chilean law requires at least 75 percent — and you would not likely mistake it for anything else. It’s deep red in the glass, veering into purple when viewed at certain angles in a certain type of light. (The sun was streaming brightly through a large window when I noted the wine’s color.) Tannins are smooth and succulent — you’ll enjoy this wine now, and feel free to hold it until 2024 or thereabouts.

Blackcurrant and dark cherry make themselves known on the palate here, in a pleasing way, as does plum. Subtle spice and soil are also in the mix. If you like to serve approachable wines on a daily basis, bottles that drink far above their selling prices, this one will find a place in your repertoire. Aging is carried out in one-year-old barrels for 6 to 8 months.

The Escudo Rojo Gran Reserva is a wine that punches well above its cost/weight.

The 2018 Gran Reserva is the Escudo Rojo flagship wine, and it’s an impressive blend of Cabernet Sauvignon (40 percent), Carmenere (38 percent), Syrah (20 percent), and Cabernet Franc (2 percent). Half of the 2018 vintage was matured in one-year-old oak for 12 months.

As with the Reserva Cabernet Sauvignon, color in the glass (in this case, a Schott Zwiesel “Pure” stem) is deep, dark red, captivating to the eye. As one might expect, black fruit dominates here — plum, cherry, a touch of brambly blackberry —accompanied by fleeting graphite and lightly roasted coffee bean. Refined tannins proclaim themselves early on.

As I wrote, you’ll be happy pouring theses wines at a meal featuring a standing rib roast, and duck breast is another protein I’d serve with them. Add Bill Blass’s meatloaf or a rib eye steak to this category as well.

This rib roast for two married well with the Escudo Rojo selections.

If you typically avoid Chilean wines in this price range, thinking their heat and sweetness will repel, give these two bottles a chance. If you don’t like them, call me.

Want more wine? Read on:

An Italian Chardonnay From the Cesare Stable
Mi Sueño’s 2016 Napa Valley Syrah
Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Rolando Herrera launched Mi Sueño with 200 cases of Chardonnay.

An Impressive Syrah From An Inspirational Winery

October 21, 2020 / / 0 Comments

Rolando Herrera’s story has been told many times, and it is certainly a tale worth knowing. What follows is a summary, a relaying of the highlights of a life, because this piece is about the 2016 Mi Sueño Syrah (Napa Valley). First, the man behind the wine.

The story can begin when the Herrera family moves to Napa, in 1975, relocating from Michoacán, Mexico. Rolando’s father takes a job in a vine nursery, and the 8-year-old Rolando enters school. In 1980, the elder Herrera, ready to retire, returns to Mexico, taking his family with him.

In 1983, Rolando and his brother move back to St. Helena. Rolando said that he missed the American way of life and the beauty of the Napa Valley. He enrolls in high school and work nights and weekends as a dishwasher at Auberge du Soleil.

In 1985, Herrera starts working as a cellar rat at Stag’s Leap Wine Cellars, where he learns the craft of making wine from Warren Winiarski. Three years later, he is named cellar master at Stag’s Leap.

Lorena Herrera is the co-founder and co-owner of Mi Sueño.

Chateau Potelle is Herrera’s next stop. In 1995, he joins the winery as assistant winemaker. In 1997, he marries Lorena Robledo, and that same year the couple launches Mi Sueño Winery with 200 cases of Chardonnay made from fruit purchased from Lorena’s father. It was an instant success.

This summary does not do justice to the Herrera tale, which is nothing short of an archetypal American success story. Rolando went on to work at Vine Cliff Winery (beginning in 1998) and at Paul Hobbs Winery (beginning in 2001), and in 2003 he and Lorena founded Herrera Vineyard Management.

Before we get to the 2016 Syrah, a few more notes about Mi Sueño:

  • The 1999 Mi Sueño Los Carneros Chardonnay was served at the Bush White House at a state dinner honoring the president of Mexico, Vicente Fox.
  • The 2006 Mi Sueño Russian River Valley Pinot Noir was poured at the Bush White House during the 2008 Cinco de Mayo celebration.
  • President Barack Obama’s first state dinner, honoring Mexico’s president at the time, Felipe Calderón Hinojosa, featured the 2006 Herrera Rebecca Cabernet Sauvignon. (In 2004, the couple founded the Herrera portfolio, starring single-varietal and single-vineyard bottlings named after their children.)
Rolando Herrera knows how to prune vines.

In 2004, Rolando began devoting all of his time to Mi Sueño, and in 2016 he and Lorena purchased a property on Mount Veeder, where they plan to construct a winery and a tasting room.

The 2016 Mi Sueño Napa Valley Syrah

To the Syrah: 2016 was a great growing season in Napa Valley, marked by moderate temperatures in July and August and an increase in heat closer to harvest. The fruit was in great condition when it was picked, in mid-October.

This 2016 Syrah (Coombsville AVA) was aged for 20 months (50 percent new French oak); it is 100 percent Syrah, and the fruit came from the Cortese Vineyard. Alcohol is at 14.5 percent, and 290 cases were produced.

If you like Syrah, you will want to buy a bottle of this wine; if you are not overly familiar with Syrah, this bottle a good one to add to a Syrah tasting panel. You will certainly note the peppery characteristic here, white pepper to be exact. Vanilla and black fruit are also evident.

I opened this bottle immediately upon taking it from a 55-Fahrenheit environment, and sampled it shortly thereafter. Dark purple color in the glass, and the tannins are soft, even supple. (I left the bottle uncorked for the rest of the day, until dinner, and the tannins grew a touch softer.) With the elapsed time since the cork was pulled, subtle notes of bay leaf and cola emerged.

A rack of lamb goes well with the Mi Sueño Syrah.

Pairing this wine is going to be fun. I plan to have at least one bottle at the table come Thanksgiving, because I think it will marry perfectly with the smoked turkey we’re ordering. Lamb is another way to go with this Syrah, which is what I did on the tasting day, a rack crusted with panko and Parmigiano-Reggiano. You can order this Syrah directly from the winery, or inquire at your favorite merchant.

Want more wine? Read on:

Joshua Maloney on Riesling and Manfred Krankl
Brothers in Wine
Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Nick and Adam Franscioni's great-grandfather came to California from Switzerland in 1886. You might have heard of their father, Gary, who began the family's wine adventure. (Richard Green Photo)

Brothers in Wine: Adam and Nick Franscioni Talk Pinot Noir, Family, and ROAR

September 29, 2020 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

One thing (among many) to which I am looking forward when we can venture forth and mingle with those outside of our quarantine pods is meeting in person some of the individuals I have met during Zoom virtual tastings and seminars. Adam and Nick Franscioni are two of those people.

The brothers — and sons of Gary and Rosella Franscioni — participated in a Santa Lucia Highlands AVA gathering and seminar (virtual) to which I was invited, and their enthusiasm and dedication appealed to me immediately.

Adam is the vineyard manager at ROAR — the Franscioni family’s label — and Nick holds the position of winery manager. Adam graduated from the University of San Diego, and joined the family business in 2011, while his brother has a degree from USC and, following a stint in the consulting world, began working at ROAR in 2017.

ROAR was founded by Gary and Rosella in 2001 (Scott Shapley has been their winemaker since 2012), and the wines the family produces — Pinot Noir, Chardonnay, Syrah, Grenache, and Viognier — need to be on your radar screen and in your inventory.

After the SLH virtual seminar, I knew I wanted to feature Adam and Nick in Wine Talk, and here they are:

James Brock: How has COVID-19 changed your work and life?

Nick Franscioni: Outside of our workplace, it completely shut down our market visits and tasting events. At work, it hasn’t had a significant impact, since our winery team consists of just three people and our vineyard team maintains a natural spacing of 6 to 8 feet per vineyard row. We are small but mighty!

The bright side is that we have spent more family time and meals together. Also, we have a new family member to welcome, and that has brought a lot of excitement for us. We are excited for my brother Adam and his wife, Tamara.

Rosella’s Vineyard is named after Rosella Franscioni, Nick and Adam’s mother. It was planted in 1996 and is composed of Arroyo Seco sandy loam. (Wildly Simple Productions)

JB:Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Adam Franscioni: My wife and I are always fans of Champagne, and we are enjoying Champagne Gonet-Medeville Premier Cru Brut, ( around $30 a bottle). We love the bang for your buck. It is so fresh and has beautiful apple crisp notes. We pair it with blue cheese or Salmon.

Next, the 2016 Walt Bob’s Ranch ($80 a bottle). Walt is a label of Hall Wines and Bob’s Ranch is their part of their estate fruit. They always make great wines and their Bob’s Ranch is no different. I am enjoying it with lamb.

And Jacob Toft 2017 Mary Jane’s Cuvée ($60 a bottle). Jacob Toft is small label located in Paso Robles, and the Mary Jane’s Cuvée is their GSM blend. The winemaker sources from great Paso Robles vineyards, and this wine is just fun. A lot of dark, red fruit and the tannins are beautiful. It’s a very complex wine. I usually enjoy this bottle with steak.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

NF: My pick is very cliché, but I’m okay with that. Romanée-Conti. My reasoning is because it is consistently heralded as the most fascinating and desirable piece of history in wine. More important than the wine itself is the place that it comes from and the hands that carried it. I would take 1989 vintage as a birth year, please).

JB: What is your favorite varietal, and why?

AF: That’s a tough question, as I enjoy a lot of varietals, but I’d have to say Pinot Noir is probably my favorite because of it s versatility. It goes well with so many meals, yet you can find Pinot Noirs that can stand alone on their own. Whatever the social situation calls for there is a Pinot Noir out there to enhance the experience.

Rosella’s Vineyard is the source of some outstanding Pinot Noir. (Nick Franscioni Photo)

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

NF: A great family friend of ours is winemaker Adam Lee. Adam makes wines under several labels nowadays, and one of the most special Pinot Noir bottlings comes from our home ranch, Rosella’s Vineyard. He created a new label called Clarice in honor of his own family member. The 2018 vintage was very special in California and one that has incredible aging potential. After tasting this bottling, I am sure that it is bound to dance and delight for the next decade and beyond.

JB: Where is your go-to place when you want to have a glass or bottle? COVID-19 has put a crimp on going out, but pre-pandemic, where did you go?

AF: Spruce Restaurant in San Francisco. They have an amazing by-the-glass menu and their food is unreal. 

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

NF: Think about what type of wines you enjoy, and more specifically what exactly you love about those wines. Whether it’s the fruit, the spice, the herbs, whatever … take note of those things you love to taste and that will help you find more of the wines you enjoy.

Gary, Nick, and Adam Franscioni during harvest. (Richard Green Photo)

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

AF: It was December 2012 and I was at a Pinot Noir blind tasting amongst friends.  Most people brought Burgundy and we guessed AOC’s until we were blue in the face. Most of the wines were young (2008-2010), so they weren’t hitting their stride yet. But one wine stole the show — it was a 1985 Chalone Vineyard Pinot Noir. I could not believe how fresh it was still tasting. We all thought it was Old World. It was so fun to see that California wine could age that well and it taught me about judging wines before tasting them.

JB: What has been the strangest moment or incident involving wine that you have experienced in your career?

NF: Well, at the ripe age of 10, I was visiting France with my family for a summer vacation and experienced my first barrel tasting, for which I was busy training my palate. We quickly learned that I could not hold my liquor after stumbling around, blowing out candles, and using “adult” words. Our French guide was notably courteous and asked that I be excused. My memory is hazy from that day, but it is a moment that no one else will forget.

The Sierra Mar Vineyard’s Island Block. The vineyard, planted in 2007, is situated 1,100 feet above sea level, and is marked by decomposed granite and gravelly loam. (Richard Green Photo)

JB: What is your favorite wine reference in a work of literature or in a film?

AF: “Sideways” has two moments that I appreciate. I loved the end scene in which Paul Giamatti’s character is drinking 1961 Chateau Chevval Blanc at what appears to be an In-N-Out. I found that so funny and, sadly, something I might find myself doing. 

A thin skin, temperamental …

He also has a beautiful line about Pinot Noir in the middle of the movie. It still rings true to me: “It’s uh, it’s thin-skinned, temperamental, ripens early. It’s, you know, it’s not a survivor like Cabernet, which can just grow anywhere and, uh, thrive even when it’s neglected. No, Pinot needs constant care and attention.”

Want more wine? Read on:

Two Bottles From Priest Ranch
A Derby Day Cocktail
Nate Klostermann is Making Some Great Sparkling Wines in Oregon
Matt Dees and the Electric Acidity of Sta. Rita Hills Chardonnay
Baudelaire, Pinot Noir, and Rosé: Kathleen Inman’s Passions
Colombia, France, and California: This Winemaker is a Complex Woman
Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Bibiana González Rave, winemaker at and owner of Cattleya Wines and Alma de Cattleya, wants you to respect California Syrah.

Bibiana González Rave on California Syrah, Château Haut-Brion, and Purity

July 21, 2020 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

Bibiana González Rave is a complex individual.

She learned how to make wine while attending university in France (the Lycée de L’Oisellerie in Angoulême and the University of Bordeaux); developed her skills in Cognac (Lycée Agricole de L’Oisellerie), Burgundy (Domaine Devevey), Bordeaux (Château La Dominique, Château Haut-Brion, and Château La Mission Haut-Brion), and Côte-Rôtie (Domaine Michelle & Stéphane Ogier and Domaine Clusel-Roch), and Alsace (Domaine Scheidecker); in a particularly hectic three-year period worked six harvests; has a degree in chemistry, earned in her hometown of Medellín, Colombia; and is married to a fellow winemaker, Jeff Pisoni, with whom she makes wine under the Shared Notes label.

Did I mention that Rave, who resides in Santa Rosa, owns Cattleya Wines and Alma de Cattleya? She does, and the wines she is making at both operations are worthy of attention — the former brand encompasses her high-end offerings, while the latter comprises her entry-level range, including one of the best Sauvignon Blancs ($22) I’ve tasted in a long while. (I forgot to tell you that she was the San Francisco Chronicle Winemaker of the Year in 2015.) As I said, Rave, the mother of two sons, is complex, busy, and a great winemaker.

This Sauvignon Blanc is now on my always-have-on-hand list.

Rave’s journey took her to California in 2004, when she moved to Sonoma and began immersing herself in the Golden State wine world. She took positions at Qupé, Peay Vineyards, Au Bon Climat, Lynmar Estate (where she was winemaker from 2009 through early 2012), and Pahlmeyer, among others. She founded Cattleya — name after the national flower of her homeland — in 2012, and launched Alma de Cattleya in 2015.

Several weeks ago, I participated in an informative and fun virtual tasting with Rave, which marked the occasion on which I met her. The session also included her husband, Jeff, and Mark Pisoni, Jeff’s brother, who is vineyard manager at Pisoni Estate. We tasted the 2019 Alma de Cattleya Rosé of Pinot Noir, the 2019 Sonoma County Alma de Cattleya Sauvignon Blanc, the 2018 Lucia Vineyards Sonoma County Chardonnay, and the 2018 Santa Lucia Highlands Lucia Pinot Noir (the latter two made by Jeff Pisoni), all off which are drinking well.

While I much prefer in-person meetings and conversations, this long-distance talk demonstrated more than clearly that Rave is a passionate perfectionist when it comes to making wine. When I mentioned to her that I noticed a slight haziness in the sample bottle of Sauvignon Blanc I had received, she responded with what approached alarm, apologizing profusely. A few days later, she sent an email explicating the haziness, which had to do with temperatures during shipping. I like drinking wines made by such people.

I look forward to meeting Rave and her husband in person, but until then, sampling her wines, including a 2017 Syrah that I cannot wait to open, must suffice. (Reviews to come soon.)

Here is Rave’s Wine Talk.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

BR: First, the 2019 Alma de Cattleya Sauvignon Blanc. I love making Sauvignon Blanc wines, and the weather right now is just perfect for it. This summer we’ve been cooking a lot of fish with roasted vegetables, and the Alma has been a staple for the season.

Next, the 2019 Lucy Rosé. I am a big fan of my husband’s rosé of Pinot Noir — unbiased, I promise! It’s made entirely with estate fruit, farmed sustainably, and just overdelivers on quality for the price. This rosé is so flexible with food pairings, or simply an apéritif  all by itself.  

Finally, the 2018 Château de Saint Cosme – Côtes du Rhône. It is the entry-level wine produced by this property, but a great wine that should be perfect for outdoor dining, BBQs, light salads, pizza-to-go, etc. 

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

BR: I am a huge fan of Chatêau Haut-Brion, and their Bordeaux Blanc is far out of my budget. If cost was not a consideration, I would have every single vintage of that wine. I gained a very special appreciation for their wines when I worked there during the 2003 vintage. I attended the University of Bordeaux and had the opportunity to do my thesis research with them. I was able to spend six months working with an extraordinary team focused on excellence — and some of the best fruit I have ever tasted from a vine.

I know the wines are ultra-expensive, so it is hard to talk about a brand that very few people taste . However, working there day to day, you learn why those wines have mystique surrounding them. Their focus on crafting wine is remarkable. I wish I could have a vertical of all their wines going back to 1945, red and white.

Rave, a native of Colombia who knew from an early age that she wanted to make wine, moved to France and learned to do so.

JB: What is your favorite grape, and why?

BR: I would say it is very hard for me to have a favorite grape, especially because I love working with all the different varietals for my three different brands, but if I have to choose one that I am very passionate about, I would say Syrah. 

I find myself saddened by the bad reputation (or lack of appreciation for) of Syrah from California, while someone may feel fine buying a $500 bottle of Guigal or Domaine Stéphane Ogier from Côte-Rôtie (both totally worth that price, especially the Ogier wines). (Full disclosure: Ogier is one of my dearest friends from my time in France.) I think Syrah’s quality in the United State has increased tremendously, mostly from small family estates that continue to put a lot of care into and focus on the making of those wines, such as Alban Vineyards, Dehlinger, Pisoni Vineyards, Peay, and Donelan, among others.  

I certainly put a lot of attention to my Syrahs. I used my most expensive barrels on my Cattleya from the Soberanes Vineyard and treat the wine the same way I would treat, for example, a Cabernet Sauvignon from Napa Valley. I tend to do very slow fermentations for a long period of time in tank, then age in barrel between 15 and 24 months. 

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

BR: The 2018 Cattleya The Initiation Syrah from the Soberanes Vineyard in Santa Lucia Highlands. I just tasted that wine today before pulling out of barrel for bottling. I decided for this specific vintage to leave the wine in barrel for 22 months. I loved what that extra aging did for the wine. It is a 100 percent French new oak barrel-aging, and the wine is just delicious. It will be about 85 cases total production only, but I do believe the wine is going to reach a beautiful point in 10 years from now. I was so excited about the taste of the wine that I called my grower to tell him how beautiful it was tasting, and of course, to thank him for his hard work. (He happens to be my brother-in-law, Mark Pisoni.) 

JB: Where is your go-to place when you want to have a glass or bottle?

BR: If we have time to escape for a date, I love to go to San Francisco. The city is a place where my husband, Jeff, and I love to go for special meals. There are just so many remarkable wine lists that have everything you want. We love finding white Burgundy gems on wine lists, from small producers that always excel at their craft and Rhône Valley wines with some age on them. Boulevard Restaurant is one of these spots I have always loved, for food and wine. Their list is phenomenal. 

Locally, we enjoy going to a great restaurant called Bird & The Bottle. They have a lot of great dishes and my kids are big fans of their sliders. They also carry the Alma de Cattleya Sauvignon Blanc by the glass, so that often becomes our selection for lunch or dinner.

Rave, whose wines I want more people to know about and taste, holds Syrah in high esteem.

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

BR: Purity. I believe that even when consumers tell me that they don’t know about wine, or that they are not wine connoisseurs, our bodies always can sense purity in food and wine. So, when you find wines that are intense on the aromatics and with a refined texture, with volume and velvety tannins, then you have found something special. 

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

BR: 1994 Domaine Romanée Conti, La Tâche

I tasted that wine in 2004, just before departing France to come to California for my first harvest in the United States. The wine already had 20 years of age, and it was just brilliant. I was speechless, having one of those moments you rarely get with wine, when the world disappears around you and all you hear, think, and see is the image of the wine going through the process of being smelled, tasted and consumed. It was the first time I drank Pinot Noir that made me want to produce wines from that varietal, and here we go. California became that place for me. 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

BR: The way I got accepted into my first school in France was both pivotal for my career, and very strange in the way it happened. All my initial mailed enrollment applications from Colombia were rejected (11 of them, since I wrote to all 11 schools in France that focus on the BTS of Viticulture and Enology), so I decided to just visit the schools in person. When I arrived at the first school, near Cognac, I met with the school’s principal. He spoke only French, and I spoke only Spanish —yet, somehow, we carried on a conversation for more than an hour!

When he said “Tractor” I was very excited, because Tractor sounds the same in French and Spanish. At the end of our conversation I left convinced that The Lycée of L’Oisellerie would become my new school for the first few years of my education in France. A month later I got a call and the confirmation that I was enrolled in the program I never knew for sure how it worked, but I assumed it was my passion and persistence that convinced him, that and the belief that it was just meant to be.

It’s all about Sancerre …

JB: What is your favorite wine reference in a work of literature or a film?

BR: Sancerre in the book “Fifty Shades of Gray.” I heard from so many people that Sancerre has become their favorite wine after they read the book or watched the movie. Cool to see that Sauvignon Blanc could become popular after being referenced that way. 

Want More Wine? Read On:

Michael Kennedy Talks Sailing and Zinfandel
Spain Opened the World of Wine for Spottswoode’s Aron Weinkauf
Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

Aron Weinkauf has been a part of Spottswoode since 2006.

Spottswoode’s Aron Weinkauf Has Spain To Thank for His Life in Wine

June 23, 2020 / / 0 Comments

I love to talk about wine with people who share my passion for it. We open bottles, we trade stories about travel and soil types, terroir and residual sugar, and we talk of taste and food and restaurants. We recommend wines to one another, we drink, and we learn a lot.

In Wine Talk, I introduce you to friends, acquaintances, and people I meet as I make my way around the world, individuals who love wine as much as I do, who live to taste, who farm and make wine. You’ll appreciate their insight, and I hope you’ll learn something from them as well. 

The COVID-19 pandemic has put me behind in meeting new people in person. Fellow writers, cooks and chefs, sommeliers, and, of course, winemakers. Aron Weinkauf (oh yes, he definitely has an appropriate family name!) is one of the individuals I look forward to meeting when next we are in Napa, and he’s the star of the latest Wine Talk.

Weinkauf is both vineyard manager and winemaker at the storied Spottswoode estate, whose team he joined in 2006 (as assistant winemaker). He is only the fifth head winemaker in Spottswoode’s history.

Weinkauf grew up in Nevada, where his family tended a vegetable garden (organic at that) and raised a variety of animals, including pigs, chickens, and horses. He went to school at Berry College, where he studied Spanish, a major that, though he did not know it at the time, put him on the road a career in wine.

During his junior and senior years at Berry, Weinkauf studied in Spain, where he learned to appreciate a glass of wine at meals. While working as a teacher after college, he volunteered at a winery in Nevada, and fell in love with the processes of growing grapes and making wine. Fresno State University was his next stop.

At the California school, Weinkauf, who was born in 1976, studied viticulture and enology, and he worked as an assistant winemaker at Ficklin Vineyards (which happens to be America’s oldest Port winery) while attending Fresno State. A stint at Paul Hobbs Winery was next.

And then came Spottswoode. Weinkauf oversees the estate’s 24 blocks, making some excellent Cabernet Sauvignon and Sauvignon Blanc — if you have not had the pleasure of tasting these wines, do something to change that. He also makes a Syrah, from Sonoma County fruit.

Let’s see what Weinkauf has to say …

Aron Weinkauf with Panda and Cachou: Every estate needs a dog or two.

James Brock: Tell us about three wines you think are drinking well at the moment. What makes them worthwhile? How about a food pairing for each one?

Aron Weinkauf: First, if you can still find a 2012 Spottswoode Sauvignon Blanc, try it. One doesn’t age Sauvignon Blanc that often, but I really love ours with a little age on it. They can be so nuanced and yet still so fresh and youthful. You can get current vintages and try them young and try and age one if you can. My wife makes a salad with grapefruit, lettuce, shallots, a mustard dressing, and then crab or abalone (or any fish/shellfish), that is pretty awesome with it. 

Next, a Keller or Emmerich Knoll Riesling (Trocken) with some Thai or southeast-Asian stir fry.  

Drink this wine, says Weinkauf: Good things come from Weingut Knoll. (Courtesy The Source)

You can get the above bottles online, or ask at your wine shop; the Spottswoode can be ordered directly from us. 

I am very anxious to try a few more Priorat wines, too. I just had one and was amazed. The overripe, jammy versions of the 90’s seem to have made way for some really beautiful, balanced styles now. I want to see if that is true. 

Finally, I would also get a bottle of the Spottswoode’s 2016 or 2014 Estate Cab. Both are exceptional vintages and in very good shape, in youthful places. The 2017 is also great, yet one is rewarded by drinking Cabernets with a little more age on them.   

Weinkauf likes birth-year wines, and this one, from Heitz Cellar (1976), is on his list.

JB: If cost was no consideration, tell us the one bottle you would add to your personal collection, and why?

AW: I’m a big fan of birth-year wines. It’s so special to open up those bottles to celebrate with friends and loved ones. For myself, a ’76 Heitz Martha’s or Fay. 1977 Taylor’s Port for my wife. My brother’s and sister’s years are still around, too.  I guess I’m lucky in that most are not considered amazing vintages in general, so hunting them can be more affordable. 

Aron Weinkauf wants you to know the stories behind the wines you buy and drink, including those of the people who make it and the places from which it comes. (Courtesy Spottswoode)

JB: What is your favorite grape, and why?

AW: I would say Cabernet Sauvignon. I work with it, always getting to know it more, and love how it grows in the vineyard.  It has a health, structure, and balance in the vineyard, and I see so many of its physical traits in the wines it becomes. We don’t always see how dynamic it can be, but it can be very much so, though always with a more tannic edge.

JB: How about one bottle that our readers should buy now to cellar for 10 years, to celebrate a birth, anniversary, or other red-letter day? 

AW: Without a doubt I have to say Spottswoode Estate Cab. It’s from a special place, will age beautifully, and I’m proud of what we make. 

Buy this, and let it age.

JB: Where is your go-to place when you want to have a glass or bottle (outside your home and workplace)?

AW: At one point in time I would have told you Willi’s Wine Bar in Santa Rosa. It burned in the Tubbs Fire of 2017, and I now have two young kids, so if not work or home, going out is probably only going to happen with family or at a friend’s … and now socially distanced. (Note: Willi’s Wine Bar reopened, in a new location, in 2019.)

JB: If there was one thing you wish everyone would keep in mind when buying and drinking wine, what is it?

AW: Now more than ever, I wish people would know the story behind anything they purchase. Who owns it, how it’s made, farming practices, the effort, labor, and passion that has or has not gone into what you’re buying. There are real people behind each — where we choose to spend our money is how we pick whom we are supporting.  

JB: What is your “wine eureka moment,” the incident/taste/encounter that put you and wine on an intimate plane forever?

AW: I was lucky enough to have studied in Spain. It was my first introduction to wine at the dinner table, and I loved it. I was lucky, too, that Spain makes some great wines and the people I was with would open good ones. Nothing collectible, just good table wine. 

JB:What has been the strangest moment or incident involving wine that you have experienced in your career?

AW: The making of the 2017 vintage wines. The heat spikes of 2017 were so extreme … we hadn’t seen anything like it, and every day brought something new and peculiar. And then to have the vintage punctuated by all of the fires … It was a wild ride for sure. 

Jawohl, Herr Goethe, life is too short to drink bad wine. (Johann Heinrich Wilhelm Tischbein, Goethe in der roemischen Campagna)

JB: What is your favorite wine reference in a work of literature or a film?

AW: There is a quote that I think Tony Soter mentioned to me, but many have heard it: “In winemaking we are all interventionalists, otherwise we’d be making vinegar.”

 On a truer literary basis, I must admit, an immediate reference did not come to mind.  So, I looked up a few things and followed those wormholes a bit.  

From Goethe’s play Götz von Berlichingen: “Wine rejoices the heart of man and joy is the mother of all virtues. ”

And from Groucho Marx: “I shall drink no wine before its time! OK, it’s time!” (I know, a little cliché, but I did have to look this up quickly. )

Want More Wine? Read On:

Alta Colina’s Molly Lonborg Wants a Bottle of Château Rayas
Mumm Napa’s Tami Lotz Talks Wine and Oysters
James MacPhail on Pinot Noir, White Burgundy, and Russell Crowe
A Very Proper Sparkling Wine
Talking With David Ramey
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Reisling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

The Petaluma Gap AVA was born on December 7, 2017. (Courtesy Petaluma Gap Winegrowers Alliance)

Welcome to the World, Petaluma Gap AVA!

December 20, 2017 / / 0 Comments

It happened earlier this month, and in celebration of the event I opened a bottle of Pfendler Chardonnay, an appropriate and worthy choice. I’m talking about the official recognition of the Petaluma Gap American Viticultural Area (AVA), and the people who’ve spearheaded the move deserve a round of applause. (For those of you who don’t know what an AVA is, click here.)

The Petaluma Gap AVA comprises 4,000 acres of vineyards and 200,000 acres of land; 75 percent of those vines produce Pinot Noir, while Syrah and Chardonnay make up most of the remaining plantings (other grape varieties come in at less than 1 percent of the total in the AVA). The area is known for the wind and fog that visit it daily, and generally slower ripening times, which can result in the development of some fine flavors and the preservation of natural acidity, something good for everyone.

Eighty or so winegrowers, along with nine wineries, call the AVA home, and one of them is Pfendler Vineyards, the producer of the bottle I opened to celebrate the AVA’s birth. Kimberly Pfendler, the founder of the winery, sent me some thoughts about the recognition of the area:

I’ve long called the Petaluma Gap the most exciting emerging wine region in California, and the AVA recognition is a big step towards building awareness for our wines. My late-husband Peter Pfendler was one of the original pioneers of the Petaluma Gap, and began planning grapes here as early as 1992 and was the first to plant what is now known as the Gap’s Crown. Unfortunately, our signature fog and wind, which make the Petaluma Gap so interesting, were not a good fit for the Cabernet vines he planted. When I started Pfendler Vineyards 10 years ago I made it our goal to capture the Petaluma Gap’s distinct cool climate in elegant-style Chardonnay and Pinot Noir wines. We farm three estate vineyards on the western slopes of Sonoma Mountain. The combination of sun and fog results in wines with beautiful freshness and layers of nuanced flavors. 

Pfendler Vineyards, the source of some very good Chardonnay and Pinot Noir. (Courtesy Pfendler Vineyards)

Pfendler is right about the flavors and freshness; the celebratory Chardonnay I tasted, the 2015 vintage ($38, 14.3 percent alcohol, 400 cases, Clone 4 and Hyde-Wente) is a fetching golden yellow in hue, and offers a bouquet of bright apple and gentle spice. Peach, lemon, and a slight toasty quality round out the taste. The aforementioned acidity is satisfyingly present, leading to a balanced finish. Drink this with a good cheese, say, a Camembert or an aged Cheddar, or pair with crab cakes, as I did.

Up next, tasting the 2015 Pinot Noir from Pfendler.

Want more wine? Check out these pieces:

The Perfect White Wine For Your Holiday Festivities
A California Cab Made By an Englishman
Peat is Neat
Distinctive Whisky Enters a New Era
A Whisky Legend Visits Houston
A Rare Cask, Indeed
Austin Whisky, Strange Name
A Merlot That Your Snob Friend Will Love
French Couple Make a Sauvignon Blanc in California
A Perfect Afternoon Chardonnay
Terry Theise Talks Riesling
A New Wine Wonderland
Paris Wine Goddess Tells All
Rice Village Wine Bar Has a Cleveland Touch
A Texas White Blend for Your Table
A Pinot Noir Full of Flavor
This Pinot Gris From Oregon Pairs Well With Cheese
Willamette, Dammit!
A Value Rioja
Drink Pink!
Underbelly Veteran Goes for Grenache
A Man of Letters and Wine
Ms. Champagne Wants a Nebuchadnezzar
The Wine Artist Goes for Chardonnay
This American Loves Spain and Its Wines
Houston’s Wine Whisperer Has a Soft Touch
Blackberry Farm’s Somm Pours in Splendor
Mr. Pinot Noir: Donald Patz of Patz & Hall
A Cork Dork Wants to Spend More Time in Tuscany
Sommelier Turned Restaurateur Daringly Goes Greek
Texas Master Sommelier Debunks Wine Geeks
A Bottle From Gigondas Changed This Houston Man’s Life
Oil Man Falls in Love, and the Rest is Good-Taste History
Ryan Cooper of Camerata is a Riesling Man
Mixing It Up With Jeremy Parzen, an Ambassador of Italy
Sommelier at One of Houston’s Top Wine Bars Loves Underdogs

A horse tale (and Max produces some fine pasta)

January 25, 2013 / / 1 Comment

I enjoy teaching others to cook, and showing them that learning a few things culinary is well worth the time it takes to do so.

I’ve been cooking a lot in Gudrun’s kitchen this month, and it’s been fun showing Max the ropes, especially making pasta.

Last week we went to the Saturday market and I bought a nice foal steak and some horse sausage, and they became a wonderful ragù. It was cooked low and slow, for seven or eight hours. I started it on Saturday evening, and on Sunday Max and I got together and made pasta. I put him in charge, and he did a fine job … it was his second batch, and I do believe he could produce some good pasta in any kitchen.

We made vanilla panna cotta for dessert, Holger opened a Syrah, and Sunday evening in Kaiserslautern was delicious.

This slideshow requires JavaScript.

© 2024 Mise en Place

Theme by Anders Noren — Up ↑